REMOTE VIEWING SESSION 858. TARGET: A-10 --RERUN OF SESSION 857 TARGET.
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00788R001400200001-5
Release Decision:
RIPPUB
Original Classification:
S
Document Page Count:
22
Document Creation Date:
November 4, 2016
Document Release Date:
June 18, 1998
Sequence Number:
1
Case Number:
Publication Date:
February 25, 1982
Content Type:
REPORT
File:
Attachment | Size |
---|---|
CIA-RDP96-00788R001400200001-5.pdf | 2.7 MB |
Body:
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INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY: MSG, DAMI-ISH
0516302 JUL78
REVIEW ON:
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 868
1. (S/NOFORN) This report provides documentation of a remote
viewing session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed
in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
3. (S/NOFORN) Post session analysis on target viewing indicates
the viewer had'a considerable amount of correlation. Attention
is invited to Report #867 on the same target. The view's.
attitude was positive. Ile- -4' ""''"
4. (S/NOFORN) Following is a transcript of the viewer's
impression during the remote viewing session. At TAB A are
drawings and narrative made by the remote viewer. At TAB B
is the target cuing information. Also included is available
target data.
NOT R E L E A S A ,,;,n' 1 13N NATIONALS
ORCON
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TRANSCRIPT
REMOTE VIEWING SESSION 868
#66: This will be a remote viewing session for
1400 hours, 25 February 1982.
Relax now, relax, relax, relax. The target,
today's target focus your attention solely and
completely on the target. Concentrate, concentrate
now on the, target.
62 degrees, 00 minutes, 00 seconds North
127 degrees, 15 minutes, 30 seconds West
Your target for today. Focus now, closer, cleaner,
clearer:
62 degrees, 00 minutes, 00 seconds North
127 degrees, 15 minutes, 30 seconds West
Focus now, solely ...with complete clarity on the
target for today.. Concentrate and describe the
target to me.
#25: Spear on a pole, circular pattern around it.
#66: Okay. Don't hurry now. Just let this scene
develop. Tell me about the larger area. Just
let this scene develop. Don't rush. Focus on
the target.
#25: Light green, yellows, bright, round target.
#66: Describe the brightness to me.
#25: Sunny. Something around target, houses, streets
...target's tall, round support.
#66: Describe the area surrounding the target.
#25: Mountains.
#66: Describe the foliage.
#25: Evergreen. Sharp mountains.
404W. -,
#66:
Move up in the air to mountain top level....
centered over the target, but at the mountain top
level, look down upon the target and describe it to
me.
VU!
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#25:
Flat, round target, patterns on it like yards
farm plots or something.
#66:
That's. fine. Don't. rush your descriptions.
Spend some time looking at the target and just
give me the one word, two word, impression.
Don't. rush it. Maintain your perspective,
mountain top level up in the air looking down
i
n.
at the target. Now, tell me about it aga
Focus only. on that target. Think only about
the target. Let the information flow.
#25:
Point on top,X...flying saucer on a pole.....
#66:
Now, tell me about the area around this. Tell
me about the area that surrounds this that you
described
.
#25:
Flat immediately around the target.
#66:
Okay. And further away..
#25:
Mountains, surrounded by mountains....
VWP_
#66:
Describe the climate to me.
#25:
Sunny.
#66:
And the temperature.
#25:
Hot, cool at the same time..get both.
#66:
All right. That's fine. Describe the ground
surface to me at the target.
#25:
Heavy, muddy.
#66:
And further away from the target.
#25:
Griddy, kind of loose.
#66:
Okay. Maintain your-altitude perspective.
Now, as you go away from the target towards this
surrounding terrain, describe the ground surface
to me.
#25:
Round trees with short bases ...an orchard......
light brown, light color.
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#66: Now, narrow your focus once again from the
surrounding area down to the target directly
below you, maintaining your altitude to the
target directly below you and describe the
activity of the target area.
#25: City...
#66: Describe the activity which makes you say
city.
#25: I see a city.... activity's- slow for a city...
people walking... strolling... lazy feeling...
#66: All right. Now, move up even higher over the
target 50,000 feet, 100,000 feet and describe
the target area to me.
#25: Jagged rocks...larger-iver...green .near river...
browrMsh...there is rock elsewhere.
#66: Now, where is the target? Describe the target
in relationship to your present description.
#25: Looking, south, southeast...from target.
#66: All right. Facing away from the target you see
these things you described?
#25: Yes.
#66: Where is the sun?
#25: Behind me to my right.
#66: Okay. The sun is behind you, your back is south.
The sun is behind you, your back is south. Raise
your left arm with the sun to your back, your
left arm with the sun to your back, look out away
from the target and describe what you see.
#25: You confuse me.
#66: I understand.
#25: The sun on my back, left arm, rolling hills.
#66: And beyond the hills.
#25: Small rolling hills.
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#66: And behind.
