SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CD-45

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000300680001-5
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 19
• Document Creation Date: November 4, 2016
• Document Release Date: June 12, 1998
• Sequence Number: 1
• Publication Date: June 12, 1980
• Content Type: REPORT

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NOT RFL.EASABLC TO FOREIGN NATIONALS
. INSCOM
GRI,LLL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-I.SH
0516302. JUL, 76
GRIll FLAME.
~o
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CD-45
1. (5) This report documents a remote viewing session conducted in
compliance with a request for information on a target of interest. The
a building designated as the- SG1A
ib
e
ur ose of the session was to descr
SG1A
2. (S) The remote viewer's impressions of the target are provided as raw
intelligence data, and, as such, have not been subjected to any intermediate
analysis, evaluation or collation. Interpretation and use of the information
provided is the responsibility of the requestor.
3. (5) The protocol used for this session is detailed in the document,
GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S),
4. (S) Following is a transcript of the viewer's impressions during the
remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
5. (S) The remote viewer was asked to describe the target. He described
the target as being a large multi-storey condominium or apartment complex.
He stated that between the hours of midnight and 6:00 a.m., there was no
activity at this location, but there was a man sitting in a room near the
entrance of this building with a window overlooking the entrance.
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TRANSCRIPT
REMOTE VIEWING (RU) SESSION CD-45
TIME
#14: This will be.a remote viewing session for 12 June 1980;
mission time is 1100 hours.
PAUSE
All right #10.5, the time is now 1100 hours. You have in
your possession, at this time, a sealed envelope. Within
this envelope is the target for today. I want you now to
relax, relax, focus your attention on the target. Go to
this target and tell me what you perceive.
4
PAUSE
#10.5: Okay. I got..... looking down at...... some blinds at an
angular....... I'm looking down at tree lined streets.
The structure on my right is, like a..... has.balconies on it.
A multi-storied, and has a funny angle, angle on its shape.
#14: How many stories do you. perceive to this building?
+05 #10.5: Possibly, possibly 17 or so. I.......tree, tree lined street
that has a circular thing coming in, and it looks as though
it has a curtain over the entrance. I would like to say
royal blue. It feels like a tropical place. Like a large
condo building or a apartment building. When I was up, thought
I saw a, several beach umbrellas on the roof, and some sort
of a small square on one end of the roof.
PAUSE
#14: What is the function of this place? What type of activity
.takes place here?
PAUSE
+10 #10.5: Feel as though it's a luxury apartment and condo, glistening
longer than it is. wide with some
h-rise
hi
i
,
g
ne.,
white, sunsh
very modern lines to it. I'm orbiting. it now. The one side
of the building........the other side of the building seems
to have acurve in it that goes all the way down. Inside,
it's blank. Maybe a lot of green and high foliage at the
base, and maybe a pool there on that side. But, I'm getting
a funny skyline. I had, like this one building is like stuck
off by itself, and there are other large buildings away,
towards the water, between me, and what looks like a flat
shoreline. But, that I am at a place that's still in nice
residential suburb with this condo by itself, and those
buildings are of the same size are possibly a half mile
away in a cluster ............................I was drawn
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to a balcony. Balcony was about somewhere below the roof on
the side having the awning thing, like about 14 or 15th floor.
Up high is where I was drawn. I'm going back there now.
Let me clear awhile and..........
#14: Okay. I want you to remain at this location, but I want you
to move in time to the hours between midnight and 6:00 a.m
in the morning target time. When you felt that you have achieved
this, let me know.
#10.5: Ummm I think so. Yes.
#14: Okay. I want you now to look around the. building, and look
in the building, and describe any persons or activity that
you perceive.
. PAUSE
+15 #10.5: The only thing outside that I am sure of is a feeling that
under the...there's a car parked out in front...in the door
on the right by the awning is a booth with a glass front. I
...feel that there is a guy in there who works all night and
has little to do. Now he is sitting back...feet propped up
on his little work bench. He's on a long-legged stool reading
but it's as though he's ...not a guard, it's as though he...uh..
parks cars or calls cabs, and helps the people. Inside, I.....
