SUMMARY REMOTE VIEWING SESSION LXXIII

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900410001-8
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 18
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: January 1, 1978
• Content Type: REPORT

Approved For Release 200% P96-00788R000900410001-8
INS CON
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
REVIEW ON: 31 Jul 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GMLC641gWi'j
Approved For Release 2000/08/0 A-RDP96-00788R 4 -
Approved For Release 20
96-00788R000900410001-8
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION LXXIII
1. (S) This report provides documentation of a remote
viewing session conducted for training purposes to enhance
a remote viewer's demonstrated ability.
2. (S) The remote viewer's impressions show some target
correlation. The "beacon" sat on some bleachers in the
middle of the parade ground in front of the designated target
(First Army Headquarters, Ft Meade MD) during the session.
The remote viewer was relaxed and only slightly disturbed by
ambient room noises during the session. The remote viewer
sensed that his iamges were not correlated to any one area
and this sensation troubled him because he thought he wasn't
doing well.
3. (S) The protocol used for this session and which will be
used in later training is detailed in the document, Standard
Remote Viewing Protocol (Local Targets) by Harold E. Puthoff
and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings
made by the viewer reference his impressions of the target
site. At TAB B are photographs of the target site.
Approved For Release 2000/ RDP96-00788R000900410001-8
Approved For Release 20 DP96-00788R000900410001-8
TRANSCRIPT
REMOTE VIEWING (RV) SESSION LXXIII
#66: This will be a remote viewing session (edited
for security).
PAUSE
#11 is out at the target area now. Let your
focus, let your area of awareness come to
bear on #11's location. Now you can perceive
what #11 perceives. See what he sees. Feel
what he feels. Sense what he senses. Reach
out to the target area and describe it to me.
PAUSE
+02
#7:
I see a portion of a structure. Probably
building. There's a slanting projection
the right. Slanted downwards. Braced.
rectangular opening.
a
to
Vertical
PAUSE
#66:
Move into the opening.
PAUSE
#7:
Black. Metal Frame. Shape.
PAUSE
+04
#66:
Describe #11's position.
PAUSE
#7:
Forty to fifty feet away, I think.
PAUSE
+05
Arch, bridge shape. Railing. Water.
#66:
Go on.
PAUSE
#7:
Chimney like structure. Some kind of gas
is
or should be coming out of it.
PAUSE
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/ 96-00788R000900410001-8
#7: Hammer.
PAUSE
I saw some linear patterns that appeared to
be red hot and on one end. . darker tone on
the other end. I really don't know what it
is.
Could be wood; could be metal rods.
+07 #66: Okay. Don't get too tangled up in the analysis.
PAUSE
#7:
(Not audible). . . Now I'm seeing orangish
red. I guess. Predominantly pale yellow
background. Candola patterned roof.
PAUSE
+09 #66: Locate #11 again and describe his position to
me.
PAUSE
#7: I have a feeling he's outdoors. (Not audible)
Trees in the left portion of the scene. I
have a cool, cool, cool feeling. Its bright
further away.
PAUSE
+11 He may be in the sun or in the shade (not
audible).
PAUSE
Its very bright to the right. White. I have
the feeling that lights are reflected off of
something very bright. Glass.
PAUSE
#66: There seems to be a difference in space between
#11's location and what seems to be a building
you're describing and I'm having trouble (not
audible).
#7: (Not audible). . I don't see the structure I
saw at the beginning.
PAUSE
2
Approved For Release 2000/08/07:
88R000900410001-8
Approved For Release 2000/08 P96-00788R000900410001-8
+13 #66: Describe #11's activity.
PAUSE
#7: Nope.
Well, he's seated. And there's a repetitious
pattern in front of him. Curved. Repetitious
curved (not audible). Boy, this is a mess.
PAUSE
I saw an image of a stylized horse shape.
PAUSE
Drawings (not audible).
