REMOTE VIEWING SESSION 872

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400220001-3
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 15
• Document Creation Date: November 4, 2016
• Document Release Date: June 18, 1998
• Sequence Number: 1
• Publication Date: March 9, 1982
• Content Type: REPORT

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SECRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL78
REVIEW ON: '1".tetA.--e-4!--
NOT RELEASABLE TO FOREIGN NATIONALS
ORCON
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 872
1. (S/NOFORN) This report provides documentation of a
remote viewing session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed
in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
3. (S/NOFORN)_ Post session analysis on target viewing
indicates the viewer had a considerable amount of correlation.
Attention is invited to Report 871 on the same target. The
viewer's attitude was positive.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A
are drawings and narrative made by the viewer. At TAB B is target
cuing information. Also included is available target data.
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TRANSCRIPT
REMOTE VIEWING SESSION 872
#66: This will be a remote viewing session for 1400
hours, 9 March 1982.
Relax now, relax, relax and concentrate solely
and completely on the target for this afternoon:
35 degrees, 50 minutes, 15 seconds South
151 degrees, 10 minutes, 30 seconds East
Focus solely, accurately, completely on today's
target...focus on the target, concentrate now
and describe the target to me.
PAUSE
#25: See island, circle Palm trees...
aerial view...bunch of small islands
Caribbean
#66: Focus now on the target in question. Move closer
now, focusing closer and describe the selected
target to me.
#25: A pole...it's a Palm tree or a pole... ne
pole. See a (mumble) shape, reach..
Corregated...metal shack up here.
#66:
#25: (Mumble)...and on the beach.
#66:
#25:
#66:
#25: Road....drain, drain pipe.
#66:
Describe your position of observation.
Are you. alone?
Someone behind me.
Describe the activity around you.
Describe the activity around you.
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16, #25:
#66:
#25:
#66:
I'm getting a vague impression of soldier.
Describe impression to me.
Small...man, boy...Spanish...linguist........
(mumble)uniform, green fatigues
Move up over the target 100 feet, 200 feet and look
down and describe the area to me.
#25: Road...overhead to the north...water on my right
...land on my left (mumble)
#66: I have no further questions about this target.
However, I would like to allow you some time to
explore and comment as you find necessary.. Proceed.
PAUSE
#25: I wonder if it's a small strip of land and part of
a bigger piece (mumble) That's it.
#66: Okay. Remembering now everything that you have
perceived let's prepare now to draw the images you
have had.
g
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TAB
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SECRET
REMOTE VIEWING SESSION 872
(DRAWING NARRATIVE)
#25: The following is a description of the drawings.
Drawing 1 is an overhead view of the...that I got
earlier in the session and at the end of the
session also. That is, that the target is an:
island or a part of a..or a peninsula which is
part of another large land m,as,s_u,a thin strip
of 1?nd Tria-s-ssixfzied_by-wer, somewhere in
the-taribbeanarea or down south It
seemed to be directly south oTTny feet as I use
them as the site for where it was,it'd water and
land are indicated with an island or peninsula
where the target indicated as a group. Not nec-
essarily (noise in tape unable to hear)
one island. Yet, I seem to have drawn it to that
one little bittie island that I've drawn here in
pencil.
I had two problems with overlay that caused me
here. ......I went to a place I knew. in Florida
that probably looks like the target...something
like it. Reminded me...the target reminded me of
#66: Tell me some of those descriptors that make you
say that.
#25: Uh, the covejAin9 which I'll get into in the
next drawings.
Drawing 2 is an overhead shot of the cove or a
smal 1 12.1L,.. and it had a tropical c3ijasitv_I,?Lifl
wls.....9_01157? It was not giny'. It gas, there was
very little activity there. This cove that I've
drawn here has some of the characteristics and
shapes to Palm Bay, Florida, which is near my
home where I grew up.....which makes me think
that part of it might be overlay. But it
definitely has to do with water, I think, the
target does.
#66: Again, if I understand this, you see something
and now...was it during the session that you
recognized that you had a memory problem with
something that you knew or is it now that you're
recognizing it?