...................have.a long lobby which curves like the
outside of that building, but there's no feeling of a desk
like a hotel desk. Uh.....s.... think a...two banks of elevators
on each side of a hall that goes on back down the center of the
building on the ground floor. I feel wood paneling and plush
carpeting and overstuffed chairs, and something behind me and
to the left.......... but, I don't.... something angular, that's
like another booth, like a newspaper stand or a candy stand.
There's no one here. Have many people in the building, but
no one who is out and about.
#14: All right. I want you. now to move. outside of the building and
I want you to follow the route that a person would normally
enter or exit this complex, and describe to me as you go,
and you can stop when you get to the entrance or exit to this
complex.
2
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+20 #10.5: All I see is a car pulling away from the awning area around
the circular drive.. short distance, right on this street,
across the sidewalk on this street. Short distance to a
unmarked intersection and then has accessed a major road on
my right ...moves back toward the main part of the town or
where all the other buildings are. But, it's some distance
down that road.
PAUSE
#14: I have no further questions at this time.
#10.5: Good.
#14: We are now ready for debrief.
#10.5: Ummmmm....okay. I...uh...the first part of the session I was
aerial, okay. I knew I was hovering over some sort of a suburban,
near a mid-town area place, and the first thing that I had was
these are trees that line
.....how am I to describe this ....... Y type of a .......
.,......it was very definitely a........ a I don't
something or other, and this was...this is streets.
know if it's an X or a cross or a Y. All I saw was the Y part
and there was this really weird..... there was a peculiar angle
there, and there was.....these are trees. I'll label them.
And, there was something .nondescript, here in this first
entry imagery. Elevated, nondescript, but elevated thing, and,
that thing, I think what turned out to be, on sketch 2, this
apartment or condo- thing located on the intersection
road. Now, this came through very, very
Some sort of a cabin thing. A box, the box is actually bigger.
Let me draw it bigger. The box on one end there as though it
was a cabana, and unbrellas.on the roof. Okay. That came
through. Nope, I didn't get a. feeling of a pool. on the roof,
but I did get the feeling like umbrellas. Like.a sun deck on
the roof, okay. Now, the angle was this. Like this is just
a?small teeny angle. I'll draw an overview of it, and the
idea of balconies, like this was a one apartment face.....
balconies along that one face, but you see, the face does
go back on around it. It's like this. I'll draw
constant
another sketch I'll draw the overview. And, just
big
lines of balconies and windows. Like it's a very, or nt Y place. Has many, many people in it. I'll draw a close-up
of one of the balconies. I had the feeling it. was.all........
okay, this balconies goes all the way down, like that..
Some sort of a little booth here on the right side. That's the
blue overhanging. curtain. Circular drive; fountain. Okay.
Lush greenery all around it, and there's a little bit of a
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green space. You know, hedges and stuff all around it
like this, and then there's real verdant tropical feeling,
okay. Seventeen plus or minus storey; apartment for condo
type of building. This is like a penthouse or maybe just
the area where the elevator come to the roof and the people
get out to go sun. It could be a building, but it could
just be an elevator holder. Elevator landing, umbrellas
on a sunvdedk.. Okay. That's 2.
#10.5: Three then is.....where do I go for 3. Three, I think I
should go to a overview layout. I had....this is later on
like when I was talking about curving ..... I don't know about
the angle facing .... when I made the comment at the very
beginning that there were funny angles to it, I was talking
about, oops, I was talking about this face here. The short
face. Like faceting on a.....it had at least this one short
face, and it did have an interior curve. In this interior
curve was a pool, there's the box on the roof,. umbrellas.....
there's the overhang, way down below, circular drive comes in
.......has some sort of a fountain..... here's a road. Here
at this front point, this road takes off at not a direct angle.
I didn't think it was perpendicular. I don't know what goes
on down that way, and I don't know what goes that way. All I
can...... when you asked me how you got out of the place, or
how you actually get......left the place, it was just like
there was a car parked here, and the guy walks out here, got
in the car, he drove around here where the little arrow goes,
he comes down here, it's an unmarked intersection, and they
have a stop sign, but there's no red light, or anything, and
this
then he just goes that way. Okay, and all around here....
is all the trees, trees all down like this. I had the......
this verdant tropical feeling of big.acacia and banyan trees,
and then there's low shrubs along the building, and this is
grass, you know, nice pretty grass area, shrubs around like
this. And, out here, by the pool, would be some more trees.
