SUMMARY REMOTE VIEWING SESSION XXVI

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900540001-4
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 28
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: January 1, 1978
• Content Type: REPORT

I CO U.
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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
Approved For Release
110.
CLASSIFIED BY: Director,DIA
REVIEW ON : 31 May 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
G LL FLAME
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REMOTE VIEWING (RV) SESSION XXVI
1. (S) This report provides documentation of a remote
viewing session conducted for the purpose of orienting a
remote viewer to the protocol which will be used in the
remote viewing training program at Stanford Research
Institute (SRI), Menlo Park, California.
2. (S) Target correlation in this session was low to
moderate. The remote viewer's verbal descriptions are more
representative of the target area (a horse race track) than
are the drawings made by the remote viewer. The target area
was closed to the public during the time of the session.
The target area is very large, covering many acres. The
remote viewer impressions are not limited to the particular
area of the target visited by the "outbounders".
3. (S) The protocol used for this session and which will
be used in later training is detailed in the document,
Standard Remote-Viewing Protocol (Local Targets) by Harold
E. Puthoff and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impres-
sions during the remote viewing session. At TAB A are
drawings made by the viewer reference his impressions of
the target site. At TAB B are photographs of the target
site. At TAB C is a post-session interview.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION XXVI
TIME #28: This will be a remote viewing session.(Edited
for security.)
#28: #31 and #29 are now at the target. . . They are
looking at the target. . . observing the area.
Let yourself relax. . . concentrate. Simply
look at the target with them. . . and describe
the area to me.
#24: I see a tree with white blossoms; slightly pink
and white blossoms. It looks to me like there
are a lot of them.
#28: Okay.
#24: I keep seeing that.
PAUSE
#24: Like the side of the road, a whole grove of those
trees.
PAUSE
#24: I'm getting, ha ha ha, I see a tunnel. . . that I
. . . read something, anyway, I see sort of a. . .
sort of tunnel.
PAUSE
#24: Its dark at the end. Its arched.
PAUSE
#24: Now its as though someone is coming out of this
tunnel. I see those trees again. . . a maze of
these sort of white blossoms.
PAUSE
#24: I'm really getting strong images of those trees.
PAUSE
+05 #28: Describe. . . the position of the outbounders.
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#24: I don't know what you mean.
#28: Where. . . are. . the outbounders. . in relation-
ship to your image.
#24: Well, I saw the . . . When I first saw that tunnel,
I don't know, it was like looking down a very long
. . . but it didn't recede. . . it was the same
perspective, the same shape all the way through.
And then, suddenly, I got an image of like coming
out into. . . out of the darkened hall. . . through
an archway where it was light. Coming out of that
and seeing this. . . these trees.
#28: Okay. When you look at the trees. . . describe
your position to me.
#24: About the same as I was just describing. On the
ground looking into the trees. Now, I'm sort of
going up. . . where I would be level with the
blossoms instead of down by the trunk.
#28: Good.
#24: And now, I'm above them.
#28: Good. Look down and describe the area.
#24. Ha ha. . . Ah. . .
#28: Concentrate now. . .
#24: Yeah. . . I see above them as though I were in a
helicopter, a low flying helicopter, on this big
grove, almost like a forest. A grove would be a
better description of it. Um. . . let's see now,
I'm way above them. Now I see. . . like a park
area.
+07 #28: Okay.
#24: I got a group of trees. Of those trees, those
white trees that, you know, that I'm talking about.
And, . . . there is a flat area and then clumps
of trees. Like a park. I'm above them now.
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#24:
I'm losing it.
#24:
That's all I'm
getting,
just a. . .
Its
like
I'm
zooming in and
zooming
out. I was.
. .
The
trees
are very close
I'm still above
together
them.
trees. I can't
You know, I can't
see
see
down.
the
ground, I just
see this mass of blossoms
or
that
type of effect.
+09 #28: Okay. Concentrate very hard. . . and. . in this
area. . . in this area. . . locate #29 and #31.
PAUSE
#28: See #29 and #31.
PAUSE
#24: Okay. I see a . . like they're inside looking
out through glass. Its like a . . . a . . . well,
it. . yeah. . definitely looking out through glass.
Big windows. Not panes. They are looking out at
the park thing, you know,where I. . .
