INSCOM GRILL FLAME PROGRAM SESSION REPORT

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000601030001-2
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 18
• Document Creation Date: November 4, 2016
• Document Release Date: June 11, 1998
• Sequence Number: 1
• Publication Date: March 31, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL78
REVIEW ON:
NOT RELEASABLE TO FOREIGN NATIONALS
ORCON
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 882
1. (S/NOFORN) This report documents a remote viewing session
conducted in compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target
are provided as raw intelligence data, and as such, have not
been subjected to any intermediate analysis, evaluation or
collation. Interpretation and use of the information provided
is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed
in the document GRILL FLAME Protocol, AMSAA Applied Remote
Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings and narrative provided by the remote viewer. At
TAB B is target cuing information furnished the remote viewer.
NOT RELEASABLE TO FOREIGN NATIONALS
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TRANSCRIPT
REMOTE VIEWING SESSION 882
#66: This will be a remote viewing session for 0900
hours, 31 March 1982.
Following is a presession briefing to the remote
viewer. At this time I show you photographs
of two individuals that were reportedly involved
in an incident concerning the bunker, which you
have referenced previously on this project.
Today's task will be to focus your attention on
the female in the picture. To describqkAer present
place of employment and her present ogresidence.
And, by present I want you to understand that I'm
not referring to this instant. For example, if
in this instant she happens to be riding on a street
in a car, that is not the particular instant I'm
interested in. I'm interested in, gesftAically
speaking, what is her present residence; what is her
present place of employment. Do you have any questions
concerning your task for this morning?
#01: No.
#66: All right. Fine. You now have approximately 20
minutes in which to prepare yourself for this morning's
task,
PAUSE
#66: Relax now, focus your attention on the individual
in the photograph I have shown you. Focus now on
the individual in the photograph I have shown you.
Focus...on her place of employment. Focus now and
describe your perceptions to me.
#01: Just a minute.
PAUSE
#01: (Mumble)
#66: Break it out.
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#01: Coffee cups, plates, vases, glass, glitter
small.
#66: Okay. Focus on the place of employment of the
individual in the photograph I have shown you and
describe this place to me. Moving from the larger
to the smaller describe the larger outside per-
spective...move to the inner, more detailed,
description.
PAUSE
#01: Large squares of concrete adjacent to a place of
green...many trees...place is...some kind of light,
light bulbs...all type bulbs.
#66: Approach the desired area and describe your approach
to me.
#01: miwilig.mulL into a horseshoe; Just a minute.
#66: That's fine. Look oblique up and describe. As
you approach look oblique and up and describe.
#01: Multiple roofs or ledges, glass walls...
#66: Now straight ahead.
#01: Doors. It's like split-level doors. Some up, Some
donw.
#66: Ground level now...get to the ground level...put
you at ground level.
#01:
#66: All right. Now, look over your left arm.
#01: End of the building shaped like a bust.
#66: Look up.
#01: Glass see people behind glass.
#66: Straight up.
#01: Sky.
#66: Behind. 2
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#01: Traffic flow like in a old church
old stone.
#66: Move into the traffic and look back at the area
and describe it to me.
#01: It's a oide_tunnel;?wrde tunnel walkinto and under
a horseshoe of some kind of buildings.
#66: Yes. I understand very well. I understand very
well. Move now into that horseshoe walk. Move down,
search out the individual in the photograph at her
place of employment and describe particularly as
you go now down into,under,through the horseshoe
into the tunnel searching out...describe her place
of employment to me.
#01: It's like a rosette type of demo (phonetic) 45 degree
angle over door...vertical stripes...light, light car.
#66: Okay. Move through and describe the area to the
other side of the door (phonetic).
#01: Shelves..A, large A, see end in the shelves is an
A..flat glass...a lot of flower print.
#66:
All right, stop.Scan the area and describe the
atmosphere that you perceive.
#01: O. A lot of kitchen things.
ot of (mumble) and glass.
