SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CCC10

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000300230001-4
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 23
• Document Creation Date: November 4, 2016
• Document Release Date: June 10, 1998
• Sequence Number: 1
• Publication Date: March 4, 1980
• Content Type: REPORT

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ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
INSCOM
GRILL FLAME
.PROGRAM
CLASSIFIED BY: DIRECTOR, DIA
REVIEW ON: /O
EXTENDED BY: DIRECTOR, DIA
REASON: 2-301c (3 & 6)
IT I
id
4 ~"I}
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CCC1O
1. (S) This report documents a remote viewing session conducted
in compliance with a request for information on an area of interest.
2. (S) The remote viewer was able to attain his usual state of
relaxed concentration during the session. Ambient room noise was
moderate and periodic. He was disturbed by ambient room noise at
times but was able to regain his concentration when the noise
subsided. After the session he expressed his confidence in his imagery.
3. (S) The protocl used for this session is detailed in the document .
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the viewer
reference his impressions of the target site. At TAB is target cuing
information reference this session.
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REMOTE VIEWING (RV) SESSION CCC10
#28 This will be a remote viewing (RV) session for
the 4th of March 1980. We have an on-target time
of 1400 hours.
SG1A
Relax and concentrate now. Relax, relax, relax,
relax, relax and concentrate. Focus. Move your
awareness. Move your focus. Move through time
Relax and concentrate and tell me
on the target
+06 #31 Have a feeling of a, a big palace or monument with
a, a vertical columns high up like. I see a, a
big building, skyscraper, skyscraper... seems across
the street.
#28 All right. Once again let yourself relax and
SG1A
oncentrate. Relax and concentrate focusing on
+09 #31 Have a feeling of a....desk...a feeling I'm high up
in a nice office building or something like a high
....look out the window I'd I see outside. Desk,
a large desk. Feeling of flags, drapery behind it.
The room seems funny. As though it's triangular shaped.
It's as though I was at the end of a hall at the head
of the arrow, and the wings go off on the other side,
and then there is a desk. I feel he is sitting at a
desk. At the center of the base ...some carpeting
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nice ...uh...windows...uh...covered by a vertical
lines on either side of the desk. A feeling of
an old fashioned ink bottle with a long, dark pen
on the upper left corner of the desk.
SG1A
All right.
Focus you
solely on
primary d
+13 #31 He is involved a, a I feel a re.... reorganizing of
a....big governmental structure.
#28 Tell me the raw data which makes you say that.
#31 He is...uh...feeling of him taking on organization
ideas and discarding them...a screener a proponent a
trying ideas and evaluating some for organization, but
I did not feel military in its...I felt rather a
civil body.
SG1A #28 All right. Once again. Relax and conc ntrate.
Relax and concentrate. Focus solely on
Describe his prime concern.
PAUSE
+17 #31 I had these.... almost a fear a heavy concern for
stability ...uh...feeling of the county uh...no small
minute thing rather an amalgam of feelings of civil
disturbance threat from within. Trying to get a
solution to a an age old problem compact many facets.
#28 All right. Relax and concentrate once again. nRelax
SG1A
PAUSE
#28 Describe his specific activity as you observe him.
PAUSE
+21 #31 Feeling of receiving visitors in this office. I see
him reading and reviewing papers and....they are
studies, they are thick manuscripts. They are not
single pieces of paper. They are almost bound
documents. They are like legal size. They are longer
than regular paper. They are........ he's reading
Listen carefully now. Listen carefully.
ttention on him. Focus your attention
SG1A
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SG1A
these. Many peculiarly long and skinny...but they
appear bound on the left side. They ...uh...appear
to have a light green cover. A formal cover. I see
a various things. The most activity is (mumbling)
sitting at desk.
#28 All right. Fine. Now, listen very refull .
Remaining in the vicinity in space W
close your eyes at the target location. ose
eyes now, you are no longer aware of the target, but
L_i, 1-ho t,ir'inii.v of
SG1A
PAUSE
#31 Feel as though I am...I don't know...feel as though
I am...uh...in an enclosed place, but I'm standing
in front of a tiered audience along bleacher rows of
audience that is maybe twenty or twenty-five high. Like
a race track reviewing it's stand. Grand stand. Something
+27 long and people sitting in it everywhere, and then down below
it's level, and it's some sort of a funny thing that
sticks out of it that people stand on to make addresses.
