REMOTE VIEWING SESSION 864. TARGET: POST FIRE STATION

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400160001-0
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 18
• Document Creation Date: November 4, 2016
• Document Release Date: June 18, 1998
• Sequence Number: 1
• Publication Date: February 18, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
j051630Z JUL78
REVIEW ON:
NOT RELEASABLE TO FOREIGN NATIONALS
RILL77LAME
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 864
1. (S/NOFORN) This report provides documentation of
a remote viewing session conducted for training purposes
only.
2. (S/NOFORN) The protocol used for this session is
detailed in the document Standard Remote Viewing Protocol
(Local Target) by Harold E. Puthoff, and Russel Targ,
November 1978.
3. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A
are drawings and a narrative by the remote viewer. At
TAB B is the target cuing information.
4. (S/NOFORN) Post session analysis of target viewing
indicates the viewer had a considerable amount of correlation.
Training objectives set for this session were achieved.
NOT RELEASAB 0E,ORE N NATIONALS
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TRANSCRIPT
REMOTE VIEWING SESSION 864
#66: This will be a remote viewing session for
1400 hours, 18 February 1982.
Focus your attention now solely and only on
#72 and #25. Think only of them. As your
attention comes to bear narrow your focus,
even narrower on only #72 and #25.
PAUSE
And now the target. Explore the target with
#72 and #25. Be at the target with them and
describe the target to me.
#63: White walls
PAUSE
PAUSE
#66: Report.
#63: Dark and white. A//
#66: From what perspective do you perceive the target.
#63: Ground level, indoor, large windows, rectangular,
tall, two side-by-side, near a corner.
#66: Find #25.
#63: Looking out window.
PAUSE
#66: Look up and describe.
#63: Small, square pattern.
SETIE
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#66: Put your back to the window and describe the
target to me.
PAUSE
#63: Corner something.
#66: Listen and describe.
PAUSE
#63: Quiet.
#66: Smell and describe.
#63: Nothing peculiar.
#66: Touch and describe.
PAUSE
#63: Hard, smooth.
#66: Look and describe.
#63: Dividers divided like halls, right.
#66: Find #72.
#63: Accordian door, stairs, shelves, glass wall..
#66: Move, go on.
#63: Strange feeling like an office, but different.
#66: Describe--
#63: Comfortable (mumble).
#66: Move outside up and oblique. Describe the target
to me.
#63: Long, low.
#66: Color.
#63: Man-made structure, white, large windows with
dark---square.
#66: Describe the entrance to the target.
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#63: Dark door, small recess.
#66: Put your back to the entrance and describe.
PAUSE
#63: Dark, wet.
#66: Further.
#63: Cars, snow, tree. v'
#66: Further.
PAUSE
#63: Like a hallway.
#66: Where is the entrance now?
#63: Middle of the building.
#66:
Face the entrance, slowly move through the
entrance, stop. The entrance now is to the back
of you as you've moved through it. Now, look
forward and describe.
#63: Large, gray, almost empty, artificial light.
#66: All right. Relax for a moment and listen to the
sound of my voice. Focus your attention on the
target as you're perceiving it now. Focus your
attention on the target. See the target clearly
as you see it now. I'm going now to count off
the hours of the day. Watch the target and watch
the hours of the day go by. Watch the target and
watch the hours of the day go by. Seven a.m,
8 a.m., 9, 10, 11, 12, 1 p.m., 2 p.m, 3 p.m,
4 p.m, 5 p.m,stop. Carefully now, with discipline,
describe the normal activity that takes place
during the day at the targe
#63: Quiet, little activitY, waiting.
#66: Good.
#63: Some people, few coming and going, not staying.
?????=????????????
#66: I have no further questions concerning the target.
I want to provide you now to add anything you wish
at this time.
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/// 1/0/
#63: Many chairs, counter ,-'shelves, shelves like
dividers, displays That's all.
#66: All right. Remembering perfectly everything
you have received prepare yourself now.to draw
those perceptions of the target you have had.
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TAB
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REMOTE VIEWING SESSION 864
(DRAWING NARRATIVE)
#63: Now, about my drawings. Drawing 1 is the windows
and I have the walls labeled A and B. The windows
on wall A or the windows that I felt I saw #72
and #25 standing here looking out of and they
were looking in this direction. And, they were
standing just about shoulder-to-shoulder as I've
got drawn here. And, I had a feeling of curtains
here. And, these curtains...may be some over here
somewhere too...these curtains I had a feeling
were for wall A and not for wall B. I don't
think wall B has any curtains of its own. I don't
know why. I had a light feeling here. This is
the place where I got the office feeling, but not
the office. Kind of a light feeling. Got a quiet
feeling. That was drawing number 1.