PAUSE
+15 Its weird. I've got a flicker machine going
here. I see him sitting down, leaning back
with his legs stretched up in front of him and
his arms across his chest. I instantly see him
leaning forward with his elbows. . his arms
still crossed but up in front of him, higher,
closer to his face. Like he's leaning on a
table or something. That's covering the ass.
PAUSE
(Not audible)
PAUSE
(Not audible) but the way he's outstretched is
more specific.
#66: Describe what he's sitting on.
#7: Oh, I'm seeing a bench, but it might be
manufactured.
+17 Facing down. I feel, West. (Not audible).
PAUSE
I don't know what all this has to do with water.
There appeared (not audible).
#66: Okay. We've got several different descriptions
now. I'd like to move back to one of the
descriptions and see if we can't get some more
3
Approved For Release 2000/08/07 : 788R000900410001-8
Approved For Release 2000 P96-00788R000900410001-8
clarity out of one of them. So let's go all
the way back now, focus and concentrate, let
your mind go back to the very first thing that
you saw which was the. . some sort of a build-
ing with some angles coming down from it and
the dark rectangle opening; move back to that
description and let that become clear to me,
to you now. Move back.
#7: For some reason that place gives me the feeling
of Spanish. I don't know whether its Spanish
or (not audible) period area (not audible).
PAUSE
#66: Okay. Describe the structure to me.
PAUSE
#7: The roof reminds me of tile or shingle. Dark.
There is no structure around here like this.
+19 #66: Just concentrate on your images.
PAUSE
#7: I'm not seeing anything. Different things,
just about covers the world.
#66: Remember that first impression of the dark
opening.
#7: Um hm.
#66: Dark opening. What's inside where its dark?
PAUSE
#7: It feels like a small, small structure.
+21 I felt there was a heat source (not audible)
on the right, of some type.
Table or counter to the left.
PAUSE
#66: Are you alone in this area?
PAUSE
#7:
I vaguely get the impression of someone very
quiet. Way over to my left. I think its a
woman. And maybe in her 30's or early. Early
thirties.
Approved For Release 2000/08/07
-00788R000900410001-8
Approved For Release 2000/08/ P96-00788R000900410001-8
#66: Okay. Now relax and concentrate as I talk
to you now. Relax and concentrate. Standing
in the dark opening. Standing in that dark
opening, . . .
#7: (Not audible) window.
#66: Okay. Standing looking at that window. Now,
turn around and look out away from the structure.
And describe what you see.
#7:
PAUSE
Okay. Looks like I'm in (not audible) inside
or (not audible) incompleted structure because
I can see what looks like exposed (not audible)
beams.
#66: Okay. Now.
#7: I somehow felt I was seeing grass.
#66: Okay. When you turn around and look out away
from this window you see uncomplete structure?
+24 #7: Now I'm seeing the inside of it.
#66: Now?
#7: Um hm. Wood. Wood. (Not audible) .
PAUSE
(Not audible). Big open (not audible). .
Now I'm seeing the building from the outside.
See gray.
PAUSE
There's nothing around here like it. It feels
like a (not audible).
+26 I'm seeing this has got to be manufactured,
I'm seeing green fields and fence rows and green
trees. Fence. Hardwood along the tree line.
#66: Okay. Now I want you to review the images
that you've had now for the past twenty-
twenty-five minutes. Review. .
#7: Well, start at the beginning. .
5
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/
00788R000900410001-8
#66: Okay. You don't have to review them to me
now but I want you to flash them through
your mind in review when its time to sit up
and draw. So before you lose your concentration
just let them come into your mind and (not
audible).
#7: Structure. Overhang projection flapping in
the breeze.
(Not audible),
Page 1.
PAUSE
Cool shade. #11 on the bench. #11 leaning
over object (not audible).
PAUSE
(Not audible) direction. Inside that
structure (not audible). Wood. Gray.
PAUSE
#66: Okay.
#7: That doesn't fit together.