It's almost like it's below in level on each side of
this thing. -'It's almost like it's outdoors, but it's
indoors. It's a big thing and I can't figure it out.
It's...it's long and flat in the base. Along the
side of it are these ...uh...off to one side of
these seats, tiered seats... shooting out from the front
of it is like a little knob ...looks like a little water
droplets stickingout from the bottom of this thing.
It is white as though it was a dies, dies or a little
band shell, but without the shell around it. This
thing is down low so that the people that are in this
stand can look down at them. Whoever is there. I think
resented
our guy is on that, as though he is being p
to someone or as though he is being reviewed, or being
seen, or being questioned.
SG1A
#28 Ok. Relax and concentrate fora}moment^now. Relax and
V_tio nn
3
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#31 Keep seeing...keep seeing him on a die with
3 or 4 other people. Feeling of buntig and pass
in review. The feeling I have is that this dies
sits down in front of the reviewing stand, and
there's a little box that people sit in when they review,
but I see...the feeling of movement along in front of
this place, but I simultaneously see picture of a man
standing and three or four sitting near him. The
man standing is speaking like form a rostrum (phonetic)
speaking into a thing like a microphone, but the
predominant feeling is that he is looking away from this
big bench thing out into the open area in front. At
first I thought he was looking back at the stand,
but...as though he were answering questions, but after
that, and stronger is the feeling that he is looking
away from the stand and rather is speaking to troops
or to an assembly of people below and away from him.
#28 All right. Once again relax and concentrate. Relax
and conce and focus our attention
ocus on him
solely o
and descri e
#38 #31 The...uh...role of the military in maintaining...
stabilization of government is one which will never
change and must be maintained, and is a role that
cannot be diminished ...uh...feeling of like a...
feeling of a new...uh...thought in political thought
that this is...uh...the military does have a key role
bigger than before. That's not going to change, and
that is the answer to problems, instability...
maintains the momentum ...uh....mobilization...uh...
this is the new...uh...new thought is not going...
I have the feeling like...uh...I'm not, not going to
take second fiddle to the civilian body or civilian
rule, because that always ends up messing things up.
Looks like he's ...uh...making a new vocal policy
statement about the future that-the key to that
future is...the military, I guess.
SG1A
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SEC
#31- He is...standing and 2 seated men on his left.
I dod't see the man on his right He is speaking
standing on a small platform...standing behind
somewhat of a low rostrum (phonetic) that is belly
high. See him moving his right hand to emphasize
points. See him gripping the rostrum with his left
hand.
PAUSE
#28 All right. Fine. Relax and concentrate now. Close
your eyes to the target scene and let your imagery
go blank. Return now through time in space. Return
now to time in space. Move your arms; move your legs
and prepare to draw the perceptions that you had.
#31 The first feeling I had was like colors standing, and
that in front of these colors was...or guide (phonetic)
this is a little peculiar thing here too, or guy (phonetic)
who has a funny desk...weird desk. It's like each
side of his desk is elevated and he has a writing area
inside. This is looking at the front of the desk.
A real nice open type table, but it's got a bump on each
side, ok,.and next to him, next on each...the wing
backs here in the back of the room are nice white ddrapped
curtains... really, I. got a really plush feeling.
really plush general... better than a general's office
actually, when you get right down to it...white ...sheers
and the same thing on the other side.
Had our guy sitting in the back as though he was reading.
The feeling here was that he was reading studies. He
was not reading single pieces of paper. He was reading
bound documents and feeling was as though he was
considering options ...considering methods of organizing
a civil.... not.... it wasn't a military. It wasn't like
he was organizing a division or a brigade or how many
tanks to put in a division, or anything like that. It
was as though he was. in. ...like a reconstruction thing.
Like he was trying to figure out what the best method
of organizing a civil body was to be. It had nothing
at all to do with military. It was much more political
military, you know. Heavy on the political side of it.
-And ...uh...the funny thing about this room is that it
was at the end of ahhall...I'l1 draw an overhead. It
was arrow shaped. I didn't get the feeling it was
square. It was as though you walked into the hall where
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you spit out this hall and this...the big room at
the end of the hall..it winged back from there...
the back wall and then it came across like that...
and he sat right in front of the door, but that
these wings were slanted. It wasn't a rectangular
room. It was a slanted room...arrowheaded shape.