#24: The park area. . whatever they're inside is like
a. . . curved wall. And its at least half windows.
#28: Good.
#24: I mean the upper half is all windows.
#28: Describe the color of this to me.
PAUSE
#24: I don't usually get colors very well, I, I. . .
I don't have a strong sense of color. Its. . .
The inside of that wall was just like a darkish
kind of wall. I don't get any texture.
#28: Okay.
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#24: Except for the glass. Looking out from the glass.
PAUSE
#24: Now, I see. . . I'm focusing on about three
trees clumped together. Three together in a
#28: Okay.
#24: Outside something, you know.
#28: Okay.
#24: I. . I got. . . All of my images so far have
been an outside park thing. Bushes, stuff like
that.
+12 #28: Okay. Describe some of the manmade objects in
the area.
PAUSE
#24: I see some steps, stone type steps.
#28: Good.
#24: I don't know. Four, maybe five. Its not that
clear.
#28: Where do the steps lead?
#24: Its like a . . . its sort of on a hill, you know,
going from one level to another. Like that. Its
very gradual. Its not a dramatic type. . you
know, dramatic drop in height.
#24: Ha ha ha. This is crazy. . . Ha ha ha. Now I
see. . . a . . I had a fleeting sense of what
looked like a creek. Water over a lot of rocks,
big rocks, you know, sort of falling over these
rocks.
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#24: I'm getting that image now.
PAUSE
+14 #24: Yeah. I'm seeing water. Water, like a small
falls.
#28: Are you alone at this location?
#24: I haven't seen any other people. I don't get
any feeling of movement. People moving around
at all. Now, its like I'm not getting anything.
All of a sudden the whole thing blanked out.
#24: Now, I'm getting trees again. Like looking up
at trees. That leafy. . . Sometimes when you
drive down a road and the trees cross over the
top. Its like looking up through them.
With some light, you know, coming through the
leaves.
#28: Okay.
#24: And I'm very low. Almost like lying down and
looking up. Its like the tops of the trees are
very far above me. Higher than trees normally
are.
#28: What do you feel?
PAUSE
#24: I'm not getting any feeling for the place. For
such (not audible).
#28: Tell me about your senses. Hot. Cold. Touch.
Soft. Hard. Smell.
#24: Nothing.
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#24: I'm getting shapes but I can't articulate; they
are much too. . . I'm worthless. Its very busy
whatever I see. Now I see like a log. A big
log. Wow. Its like a chipmunk's view of a log
down on the ground looking at it this way.
#24: And then I see something like a lot of straw on
the ground. I'm looking down.
PAUSE
I keep seeing that log. Like a fallen tree.
PAUSE
I'm seeing that straw again. Its like very dried
grass. Big clumps of it. Big area of it. Some-
where.
I've got a feeling now that I'm in a dry area. I
mean an area that's arid. And I see a lot of brown,
like borwn, like that straw. Brown is a dominant
color. Light tan color.
PAUSE
+21
#28:
Describe your relative position to me.
PAUSE
#24:
Well, I am
Maybe five,
I'm seeing
I'm seeing
I'm seeing.
. . like above it. Not way above it.
six feet above it. And I'm sort of
it at an angle like a 30 degree angle.
a lot of . . too busy to sort out what
(Not audible). A lot of stuff.
+22.5 I feel very cold, right now. (Not audible).
Damp. Cold and damp.
PAUSE
That feeling's gone.
PAUSE
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#24: However, I'm still in some kind of an outside
area. And its as though my mind is popping
back and forth to these various places. But
its all very morphis. Bushes and stuff like
that. Its nothing. . a . . you know, I'm not
getting any sharp images at all. And I vary
from right down on the ground to sort of seven
feet above it.
So I'm getting different birds-eye views, or
animal and birds-eye views, I guess.
#28: Okay. Fix an image in your mind now. Go up
about twenty feet. Go up about twenty feet and
look down. And tell me when you've got that
image.
#24: Okay.
#28: Okay.
#24: I see a
#28: Hold that position.
#24: Yeah. . . My. . . My mind isn't staying on it.
#28: Yes. You must be in control of your position.
You must be in control. Stay up there about
twenty feet. You must be in control of your
position.