#66: All right. Move back out the door to the outside
of this place. Place your back to the door
looking away from this place and describe.
#01: 1,1nolarneath
#66: All right. Move up and down through the covered
part and describe.. ..... rephrase....scan up and
down through the covered part and describe the
atmosphere of the place to me.
#01:
It's alti=7Trutarg7.11.64
What goes on in this specifica?
Ttores...can onfrw
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#66: All right. Stop. Describe the larger building
with which this is associated.
#01: Get a horseshoe shape then to the left
some kind of electronics...very large electronics..
place.
#66: Okay. Let me see if I can guide you a little bit
so that I can understand your perspective. Moving
outside of the selling place, out, backing out the
covered area....
#01: Bright sun...
#66: Fine. Moving back, further up oblique 10 feet,
20 feet, 30 feet, 40 feet, 50 feet, stop
describe.
#01: Get a large horseshoe curve to the left.
#66: Is this a vertical or horizontal pattern?
#01: Horizontal.
#66: All right. Describe the structure of the area
which you have just left.
#01: Prestoned (phonetic)
#66: Back up to 500 feet oblique and away.
#01: -A=4ie*M11. ories4 split level, roof is flat to one
Si 'e.
#66: Scan this multi-level building ...describe what goes
on in there.
#01: .upper level is street side, split level is
er?walk side connected to a large, flat, square
building de ment store_..jceep getting an impression
water to thriqht..like river.
#66: Okay. Okay. Let's confirm the building. The larger
building that is adjacent to or connected with the
shopping area you explored, scan the interior of
the building and report your perceptions.
4
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#01: It's like a Sears and Roebuck feeling...two floors
only it has a ...just a minute
I get a feeling of grocery store too
mix.
#66: Okay. Let's go to the roof of the building then
standing on the building, plant yourself there,
no winking, 360 degree scan, tell me the significant
feature.
#01:
#66:
#01:
north.
I will wait.
Due north...center of building faces*gray
lane, jilue hi hwa ...45 degrees is center...
ui dings.
#66: Okay. I'm not interested in the continuous 360
degree scan. You scan it and then only report
to me the ultimate significant feature that is
important.
#01: Some kind of
tA7,ttaj2,
from rear right, then rear left.
ding
#66: All right. You can draw that for me. Okay, from
the roof top of this building let's take the jump
now to the place of residence jump from this
place to the place of residence. I will wait.
#01: Keep getting a projection, flat projection roof
project of some kind. Just a minute.
#66: I will wait. Focusing now on the individual in the
photograph I have given you, move to the present
residence and describe it to me.
PAUSE
#01: Just get this strange roof projection and open
alley type courtyard with white vehicles....to the
left of the doorway.... Many, many old fashioned
barrels stacked everywhere. Green, green corridor
..single step vibs (phonetic).
#66: Stop. Let us change the cuing identification to the
place where she lives. Focus your attention now on
the individual in the photograph I have given you and
describe the place where she lives.
5
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#01: Gray, uampapartwoit
#66: Size
#01: Four-story with sort of a matt finish to the
exterior.....i ediately across the street from,
a square r..aff c circle with park, flowers in
tn-AinTe. Get an 8-pointed star pattern in the
center.
#66: All right. From 500 feet down at this place describe
the surrounding area.
#01: See 3-sets parallel roads...first set at 00 degrees,
second set 120 degrees, third set 240.
#66: Okay. Look straight down now at the building and
describe the area immediately around it.
#01: Just many apartment buildings.
#66: All right. Similar or (mumble)
#01: Some are...an iron gate on the left side of parallel
road north...no buildings there, just trees.
#66: One last u -vectorAzimuth in distance from
this oca ion to employment ToCaTonl----
#01: This location's...295 degrees, 3 kilometers
from t lace of?WMIrroyment. TMT?Oltern ot four
wait something to do with a pattern of four
turn circle roads...like diamond shape.