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#25: No. It was during the session. That's why I
didn't report. The road here is definitely there
in Florida in relationship to the cove. I hesitated
to draw it in here, and I hesitated to report it in
the session. I don't know if I did or not. I believe
I did. But, anything else that I could recall from
memory, I knew it was memory, I didn't report. Such
as the store nearby here, another road that comes
into T at the...right at the cove. A hill mass over
here and a hill mass over here on either side of the
cove. Those things, I thought were overlay. But, I
did get an impression that looking out through pieces
of land that almost came together but that were not
together that was water separated them and I
looked out through those. I don't think that was
necessarily (mumble)... The 'pier and the tin shack
which I've drawn here, aNtr?r-t1 label tin shack...
I don't think that was overlay. Because, I'm trying
my best to remember....actuality of Florida, but
they're not there, I don't believe.. And, it's like
a little tin shack corregated...metal, and .I say tin
shack, but, it's actually corregated metal
out on the pier. In this drawing I've indicated a
pole which I could not distinguish between a telephone
pole and a Palm tree...and it seemed to have those
spikes, those metal spikes coming up out of it.....
like you would use to climb a telephone pole
But, it also had the texture of a Palm tree which
made me think it was a Palm tree. So, I couldn't
tell. So,. I just gave up on trying to distinguish
that.
The star in drawing 2 is where I felt the presence
of the soldier. When you asked me what activity
was going on, I could see nothing but I felt like
something was going on and that someone was behind
me....something was going on behind me. So, I
kept trying to locate the person that I knew was
behind me that I also knew was a soldier. I finally
saw...had visual type images...I think...I must have
created from impressions that I don't recall
of an individual who was young, wore green colored
clothes and had a rifle. And, he had a function there
and it was not one of pleasure. He was doing it for
fun. He wasn't there for fun. He was working there.
#66: Okay.
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#25: Drawing number 3 is an attempt to draw a perspective
of drawing number 2 with the shack indicated the
young soldier, the beach, the cove...I'll label this
funny looking ttlirg?trere aTTIM?tree because I saw
sort of a vague tree line, but it was sparce and not
thick, except real near the ground it was thick.
#66: Okay.
#25: And the road is also indicated there which I now
sincerely believe was overlay.
#66: Okay. So, you say you had some overlay problems
because in some of the things that you saw you
thought you were seeing a bay that you remember
growing up in Florida.
#25: Uh-huh.
#66: How do you feel about this session as far as your
ability to concentrate and the type of imagery
that you have. What emotional feeling do you have
about this session?
#25: Well, I had a lot of problems_with oyerlay, but I
felt lilce---1-5,1H-6151e-to tell what was overlay and
what wasn't overlay today.) And, so, therefore,
I do believe that the tarce is rQi?,4101 aal island
or a peninsula or...wha o you call a strip of
...c ntine ...amaiac,s. of a continent that goes...
like intra1 America, Panama type area
then piece of lAnsLwi h a lot of wat.p,r_around_jk..
I had some problem nirerfay'ating afa couple
of points in the session, but that was noise, I
think that just caught my attention here, and
distracted me to here. I felt like some of the...
when I was able to concentrate, the quality impressions
seemed clearer today.
#66: No other comments?
#25: No other comments.
#66: Okay. Fine.
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TAB
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Sydney
and vicinity
S4Dt*sl-
anly
North
Head
Middle Harbc
South
Head
Unction
ondi
?? SOUTH
PACIFIC
OCEAN
Captain Cook
Obelisk
Bate Bay
port
)1 ? de
a ng
Yellow shows built-up
areas. Open areas in gray.
0 KILOMETERS 5
0 STATUTE MILES 5
DRAWN BY JANE WOLFE
COMPILED BY GUNARS J. RUTINS
NATIONAL GEOGRAPHIC ART DIVISION
Home to one in five Australians, Sydney?
capital of prosperous New South Wales on the
continent's southeast coast?spills beyond its
five-square-mile limits to encompass a greater
metropolitan area of more than 1,500 square
miles. In 1770 explorer James Cook, sailing
from Botany Bay just to the south, bypassed
Port Jackson. Eighteen years later Capt. Ar-
thur Phillip?after finding Botany Bay un-
healthful?explored the more hospitable Port
Jackson and discovered the magnificent an-
chorage of Sydney Cove. On its shores he
founded the convict colony that would ulti-
mately burst its chains to become Australia's
greatest metropolis.
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Wed to the waters of Sydney Cove on the vast bay called Port Jackson,
,
Sydney crowds the shores of one of the world's most beautiful harbors.
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a's? so %wow
/5/ /0 1 3 I' F43r
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