PAUSE
When you've got the twenty feet, tell me.
PAUSE
#24: Okay. I'm above it and I seem to be going around.
I see those steps again. Again, its the a. . .
nrnnrx
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+26 #24: Well, it faded, but I had it. Its like three
or four steps. They are slightly rounded. Its
almost a natural formation. Or they were made
to look like a natural formation.
#28: Okay. Now, remember you are in control of your
position now. You have to take control of your
position and not just zip around wildly. You
take control and move up to 100 feet next. Move
up to 100 feet. Let the scene fall away under-
neath you. Let it fall away. Get it into
perspective. When you're up about 100 feet and its
falling away. . . away from you.
PAUSE
#28: Concentrate. Describe the area.
PAUSE
#28: Push it away. Push it down. Move up.
PAUSE
Move it away. .
#24: Its brown. Brown. I'm way up. But its not (not
audible). Brown and some green. Ah, green, like
a natural green. Foilage of some kind. There's
a flat. . . Its a flat area, basically.
Its just not sharp images at all. Its . . there's
a flat area and like trees on either side maybe
or something on either side that I call trees.
#28: Describe your position now.
#24: Well, I'm not holding it as well as I . . . was
saying. I'm up above it, but I keep seeing things
going around like that. What I'm seeing was (not
audible) I'm seeing but its not clear.
Road, just natural curve, with trees and bushes
and. . .
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#28:
Okay. Now, remember the steps you saw before?
#24
h
U
:
m
m.
#28:
Okay. Fix a picture of those steps in your mind.
#24
Ok
:
ay.
#28:
Have you got them?
#24:
Um hm.
#28:
Okay. Now go stand on the steps. Stand on
steps facing down the steps. Put your feet
down on the steps facing down the steps. . .
describe the area.
the
right
And
White, I'm seeing white. It is like a statuary
of some kind. I think its in and out. . .
It definitely is in white. Its a white something
that's been built. The shape is not clear. It
goes from statue to something. . a. . . long and
flat. Upright. Like a wall of some kind.
#28: Describe your position to me.
#24: I'm. . . well, I think I'm at the top of these
stairs looking down. You know, its not that far
away. This, whatever this white thing is. Twenty
feet or forty feet.
#24: Darn. When I first saw it, I would have said
twenty feet in the air.
#28: Okay. Go back on the steps. Back on the steps.
This time go down to. the bottom of the steps,
turn around and look up the steps. Look up the
steps. What is at the top of the steps? Look
up the steps and describe the area.
PAUSE
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#24: I'm seeing a bright light. I'm not sure I'm
at the bottom of the stairs but I just suddenly
got an image of a really bright light.
PAUSE
#28: Focus on the stairs now.
#24: I'm not getting the stairs.
#28: What do you see now?
PAUSE
#24: Well, its just a lot of (not audible).
PAUSE
#24: Now, I'm seeing bushes again. These are bushes,
small bushes. Tree, small tree. Flowers.
(not audible) these orange things. .
#28: Okay.
#24: Very strong images of that. I'm not sure where
I am.
PAUSE
#24: Now, really strong of the flower.
#28: Look down at the ground and describe the surface
to me.
#24: I see this parkway. Wow! This. . a . . its
a long pathway and I saw I was standing on the
pathway except it seems like I'm above it some-
where. It curves slightly, its like a pathway
through a garden. A very scupltured garden, you
know, artificial (not audible). Um. . like I'm
walking along it. Now I'm above it. And its.
Now I see a woman going down those stairs. .
#24: Those stairs are a lot different. Suddenly,
they are really huge and big. You know, broad.
And its like they go nowhere. They just keep
going down, down, down. She's got a white, a
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white pants suit on, dark hair, glasses. . .
PAUSE
#28: What is the position of this area?
#24: That I'm looking at now?
#28: That you're looking. . . what is the relationship
of the position to the total area?
PAUSE
#24: Well, I can't keep my mind on any one thing.
But it just sort of goes everywhere. I. . .
Now, I'm back looking up at a tree. Now it seems
like a circle of trees and I'm looking up through
a big open area up to the sky and I'm (not audible)
very low.
#28: Okay.
#28: You've got a great many images now. Would you
like to draw some of them. See if you can't
record them. Practically.
