REMOTE VIEWING SESSION 860

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400120001-4
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 17
• Document Creation Date: November 4, 2016
• Document Release Date: May 11, 2000
• Sequence Number: 1
• Publication Date: February 12, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
)1630Z JUL78
RLVIEW ON:
NOT RELEASABLE TO FOREIGN NATIONALS
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 860
1. (S/NOFORN) This report provides documentation of a remote
viewing session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed
in the document Standard Remote Viewing Protocol (Local Target)
by Harold E. Puthoff, and Russel Targ, November 1978.
3. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings made by the remote viewer reference his impressions
of the targeted site. At tAB B is the target cuing information.
4. (S/NOFORN) Post session analysis of target viewing
indicates the viewer had a considerable amount of correlation.
The designated target was St Mark United Methodist Church.
The beacon was denied access to the church by the minister.
He was unable to properly photograph the designated. Faced
with these problems he selected an alternate target (see
photograph). Training objectives set for this session were
achieved.
NOT RELEASABLE Tg
0 .P ATIONALS
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TRANSCRIPT
REMOTE VIEWING SESSION 860
#66: This will be a remote viewing session for
0900 hours, 12 February 1982.
PAUSE
Relax, relax, relax and concentrate, concentrate
solely and completely on your target for this
morning. Focus your attention on #01. Bring to
your mind the image of #01. Focus now on him in
his present location, today's target. Concentrate,
focus, focus and describe the target to me.
PAUSE
#63: Black and white checked pattern. Bright
indoors
#66:
Continue.
#63: Waist high objects, dark, white walls
object's dark, curved tops, shiney
#66: As you focus on the target describe your relative
position of observation.
PAUSE
#63: Ground level, metal.
#66: Describe #01's position relative to you.
#63: Close behind to the left.
#66: Face this direction and describe the area
immediately surrounding #01. Relax, focus
and describe.
PAUSE
#63: Many close lines, parallel, small at the bottom
large at the top, horizontal, #01 is moving
SE
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#66: Describe.
#63: Perspective view...like turnstiles or something
you have to go through.
#66: Stay with #01 and describe his activity to me.
PAUSE
#63: Walking and seeing.....
#66: Describe the surface upon which he is walking.
#63: Seems to be walking in a circle. I think in
some sort of a pattern. Surface is hard, light
colored, not cold, cool like concrete.
#66: Look up and describe what's overhead.
PAUSE
#63: Dark line, linear feeling, domed
PAUSE
#66: Look forward now and describe to your front.
PAUSE
#63: Short hallway and dark in the rear.
#66: Describe to your left.
PAUSE
#66: Extend to your left arm, look over your left
arm and describe.
PAUSE
#63: Many small objects.
#66: And beyond.
PAUSE
#63: Cross pattern, light brown, white background.
Looks like the edge of shelves.
#66: Now, extend your right arm, look over your
right arm and describe.
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#63: Brown vertical wall, many lines vertical.
#66: And beyond this.
PAUSE
#63: Light.
#66: Continue.
PAUSE
#63: Open space, covered
pillar, circular pillar, pattern on it
#66: Stand at the pillar. Move now and stand at the
pillar. Describe your surroundings to me.
PAUSE
#63: Covered, airy....soft light
20 or 30 foot pillar supports arches.
#66: From the pillar position, from the pillar
position, relax, focus and describe the target
to me.
#63: Behind pillar. First place I described
#66: Move up the pillar, look down at the target and
describe.
#63: Partitions, multi-rooms...open airy feeling.....
booths or counters...columns support several arches
Roof kind of domed shaped.
#66: Move up now 200 feet above the target. Move up
now 200 feet above the target. Look down. Now
relax, relax, concentrate, and describe the area
surrounding the target.
PAUSE
#66: Relax, focus and describe.
#63: Circular feeling get circular feeling rays
emanating from the target tall things around
the target
#66: Go on.
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rt.P.
#63: Very bright...a lot of white. Nothing
distinguishable.
