TRANSCRIPT REMOTE VIEWING SESSION DC-34

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000500710001-9
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 19
• Document Creation Date: November 4, 2016
• Document Release Date: June 15, 1998
• Sequence Number: 1
• Publication Date: December 5, 1980
• Content Type: REPORT

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NOT REL
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
DATES: 051630ZJUL78
FoRrli NATIONALS REVIEW ON:
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DC-34
1. (S/NOFORN) This report documents a remote viewing session conducted in
compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target are provided as
raw intelligence data, and, as such, have not been subjected to any intermediate
analysis, evaluation or collation. Interpretation and use of the information
provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
NOT RELEAS
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TIME
TRANSCRIPT
REMOTE V IEWINS (RV) SESSION DC-34
#14: This will be a remote viewing session for 5 December 1980.
Mission time is 1400 hours.
Test.
All right #10.5, the time is now 1400 hours. Your mission
for this aftern000n is to locate the individual in the photo-
graph that you have. I want you now to relax, concentrate,
focus your attention. Find the individual in the photo.
Describe his surroundings to me.
PAUSE
+05 #10.5: Um (mumbling) Interior with a, uh...table, a, uh...
?cabinet, a, uh...two, uh...file cabinets that were out in the
floor...interior...and there was a underhang....building with
arches on the bottom, arches on it...about seven or eight
arches, sort of a large building...underhang
He is, um see him talking and gesticulating....
He's, uh...a little excited... I think he's a little aggra-
+10 vated... He's talking to a a bureaucrat waving
arms for emphasis I think he's...had the thought that
he is...set up his base... The, uh...he feels stable, he's..
more stable now than before. He is, uh, set up his...base
of OPS and the, uh...funny industrial type of window and...
like before is there....still there. The window feeling is
definite flavor of where he stays now Give me a
minute to lock in on him
Yes, he is more definitely more stable now that I see him.
It's as though he is a....talking at a counter with a person,
service person in some sort of a iministry;,bureaucratic minis-
tries?contacted this person, who is a...standing with the
counter between him and...he's trying to get arrange some-
thing. He's got a briefcase that was on the counter between
them and he's attempting to exact some agreement from the
beaurocrat, and he is like. ..aggravated, slightly frustrated
because this is a run-around situation. In describing he,
uh, has satisfied the man...but the man is not the right man...
entirely, so he has closed his briefcase and he feels slightly
accomplished.
The man...appears balding, older, same height, but soft, a
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#10.5: little on the flabby side, a white shirt with no tie, open at
the collar. He resembles more a shopkeeper than a bureaucrat,
but...at first I thought he was like a travel agent...because
+15 the feeling was something to do with travel...arranging travel
for himself or someone else. When I first came to this scene
it was like a...visa problem or some such...
#14: All right, #10.5. I now want you to move forward through
time 24 hours, and I want you to move through time slowly,
describing any significant activities or events surrounding
this individual. I want you now to move forward in time
through 6 December 1980
#10.5: A street in a downtown area...running along a sidewalk caking...
carrying his satchel, his briefcase...like he's running for...
catching something like a bus or something...in somewhat of
a hurry...dodging cars.... He's walking fast, he's
entering the building that is in...sort of, uh, modern...
glass swinging door...front... When he enters this building,
he...goes upstairs on the side to the left *Gonna break
loose 'n scan...wait for something...
PAUSE
Corridor type building, talking to another...at a desk, like
+20 leaning over... Stronger feeling of success here. I hear
him saying "Good..4feeling good, that's good, that's good.".
Feeling of accomplishment at this other place
Let me drift some more
I have a night feeling. It's out, uh.,.lot of lights...
metropolitan nighttime...feeling like he's out on the town...
walking along, hand in coat pocket like it might be a little
cold. Not icy cold, but a little cold, so that his regular
suit, it's like he has his collar turned Up on the suit jac-
ket, hands in the square pockets in the sides, smoking...
He's Me out on the town like... When I first came into
the feeling it was one of like a little celebration for his
success. I'll break loose 'n scan
+25 He sleeps alone...sort of a large bed...like a...a middle
class motel in a foreign country...good size room. Feeling
that he gets up suddenly 'cause he...almost everslept
Some reasbn he's dressing differently today, and he's...
taking more concern with his appearance.,.coat and tie...
Before it was as though he...few times I saw him it seemed
like he had no coat, and like his tie was pulled down like
at the end of a long day
Most important day, for today is this meeting...he has a
meeting...
#14: Tell me about this meeting
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#10.5: He meets a man in a park area...in off the street. It's
sort of a familiar place to me.......