Maybe even some sort of a cabana that's underhanging the trees,
like this .....................Something in that general layout.
Okay, and around the pool was a patio, you know. The patio
does not stretch around the front. The patio is sort of like
this in under the trees. It's like, people going to the pool
would not have to, could not walk out the front of the building
and come around, they had to go out some side. door of the
building, you know, like it's in the back where people wouldn't
see 'em in their bathing suits.. That kind of thing. Okay.
Oh, on sketch here, sketch 2, I was up getting this aerial view,
and I was drawn like to about the 14th floor. I was just down
in under the roof...one of the balconies, that.I thought was
over top of this blue, let me write that .in, blue,:uh, what
do you call that ...awning, okay. Like. about there, I.was
being attracted to. this balcony which looked really neat, you
know. Lot of money in that place. Really nice place. I mean
it's not some skuzzy (phonetic) old hotel. It's a really nice
condo...Miami beach, or Miami, Panama, uptown, money........
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Okay. What have we got now? Fountain. and the trees.. Let
me do a...... when I was up on the roof I could seewhat.I thought
was a coast line. Some sort of a..... There was level ground
where I was....wasn't any hills or anything or at least blocking
my view to the...no hills in my perspective to the water, but
I.thought that I had a beach area that was essentially not
like an area like Miami beach. Where you can't see the shore
because there's so much there. It was like I could look
directly across this low, older established residential strip,
and could actually see the shoreline. Instead. of like having
a whole bunch of hotels. blocking it. It was like it was
essentially bare with maybe just houses and stuff on it. And,
other large buildings, like this, appeared to be off to the
right. In, in a group all by themselves. Okay. Here's the
corner of the building. Let's say right here............,..
Okay, that's the upper corner of the building. This funny
little box on the end of it. Uh...looking auay...all right....
and here's ...you know...the rows of shit going down, like
that. Pardon me. Like that. Here goes..... street...... off
into the distance, like this. All sorts of trees all over it.
This is a shoreline and I had. the definite feeling, you know,
like when you're in an airplane and you're landing in a place....
residential district has real characteristics to it. Like....
just ...a grid work pattern; all trees in it. Maybe you can
see the peaks of houses here .... all trees, the roofs of some
houses with trees all around. You know, you can't....all you
do is you see little black, you see little white squares in
and amongst all the foliage, and everything, because it's in
an older neighborhood Like that. That's what it looked
like......... Okay. And the same thing was repeated over here,
on this side. But, here in the distance was a grouping of
other large structures. Okay. In the distance, maybea half
a mile to a mile away, and I had the feeling that this was like
a downtown area. Okay. Peaking out from behind each other.
But, it was not a massive big city downtown area. It was very
reminiscent of the type of downtown in Panama-City, Panama.
Where, it's essentially all...it's a small city; has a lot of
people in it,.but.when you get uptown ...what would be the
uptown...up in the southern part of the city.where the money is,
very afluent, very rambling and.. rolling, and everything, and
there are a couple of large. exquisite apartment houses that you
can see directly to the shoreline......over, and when you
look downtown, the downtown area's really very small. 'There'.s
just this. real small clustering of.....sparce clustering of
large buildings down there. It's really not a large type city.
Even though it is sprawling, it doesn't have a whole lot of
stuff .
And I'll write small clustering of other big buildings, okay.
This distance is one half to one mile; this distance was maybe
one point five to two miles, okay. But no hills or anything.
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Essentially flat terrain. Okay. That's about the only thing
I can get there. Now, do you want to turn the tape over?
#14: Yeah, we'll turn the tape over at this point.
#10.5: 1 think I can get away with, maybe, two ,sketches?here.
Maybe three. Okay. Her but it was there. Okay.
Wasn't really a big super awning,
And, I had the feeling that. projecting out from the face of the
building, at this point, was some sort of a lump. I don't
This
even recall anything on that side. This is the awning.
is some sort of a corner that doesn't exist on. the
here:..... and I
other side of the structure. Maybe it holds that up,
don't know where it goes. Anyway, it's a line of some sort.
In here is a door, and here is like a glass facing. This is
like a concierge or.....what.do you want to call it........
valet....this is a valet service. booth, okay. An, here is
where the circular drive comes up like this in the foreground.
