SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CD-89

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000300770001-5
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 16
• Document Creation Date: November 4, 2016
• Document Release Date: June 11, 1998
• Sequence Number: 1
• Publication Date: July 17, 1980
• Content Type: REPORT

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NOT RE8
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
I
CLASSIFIED BY:MSG ,DAMI-ISH
DATED: 051630Z3UL78
Uo,iFtEfN NATIONALS REVIEW ON:r akoweillo
fp, 4 ,? teia
'TRILL FLAME
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SG1A
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SUMMARY ANALYSIS
EMOTE VIEWING (RV) SESSION CD-69
SG1A
1. (S/NOFORN) This report documents a remote viewing session conducted in
"'Mance with a request for information on a target building
The mission was to describe the function of the building and deter-
mine the building security posture from 2400 to 0600 hours.
2. (S/NOFORN) The iec,tf viewer's impressions of the target are provided
as raw intelligence data and as such have not been subjected to any inter-
mediate analysis, evaluation or collation. Interpretation and use of the
information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during the
remote viewing session. At TAB A are drawings made by the remote viewer refer-
ence his impressions of the target site. At TAB B is target cuing information
provided the remote viewer.
NOT RELEtr& LE (TQ AAT IONALS
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-*Ime TRANSCRIPT
TIME
REMOTE VIEWING (RV) SESSION CD-89
#66: This will be a remote viewing session for 0900 hours,
17 July 1980.
PAUSE
#66: Relax and concentrate now. Relax and concentrate. Focus
your attention solely and completely on the building in the
photograph I have shown you. Focusing, focusing solely and
completely on the building in the photograph I have shown
you. As you concentrate on this building, move you awareness,
your focus, your perception to the building. Move now through
space and time to midnight tonight at the building in the
photograph I have shown you, and describe the target to me.
PAUSE
+03 #01: Dark wood doors. . . strips of. . . strips of glass. . .
a concrete overhang. . . short. . . recessed entrance doors.
Like a reception area on the interior. . . Very dark. . .
It's like, uh, abandoned. . .
+05 #01: Okay. Go back outside and tell me about activity on the
grounds outside the building.
PAUSE
#01: I don't, uh. . . I don't perceive any activity on the grounds.
Think there's activity in the building.
#66: Your first perception was that it was abandoned and now look-
ing for activity you perceive some activity in the building?
#01: Yes.
#66: Describe it to me, please.
#01: I see a. . .see people on a top floor. . .They're like a. . .
they're like a conference area, or a large, large conference
type room. I see a lot of windows in this room. And the
curtains are all open. I have a feeling like the lights are
all turned off.
#66: What is the activity you perceived?
#01: Very. . . very quiet, talking like, uh, almost whispered,
-very muted discussion of sorts, and, uh, some equipment.
These people are using some kind of equipment. And they're
clustered by windows. . . These are. . . these are people
that shouldn't be in the building, it's like they're, they're
moving around secretively, in the dark. They're using. . .
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#01: I keep seeing tubular type equipment mounted on, like very
short tripods, on a, a table top, or a desk top, or some
flat surface that's pushed against the window.
#66: Okay. We've focused now on midnight, I want you to move
from now, move through time, from now, and open your per-
spective up for the entire time period between midnight and
six the following morning. Scan that time area and report
the activities significant in that time area.
PAUSE
#01: I don't, uh, I don't see any different activity, they're just
whatever they're doing it's, uh, by these windows. Six o'clock
there seems to be, uh, I don't see them there at six. It's
like some time between, uh, four and five they pack everything
up and leave the, uh, leave the building. Closer to five
they leave the building.
#66: Holding you time focus perspective now, but expanding your
awareness to the entire building, and the ground surrounding
the building, I'm interested now in acquiring information
relative to guards, security, protection, this type of infor-
mation. Expand your awareness in the time period to cover
the entire building and the grounds around the building,
exploring thia avenue. Report your findings to me.
