SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CCC-52

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000300340001-2
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 32
• Document Creation Date: November 4, 2016
• Document Release Date: June 9, 1998
• Sequence Number: 1
• Publication Date: April 9, 1980
• Content Type: REPORT

Approved For Release 2000 / OO788ROOO3OO34OOO1-2
ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL 7B
REVIEW ON: APR 2000
T
Approved For Release 20 sTefTIT 6-00788ROO0300340001-2
 Approved For Release 2PQ P9 - 788R000300340001-2
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CCC-52
1. (S) This report represents a remote viewing session conducted
in compliance with a request for information on a target area of interest.
2. (S) The remote viewer was provided wiht the geographic coordinates
of the target area at the time of the session. He was able to achieve
a relaxed state of focused concentration during the session. He had
some trouble holding his concentration due to ambient room noise. After
the session he expressed some confidence in his imagery.
3. (S) The protocol used for this session is detailed in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions during the
remote viewing session. At TAB A are drawings made by the viewer reference
his impressions of the target site.
Approved For Release
788R000300340001-2
 Approved For Release 200
TRANSCRIPT
RDP96-00788R000300340001-2
REMOTE VIEWING (RV) SESSION CCC-52
#31: This will be a remote viewing session for 9 April
1980. We have an on-target of 1400 hours.
#66: Relax and concentrate now. Relax and focus your
attention on the target for this afternoon. Relax
and concentrate. Relax.
SG1A
Relax , relax and concentrate on the target for
this afternoon.
SG1A
Observe the target for today and describe it to me.
+08 #31: Ahmmm...feeling a..in a sandwich type place. Feeling
of a low ceiling with some sort of supports that look
almost natural there. Almost feel underground. Like
a closed feeling.
#66: What goes on in this place?
PAUSE
#31 A feeling of salt pillars, salt pillars came to mind
that this is a long lengthy thing. And I saw a
person driving or riding on a little device move
across the floor. It was not so big. Like a little
tractor or a little tow thing that would pull a wagon.
+10 It appears to be sort of long. Like a storage place.
But, it's oddly squared out. Feel things are stored
away, here, but that it is a modern place. Has top
grade equipment.
#66: Tell me what makes you say that. What's the raw
data associated with it?
Approved For Release 2000/08/ I 96- 00788R000300340001-2
 Approved For Release 2
IA-RDP96-00788R000300340001-2
#31: Its . . leaning over, its finished. The . . little
vehicle. . . looked very bright and shiney and the
uniform and . . the hard hat of the guy was fresh and
clean like sanitary or . . . industrial sparkling. .
sparkling clean. . . like . . . And it was like I was
watching them come by. . riding his little putt putt.
#66: Focus your attention on him and follow him.
+13 #31: Long corridor. Indirect lighting. Low angle lighting.
From the corner.
PAUSE
The walls are flatter that I thought and . . .
PAUSE
#66: Describe the area of the man now.
#8: Man . . . I feel I . . . occasional cross . . hall. But
this uncanny feeling of solidness between halls or girders
He goes by . a look down place. That somehow is
on the edge of a girder that he can be seen there. . .
like a room up near the ceiling. He goes in front.
On down the . . . this . . past that I feel he . . is
going through a . . . port hole to a . . it appears
structured. Something else in this stone to make a door.
#66: Go with him.
#31: I . suddenly feel this is a central area. I . . .
There are wide gaps between . . like he can drive down
aisles that have separated by . . . . like . . very
large . . grey metal racks which have . . . . . . .
+18 I'm seeing cylinders that look like big radio tubes.
They're striped round a base. I wanted to say a yellow
stripe.
Approved For Release 2000/08
P96-00788R000300340001-2
 Approved For Release 2000/0
#31:
They vertalay wi
and the stripes
h
n
a flat end - but end toward the aisle
be seen, but I . . . . . can't tell
what . .
like in
.
the
size
back
t
of
is. It is, I would. . stop. He is now
a . . a big bay with these things all
through
it.