#66: All right. I have no further questions concerning
today's project; however, I would like to provide
you the opportunity to go beyond my questions to
extend your perspective beyond the confines of
my questions and address the problem directly. Do
so now,
PAUSE
#01: Get an ression the city is known for its
c s, music...prese 'day music. r also get an
-11Trpre-s-ston the residence is very close to a tram
station or a stati,on, but it's not"rnrnin
orr--ukTfts e sma 1 One'. ?TR-a-es aTTI-get.
6
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#66: All right. Do you have an affinity for this city
in comparison with the city area you described
previously in this project?
#01: This is not the same. This city's much smaller.
This city is like population 100, 125 thousand
previous city is perhaps 1.5 million
#66: Okay. I have no further questions. Remembering
now your perceptions perfectly, clearly let's
prepare to draw.
(SEE DRAWING NARRATIVE AT TAB A)
7
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TAB J
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REMOTE VIEWING SESSION 882
(DRAWING NARRATIVE)
#01: Okay. On my drawings...let me put in this one
word here. Okay. I got a feeling like...
Well, on page 1. This is a drawing of the under-
ground area like. And, what it is is it's a walkway
that goes down under some arched areas of stores and
also an exterior walkway that_rolls around behind the
building in the sun. I believe on the other side
there's also a split level...I labeled split level
entrances...to other store off the main street.
This very large....the place of her employment is up
underneath this very large, modern store which is
like ...very much like a Sears and Roebuck and a
Giant supermarket mixed. The unique thing about
these walkways and everything...you could drive a car
down them, but you're not allowed to. You are only
allowed to walk down them. To the rear is a parking lot
area that is accessible to the main road which I have
labeled. And, then there's a whole bunch of other
stores I've drawn in here, and there's a canal or
river down the back side.
Page 2. I've drawn what I believe to be possible
north and put in an arrow that indicates the center
of the town. I've labeled A as the modern arch build-
ing. B is the old modernized buildings which are
attached. C is a parking lot accessible from the
main highway. D is an old stone building which is
possible a church directly across the street. It's
like on a triangular piece of land. Canal or river
is marked. There is a whole lot of other stores on
both sides of this particular area, and only on the
one side which is towards the west does the ground
bank down behind these stores. So, they're only
accessible from the street, but the stores to the
east are accessible from both areas the canal
area as well as the, you know the walkway along the
canal, as well as the main street area.
Page 3 is the drawing of the circular square as I
call it...road, center road...what I had called a
square traffic circle. In the center is some kind
of a pattern. I don't know if its done in piles
or statues or what it is, but there's an 8-pointed
star pattern with blunt ends with a circle in the
center surrounded by hedges. And, all the cars
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are parked parallel parked in an angle along one side
directly in front of residence apartments '4...and
there's all nothing but apartments in the rest of
the area, except on the left side of the drawing
there's a wrought iron fence and behind that are trees
and that road is also a down-hill road which I
indicated downhill
And, page 4 is just kind of an outline of what we'll
call city outline, and on it is indicated A, B, and C
A-being the exact center of the city, B being the place
of employment in relationship to that center of the
city, and C being a place of residence in relationship
to the center of the city and place of employment.
And, that's about it.
#66: Okay. How do you feel about the imagery you had
today?
#01: I feel pretty good. I can't help but feel that there's
something screwy about this underground thing here.
You know, it's possible that this is all inter-connected
to the whole ...another series of buildings, and that
I'm missing those buildings. But, I tried to depict
the underground portion as best as I could. It actually
comes down, runs along a series of small shops and
stores on the left side. Goes completely up under
this main building underneath there's this main
department store type building...it's a grocery store
and a whole bunch of other kinds of stores, and then
it's like they capped the whole thing with this huge
department store type building. But, there's definitely
a canal or river behind it of some sort. That's all
I got.
#66: Okay. Fine.
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TAB
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SG1A
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