Ok. That's one thing.
He was reading green...I got the feeling it was
a pale green color, bound documents. They were
oversized like they were legal sized kbound adocuments,
and I looked at thelegal size, you I was
thinking to myself usually legal size is a legal
pad and somebody flips through it like this, and I
sort of like took alittle closer look and they weren't.
They were bound on the left side. I don't know. I
had the feeling that they were bound on the left side
anyway. It may or may not be the way they do it, but...
OK.
So,a feeling for the shape..of this room is like this
in sketch number 2. Window there. Window there. Flag
pole there or flags. I had the standing flag fleelinc3.
With the desk here. The desk being a real nice solid
oak and type thing and it's got these funny raised
things on each side of it, and old fashioned ink bottle
sticking out like that, and it was a black ink bottle
sits there on the left. Think the guy's lefty, I don't
know, but..... ahh..... these are windows..... here's a
flag, ok, and the guy sits there.
My feelings of association are...I don't know...did I
go over them well enough. . .what I thought the guy was
It was
thinking about...like I said he was reviewing...
like he was saying, no, that's too much solid one way.
We've got to do something to stabilize the country tyHpe
of a thing, and then, no, that's not strong enough.
was going through various.... like people had sent him
suggestions, and he had like 3 to pick and choose from.
He was going over this in his head ..... or not the
country, but rather whatever organization, ok.
On to the next one?
#28 All right.
#31 Then I guess.... You'll have to refresh my memory.
Was that when we moved then?
#28 Ok. After you were through describing ...uh...time
frame of........
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#31 Oh! Remind me to go back and do my first imagery
too.
#28 before we f Ok. Then we moved
#28 All right.
#31 Which was just my acquisition imagery, but.....
SG1A
and not KnuwlI Iy wblol , ----- -
whether he would be in the same office or not,
a empted to let you free-flow that so that you
were at liberty, at least, to come up with another
location.
#31 Uh...the imagery, the imagery, the acquisition imagery
here was as though I was standing in...well it's hard
to say...it's as though I was standing on the infield
of a ball diamond, or the infield of a race track is
better. But, that the grandstand was not some humongeous
thing that went up some 80 feet in the air. Rather,
the grandstand was something that was more like a low
set of bleachers. It had maybe 25 or 30 rows in it
I
and they went back. All I saw was one, one strip.
don't know if this idea of grandstand-is curved or if
it is straight or not. All I saw was straight portion.
Had the feeling that I was.....it was a mixed feeling.
It was as though I was outside...it was as though I
was in a place where I should have been outside, but
I felt inside. I felt as though this place could have
been an outside... right to begin with, I was a little
mixed up...whether this could be an outside huge
race course, type of public address place or maybe it
was one small fragment of a large building... interior
room that I was looking at. But it was....I had the
definite feeling of some sort of covering over it.
I really did, and I couldn't make it out. What I ended
up with then was what I saw going off in the distance
here, ok, like that. This being a wall, ok, and only
being the seats. Tiered seats, and the thing iy
.....what did I say..... 20 rows max, ok. Now, jutting
out from this it's as though there is a dies there.
I had a curvy feeling. It's as though it's curved.
It's not round. I mean it's curve is not round. It's
curved. It's not square, ok. This juts out, like that.
And the rest of the stand, or bleachers, or whatever it
is goes on this way. I had the feeling even that the...
yeah, I had the feeling that .......... ok..... and it's
curiously set .....it's curiously set off from the wall.
I'll draw an overhead feeling here. It's as though
it's almost separated a-little bit to make it a little
bit different. To make it a little bit farther out
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forward of the regular seats in the back. Well
anyway, how do you spell dies? Oai5 or dia5. I
don't know. You know what I mean. It's like when
you're up...when you're out in front in front of
everybody..... a podium, a big podium. A sub-band
stand, I guess, is what you call it. The idea of
several people being here...I...several...wrong...
4 people being here, of which our guy has the X
over him. He's standing, and then there's 2 there,
and he has, he stands behind a thing that's got a
microphone sticking up out of it, ok. Now, I had
two various thoughts. This is a little muddied. here.