He
s going on down the aisle.
. . . in amongst racks. I'm looking
can . . . . This thing has a little flat
He's like . .
the feeling of
Climbs back on
a feeling of a
cylinders of .
96-00788R000300340001-2
rked. . in the aisle. He's . . .
aking notes on a clip board type thing.
his thing and putts off. Earlier I had
rate of . . . possibly twelve or sixteen
. being place on the bed thing.
Give me a minut go get back.
All right. Focus your attention at this time solely on
this individual. Focus your attention on him. Locate
him again. Focus your attention solely on him.
PAUSE
Ask him to tell you about this place that you have found.
PAUSE
#31: Selecting . . . . . (not audible) by lot number for
random. . . testing. Shelf line . . . . .
Like to detect . . . . . deterioration in the container.
(Not audible - mumbling) in this container which. .
. . There's some kind of a . . . . Those containers
have some kind of a . . almost want to say they look like
+28 . . . . . liquid in them or a . . a slosh. . like if I
move one, it . . . slosh around and . . . not that it
really would, but that it could slosh around and . . .
#66: All right. At this time I have no further questions about
the target area. Reexamine your imagery. If there's any-
Approved For Re1eagey2OOO/DW-ko 01A-FD 4Q8 1R M00 @0'(9IL2
3
 Approved For Release 200
96-00788R000300340001-2
#31: I'm trying to get an outside shot, but all I'm getting
is this inside.
#66: That's fine. That's sufficient to identify the target
for now. Is there anything else you'd like to add?
#31: No.
#66: Okay, let's draw the perceptions that you've had.
PAUSE
#31: Okay, let me see, where was I. I got some outside. . .
something outside. I'll have to think about . . . . .
how to describe it. It was . . . This was at the very
beginning before I even knew what I was doing or where
I was. It was a very., very peculiar edge, like the
edge of a canyon or the edge of a mountain face or
something that was . . . had a wrinkle in it is all I
remember as I was sort of like had a wrinkle in the thing
like it was like that.
PAUSE
I . . I didn't know if this was a building or what.
Okay. Or what. And I didn't have any feeling for the
surrounding terrain much. Except that this was, you
know, some sort of a funniness like that. Something
like that on 1. And then I got this funny, very, . .
funny feeling that somehow associated with this thing,
this is just a real quick fleeting type stuff. . . there
was like this . . like this some sort of a building
either in or on this thing in 2.
You know, that had . .
#66: At this time, this is prior to your inside or underground
feeling?
#31: Yeah. This is just boom boom like that. And then, is
when I started talking. There's a multi-tiered layered
type feeling there. I remember it being sandy.
PAUSE
Those were just two fleeting quickies. Whatever.
PAUSE
4
Approved For Release 2000/08/07 sl&-RW ,-00788R000300340001-2
 Approved For Release 2009d8O P96-00788R000300340001-2
Before I even knew I had them, they were there and gone.
Okay, then. . .
I had this feeling of a . . Wait a minute, let me come
back to that.
The first feeling I had - I'll come back to that.
Three is . . . Okay, this feeling of . . . . . . . .
This . . almost. . It was almost as if I was looking
in a gas station drive. You know, this orderly thing.
And that this was a low a ceiling that like went
way back off here.
PAUSE
I was under . . I had the underground feeling. Some
sort of a corridor underground. You notice its rough.
Its not
. .
Its rough.
These pillars are . . round but
they're.
. .
There was
a roughness to it. An irregular-
ness to
it.
It made me
feel like an underground, carved
out type thing. And here's this . . what goes way back
down into the . . . . . Okay. And that these things.
continue down like that. Okay.
That was the first feeling. And then here in 4, they
became more irregular. They lost their even more
regularity than.. . . They became even more irregular than
they were before.. Like here's one in the background.
And here's another one. You know, this type . . . Again
these pillars of salt feeling. I had the feeling as
though I was in an underground multi . . . possibly multi -
I had the feeling of storage in the event everything else
was destroyed type of thing in some areas. Like I was in,
you know how they're using these old abandoned salt domes
to . . . to . . - let me work on that some more.