#01: I'm getting a. . . getting a really strange sensation, like
I'm, uh, like I'm looking at a tremendous amount of time
span or something. What I reported earlier, I feel like my
time, I'm slipping all over, like. I'm spread through a month
of days at midnight, or something like that. I get a--
#66: Are you saying that this activity has happened many nights,
rather than one night?
#01: It's either that or it's gonna happen, that I'm not, I'm not
zeroing right or something. I, I'm having, I see the people
and the activity in the building, but I get this tremendous
feeling that the building's abandoned, like it's completely
empty, and I'm having trouble pinpointing this event datewise,
it's like it's gonna happen, or it happened already, or it's
happened many nights, I don't know. I don't know how to ex-
plain that.
#66: Okay.
#01: I get a feeling like it's gonna happen. . . Aside from that
activity, the, I think the building is totally abandoned, it's
like it's empty, and, uh, it has furniture, but, and there's
things in drawers and stuff, but, it's like it's been abandoned
in a rapid manner, like. . . I get, I get a feeling that, uh,
there's a cursory type guard on the grounds.
#66: Explain cursory.
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#01: I'm getting flashes of a single guard, sometimes two, but
that may be his relief, and he's armed, and he's bored, and
he's sometimes on the ground floor interior, and sometimes
walking outside.
#66: All right. How does this guard relate to the activity which
you perceived on the upper floor?
#01: Totally disassociated.
#66: Is he aware of this activity?
#01: No. Totally unaware.
#66: Let us move now in time to daylight hours. Move to noon the
following day. Noon the following day. And describe the
building, the activity of the building at noon.
PAUSE
#01: I see a different group of people now. Not many, though,
it's like. . . less than ten. And on the ground floor, in
a large, large room left of the reception desk, or whatever
it is. . . good-looking furniture, like easy chairs and things,
carpeting. And they're sitting at, uh, desk or something that's
been pushed together, made like a large, large table top.
And they're reading papers or something. Going through
folders, reading papers. I'm having. . . I'm getting what
I don't think it's overlay, but. . . I'm having like this
deja vu feeling about way back when they first went to the
American Embassy, and they, and I was seeing a lot of folders
being gone through, some thrown on the floor, and some being
kept. And I'm getting that same, I feel like I'm seeing the
same scenes. But it's not an American building.
#66: What is the function of this building?
#01: I have this. . . The word embassy is screaming at me, but I
don't, it's not an embassy. I don't know, I get an embassy
function of some sort, but it's, it's not American. I don't
see any kind of a takeover or anything, just a. . dike it's
been abandoned, and they're going through it.
#66: Who's going through it?
#01: Iranians.
#66: And these are a different set of people than the ones you
saw during the, what you perceived to be the future midnight
hours?
#01: Right. It's like these have a function, they come in on a
daily basis, doing whatever they're doing with these files.
I had a different feel for the group of people in the mid-
night hours, they're like, uh. . .they're like a different. ? ?
different some way. I don't know, I don't know what way
they're different.
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#66: I have no further questions about this target area, but I'd
like to give you the opportunity to spend some time and
comment as you see fit.
#01: It's almost. . . the building's almost like it's original
intent has been abandoned. It's, what it's there for has
been abandoned, and there's now a duality type purpose
where two groups are using it, both, well, the nighttime
group is unknown to the daytime group. but now visa versa.
And functions are different. And I think the guard
also only knows of the daytime group. That's all I, I have
trouble with the, uh, locating the nighttime group, and
date, feel for date. It's like it hasn't happened yet. It's
very strange feeling, because that's the only event that's
gonna happen there, it's. . . I have trouble locating it
in time. That's all I get.
#66: All right, fine. Let's return your perceptions now to me
here, and let's prepare to draw the images you have.
#01: When I, uh, drawing one, when I first came on the building
here, the first impression I had was these twin wooden doors.
And they're like real old fashioned doors, but well finished.