A man wears a dark coat.... They walk up, he meets him,
they shake hands and he turns to walk and...like with little
bushes all around and some trees in the background. And the
man reaches in his coat pocket, le- left...pulls out what
looked like just one sheet of paper folded...longwise...and
gives it to him... They're up close, like elbow to elbow
I'm tryin' to find out what they discuss... This fleeting,
"Yes, this will do fine" The flavor of this is as
though it is a.,.liason activity here. The flavor is as
though they are both...not afraid to be together...
They walk and...their relationship is as though the...younger
man is...learning frem the older, little shorter man, not
much, little, who walks his hands behind his back, professor-
ial manner. The man on the right, the young man walks with
his left hand behind him and.it...right hand carrying his
satthel...looking at him, and looking to the left to the older
+30 guy who is like teaching him, he's...discussing a deep...like
political or intentions. But he's not an insider, he's more
like giving an analysis of his. ..from a distance. Saying
things like "No, they would never do that."
Earlier in the session 14 earlier in the meeting the word
tanks...tanks...came to mind
He has received the paper....that the other man had prepared
for him... There was some hard data, and he is talking to him
further...for verbal data...almost conversational I'm
going to let go and drift
+35 Now I see him.... He lifts a larger case...larger case, like
a-suitcase... I saw a suitcase and he, uh....places it on a
counter... It's high, unusually high, like at...chest level
....like it's the only place to get something out....he lifts
it up there and opens it and...rummages in it... He's now
inside a structure...and he is alone...
(Mumbling)
PAUSE
??
#14: Is there anything else you'd like to add-before I move you
forward again in time?
#10.5: Go ahead.
#14: All right. At this time I want you to move from your point
in time, the 6th of December. I want you to move from the
6th, 24 hours through the 7th of December, describing as you
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#14: go on any significant activities or events surrounding the
individual in the photograph. And while you're doing that
I'll change the tape here so we won't have to do it in a
while
Okay, we're back on the air again.
PAUSE
+40 #10.5: See a sort of large building again...with funny indenta-
tion in front of it... Like it's sort of a modern condo or
apartment complex
Get this feeling of a man climbing stairs....a long ramp of
nice, polished, white marble. stairs and the feeling I'm in
a sort of a courthouse or a, uh...place like that... He
comes up the stairs to the right and he's on the second
floor. He swings around and he goes down the hall
think this is his...yeah, he goes down the hall. This is
where he was before....the other place with the stairwell on
the left. This must be where he sleeps or something or
his room...second floor....dowp the hall...right side
That's his room, okay, he's gone back a room. I see him use
the key to get in and everything like it was his room
Tooks off coat, tie, shoes, flops down in a nice overstuffed
chair, puts his feet up on a table and he's...looks like he's
reading what he got and everything like he's reading
what he got and doing some notes, like he's over...after his
meeting he's workin' over things. I don't know what...I
don't know if the meeting was yesterday or if I...moved that
into today
I'm getting the feeling that the next significant activity....
I got a feeling that he's done...like significant activity is
getting outta here...wherever he is, but that he's got six
or eight hours, enough to sleep, you know, and...or something,
take a nap, rest, do some piddly stuff, but...the next main
thing?be's gotta do is get outta here and he shouldn't have
+50 any trouble with that because the hassle...earlier is taken
care of so it's all...ironed,i out now and he'll be able to
get outta here. And as I'm saying these things I'm seeing
him with two gray brown suitcases with the. dimpled finishes
on 'em. And, uh, he seemed like taking them, picking them up
and going out, like he's leaving now, he has his suitcases
and he's going
(Mumbling)... Getting a little nervous now, he's...just a
little nervous now, he's like straightening his tie and
walking around and he's, keeps carrying a little...the little
suitcase or something like about a little suitcase or like
about a oversized briefcase. He's, you know, like standing
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#10.5: and waiting and like he's straightening. his jacket and like
he's in a place that's sorts big and he's got big windows
along the side. He's little pacing and he's...doesn't watch
out he'll get picked up, he's sorta like walking around and...
nervously...it's on the left is the windows and on the right
there are no other people here. It's a long place and wide
like and airport would be...long counters on the right side...
He's like checked in and everything
Now I got him like in a, uh, round, circular airplane pattern,
cabin. He's sitting about two rows back...right hand side,
tourist, middle or window seat. There's a long stretch of
seats behind him where people are, and stewardess welkin'
around. Feeling of a little, you know, little isle and all
-
that kinda good stuff Reading newspaper...
feeling contented now
Large rock protruding out of the water
That's all I got #14.
#14: Okay, I have'no further queStions at this time. I want you
now to turn around and come back to present time...come back
to 5 December 1980, the time is now 1500 hours. I want you
now to take a deep breath, stretch your art's, stretch your
legs
All right, we're now ready for debrief. I want you to give
us a little dissertation on each sketch that you've made.
