REMOTE VIEWING SESSION #856

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400080001-9
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 15
• Document Creation Date: November 4, 2016
• Document Release Date: September 5, 2003
• Sequence Number: 1
• Publication Date: February 8, 1982
• Content Type: REPORT

Approved For Release 2003/09/
INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY: MSG, DAMI-ISH
05 6302 JUL78
REVIEW ON:
G?fa
NOT RELEASABLE TO FOREIGN NATIONALS.
Approved For Release 20091
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 856
1. (S/NOFORN) This report provides documentation of a remote
viewing session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed
in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
3. (S/NOFORN) Following is a_transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings made by the remote viewer reference his impressions of
the targeted site. At TAB B is the target cuing information.
4. (S/NOFORN) Post analysis on target viewing indicates the
viewer had a considerable amount of correlation. Attention is
invited to Report 857 on the same target. The viewer's. attitude
was positive. This was the first session with a new interviewer.
NOT RELEASABLE IN NATIONALS
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TRANSCRIPT
.REMOTE VIEWING SESSION 856
#66: This will be a remote viewing session for 0900
08 February 1982.
Relax, relax, relax, relax, just relax, relax
and concentrate solely and completely.on your
target for this morning. Relax, relax, relax
relax. Focus solely and completely on:
40 degrees, 31 minutes, 00 seconds North
115 degrees, 13 minutes, 55 seconds West
Concentrate, concentrate on the target, and
describe the target to me.
#25: Road, crusting a hill, desert road.
#66: Yes.
#25: Keep wanting to make it in ah, Huachuca, and
I'm_fighting that back.
#66: Don't. talk to me. Keep thinking about the target.
PAUSE
#25: Mountains to the right.
#66: Good.
#25: Valley to the left. Mountains beyond the.... beyond
the valley on the (mumble) mountains. 'It's just
like I sat down on a desert road. Nothing around.
#66: Tell me about your position of observation.
#25: Standing on the road.
#66: Move straight up 500 feet and describe the scene
below you.. Take your time, and tell me only about
the target.
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#25: Blue truck. (Mumble)
#66: Relax for a moment and listen to the sound of
my voice. As you look down on the.target now
consider the focal length of your viewing lens.
You may change the focal length or change your
altitude to better see the target. Do so now,
and describe the target to me.
#25: Square. It's a fence, a square, chain linked
fence. Trucks on the outside of the fence.
Slab, slab of concrete. It's got doors in it,
and lying flat on the ground.
#66: Describe the terrain around the target to me.
#25: It's. a desert.
#66: Describe the foilage around the target to me.
#25: Sparce.. It's . ah......... I got a pair of cactus,
(mumble) cactus. The other bushes, I don't. know V
what they are. I can't. describe either, tried.
#66: Look at the target. Perceive only the target.
As you perceive the target, tell me of your
position of observation.
#25: I'm getting two views.
#66: Describe them to me.
#25: One is off to the corner of the square, and one
is directly above the square.
#66: Focus now on the target, focus now on the target,
and describe the color of the square to me.
#25: Sandy color inside, red, coral like...dark on the
outside the square.
#66: Describe the activity of the target location to
me.
#25: Men (phonetic)
SECRET
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#66:
I have no further questions concerning
I would like, now, to give you a moment
the target without question and without
to report. Do so now.
the
to
you
target.
examine
needing
#25:
I think it's underground... activity's underground.
#66:
All
had,
ing
your
and
right. Remembering the perspectives you've
remembering the perceptions you've had concern-
this morning's, target... review the imagery in
mind and remember, remember clearly, cleanly
precisely all that you have perceived. And,
prepare yourself now to draw those perceptions
you have had.
S
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TAB
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REMOTE VIEWING SESSION 856
(DRAWING NARRATIVE)
#25: Okay. I'll describe the drawings now.
Drawing 1 is a scene that I first saw when
I heard the coordinates and sort of lit down
on the ground, and it was right here, at this
road, ah, with mountains to the right, mountains
in front of me and a valley-to the left. And,
I've drawn a little arrow over here indicating
the direction from here that I thought the
target was. So, I came down some place and had
to move to the target, because I wasn't right
on the target, I don't think.
#66: What you're saying you found something interesting
to the right of the road which you eventually
described.
#25: Well, this road I recognize tkI thought as the road
to Ft Huachuca from Vincent. And.......then I.went
over to the target which was-over to the right.....
and I'm pretty sure that I overlayed the target in
there, and made it one of those missile sites
right along with........ the one that's. closest to the
road to Ft. Huachuca there.
Drawing.2 is a picture of what...a drawing of the
target.....a fence.....I tried to make a fence, I
tried to draw in the concrete pad.. I tried to
draw in the doors that I saw on the concrete pad.
#66: At what time did you perceive drawing 2. I. had
asked you to go up in the air somewhat. You talked
about a concrete pad. Is this before or after you
went up?
#25: This is.....ah.......I can't
here, but if I held a finger
the page as-that indicating
from...ah...perpendicular to
two images when you asked me
draw a perspective on
right over
the
top of
the top of
the
drawing.
the pen I
had
...ah...
to go up,
and
that was
...one.was up and one was right where I'm. looking
now.... ah...sort of off to the...bottom corner of
the target. And, they were, they were, either
simultaneously or happening one right after the other.
Really fast.
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#66:
Am I to understand then, that you
the target from some altitude?
perceived
#25:
Yes.
line
This
Ah...I did. The horizon is drawn in. the
above. This was a higher elevation.......
was lower down here.
Okay. And, drawing 3 is kind of a sketch of
the overhead in its relation to where I felt
like I landed, which was probably one to two
miles from here.
#66: Okay. _So, you came down on a road, and then
perceived, what you thought was the target, off
to the right.
#25: Over there. Yeah.
#66: Okay.
#25: And, I went there.
#66: Okay. At least there was something interesting
over there to look at as opposed to this road.
Because, you had first said there was nothing
out there.
#25: There's tower shape over here..-`I should probably
draw that', . but, .iI`s..no?t. _t`i-ere's nothing there.
It's like...long abandoned. And that's it.
#66: Okay. Anything further you want to add?
#25: No.
#66: Well, I'm not sure that it was a good session.
I felt like I overlayed most of what I saw, and
right...it was right out of memory.
#66: At what time did you.get this...the memory
connection or this overlay feeling?
#25: As soon as you read the coordinates and I saw
the image I drew, or attempted to draw in drawing
1. I realized where it was, and then, at the
same time realized target was to the right, and
then I just painted in the target as being one
of those Air Force missile sites.
#66: Okay. Prior to that then, what would your
raw perceptions then of the very first things,
before you had some sort of memory recollection.
What type of terrain that you had landed on and
so forth.
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E ~ 4
#25:
Okay. It w ..d:.esert. It was arid or dry.
There Was not sparce vegetation...there was
sparce vegetation.
#66: What was the weather like at this time?
#25: Clear day.
blue sWhatoareethany ose?four thingsiyoug.
Sunny, sky.
want me to report? What are they?
#66: Just, generally speaking you said you had a
land mass area.
#25: Yeah. Desert, land, mass. Okay.
#66: And, these, these things then, you perceived
before you had some sort of memory trace or
interference in analysis there.
#25: Yeah.
#66: It's a difficult thing to fight because you always
want to analyze it, and your brain is more than
willing to compare it with all available informa-
tion.
#25: Yeah, and that's just what I painted it into.
Just quickly. So fast that I couldn't. control it
at all.
#66: Aha. Any other comments you would like to make?
#25: No.
#66: Okay. That will do it then.
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0?-
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TAB
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