This is what I settled on.
The feeling that .... in 3.....the feeling that a ceremony
of some type was taking....a massive ceremony of some
.type was taking place. Ok. And that they were proceeding
this way...passed in front ...and then that they came
around, and they assembled. Massive ranks assembled
here before the dies, ok. Assembled ranks here, ok.
So they pass in review type of a situation. They all
come here in what would be the infield, I guess, and
then our guy starts talking. You asked me what he is
doing. I had him addressing the people. He was speaking
from this podium, and then I don't know what I said.
Because I think...I really don't recall. I know that
I was talking but I really don't recall what it was
I was saying. The essence of it being...I really had a
good feeling. Like I was right in there. The essence
of it being the fact, you know, it was a new system
and this is the way it's going to be guised. The new
plan is this. We're not going to take it in the ear
anymore. We're going to have more of a ready hand
in whatever it is that we're supposed to be doing
etc9tera, etcetera, etcetera. That's about it.
Sort of a da..... The feeling from him was that,
well, you know like when you're about ready to jump
out of the airplane, this. is it, you know (whistle).
It opens or it don't. We'll see what happens, type of
a feeling. This was sort of a.feeling coming from him,
you know. Like, well here it is, you know. I can't,
I can't put it off any longer. This is going to be the
one. We'll run this up the flagpole and see. if anybody
salutes.... type of a situation.
The alternate to 3 was some..... I couldn't figure out
if this guy was talking away from the grandstand or if
he was talking to the grandstand. It was a little
mix up there. When I first went into the imagery it
was as though he was baring his bones before...like a
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Senate committee, you know. I had this feeling of
sitting before the diet, answering questions and
speaking through a microphone. The idea of speaking
public address microphone in a different, in a
segregated area was very strong but the relationship
between the audience and the speaker was what I
couldn't figure out. That alternate feeling would have
them...the rows bleachers, or seats, you know, podium
seats rather, with the podium reversed and him speaking
into the crowd...into the observer crowd, and I couldn't
really get that hashed out.
#28 Do the...in the perception of him facing people sitting
in rows of seats...in that perception of the happenings
do you still have the...uh...rows of ranks as that part
of that imagery?
#31 Like behind him...what would then be behind?
#28 What I want to know...I.want to know what your imagery
is.
#31 No. No. No. The imagery there is limited to...into
the dies and the row seats ...into the dies and the row
seats with the dies turned around and with the attention
of the speaker and this guy being directed towards the
rowed seats instead of what in sketch 3 has him with
the rowed seats behind him speaking out into this infield.
This assembled ranks. There's a. little bit of humble jumble
there, ok. The feeling ..... again, though, the initial
feeling of row seats ...that's.a hit...you know..: That' s_ right on.
No question about that. This separate, slightly separated
area where he is, that's no trouble with that and the
fact that he's making public address of some kind, that's
no, no trouble. Where the trouble was in my imagery is
what the relationship between, you know. Which way he
was looking and who he was speaking to. Ok. That's,
you know, and with that comes this pass and review thing
you know, because in the alternate system there wouldn't
be any pass and review, you.know, because he wouldn't
have anybody, you know. That type ......
Ok. An overhead is sort of like this. This rounded
in 4. Here are the rank seats. Rows of seats. I'll
call this number 3 overhead. There is a guy here. Our
-guy there with the X speaking into a microphone. Another
guy here and another guy there. Again, there's this
thing that's like a little nodule that sticks out front.
But it's round. That's this rounded feeling. The other
thing on it is bunting, ok. Around it. I know that the
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SG1A 44..!! 11,,...E ii
but the word occurred to
me here, in , I uuseu TL just now, earlier...that
did occur to me during the session when I was in this '..._.
imagery with rowed rank seats and him speaking publicly.
#28 And what does that word mean to you?
SG1A
What else?
#19.5 How do you feel about it?
#31 I feel real good about that, and I feel real good
about what I already just explained. You know. The
general...the flavor of this. I am, I am the first
to point out. though there are two alternatives here.
Two variety... feeling. I feel pretty strongly about
the sensations that I got. In other words, picking,
trying to pick his brain. I feel pretty strongly
about the civil association at the first part of this
session. Again, him attempting to decide which way
of 2 or 3 alternatives they were going to go and trying
to go through organizations in it. Not being military.