#24: Okay.
#28: Can you remember all of those?
#24: I'll (not audible). I don't know.
PAUSE
#24: The first was the tunnel. I don't know. I just
suggested that because I've seen some other reports
like that. But it was definite arch like that.
Okay. And it was dark. . . (DRAWING)
The second was coming out very bright. It was
as if looking down and then suddenly I got this
coming out into very bright area and I saw this
coming through here and right out here were all
these trees. And I guess I was above it because
I just saw this mass of like cherry blossoms, that
color.
#28: Okay.
11
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#24: I got a lot of black and white images. I've
done this before. I only get flashes of black
and white.
#28: Okay.
#24: I don't know what that means.
#28: Well, there were a lot of colors you described.
#24: Yeah, I did see. . Yeah. But. . . I'm not sure
of the sequence. Then I saw these steps. I
was seeing them at an angle. I was above them.
Natural steps. There are about four I guess. It
was very gradual, like a slope, you know, and
these steps went down from one level to another.
#28: Okay.
#24: Some kind of stone.
PAUSE
They were. . . It was like a curved kind of shape.
It wasn't a real definite shape like you'd see on
a building kind of step.
That pathway was incredibly sharp. It was like
a. . I was above it too. It was a wide pathway.
It curved slightly. . bushes. . there was foilage
on both sides. Heavy foilage.
There was white. I'll put these pictures over
here. Is that (not audible) ?
#24: The woman was on this. . was eerie. . It was.
It was very symbolic. It was like a. . just a
wide. . I don't think I can even draw it. It
was wide, white area. It was like a steps just
going down and she had on white; she had black
hair and it was like a Jackie Kennedy sort of
shape. You know, long hair, glasses. Walking down
these stairs. These steep stairs. And they were
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like white. I don't think its marble. But its
that real bright white steps you see some places.
Stone steps. And there was like a white. .
surrounded like a white backdrop or something.
She was just walking down. Like. . .
#28: Do you think that's symbolic?
#24: Oh, I think its unrelated probably to the remote
viewing thing. I. . . That would be my gut feeling
about it. Just sort. . .
#28: Okay.
#24: Yeah. Symbolic is something. Rather than seeing
something.
#28: Okay.
#24: Well, I'm looking out through the glass. That
came in here somewhere. That was a very strong
image. The strongest images I got were that,
looking through the glass at some trees. And it
was like a. . .
#28: Looking from the inside out?
#24: Yeah. That was in the beginning, like you said
where are they?
#24: Looking up they were on the inside of this enclosed
area looking out through this glass. . some kind
of park area. And I got the impression that this
. what they are looking out, this wall was
slightly curved, just slightly. And it was very
heavy on glass. It was like the idea was that you
could see out. Of it. I don't know. But it was
a lot of glass. Just one pane or two to stabilize
the glass. Sort of thing.
PAUSE
(Not audible) Here is a park of some kind.
PAUSE
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#24: That was a strong image. This pathway was a
strong image. The steps were a strong image.
And coming out of this tunnel. . (not audible).
#24: (Not audible). . I just got the idea of being
outside and that log was a strong image too.
(Not audible). These are not sequencial. It
was like a fallen tree. And I was like right
here looking down at the tree. Log sort of thing.
Like I was (not audible).
#24: And it was at an angle. And it sort of just
receded.
#24: Those were the strongest images I got. The rest
of it was just (not audible).
#28: Okay.
#28: Do you feel like there's anything else that you
want to add. Any impressions about the target,
any feeling or senses that you haven't related
that you. . .
#24: The only perception I got was like a very cold
and damp. At one time as though I was going down
to a grade or something. Down into a tunnel or
down into a. . (not audible). . If you go down
into areas that are like a . . caves, you know,
you get that cold, damp feeling. Its the closest
to it. I sort of had that feeling at one. . I
think I said that, I'm feeling very quickly and
then it went away. I felt sort of going down
into a damp area.
#28: Um hm. Okay. Before you mentioned you did see
a. . . a . . . you had a fleeting image of a . .
some water of some kind.
#24: Yeah. I did. Yeah. Kind of like a brook.
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#28: Okay.
#24: I couldn't draw it. It was big rocks. It was
mostly the boulders were the dominant image.