. to store stuff.
#66: Okay.
#31: That type of a feeling.
This was holding up this semi-natural roof. . . of some
kind here. All right. Anyway. I had gotten that and
this is a roughness is the best way for me to describe it.
But I'll bugger up these lines to show you what I mean
by roughness almost.
Approved For Release 2000/08/07 : CIA-R 9 - 0788R000300340001-2
C 6%
& =-
 Approved For Release 2000,x` -00788R000300340001-2
#31: Okay, the roughness of this . . . . . There's the
ceiling - it was rough, you see, like that. Not
smooth and shiney. Okay. Then I had, in 4, then
I had the feeling of this cat - I'll do 5, going
pretty fast, so I'll do 5.
This cat with the . . .
PAUSE
And that was . almost as though he was as big as
this thing was. You see what I mean, here he is . .
Just some sort of a little buggy that he almost was
bigger than. Sub. . . Sub-scaled, that's the best
way for me to describe it. Subscaled feeling. With
some sort of a billed or visored cap. . . that went
over his nose like that. Okay, like that. And he was
driving this thing. Sort of casually, okay. A little
putt putt type thing. Okay.
Real subsized, little jeep like putt putt was the best
way for me to describe it. And he came across in front
of . . . like down this corridor which had these pillars
in it and he was just . . . okay, and back there was the
#66: And at this point I asked you to follow him and stay
with him.
That's to show roof line there is all these lines are
for. Okay. And he was going in that direction. The
direction he's facing - left. Okay, so I turn around
. . . and I started chugging along trying to stick with
him and he was going that way, okay. I felt as though
like in one area I . . . left behind these pillars and
this rough cut feeling and I sent through a smooth hallway,
a smooth corridor type feeling, okay. So moving from 5
to 6, it was very peculiar. It was like I looked over
and that's when I said, on the tape, I think I remember
saying something like, it doesn't look as rough anymore,
it looks shiney. Something.
Approved For Release 2000/08/QJ, ,.Q1A.-,DP96-00788R000300340001-2
 Approved For Release 200 00788R000300340001-2
#66: You talked about being more modern and I said well
tell me why you say its modern.
#31: Yeah. It was like this guy in 5 was all suited up
This was all . . it was rough, but it was clean.
And it was like, well the reason it looks rough is
because, this . . they don't need a whole bunch of
fancy stuff here. It was just carved out and it looks
rough, but its still modern. You know, all the equip-
ment is modern. Its clean inside. type of a feeling
and everything is what I mean by that. But then I got
a place that was a classic. I couldn't figure out. .
I couldn't . . . throughout the whole session, figure
out what was on my left. For some reason I had a blank
about the left. I don't know why. Okay, and then we
traveled down a section that just had a nice.shiney
regularity to it. Okay.
PAUSE
You know, off into the distance.
PAUSE
Okay, like that. Nope. Forget that line, because like
I said, I wasn't able to see the left side. The line
that's scribbled out there, forget it, its just like
its a blank side. And this was . . shiney, white,
like tile or . . smooth stone. Finished stone.
#66: At one. . ..At one . . point you said that you went by
an area that's a look down area.
#31: Yeah, that's down the road.
#66: Is that . . Is that the same area that you referred to
as to the left thatyou couldn't see or is that further
down?
#31: No, that's farther down on the right. See, all I could
do is concentrate on the right side of the wall; I wasn't
getting any feeling.. For all I know, I could have been
riding along the side of a massive bay. Or, I could have
been going down a corridor. But all I know is like from
here over all I was getting was the right side and I just
had to blank out the left, okay.
#66: Okay.
7
Approved For Release 200010, ,(W,,QDP96-00788R000300340001-2
 Approved For Release 2000/
96-00788R000300340001-2
#31: As I was following the guy down, the thing that he
was riding on . there's his hat, okay, there's
his neck.