Like the cars would come in here,. and the guy that sits in
this little booth would send one of the flunkies out in
uniform. He'd get the keys.anddrive the car away while.....
you know, Mr. Millions walked in .......... bushes. I don't
think there are any bushes that start right there. They start
farther down like that. This is the front. I'll put
in. quotation marks, because you don't know, but anyway. And,
that's blue. I had a. very distinct fleeting of deep royal
blue awning, and not very long, you know.. Maybe only 10 feet.
Just, more a token awning, than a real functional awning.
Something to lend class to it. That's 5.
Six is the feeling of like looking through the door at this
concierge booth,or whatever it was.... sort of a longish
table that just sort.. of protruded from the...this would. be
like the-door jam here-in the-foreground...... like that, okay.
That looks like it.. Okay. Just this desk here, and.... it's
..wood to
not a desk. It's just a flat piece ?f`? uhhe.re..is the...sort
covered with linoleum type ofa thing, and
of a long window that looks out. on this circular drive that
comes up.. And, that comes up and cur.ves..right by there. Trees
all along it, like that, and in here was just this guy sitting
on a stool like we have in our office with long legs on it. ed
And, he was leaning back like this and had his nub ekri roPsobabpy
up on the table, like that......:.. He was reading a a dirty one. At that hour of the-night you need anything to
keep your heart, heart. start going....ha, ha, ha...........
and he was like leaning back against what would be the wall,
right here, okay. Okay. Man reading book... feet propped
up, sitting in a high...a high stool, and this is outside,
and this is in, okay. This is what I would call the valet
booth. Okay. The only last one I can think of doing is the
one inside. It's the interior downstairs, inside..........
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Okay. Uh...trying to figure out how to best do this.....
inside, okay. I'll do a perspective. That's probably the
best way, inside. I had the feeling ...what did I have a
feeling of...some sort of a little booth, here, okay.
Just a slight booth, just inside the door. On the right....
this was like a major hallway, back into ground floor
apartments..... Along here, on the right, were two elevator
doors, okay. That's just essentially a flat, plain wall,
and, when you get down here ...... my perspective is all gone on
that, isn't it. There, that's the way that door should go.
Two. Like this okay, and this is.....a hall....large, it's
a large hallway. It's larger than my sketch-shows it. You
know. Like you could walk 5 people side-by-side down there
or more. Large hallway, two doors on each side, okay. Now,
this room appears to come around like that, curvy. Some
reason it swings around, and I think it's because there are
.....I don't know what is there. That might be the-.back,.on
the other end of the room might be the back entrance out.
And, these windows, this idea of glass goes way down. Almost
to the floor line. These were windows, and a curved wall,
and then, in here, is like a lobby. But, there's no where in
here did I have the idea that there's a hotel key taker or
anything like that, you know. I just did not have the idea
that this was a hotel, but, rather like a.....Lik.........
rather more like a permanent place, you know.
there's chairs.....overstuffed chairs, sofas in a lobby, and
there's many of them. And, it is large, you know. Spacious,
spacious. And, this is some sort of a cigar or a newspaper
concession . That's about it guy. What is it? Seven.
Okay. The only real flavor,the only real thing that I'd
like to reiterate is this feeling that tropicalness came
through again; throughout the whole thing I just sort of like
figured that I was in some posh..uh...ocean side type resort
city of some kind. That I was in one of these, some condo...
people that didn't move down there permanently. And, there's
nothing much to speak of. The actual room that I was drawn
to was more...uh...essentially, I was like just hovering over
a balcony that was maybe, oh, I don't know, balcony, maybe...
twelve feet by.eight feet.....projects 8. feet out from the
building side and it's 12 feet long, maybe, and it has big
double pane glass doors inside; sliding doors, and inside I
had the feeling of a......uh.....all I could see was like
.drapes hanging against the glass, and a feeling of a white
carpet inside...a white, you know,. pile carpet. That was
about all I saw up there.
#14: No further questions. End of session.
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REMOTE VIEWING (RV) SESSION CD-45
1. (S) The remote viewer was handed a sealed envelope. In this envelope
was a sketch map of the target area with the target annotated. This
envelope remained sealed throughout the entire session.
2. (S) The viewer was asked to describe the target, as perceived. during
the time of the session. He was then asked to observe the target between the
hours of midnight and 6:00 a.m., and to describe any personnel and activity
taking place at this time.
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