SUMMARY REMOTE VIEWING SESSION LXXVII

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900890001-6
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 13
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: January 1, 1978
• Content Type: REPORT

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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
REVIEW ON: 31 Jul 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRID rL
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REMOTE VIEWING (RV) SESSION LXXVII
1. (S) This report provides documentation of a remote
viewing session conducted for the purpose of orienting a
remote viewer to an applied remote viewing protocol.
2. (S) The remote viewer's impressions during this session
did not seem to correlate with the target at all. The viewer
managed to maintain a relaxed and cheerful attitude even
though the noise level before and during this session was
absolutely terrible. There was some sort of a military
ceremony taking place across the street. There was a marching
band that was very audible and the 12 cannon salute was un-
nerving. The noise from outside was soon drowned out by the
noise level from within the building; such as, gardners work-
ing underneath the window, someone whistling and loud talking
in the hallway, very loud and sharp footsteps overhead,
dropping toilet seats, slamming of doors and lastly low-
flying-flying jet aircraft. The viewer stated that he had
difficulty in maintaining concentration and a point of focus
several times during the session due to distractions. The
target for this session was a police headquarters. The
outbounder spent most of his time inside interacting with the
desk sergeant. Post session feedback provided by the viewer
at the target location indicated that he felt there was no
target coorelation.
3. (S) The protocol used for this session and which will be
used in later training is detailed in the document, Standard
Remote-Viewing Protocol (Local Targets) by Harold E. Puthoff
and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site.
No photographs of this target were taken because the out-
bounder wanted to avoid suspicious behavior while loitering
around this police headquarters.
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#66:
#14:
+05
#24.5:
+06
REMOTE VIEWING (RV) SESSION LXXVII
This will be a remote viewing session (edited
for security reasons).
All right #24.5. Its now 10 o'clock.
is at the target location. Go out to
with #66 and tell me what you see.
on the, on the left side of an "L".
#66
the location
(Not audible)
PAUSE
(Not audible)
PAUSE
I see dark shapes, round in the front. And
(Not audible). Overhang (not audible) slanted
roof. Gentle, gentle slant. Just over edge
of the "L". Not a big, not a big overhang.
+08 I see a. . a . . I see a post. Up and down,
behind me. (Not audible)
PAUSE
#66 is on the other side of the "L".
PAUSE
I see a light wedge. . . peak. . on the other
side of where he is. (Not audible).
PAUSE
Posts there and that sticks out more.
PAUSE
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+12 #24.5: What are you doing, #66?
#66, what are you doing?
There's glass inside. Looks dark. Looks like
its solid on the bottom. (Not audible)
It seems under this wedge.
There's something on the right. I'm seeing
it in twos. Two columns. There's something
dark on the right side. I'd say like a . .
There's something dark standing by the right
column. 32 feet to. . . There are white things
out front. Something's white. I think the
columns are square. Not like the other column,
the first column and that's round. These
columns are square. There's something not
white, next to the column. I don't know what
it is. Its something white out front. In
front of the. . in front of the (not audible).
(Not audible) or not. (Not audible) sticks
out (not audible).
(Not audible). . Its odd to say, he's kicking
with his toe against it. I want to say, he's
kicking it. Tapping it. . . with his toe.
PAUSE
I want to say an "M". Letter
PAUSE
Oh, okay.
I see a big. . a what (not audible). . long
thing. . fairly (not audible) permanent over-
hang. White under overhang. (Not audible)
I'll try to go in.
I'm going in a glass door, push bar. Metal
push bar. There's a bar on the glass door.
(not audible). . And I. . it was lighter on
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the right side. Up high in the corner
along that wall.
PAUSE
I want to focus that.
PAUSE
(Not audible) Ha ha ha
#24.5: Ah. . Ah. . I'm so close and yet I can't get
in there. Ha ha ha
+20 There was this band marching down the aisle
and I knew I'd gone too far. Ha ha ha
#14: Ha ha ha
#24.5: I was over the edge.
PAUSE
#14: Its 20 past the hour and #66 has left the
target area. You're free to stay on if you'd
like to.
#24.5: I was just getting. . trying to get my focus
back. I haven't got anything around the inside
of the. . where I went in, except that feeling
on the right. About it being light and high up.
PAUSE
Let me draw some, huh?
#14: This seemed to be a good session.
#24.5: Well, I don't know.
#14: Would you like a little more light?
+21 #24.5: Yes. I was going to try to do my thing and
then that lawn mower started up - that was
the end of it.
I'll have to go in series. I'll draw the
composite when I'm done, I guess.
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PAUSE
#14: If you need any help, I've got some notes.
#24.5: Okay.
The first thing I said was I saw an "L".
Which was that and then with a vertical line.