#10.5: Well, first sketch, sketch,#1 I believe is a part of sketch #2,
uh, in which is the beaurocratic hassle scenario. And I
think that it's to the right of sketch 2, desk, wall cabinet,
window in the background, uh, some, uh, filing cabinet type
things. Then I tried to focus on our man, whoever he is,
and I got this feeling of this gesticulation and, uh, sort of
petty aggravation and hassling with some small beaurocrat
about something at a counter. Desks in the background, uh,
some sort of a public place, public functional office that
he had to go through this hassle. It was like a benchmark
that he had to go through, a, a...something that was important
that day although it did aggravate him. And he knew all about
it but still it was a pain in the butt. With the briefcase
sitting on the thing, on the counter, as though he had rifled
through there and gotten papers out to show to this beaurocrat
or something. And he finally got part of it done.
Then, I have not drawn a sketch, but the feeling from that
point on in time was movement down a busy city street, dodging
kamikaze taxis and things like that. Still in his shirt
sleeves, carrying this briefcase, went into another building,
uh, seemed to go upstairs somewhere and hassle with some per-
son sitting at a desk. And he felt like he had accomplished
something, like he had gone to the second place and he had
gotten everything taken care of.
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#10.5: Um, now 3 and 4 are actually two different places, I think.
Uh, I think that three is the place where he went to get his
feeling of satisfaction from this other petty bourgeois person
regarding this beaurocratic hassle. Walked in through the
front doors...guy angles left, went up the stairs and went
up onto the second floor. That's 3.
Then I had him like celebrating his minor beaurocratic success,
walking dow-, and it was dark, darkness, and neon lights, some
neon lights were on and looked like he was like downtown getting
stoned or something.
But then later on in the session I had him accessing what I
felt was his apartment or motel room or hotel room or something.
That's sketch 4. He enters this place, goes up the stairs
on theleft, swings around onto the second floor hallway follow-
ing the arrows, and ends up accessing that room with his key.
That's where I think he lived. I did not get a clear shot of
the front of that building. Three and four might be overlayed
on each other because of their similarity. What I mean is,
his building might look like 3. I don't know. I don't know
what I mean.
Uh, 5 is...5 is actually misplaced in sequence. I drew it
out of order. This was the large building with the multiple
arches and overhang that I mentioned in the very first part of
the session. And the significant thing on the second day when
our man got up, he sort of springs out of bed remembering
that he's got somethin' to do and that it would be nice to,
uh, sleep in but...he's.almost, he springs out of bed almost
panicked as though he thinks, you know how you think for a
moment you might have overslept?
So he, uh, the main thing for that day is that our man meets
another man...who is like older and professorial in...in, uh,
spirit, I guess you'd call it. And he meets him in a park,
which looked familiar tome. It looked familiar like in my
last session, like it may have been the park that...I put
this funny Oriental bell in. But it was a green space area
like that. They met, they walked up from opposite sides. He
was carrying a briefcase, and the other guy was not carrying
anything, and was like older, uh, little bit, you know, like
he was mid-fifties, and this guy is apparently late twenties.
Um...they walked up and greeted each other and turned to walk
the same way. The older guy in a dark Suit was walking with
like his hands behind his back...behind his back. But the
first thing they did, right after shaking hands and turning
away was he, the guy that was being met reached into his top
breast pocket inside, pulled out a long piece of paper and
handed it to the other guy, and .our guy took it and then there
were words like, um, something about tanks went through there.
And words similar, you know, I talked about 'em in the tape,
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#10.5: I can't remember what they were now. Uh, both were wearing
.business suit type situations. And then they strolled on as
though our man was maybe elliciting some information from
the other guy, as well as having gotten some hard data from
him. Uh, through the park. One guy
I think that's it.
After that I had the feeling of like movement again. Then
sort of spontaneously was him hefting up this larger bag,
like a large oversized briefcase, small, suitcase of a matched
set of two, up onto a large pedestal. Something up above
almost chest level so he could reach into it. Then I had him
like hefting two suitcases, I was definitely getting the old
mission completed flavor and that the guy was ready to split
outta town. Then I had, uh, the airport lobby type of place,
and then the airplane. Okay?
#14: Mm-hmm.
#10.5: Okay.., Relax and concentrate. (Hahahahaha) Okay, that's
all I have.
#14: All right.
#10.5: "MMC".
a-PT
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TARGET CUING INFORMATION
REMOTE V IEWING (RV) SESSION DC-34
1. (S/NOFORN) Prior to the start of this session the remote viewer was
shown the attached photograph. The viewer was told that his task was to find
the individual and describe his location and surroundings.
2. (S/NOFORN) During this session the viewer was directed to go forward in
time, through the 7th of December 1980 and describe any significant events or
activities surrounding the individual in the photo.
NOT RELEASAOLEETWO I NATIONALS
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