Drawing number 2, X marks the spot where I was
standing. Have a feeling of to my right of a
counter, plants or something big there. Maybe
some plants back over here.
#66: Okay. When you're describing the picture and
saying here and there, for the tape record purposes
if you'd tell us where it is in the drawing that
makes us understand.
#63: Okay. To the right, by the counter, and then off
to the left wall, I had a feeling of dividers or.
shelves. I don't know. I'm not going to speculate
whether there, one or the other. But, I had a
divided feeling like the room was divided into
smaller cubicles. Perhaps smaller office buildings.
It had an artificial light feeling to it and it was
kind of a light or grayish color in here. I don't
know if that was the walls or a carpet or a combination
of the surroundings. And, the furniture, I had a
feeling of browns like artificial wood grains and
dark grays or blacks.
Drawing number 3 is a bit difficult to describe,
and a bit difficult to understand when you look at
it too. This is where I said display. I felt like
I was seeing displays off of the left wall. And,
again over here on the right wall. And it had light
brown or straw colored carpeting in here. There
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--was something sitting in this area on the floor
although I didn't get it. And, these little patches
you see drawn in front of each display was the
light that was being cast from the display window.
The room was very dimly lit so that the bright
lights in the display windows were actually casting
a brighter light.out in this area. And, there were
lights in the ceiling like fluorescent and they
were sort of over top of the display close to the
walls.
Number 4, drawing number 4 was the wall that I saw
When you told me to put my back to the window which
was drawing number 1, and look in. I saw short shelves
Not like the kind of shelves you see in a library
which extend all the way through the room. They came
out 6 or 8 feet and inside of each one of those was
a little cubby hole which may be office spaces.
They were about this sort of size like you divide
office spaces in one large room, and I got a warm
feeling and sort of cluttered feeling of a lot of
things on the shelves or on the walls. Something
like this.
And, drawing number 5, I asked #25 to give me
something that was significant to indicate to me
where I was, and I don't know why he gave me this.
It was just a kind of fleeting thing and that's
why I drew it in number 5 because I almost forgot
to draw it. It's just kind of a star shaped pattern
with ray emanating from it.
#66: Okay. Now, on drawing four there was a point in
time which I was trying to-I was trying to get you
to stand and look out away from the target and we
became confused as to whether we were looking in
or looking out of the target. And, I understood
that that was happening-right during the session
that there was some confusion about it.
#63: Well, I understood that you wanted me to look away
from the target and I turned my back to the door.
I looked out and like I say the door was indented
inside the building. So, I was looking out of a
short hallway sort of thing, and I saw what .I said
black, shiny, which appeared to be wet asphalt.
Now, that's because of the snow and everything I
feel like it could have been a lot of overlay.
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--And, I thought I saw cars which outside
of any building you'd expect to see cars, and
I saw a large tree out to the side there. And,
I didn't see anything beyond that, and you said
to look beyond that, and I felt like I was looking
down a hallway. I don't know if that was a hallway
of a other building nearby or if that was the same
hallway, but, it had the same similar appearance
as standing right here and looking down along this
road in picture number 1. And, so that brought
me back into this building again.
#66: Okay. How about when you were up and away and
oblique looking at the building from the outside.
#63: Okay. That would be drawing number 6 and I didn't
get an exceptionally good picture of it. It was
a low building, one floor, very low, and it was long,
and then when I told myself to go even higher above
it so that it wasn't quite as much as an oblique
that's when I got the square feeling. And, that's
it.
#66: Of what material is this building made of?
#63: I got a corregated feeling along this area here
which I will mark A. As though it may have been
a corregated steel or something. And, this is the
entrance way here. Like I say, it was sort of a
indentation. Door was back in a ways and it's
towards the center of the building. And, the walls
were light colored around it...A, and then I had
a feeling of windows all the way around the building
which I'll label B and doorway label C and the building
was generally square...flat roof. That's all.
#66: Okay. How do you feel about this session?
#63: I saw somethings"...like drawing number pretty
clearly. Most of it wasn't all that clear, and
because of #72 mentioning going to the library
and because of the feeling I got of library or
museum type of area I think a lot of it might be
overlay.
#66: Okay. Anything else?
#63: That's it.
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TAB
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