#25: Paralleled islands.
#66: Where is the sun?
#25: To my back.
#66: Beyond the valley.
#25: Mountains.
#66: Move up 100 miles, 100 miles beyond the mountains
now.
#25: 100 miles past the mountains?
#66: All right.. Now, from 100 miles look down at.
the target. Describe your perceptions to me.
#25: It's a long way away. See a very tall mountain
standing by itself.
#66:. Where is the sun?
#25: In front of me to my left.
#66: Holding the sun in front of you to your left,
describe your relationship between the target
and the mountain.
#25: Target's north of the mountain.
#66: Distance.
#25: I don't know..
#66: All right. Now, while you hover directly over
the target looking down close your eyes and listen
to the sound of my voice. You're still over the
target, if you were to open your eyes you'd look
right down and there the target would be, but keep
your eyes closed and listen to the sound of my
voice. The target's right there below you. Now,
listen to the sound of my voice. Let us remember
that the target for today, it is the 25th of February
1982...... now, as I count to three you will come
down, down, down directly to the target and when I
get to three you will open your eyes and you will
be at the target February 25th 1982, today. Now,
ready yourself and as I count three you'll get down,
down, down, closer to the target and when I complete
my count you will open your eyes and it will be
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February 25th 1982. One, two, three. Open your
eyes now and describe the target to me.
#25: Tall ...looks different... square tall, rectangular
......still a flying saucer on a pole....that
square wasn't there...
#66: And the surrounding area.
#25: Heavy feeling like a lot of woods.
#66: And the climate.
#25: Cool.
#66: If you were to take a picture of this with a
ASA 125 film what F stop would you use?
#25: 5-6, 500th of a second. See water to my northwest.
#66: Describe it to me.
#25: Lots of water, broken up like lots of small islands
or something.
#66: Distance.
#25: Seven miles.
#66: I have no further questions about the target for
today 25 February. However, I would like to give
you the opportunity to explore now and comment
for a moment without my distractions.
#25: Don't have anything to add.
#66: Describe for me the inside of the target.
#25: Round, support pole, hollow, you go up through
Wthat flying saucer ...grips running from center
to the outside,...a whole bunch of them...
semi- monocoque.
#66: Describe.
#25: An aviation term for a type of structure. Has
frame with shell over it. Flying saucer is little
more than twice the height in diameter.
5
W's Sam M
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#66: Describe the inside.
#25: The support pole goes up through the middle
to the ceiling. Open feeling.
#66: Move into the open and describe.
#25: More light and yet dark, not dark, dim.
#66: Explore the area and report.
#25: Right, rectangular objects, like tables, white
table cloths. Could be overlay. Feel like I'm
in the space needle in.Seattle. See small
support poles vertical.
#66: Okay. You have describe a flat, round object,
you named a flying saucer on a pole, and you
say this reminds you of the Needlepoint restaurant
in Seattle. Now, I want you to set aside. that
concept in case it's. overlya, and explore and
explore the raw impressions again. Is the object
you perceived as target capable of flight?
#25: No.
#66: What is the function. of the target?
#25: Look like it's a tank, water tank, storage.....
#66: I have no further questions. It's. obvious from
the conversational tone that you have broken
contact with the target. Do you have anything to
add before preparing to draw?
#25: No.
#66: All right. Fine. Let us then prepare to draw
the perceptions that you had.
(SEE TAB A FOR NARRATIVE)
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TAB
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REMOTE VIEWING SESSION 868
(DRAWING NARRATIVE)
#25: Drawings. Drawing number one is what.I got to
be the target. I show a view from standing on
the ground as the main view. The top view of it
is the round with the cross pattern that I described,
and the side view shows what I call the flying
saucer on a pole. That's what it looks like to me.
Page number two and number three are very similar.
Page number two shows the target located sort of
in the middle of a mountainous area. The area in
that middle is flat. It's kind of a basement or
something. The sharp mountain peaks that I have
depicted on page 2 is a general idea,of what these....
#66: What kind of foliage would I find on these mountains?
#25:. ...mountains look like. I saw tall evergreen pattern.
It just looked like evergreen pattern...tall ones.
#66: I ask that because in terms of locating that from
an intelligence point of view, certain parts of the
world grow certain kinds of foliage and you can tell
how far north and south you are and at what altitude
you are by the type of foliage. So, you're saying
this is evergreen forest.
#25: Right. And then drawing number three...this is a
little better drawing of page two in that it shows
the general location of the target...in a sort of
a basin. In that flat area I feel there's a city.
And, I also see cross patterns which could be the
cross roads of the city...I saw yards like it was
more of a rural. type area or at least the city,
people have yards in their yard. The pattern that
I see could have also been farm plots with different
types of grain or different colors. And, the
almost circular pattern of mountains around it.