Okay. The thing that he was riding on . . . There was
his shoulders like that . . . Doesn't look like shoulders,
but. . . . .
. . became more of a . . . flat bed little tri. . like
a tricycle wagon or something. Okay. This is what I
thought it looked like at first. But as I was following
him down the hall it was like . .. it was rumbling along
and it was bouncing and it was going, like I could almost
hear it going bump bump bump you know over the . .
something in the floor maybe. You know how a wagon
bangs when it goes down a sidewalk, it was like that.
You know, sort of a bang bang bang ba-bang, irregular
bumping and everything. And . . .
Like a flatbed. Small. Flatbed. Okay. And . . . .
shiney white like tile. Or smooth finished stone.
Corridor feeling. Oh, the lighting is what I wanted to
say. The lighting was irregular lighting. It was as
though the lighting was hidden behind the walls . . .
okay. How would I describe it? It was . . It was
indirect lighting. It was as though . . . lighting
indirect. . . Indirect lighting, glowing. . along
top of walls. Okay.
PAUSE
That's 6. I had a feeling of irregular, long distances
inbetween cross-halls. . is what I'm saying. That's
what I'm trying to say, okay.
#66: So, you're saying, by cross-halls, you mean as you went
down this there were intersections where you could turn
right or left or something?
#31: Right. This is on the. right side. This would be to the
right down here - I'll draw a little arrow. To 7 okay.
PAUSE
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
S ON r" M, -ft ". ;ft.
 Approved For Release 2000 I~MMA-RDP96-00788R000300340001-2
#31: I.e., to 7. And this is 7.
#66: Um hm.
PAUSE
TURN OVER TAPE
#31: And I could do it with shading, but its . . indirect
lighting is just sort of coming down. . in the .
Okay and this is the feeling of blocked. . in here,
okay. This is solid here. There is no . . . You can
go around the corner, you can go down the hall but you
can't go from this corridor to another one. Or you can't
go from tis corridor to another one. It was very linear.
Feeling. You couldn't cut through rooms. I didn't have
. I didn't feel they were rooms inbetween these corridors
it was like it was just solid rock. And that whatever was
done was done along the hall. Like things might be along
the hall or things might be at the end of the hall and
in rooms but that you couldn't, you couldn't go down this
corridor (Number 7) and hang a left and go in and get a
cup of coffee. There was nothing there, it was just a
solid feeling. This constant steady rock or solidness.
Okay.
PAUSE
Call this side corridor. On right.
#66: Did you pursue down that corridor?
#31: No. I did not go that way. The guy was going this way.
#66: Okay.
#31: Okay, where the arrows show. And this was again solid
on the left.
On the right of . .
#66: Did you get any concept or idea of why it was so solid?
#31: Again, this went right along with my . . . . . feeling
underground, quarry, stone. . salt dome, salt quarry
carved out rooms, but you can't get from rooms to rooms
except. on a main set of, you know, it was all this general
feeling.
#66: Okay. Okay.
Approved For Release 2000/ WJLArRDP96-00788ROO0300340001-2
 Approved For Release 20001'?'ICF4-RDP96-00788R000300340001-2
#31: All right. Anyway. Let's get on with business.
All right, here's 8.
Okay. This is what . . and this wasjust a little bit
farther clown from 7.
It was almost as though you could see it from that
intersection. So, I'll draw it in. Okay.
Okay. Again, I don't have any feeling for what's on the
left or right. But, . . I mean on the left. But what
I felt here was this feeling that up here was a carved
out overwatch. Okay, it was a room. Its really weird.
This is a room back in there with glass on the front of
it. Okay. And the old guy putt putted right on into
there and then the background here are these metal racks
beginning. Okay. But this was like an overwatch room.
Okay and when I got to that feeling, that's what really
made me sort of want . . . I sort of wanted to turn
around and look to my left because. . hell, I mean,
if this things and overwatch room, what's it overwatching.
This little cart, or why is it up so high. But I didn't
because the guy was taking off down the corridor so I
just kept right on going after him. Okay.