See if I can get a, as representative a drawing here as I
possibly can. Felt like they had some glass sections, in
their upper portion. Reminded me a lot of the old English
country manor type doors. These elongated designs were the glass
windows. And the rest of it's like, uh, well I'll darken the
windows in in black, that way we know it's glass, the reet of
it's wood, like some kind of wood design.
PAUSE
#01: Pim taking quite a while on the doors, cause that's probably
the most identifiable part about the entrance. Some design
on the doors.
PAUSE
#01: You know, it would be like the, the big old heavy wooden oak
doors in an English manor of some sorb.
#66: Okny.
#01: And they were in a, uh, a recessed area that had a, like a
short concrete overhand that came out. Just like a, just a
rain stop, that might stop the rain from falling on your head
while you waiting for the things. It had like this kind of
design in concrete on the front, with these steps that came
down to a sidewalk. And there was the big old fashioned win-
dows on both sides, this sort of thing. That's pretty much the
way the entrance area looked. Yeah, this was graystone. And
that's essentially the way the entrance looked, you know, this
was pretty big, and that kind of went back. And then after you
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#01: went inside, I got the feeling like the entrance way went
like this, it's very deep, like it went all the way to the
back of the building, possibly even to a back door of the
_
Amir building. Kind of like there was a reception counter or big
table of some sort sitting out in front. We'll call it a
reception counter. There was like two elevators, over here.
And, uh, there was a double door entry to a large room on the
left. And in that room, they, that's were the second group
of people, or the daytime group of people that come in on a
daily basis, they were going through these file folders and
stuff, that's where they're working. I don't really have
much on that room, other than the fact they shoved some things
together to make a large, flat surface, working area.
?Nie
#66: Okay, that's fine.
#01: Some easy chairs.
#66: How was it you developed, from the entrance way and the lobby
area, how was it you developed into the upstairs room in the
midnight hour?
#01: Oh, okay. What happened was, I had the feeling like whatever
this building was intended to be, that purpose was abandoned,
along with all the people that were doing whatever they were
doing in this building. And I had a real, I had a real feel-
ing that it was some kind of an embassy type function, but it
wasn't an American embassy type function. That it was some
other embassy or something.
#66: This was later in the session, but initially in the session
you were in the lobby, and then your descriptions-
#01: Oh, okay, uh-
#66: -started going upstairs.
#01: Yeah, well I was supposed to be targeting at 12:00 midnight,
today's date, and I was confused in what exactly I was sup-
posed to be looking for. You know, was it a description of
the building, it's contents, it's exterior, or what was hap-
pening, so I decided that I would probably obtain more infor-
mation by for an event that might be occurtl And as soon
as I looked for an event I found myself in this upstairs room,
and I got the impression like I was no longer on today's date,
that I was there at midnight, but not on today's date, that
I had gone forward in time some distance. And then the event
that I actually witnessed in the top room was sort of a covert
or secretive event that the normal daytime crew in this build-
ing are not familiar with or knowledgable of, and that it per-
haps recurs, it's a recurring event.
#66: Okay, can you draw this room for me that these people were 4n?
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#01: Yeah, I, I felt like it was like second room in from the
corner. This being a, I'm not sure, but I got a feeling
like, uh, possibly right rear, okay. And at this room, there's
a room here or something. And this room is windows all the
way down. And there was a table or something that was shoved
up against the, might have been a desk, you know, but it's
a big flat surface, it was shoved up against the windows.
And there were tripoded items sitting here on this flat sur-
face. I don't know what it was or anything, but there was,
uh, there was a, uh, I'll mark these with stars, there was
an individual here, and there .was a individual, and there
was a person standing next b him, and there was another per-
son over him. It was like three or four people, and they
were talking in muted tones, you know, very quietly. They
were working in the dark and they were using this tripoded
equipment. Down in the left-hand corner here I got a feeling
of two things. I got a feeling of, uh, like these spotlight
things that they use for shows, that kind of a feeling. And
I also got a feeling for, this is very strange, a light met-
allic red thing. It was circular in shape, and it had small
protrusions coming out like this, and there was, uh, there
was some kind of a, I don't know, like a small silver type
thing on the tips going all the way around. And I don't, I
don't know what that is.