PAUSE
#66: Okay, you were saying there was something
Spanish about . . .
#7: Yeah.
#66: Well, let's not get too tied up with that
'cause it could have reminded you of Spanish
architecture, there could have been Spanish
speaking people in the area. The feeling of
Spanish is an interesting feeling and leave
it alone.
#7: That's all it was.
Shade. Bright. (Not audible) I also saw,
probably wishful thinking, fields and green.
Oh, I saw a color of grayish orange against a
pale yellow, that kind of thing.
There's nothing here.
#66: Okay.
#7: (Not audible).
6
Approved For Release 2000/08/07 : Cl 788R000900410001-8
Approved For Release 2000/0
DP96-00788R000900410001-8
#66: You said there was a pipe or something or a
smokestack or something that heat should
have been coming out of and gas should have
been coming out of?
#7: Oh yes.
#66: Where was that?
#7: I don't know. I saw about ten foot of what
I thought was roof line. Rather squarish
chimney shape extended - five feet.
PAUSE
#66: Okay. To me your picture looks like a piece
of a roof with a chimney on it.
#7: That's what I thought it was.
#66: Uh huh.
#7: I tried to get the whole building but then
I started manufacturing one of these old
brick buildings over here and I think its
manufacturing, one of those old office buildings
(not audible) but one that had a chimney on it.
And I was asking myself, why in the hell would
an old office building, right over there have
a chimney on it and I figured it was clutter.
#66: Okay.
#7: I tried to get away from it.
#66: Okay. It looks like you've got some good drawings.
#7: Yes.
#66: You've got some good descriptions.
#7: Yes. But they were so over. . I didn't
recognize the same scene from different angles.
#66: Um hm.
#7: I didn't know whether they were. .
#66: Are you telling me you don't feel confident
with what you saw or what was the resolution
of your images?
Approved For Release 2000/0
7
P96-00788R000900410001-8
Approved For Release 2000/0
96-00788R000900410001-8
#7: I had much better resolution just before we
actually started.
#66: What was it you saw just before we started?
#7: I was trying too hard to get that out of my
mind. What in the hell was it?
I saw a rather abstract disc shapes.
Outdoors. And then I had to get away from it
and started counting down. I counted down
to ten and still (not audible).
That thing's off isn't it?
#66: We can turn it off.
#7: I started looking for a trap door. .Ha ha. .
in the floor to go even further down. That's
weird.
#66: Um hm. Symbology of getting yourself down
and relaxed to where you can concentrate.
#7: Yeah. Down, down, down. Momentarily, I felt
everything turning into a blank. (Not audible)
Then I started walking across the field.
#66: And broke your concentration.
#7: And (not audible) disappeared and I tried and
tried to get back (not audible). Everything's
rolling in.
#66: Well, that's good if you can get a handle.
#7: (Not audible). . went walking you know - male,
female (not audible) and then you said its
time for #11.
#66: Um hm.
#7: (Not audible)
#66: So you're saying you got in a little bit of
trouble concentrating getting down into where
you wanted to be?
#7:
Yeah. Momentarily and just momentarily (not
audible). I don't know why we'd want to work
that deep but it sure seems like the imagery's
better.
Approved For Release 2000/08/07 : CIA- 0900410001-8
Approved For Release 20 RDP96-00788R000900410001-8
#66: Some people seem to feel that way. They
seem to feel that that is really the right
place to be. Some people could turn that
switch on and off really quick.
#7: At one time apparently I could. I've thought
an awful lot about that and I know those
images were crisp and clean.
#66: Scarey.
#7: You know. I didn't have to image what's
over there, what's over here, you just tell
them.
#66: Okay. Do you want to go see what we've got
then?
#7: Not really. But I guess we better.
#66: Okay. Let me rewind.
Approved For Release 2000/08/0
9
6-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
TAB A
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
I
,ogo?
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
TAB B
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900410001-8