Okay. And then round dark shapes on the left
which were like bushes. Okay. Then I tried
to resolve this. So, what I think I did was
I moved over on the other side of these things.
So I was closer to this wall. And what I got
the feeling was like this was like out in the
light, here. And the feeling that I got then
was, to draw a proper perspective, let's see,
would be like I was standing alongside a
building. . there. . (not audible). . I can't
get the perspective right.
PAUSE
Okay. That's more like it.
#14: (Not audible) quiet things (not audible).
#24.5: Yeah. Everything's overwith. The lawn mower
drove off. The band is marching off the edge
of the earth.
#14: At exactly 1021. Got the elephant upstairs
that was tap dancing.
#24.5: Ha ha ha
#14: Whistling Jim in the hallway.
#24.5: Yeah. Ha ha ha
And this will be like that. Its sort of like
the intersection of the "L" in here. This "L"
okay.
And then the bushes would be over here on this
side. See, because now I was standing on the
left side of the buses. So that was that.
Okay. And this then would be. . actually the
. the overhang would begin to take some shape
there because that's on the other side. I'm
looking this way now. This is where I am.
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#24.5: And under here, right, but this is out in the
light and this is in under. Okay. Like I'm
standing in a hallway outside a building or
something. This is a wall. A wall.
So, the first thing I did, I think, I might
be a little messed up. . . which one I did
first was I got the contour of this thing. .
of the overhang here. . is just sort of a
slight. . Its not real, its just a couple. .
maybe 20 degrees slope. Okay. This is the
roof. Okay. That's up here. That's sort of
like the roof slope all the way around. But
then Four, I was here and I turned around. Four
I was looking out the other way, so I had the
roof and the wall and the walk. Okay. And
this was where I wanted to say this post was.
I got the feeling that was on the end of the
building too. Like there wasn't much past
that. So, I'll write "open" back here.
And then I asked where in the heck #66 was.
Okay. And I got the feeling that I was . .
let me draw a little miniature here. Okay.
And that's the slanted roof. Perspective
is a little long there, but that. . was the
light "L". Okay. Its like I was here. I
was near the bushes and I was looking like
over the bushes over to here. Okay. This
would have actually been like looking this way
to Five. And this is the roof line.
That's what really faked me out is because there
was this thing. So here we have this thing,
right. I want to say these are square pillars.
Something standing here. And back here is the
building. I don't know what goes on here. I
don't know if there's something in the end of
the building or if its in the middle of this
thing or where.
But I'll draw that back. I don't know what the
roof looks like here. I wasn't up here I was
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down. i was down in this area. Sort of in
under this white "L" or whatever it is. And
there's glass in here. And the door or a
door or something; a shape. . is silver,
metal frame. Silver, metal frame. Okay?
And its got this bar on it or this push thing,
whatever. Silver with horizontal.
Okay. And that's one. It could be two.
I don't know what the story is. I just
noticed that. But there are windows. . at
least windows in under here. Well, okay.
When I first looked at it the whole front
looked glass. But that was when I was looking
from out here in the lot. Okay. But I . . .
whatever is out front, I don't. . I shouldn't
say lot, but Ummmm. . . I seem to remember.
or feel. . I got him kicking something and I
got it something like say as an example this
curbing in front here. . . would be him
tapping it with his toe, like going like this.
Only it was his left foot. It was his left
foot.
#14:
Let's see, about the same time you saw him
kicking something, you saw the letter "M".
#24.5: Yes. I don't know where that comes from. I'll
write that down.
And that was during Five. Okay, then I tried
to go in.
#14: Somewhere along the line you had the feeling
that something wasn't right.
#24.5: No. White. That's what it was, white! There's
something white along the front here. And I
didn't want to make it into something. So, I
just. . I had the feeling like it was either.
it could be two things; it was a white strip
painted on the ground, okay. Or there were
white elephant, or you know what I mean, big
parking blocks.
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#14: Right.
#24.5: So this is something white. I had the feeling
it was not the curb. But it was something
like a white painted on the ground or like a
line of white parking blocks. Paint or blocks.
But I didn't want to build it into parking
blocks though. That was when I was saying
something white out front of this, of this
square pillars.
Seven was only an interior view of . . of where
I was and the only thing that I have to say is
that its dark, its dark inside.
But along the wall on the right side. . let
me just sort of draw this to show. . this is
all green or whatever, okay.
It has. . there's not much to go on. . Its
right when the band started marching.
#14: Ha ha ha
#24.5: But it was light near ceiling. Dark below.
Almost as though there were some, say some
hidden indirect display lights along the top
line of the room. And that light petered out
as it got farther down the wall and then the
bottom part of the wall just got lost in the
dusk.
Okay. And that's all I had.
#14: Okay. End of session.
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TAB A
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