#66: Okay.
#01: Red, and metallic. And all I know is that this was tubular,
and this tripod mounted.
#66: All right. I ask you to address yourself towards, uh, guard
or security personnel in and around this building in the mid-
night hour, and you, at first you were reluctant to talk about
this because you felt so strange about your time factor with
these other people.
#01: That night, and I, uh, I had this, this, my first impression
which was really strong was that wow! this is an abandoned
building and they didn't even pack all the furniture and
stuff up in it, you know, it's just like they grabbed what-
ever important papers were important to 'em, shoved them
in suiicases and walked out, and just left everything sitting,
you know, like it was just a totally abandoned building.
And I was, you know, and, so when you said look at the ex-
terior, this, this abandonment was aetAVAI over, and I was
having a lot of trouble shaking that. And then later when I
went and looked for a guard type thing I got an impression
that there was a guard that was working inside and outside
areas, you know, that people had, you know, like the front
doors left open, and he'd go and go and sit in a room, and,
just inside, and he'd wander around outside for a little bit.
#66: Okay. Now you used the word cursory to-
#01: Yeah, like, you know, like he could care less like, uh, it's
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#01: sort of like your night watchman on the railroad yard type of
guard type of guard, you know, where his entire function is to
get through the night, with as little inconvenience as possible.
Like, uh, why would anybody want to do anything to this build-
ing, you know, and he's completely oblivious to the people on
the top floor doing what ever these future events, or these
recurring events are going to. be.
#66: Okay.
#01: I guess that's it.
#66: Any more comments you want to make about the daytime activity?
I want to kind of press you a little bit, because obviously
this is a four story building with many, many floors and
areas and yet you have not talked about it.
#01: Yeah, and again during the daytime time period I felt like I
was there on today's date, at 12:00 noon. And I felt like
there was less than ,ten people in the building, and I still
had that abandoned feeling, and they were uust in this large
room, they were using this large room to consolidate, collect,
go through,ae-fte-tdi-t),,, and, you know, evaluate files or read
files. I'm not sure if that's a, you know, if they just
didn't, uh, say okay, we can use this building and this room
to do this work, or if they're going through files in that
building, I can't tell which.
#66: Okay.
#01: But that's what they're doing there. I had a lot of deja vu
there because I remembered a scene exactly like that from
before, when the American embassy was first taken over.
#66: Okay, now this, I'd like to examine just for the sake of argu-
ment, this abandoned feeling. If I were to come upon a
building at nighttime and everybody had gone home, it would
look to me as though it were abandoned, there was furniture
in place, but no people there, and I feel as though what
you're telling me is it's something stronger than that. It's
a, it's different than people have just gone home at night.
#01: Oh, yeah. The reason for the building, the reason for every-
thing in it has been abandoned. Okay? The reason for which
it was built, and it's main function as a building has been
abandoned.
#66: And what do you assume that function is, or was?
#01: I had a very strong embassy feeling, and I don't know how to
qualify that. I know it's not an American embassy, for ob-
vious reasons, DLit I had a really strong embassy feeling for
some reason. And I don't know how to qualify that. Maybe
it's a political type building that's been abandoned. I don't
know. I would hesitate to say political, but I was getting
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101: a lot of deja vu, a lot of, you know, it's like the word
embassy was screaming in the back of my head, and I had to
say it, I don't know why.
#66: Okay.
#01: And that's it.
#66: Anything else at all you'd like to add about this?
#01: No.
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4,
TAB
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alsze,
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TAB
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T1 fl r
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CD-89
S(31/k 1. (S NOFORN) Prior to the session the viewer was shown an overhead photo-
graph and told that his target was the building indicated.
The photofraph is not included herein due to it's classification.
2. (S/NOFORN) During the session the veiwer was asked to focus on the time
period at the target from 2400 to 0600 hours. He was encouraged to elaborate
on his descriptions of the target building.
NOT RELEASABLE TO ron MATIONALS
ORCON
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