To the northwest of the target, I had water and
islands. To the south, southeast I had my river
and jagged mountains that I described. I had kind
of a Grand Canyon feeling about it. Right around
the general area is the river here. It was sort
of green and the rest of the area was sort of a
grayish rocky type surroundings. Somewhat of what
you see at the Grand Canyon. And, then when you
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said put the sun to your back, I was facing almost
due east.
#66: Okay. You, yourself, when I asked you where the sun
was you said it's behind me.
#25: Yeah. Well, when I was looking down this way, the sun
was right about here somewhere. So, it was sort of
behind me. And, then when you said to put the sun
behind you I tried to put it square behind me which
put me facing just about due east. And then you
said raise your left hand and look out across it.
That's why I said I got confused. I was trying.....
#66: I understand what happened.
#25: Yeah. And, so I saw rolling hills, and you said
beyond that, I just saw smaller rolling hills.
They were starting to get flat out in that area.
And, you said beyond that, and I saw mountains,
and then you said go 100 miles over that, and I
thought, you were talking about 100 miles further
east at first. Then, I started to go there. And
then you said from your view 100 miles over the
mountains, and then I realized where you meant.
And, that's where I got kind of confused here, and
then you said look back at the target. I felt like
these mountains were probably the Smokey Mountains
along the east, and you were saying look back at
the target. I was 2,500 miles away and that's why
I said its a long way.
#66: Yes. I understand my confusion of direction to you.
I wanted a satellite view from 100 miles up so that
you could see a much broader sprectrum and I
understand we got confused there.
#25: So, that's the general area. I feel like it's.
in Pacific northwest somewhere, and the........
the drawing I gave, I had a lot of problems telling
myself it wasn't....... what do they call it.......
the Needle Dome or the ..... whatever it is in
Seattle
#66: Okay. So you have a.....you think that the target
is in the Pacific northwest in a mountainous forested
area. Maybe a rural area with farms or even could
be as dense as a city, and there are....in the
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1O.F.
area immediately ..near the area, within ..
a.probability of the target is an area of water
.....with maybe some islands in the water.....
Things like that.
#25: Aha (affirmative).
#66: Okay. Anything else you might want to add?
#25: That's. it.
#66: Okay. Fine. How do you feel about how you_
did today...your attitude and confidence level?
#25: Oh! I was really down. I felt like I got very
relaxed.
#66: You don't mean down psychologically. You mean
a relaxed state.
#25: No. Very relaxed. I saw the target, or I saw
my flying saucer on a circular pole quite clearly
there initially, and you started taking me off
to the mountains and the surrounding areas and
stuff, and...so, I never felt like I really
got into the target. all, that well. But, it was
pretty clear there at first.. That could be what
gives.me all the, if it is overlay, could be what
is giving me the overlay of the Pacific northwest,
and the water and stuff.
#66: Okay. Well, you'll find that in the future the
...it's necessary to locate yourself in space
around the target, and in the future that will
not take as long as it did.. It will take...
it will be a summary that you will give me....
you know two minutes of target time and you
will summarize without my prompting the entire
area. And, then P 1,l say, okay, now let's. deal
with the target. So, that's very good.
#25: Well, I think the reason that it took us so long
this time is because I. got lost somewhere along
the way.
#66: Certainly, no problem at all.
#25: That's it.
#66: Okay. Good. That'll do it then.
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i
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TAB
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CPYRGHT
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bjittt
Roarin
~rtjettie
nos ,,
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0 KILOMETERS 15
STATUTE MILES 1$
DRAWN BY Ib KANOAA $AOA
COMPILED BY 61AN G UF.RITE 0. IfUNE'..R
NATIONAL OEOGRAPWIC ART BINISIa,N
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....... '
'
MackenzF R.-"#Nahannl 051
?F~ YFe
q
sKA~. National ~11%R``t~e11o~'kn
+ rE R TORY P {C 0 nso^ ~jeat5}a~e
pacific
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ALASryA -- . I
1- 4
Only river highways cross Nahanni
National Park, 1,840 square miles set
aside in 1972 to mark varied chapters in
Canada's geologic history. The park
harbors 240 miles of the southeast-
flowing South Nahanni and much of its
major tributary, the Flat River.
aveaturers, described a land where
"rayihs alt mare God knows where."
; :( tgi ?"fyOri)
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CPYRGHT
Nahanni
CANADA' S
WILDERNESS
PARK
Forces of nature consort
to create masterworks
along the gallery of
the South Nahanni,
the Nahadeh or Powerful
River of Indian lore,
now lifeline of a
national park in the
Northwest Territories.
Roaring cataract at the heart of the
park, 234 foot Virginia Falls splits
against a limestone steeple. Once
considered for hydroelectric development,
the falls remains the only unharnessed
Canadian chute of its height-more
than one and a half times Niagara's.
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888001400
CPYRGHT
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CPYRGHT
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ELM
~- ?~ a io`".
12 7 1 '3o"
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