#66: But you.might have the feeling this overwatch room was
watch over whatever is to the left but you couldn't
#31: To the left which I had not perceived. Okay.
But it was like a glassed in panel, like it overlooked
some sort of a . . . I didn't get the feeling . . . It
was like a checkpoint as well as an overlook place. I
had the feeling like this, whoever is in this little
square box up here sort of waved the guy on the tricycle
through, you know, like right, okay, keep right on going
okay. But he was also checking some other things out
in front of him, you know, keeping his eye on other things.
#66: Okay.
#31: And this is some sort of a . . . . I'll draw a little
I'll draw another one of that. . What I got anyway. .
. . was just this feeling. In 9. It looked almost like
it was just some sort of raised stone. Half ledge in
front of it. Okay, just some sort of . . If you looked
at it sideways, it just looked like this. Okay, and go
down like that. This is side view. And there was a little
something that went back in there like that. And then,
in the background you could see this, I definitely had
the feelin of a room s'iae ,
Approved For Release 2000/08/07 : CIA-ROP9 DO758ROOO30O34f1001-2
 Approved For Release 2000/08/&,GM 8R000300340001-2
#31: Didn't have any feeling of guy there but I felt that
that was why the guy was there - that there was a guy
there to do that kind of thing. Okay.
#66: As to whether it was occupied at this time??
#31: Yeah. Whether it was occupied or not, I don't know.
And then this was in the-shadow where it was cut in.
Okay.
And again, this feeling of very solid blockyness.
I'll call it watch room. In Sketch Number 9. Okay
now here on the left, see, this is way high. So here
is like ceiling level. Its way up close to the ceiling,
here is the corridor thing and way down here is that
cut out - the door feeling, okay, is way here.
PAUSE
#66: Was there some type of open-closable door on this ??
#31: No. I wanted to put . you know, I had sliding doors,
I had all the fancy goodies, you know, I just don't even
know if it was just an open thing or not.
#66: Okay.
#31: The thing that I do remember is that its an inset. How
do I want to say inset. Its like if the corridor was
this big, around, then inside that corridor is a layer
to make the corridor smaller in circumferance. And then
inside that smaller circumferance is where the door is.
#66: You're saying that it is a specialized frame construction
or (not audible)?
#31: Yes. That's this here. In Sketch Number B. See how
the door is smaller than the contour of the . . .
#66: Um hm.
#31: . . of the corridor. The size of the corridor. Okay,
there's that. That's 9. 10.
10 was this inside of the room to the left of 9. Okay.
Was these . . . feelings of . . . that a guy, whoever it
was that I had been . . . . chugging along after, had
entered an almost maze of high racks. If I had been
Approved For Release-i2M0 0n:u0(r4dF Pt9 0G0{ 90 ?0gk2-
 Approved For Release 2000/0 6-00788R000300340001-2
#31: But they're not. Then there's a. . . That's something
I found out later on. Then there's a cross.
#66: Is this where the . . .
#31: Cylinders were..
#66: Okay. Now, at one time didn't you say like radio tubes
or something, did I hear you say?
#31: Yeah, radio. tube shaped.
#66: Cylinders. These are the shapes of these cylinders?
#31: Yes.
#66: Okay.
#31: That should go like that. There we go.
PAUSE
Okay, that's like . . you know, the line continues but
it gets covered up. . so you can't . . .
#66: Are they open shelves?
#31: Yeah, they're open shelves feeling, you could access
them.
Okay. That type of a feeling. Of racks. Of . . .
I could not figure out . . . for the life of me . .
it was as though this thing was sitting there and there
was another one sitting there. I'll just draw one like
in each corner. Like that. Okay. And that sticking
out of this thing, . . . . . . . . .
#66: Is this something on the shelf now or,,??
#31: Yeah.
#66: Container on the shelf.
#31: Container on the shelf.
#66: Oh I see, like a little box or something okay.