#66: Move to your left, focusing on the target
given and oblique look. Focus now on the
oblique and describe the area surrounding the
target.
#63: Flat, small trees, 10 feet...hard surface
surrounded feeling.
#66: Elaborate.
#63 Pattern's in the middle pattern opening
around it then surrounded by many things.
#66: I have no further questions concerning the target
area...no questions concerning today's target.
I would like to provide you the opportunity now
to explore and comment further as you so desire.
Do so now.
PAUSE
#63: Round posts with lines coming down from it like
water sprinkling from a fountain...white
#66: Anything further?
#63: Dining room table with chairs, rug under it.
Upside down funnel shaped martini glasses sticking
out of the floor...a lot of 'em....color again
That's all.
#66: All right. Remember all of the perceptions that you
have had. Remember the target of today so that you
may draw it for me. Remember all that you have
perceived and let's now prepare to draw your
perceptions of the target.
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4
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TAB
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away
REMOTE VIEWING SESSION 860
(DRAWING NARRATIVE)
#63: Okay. My drawings. Page number 1. A...these
are my martini glasses that I see sticking up
from the floor. After thinking about it, you
know the martini glasses is the pattern I
used to describe it. It can be seats. It can
be flowers or pedestals or something like this.
And, to the left of that, maybe a bit off this
page, there was a dining room table with about
5 or 6 of these real high back chairs like that
sitting on a carpet. I don't know why I saw that.
One B is that long hallway that I saw with turn-
stiles or whatever. These are what I saw, I
used the term turnstiles to describe it. It's
like a pathway or escalator or something going
these (mumble) patterns, and there's a third
set down here.
#66: So, rather than being...they may not be turnstiles,
but something that is like a narrowing or a tunnel-
ing affect for something that goes through there.
#63: Aha. Right. You see, this is the same size....
it's kind of a perspective view as it goes up that
way and it's the third set of these things right
down here.
#66: To the right.
#63: Page 2, I feel is pretty important. 'cause I
asked myself what is important about this target
that I can...one little tidbit of information
that will key me, and I got the feeling of both
of these, and I think A is more correct than
B. I got B earlier, but A came in when I said
what is really important about this. And, again
it's kind of my martini thing again with rays
coming down in off of it. Like maybe water flowing
out of a fountain of some kind.
Three A is my pillar shape with arches coming in
off of it. Numerous arches coming off of this
one piller. And, I say a semi-domed roof. I
don't know why. I felt like it was slightly
domed, but it didn't come down all the way or
anything. Just a very slight dome. And inside
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of this area I had an airy feeling and kind
of a soft neutral light. And, I had a feeling
there were plants there or something. And, a
perspective view of a wall under there as though
it might have been inside of a mall or something.
And, this may have been stored along the side
there. This is the general area I felt like that
table and stuff was in. So, I drew an arrow
there saying table.
B is the black and white pattern that I had.
It was like a tile floor, small check patterns
...of black and white tiles on the floor like in
a bathroom.
Four A it's the corner of something looks
like a ticket booth or something. This is a
little wider and it comes out around the corner
here and there. Looks like the shelf on a ticket
booth where you buy ticket or something.
And then B is the, the feeling I got when I
went overhead. This is the target. It's got
walkways or something around it. Rays coming
out is what I described it as. And, then I
had a surrounded feeling like there's a bunch
of stuff all around here. I don't know what it
was. And that's it.
#66: And, what's your emotional feeling about the
target then...what went on today.
#63: Ah, it's hard to describe today. Let me think
about that. You can put the tape on hold and
I'll think for just a minute.
My images weren't quite as clear today as I
would like them to have been, but again I felt
good in the fact that I didn't have an overflowing
of images that I couldn't describe. I had enough
that I could keep up with them. So, I feel that
some of these are probably correct. And, that it
wasn't all just overlay that was washing over my
eye. So, I'm anxious to go out and see how I did.
#66: Anything else you want to add?
#63: That's it.
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