Big boulders. . . and a very shallow brook.
Small little creek would be closer probably.
#28: Okay.
PAUSE
#24: And the water is just barely trickling over them.
#28: Okay.
#24: That was very quick. I lost that.
#28: Okay.
#28: Is there anything that you feel that you'd like
to add?
#24: This was my strongest. When you. . The time I
flat that I was most there, was when you said
where are #31 and #29?
#28: Uh huh.
#24: Okay.
#28: So that was inside.
#24: Inside when they were looking out. Inside this
. I don't want to use the word tunnel, but
it was like a narrow area with glass on one side.
That was the impression I got and they were looking
out.
#28: Okay. Now. You haven't told me very much about
this thing. Other than you saw them inside some-
thing looking out.
#28: And at this point, that could be almost anything.
Could you go back and think about that area some
more and give me some more information about it?
" Uft I
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#28: Or could you give me an impression now as to
what you think that is?
#24: Well, it was some kind of a structure. . and it
was long, like a building would be. I mean it
wasn't a car or I didn't get the feeling it was
a car they were looking out a window. It was
like a. . . almost like an arcade area with a
glass top. Except I didn't see the top, I just
looked out the side.
Um. . . There might have been benches along the
side. I had a very, very fleeting glimpse of
benches on the side. A wall. Big windows. As
though it were made to be an observation room
of some kind.
#28: Okay.
#24: I'm afraid now, I would just conjure up a des-
cription of the room. That was the impression
that I got at the time.
#28: Okay. That's your raw data as it was. Okay.
Is there anything else?
#24: No, except a couple of times. But again, this
might be something else, is I got this very bright
flash of light at one time. Like a . . well, in
a movie, if you see a God head, you know, they
shine this bright light. It was that kind of a
bright, flashing light.
#28: Okay.
#28: You said that to me when you were around the steps
and I asked you to look up the steps and you said
all of a sudden I got a. . .
#24: I don't remember when it was. I don't know that
I ever positioned myself on the stairs. I never
got a vision of the steps.
#28: Okay.
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#28: Okay.
#24: But, it was . . okay, it was at that point.
#28: Well, yeah, it was when you were working towards
that anyway. When you first mentioned this
bright light.
#24: Okay. And the hyacinths. Is the hyacinth this
long, orange flower? Okay, I got a very strong
image of that.
#28: Okay.
#24: I think that was when I was on the stairs also.
If I recall it.
#28: Okay, well we'll see. Okay, anything else?
PAUSE
#24: Before it started; are you interested in that?
#28: Sure.
#24: I kept getting a picture, this was a very strong,
this was a very conscious image but still it kept
flashing in my mind, of a black diamond. I'm not
sure what that, oh, the street sign is a black
diamond.
#24: Um. . I thought it said STOP LIGHT but that's not
right. It didn't say STOP LIGHT. It kept flashing
(not audible).
#24:
And I didn't see it after getting to the target
area.
#28:
Okay.
Was that immediately before we started,
or.
' Qrpngl
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#24:
It was. No. Not immediately.
It was probably
. . . Oh, let's say, it was five minutes before.
#28:
Okay. Okay.
#24:
It stayed too.
#28:
Okay.
#24:
I can't think of anything else.
dramatically clear, anyhow.
That was
#28:
Um hm.
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 Approved For Release 2000/08/07 : CIA-RDP96-00788R000900540001-4
V
Approved For ReIea~e 2000/08/07 : CIA-RDP9~" -00788RP00900540
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000900540001-4
TAB B
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900540001-4
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000900540001-4
Approved For Release 2000/08/07 : CIA-RDP96-0'0788R000900540001-4
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000900540001-4
TAB C
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900540001-4
 Approved For Release 200 DP96-00788R000900540001-4
REMOTE VIEWING (RV) SESSION XXVI
1. (S) Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2. (S) #24 was very satisfied with the session. #24
felt that he could do much better with practice and that
the key was to be able to concentrate very hard so one
could control the images as they appear. #24 is anxious
to try remote viewing again.
3. (S) #24 and #28 work very well together. They are
able to communicate openly without reservation. They
seem to have a rapport conducive to the remote viewing
process.
Approved For Release 200%p - -RDP96-00788R000900540001-4