But, rather being...a civil decision being made.
Having to do with the body politic, ok. How to keep
the body politic appeased and down in the streets and
not rioting. I did, I did get this, almost this fear
that I better make the right decision or else the lid's
going to blow off. You know. Boy, if we blow this one
there's going to be hell to pay.
afdecision
#19.5 oyou ajust talked feeling aboutowawhether or not s made before orthat
that
17th?
#31 I have the feeling....in the first part of the session
the decision was being made and that it was made between
this part of the session and this part of the session,
because when he was up doing his thing in front of God,
and everybody in the last part of-this session that was
the feeling, you know, well we have got to run this up
the flag pole. You know. We can't put it off any longer.
This is the way it's going to be, and I tuned in on these
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really aggressive type system change words. You know.
We're not going to have this screwed up system that
we had before. Wd re going to have this one now.
You know. The military is going to stay ...what did I...
The military is going to stay in a position of strength.
We're not going to turn. I had the real feeling that
we're not going to turn over the reigns of government to
civilians again, and that the military would be the
final check in the check and balances system, and that's
the decision that he was trying to make here .... one of
the alternatives that he was considering here and that
had been done and then on the 17th that was the decision
that was going to be presented. Not.. r was being
presented because those were the words that.. I,was:pic.ki_ng up.
The real...' almost felt a little.hoakey (phonetic)
saying it, you know. Real ...uh...in the sensitivity of
the session, you know ....it felt almost like it were.a
Hitler trip, but I know that it wasn't the case. But
it was this real firing.burnstone from the pulpit., you
know, and he was laying it on the ranks ...you guys are /
really cool and we are going to stay cool. You know. V
We're the protectors of the father land. And the term
father land was there. It was somewhere in the monologue.
#19.5 I only have one other question. Do you know or do you
have any idea who this guy really is?
#31 You mean outside of this?
SG1A
#19.5 Yes.
#31 No. I have not the slightest dammed idea who he is.
#28 Do you have anything you would like to add?
#31 Yes. I would like to sketch the first part of the SG1A
session.
#28 All right. Let's do that now. This is before I told
you to focus your attention then on
#31 That gave me a little trouble. Reason it gave me a little
trouble is, I don't know...how can I tell...the sort of
the thoug at slipped through my mind, how do I know
SG1A if I'm in or not, you know. So I ended up
with a building that looked like the front.....I mean it
was really an ornate brick palace,. you know. I called
it the palace or a palace.. It's like a Washington
Memorial type of thing. But, it was functional. building.
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It wasn't a memorial. You know. It was something
with these big colonnades, you know, everything like
that, and I then sort of cruised around again and I
saw...I felt like I was on a street...I looked across
and there was some sort of a big regular rectangular
skyscraper.across the street. So that's all I could
say. For all I knew, I could have. been anywhere. You
know. But, it sort of puzzled me at the time. Anyway.
#28 So then on page 5 you are going to be d inc our
#31 I mean, I know it may not be germain, or anything, but
I feel better getting rid of it. In that way I don't
have to screw with it again.
I'll just do a quick one here. It doesn't have to have
any quality in it, I guess. Again the feeling of these
big massive colonnades. A big public building. Then
across the street was just a large skyscraper. Ok.
That is that.
#28 Ok. Anything else you would like to add?
#31 No. Other than the sketch in 1 and 2...if anybody
out there...if anybody out there knows how to get
to this guy's office...ha, ha at the end of a long
hall ...uh...you know.-there's this long hall type of
a situation .... uh...that's all I can say.
r that you had before focusing on
SG1A
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1. (S) The facilitator and viewer were both provided with a
picture of the target subject and his name, grade, country of origin,
and probable location. In addition the facilitator was provided with
the target times and dates, which were not provided to the viewer
until the appropriate portion of the session wherein they were required.
The facilitator was also provided with three basic questions to ask
(attached), which were designed to circumvent direct cuing towards
the required information.
2. (S) Both viewer and facilitator knew prior to the session which
analyst would be directing the specific target, but since information
concerning country of origin was provided to the viewer as a portion
of the targeting information, this should have had no ill affect.
3. (S) No other information was provided to either viewer or
facilitator prior to the session.
W. McMONEAGLE'
Analyst ~.
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