PAUSE
Approved For Release 2000/08/07 : 6A-RDP96-00788R000300340001-2
 Approved For Release 2000/08/W-L 00788R000300340001-2
#31: That's not right. That's wrong imagery. I'm getting
too overlaps here. That's what was on the back of the
truck. That's what was on the back of the truck.
I don't know if there were boxes there, an I'm going
to have to scratch that out.
#66: Okay.
#31: All right. What I did have was, somehow laying in
. . laying in order in these things, cause this is
where I got the yellow stripe around the back of it.
#66: On the cylinders there's some sort of yellow stripes?
#31: Yeah. They're laying in there okay.
#66: Um hm.
PAUSE
#31: Like that and there's a yellow stripe right there.
#66: Okay.
#31: Okay, the black is the yellow. These things lay somehow
in, you know, they're resting or they're configured
somehow and there's some on each side, okay.
The size of these things, I could not figure out. If
they were small or if they were big. I said at first
they looked like radio tubes. They looked like - they
could be of any size between a rounded titted radio tube
to a large propane - a sedaline type cylinder size. I
. . . They were all alike and I had various ideas like
Oh my goodness, is this a bomb; is this a propane cylinder;
is this a sedaline cylinder; is this a radio tube; I
couldn't figure out what the size of it was, you know.
What the magnitude of it was, you know, but they are all
the general shape of that.
#66: What I understand you to say
were so many of them, all of
anything to compare the size
is . . . I see. There
them. . There wasn't
of them too.
#31: Yeah. That's right. Essentially I was having trouble
but later on, I had a feeling, but how valid it is, I
don't know. Anyway, here are you know more of these
things. They go off. Big bay. Big storage bay. Okay.
Just stretches on, way on, way down into the back. Okay,
and I had the feeling that my uy came around this way,
Approved For Release 2000/08/07: CIA-F, 7j88R000300340001-2
 Approved For Release 2000/08/0 ~96-00788R000300340001-2
but that somewhere down in the bay, when you told me
to go catch up with him, again, because I had lost
him and I was fascinated with these cylinders, you
told me to go catch up with him, I had the feeling
that he had come across - somehow he had gone into the
thing, into the maze and he was like maybe in the second
or third row down there. He had gone like this.
#66: Okay.
#31: All right. 11. . . is this feeling of (not audible).
PAUSE
Just trying to give some sort of a . . a . . .
some sort of a substance to this vehicle, whatever
it is. Somehow there's a wheel here and somehow there's
a wheel back here. How they're connected I have no
idea. But,
I've got the proportions wrong here. I'm looking at it
- it looks like its bent. Anyway, then I had the feeling
that there was some sort of a small crate had been put
on the back of this thing and it contained either twelve
or sixteen of these things because I had the definite
feeling four in a row. I couldn't tell if there were
three rows of four or four rows of four of these cylinders.
And they . . .
#66: This is where you were confused before where you thought
the boxes were on the back of the truck or on the racks
on sides??
#31: Right. But this is where I had a box of these things.
I don't know if the guy loaded them in the box or if
they were already in a box. That's what I was . . . .
#66: Okay.
#31: Earlier, I had the feeling that these things just sort
of sat in rows in racks, okay. Three by four rows or
four by four rows.
#66: Was it about this time when I asked you to focus on him?
You had lost your concentration here.
#31: A small coffee, thermos. . .
#66: Okay, you have a feeling for the size at this point, you
Approved For Relea 'e 2000/08/07 : CIA-RDP9k;,88000300340001-2
14
 Approved For Release 2000 88R000300340001-2
Okay. There's that. And I had. the feeling that our
dude here was . . . . . looking like away. No, he
was looking, it doesn't really matter - he was looking
this way and he was like . you know, writing on a
clip board.
Okay.
He was looking . . the view of from the right of ten
to the left of 11. He's looking this way, back in the
direction of where he first came down and. then cut in
he was looking this way. Standing at a rack looking at
this side of a rack. Okay. And here in the background,
again, is the rack thing. Because he's in the aisle
between the racks.
#66: Okay.
#31: Okay. Then the only thing else that I have is a
puttering feeling. You told me to find out what the
heck was going on by talking to the guy.
#66: Yeah.. You had broke your concentration about this time
and had wandered. I wanted you to reaccess the target
and I wanted you to focus on him and see what he had to
say about the target. Perhaps that would be a way of
finding more information.
#31: Yep. One thing that I did have sort of inbetween there -
and I don't know if it was just my logical progression,
obviously a guy putts putts along, he picks up box from,
he most take it somewhere, right? And I had the idea
that he . . . . put it . . . . .
He put it on some sort of a . . . some sort of a . . .
conveyor, okay and he pulled up in front of this thing
and he loaded this box. . . . . okay. Loaded box on
conveyor and it went this way off and I had the feeling
that that was in the far right hand side of the room in
the back. Like he picked it up here and he went way
over in the far corner.
PAUSE
#66: Um hm.
Approved For Release 2000/08/07 : CIA-RDP960078R000300340001-2
 Approved For Release 2000/08/A.' 6-00t88R000300340001-2
#31: And that's Number of Sketch. An
on some sort of a conveyor, sort
some sort of an overhang here as
they did not load big heavy stuf
tall stuff on it, so therefore t
an overhang and a cut out over t
it laid in a notch in the wall.
the only thing that they ever pu
of that size, you know, cause if
on it, it couldn't have an overh
That type of a thing.
All right, then the only other t
see what was it I said. Testing
way. So he put it
of overhung . . .
though. . . as though
on it. I mean
ere was some sort of
is thing. Its like
In other words, like
on here were things
they put automobiles
ng like that.
ing I got was. Let's
Batch. Lot testing came into my mind. I didn't. . .
I wasn't able to tune in like I have sometimes. Lot
testing. Random selection. Make sure they weren't
deteriorating.
And I had the idea that the box
to a place that did the testing.
put it on the conveyor belt it w
trashed. It was going to be exa
rode down there was to get a bun
them to the right place. Like h
Like he had selected a batch tha
f the stuff was going
Okay. When they
s not going to be
fined. That's why he
h of these and send
had to go select it.
he had to . .
#66: Okay. What sort of status did this guy have that ran
the place? Was he a testor hi ms if?
I didn't get an presence or pres
able vibrations from the guy -
mundane type vibrations like, we
rather boring thing, but we'll t
way we won't have to worry about
I didn't get any high skill leve
ige or super knowledge-
got more routine,
1 ho hum, this is a
ke care of it now that
it this afternoon.
or really exotic
concerns or anything like that. (Sort of a laborer type
side or support type side, you know.
#66: Okay, well do you have any other
comments?
Approved For Release 2000/08/07 -00788R000300340001-2
 Approved For Release 2000/0 96-00~88R000300340001-2
431: No. That's pretty much it.
#66: Okay.
Approved For Release 2000/08/07: 8800300340001-2
l7 %
N
 Approved For Release 2000/08/07 : CIA-RDP96-00'88R000300340001-2
TAB
Approved For Release 2000/08/07 : CIA-RDP96-00 '88R000300340001-2
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 Approved For Release 2000/08/07 : CIA-RD!'96-00788R000300340001
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 /07 : CIA-RDP96-00788R000300340001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 pproved For Release 200Q/!8/07 : ?I) -RDP96-00788R000300340001-2
Approved For Releas4 2000/08/07 : CIA-RDP96-00788R000300341L001-2
 Approved For Reletse 2000/0$/07 : JCIA-RDP96-00784ROU0300340001-2
r\f
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 e
Forr Release 20 /08/07 : CIA-RDP96-00788R000300340001-2
roved
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
HI TJ --- VF -:- T
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 Approved For elease 2000/08/07 : CIA-RDP96-00788R000300340001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 ved For Release 2000/08/07 CIA-RDP96-00788R000300340001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2
 Approved For Release 2000/08/07 : CIA-RD
L
Approved For Release 2000/08/07 : CIA-RDP96-00788R000300340001-2