SUMMARY REMOTE VIEWING SESSION LVIII
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00788R000900260001-5
Release Decision:
RIFPUB
Original Classification:
S
Document Page Count:
15
Document Creation Date:
November 4, 2016
Document Release Date:
June 17, 1998
Sequence Number:
1
Case Number:
Publication Date:
January 1, 1978
Content Type:
REPORT
File:
Attachment | Size |
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CIA-RDP96-00788R000900260001-5.pdf | 431.56 KB |
Body:
A 2
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c.
NOFORN
INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
REVIEW ON: 30 Jun 99
EXTENDED BY: Director, DIA
REASON: 20301-C (3) (6)
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION LVIII
1. (S) This report provides documentation of a remote viewing
session conducted for training purposes to enhance a remote
viewer's demonstrated ability.
2. (S) The target for this session was building 2251, a boiler
house located on Fort George G. Meade, Maryland. There was no
correlation with the target and the remote viewer's descriptions
during the session. At the beginning of the session the viewer
appeared calm, relaxed and in a positive state of mind. Although
this viewer is seldom bothered by ambient room noise, he stated
that the noise level during this session had disturbed him
immensely. The outbounder did not take any photographs of the
target as the inside of this building is quite dark.
3. (S) The protocol used for this session was a modification
of the protocol detailed in the document, Standard Remote-
Viewing Protocol (Local Targets) by Harold E. Puthoff and
Russell Targ, November 1978. This session's protocol was
modified in that a randomly generated preselected target was
not used. In lieu of a randomly generated, preselected target
the "beacon" simply chose a site which, in his opinion, was
unique and identifiable.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site.
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TIME
#66:
#14:
+01
#19.5:
+02
TRANSCRIPT
REMOTE VIEWING (RV) SESSION LVIII
This will be a remote viewing session. (Edited
for security.)
PAUSE
Its now 1130 and #66 is at the target location.
Find #66 and tell me what you see.
PAUSE
I see some kind of a cross piece of iron. . .
with two sections of angle iron. Appears to
be crossed.
PAUSE
I see what appears to be some kind of a . . kind
of a cloth covered framework.
PAUSE
I. . a. . . I don't know if this is the entrance
to something, it . . or if its just kind of hang-
ing there in front of me.
PAUSE
+03 I get the strangest sensation that maybe #66
is not outside.
PAUSE
For some reason, I can't, I can't sense him in-
side either. Maybe its . . . maybe its an open room
of some sort.
I see what looks like windows and they have a
sort of a curve to the top edge, but they're
square. They are dark in the center.
PAUSE
Whew! Got a lot of traffic in the hallway.
PAUSE
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+04 #19.5: I see what looks like some metal type structure.
Structure's a bad word; its small. Its like a
base to it, you know, like groups of metal. And
then I see a slanted object. . . Some kind of
picture depth to it.
PAUSE
+05 I see a . I feel like I'm inside a room now.
And a. .
PAUSE
There's a picture with some very strange. .
some words written on it. Kind of like a
small hous in the background.
PAUSE
It looks 1 ke a picture hanging on a wall.
PAUSE
+06 I keep goi g back to this. . this, cloth
covered ob ect for some reason. I don't sense
its an ove hang. If it is, its a very, very
light over ang. Not something that . . you
would cons der (not audible).
PAUSE
#14: (Not audible) walk back and tell me what you
see.
#19.5: Metal fram work.
PAUSE
Almost lool s like. . . bent pipes.
PAUSE
+07 #19.5: I think t e building is the target and that the
building is a red brick building. . with white
pavement ii the front. I'm having a difficult
type seei g this cloth covered object and how
its relat d to the target. I get the feeling
that #66 ent in or out of the target, for some
reason.
PAUSE
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+08 #19.5: I see what looks like an easy chair with some
kind of a pattern on it.
PAUSE
I see some form of a wood base or wood type
object that looks like it was turned on a lathe.
A bowl, or vase shape base to it. Definitely
wood. I get a strong eeling of the color blue.
PAUSE
#14: Find #66. Take a couple steps back (not
audible) #66 and look straight ahead. Tell
me what you see.
PAUSE
+09 #19.5: I see a wall with a raised indentation on it.
It seems like a raised something like somebody
would do when they patch, when they patch a
wall or they plaster over something on the wall.
PAUSE
#14: Look to #66's right. Tell me what you see.
PAUSE
#19.5: I see a dark, box type shape.
PAUSE
I'm having a terrible time today. I keep
hearing people in the hallway and I hear cars
and . .
#14: (Not audible). Look to your left or to #66's
left and tell me what you see.
PAUSE
#19.5: I see a person. Dark hair. Male.
PAUSE
There seems to be some kind of a cabinet there
as well. I feel like I've got my back to the
door
#14: Is #66 interacting with this person?
PAUSE
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#19.5: I think he was talking with somebody, but
that was. . . that's not now. It was a few
minutes ago. There's somebody else, I think,
+10 in this room that I know real well. But I
don't see who it is. I think that's who #66
was talking to. I sense two open windows.
PAUSE
+12 Some kind of a pamphlet or magazine or some-
thing laying on a desk top. Directly to #66's
front. . with his back to the door.
PAUSE
+13 I don't think he went very far. Ithink he's
in this building somewhere. I (not audible)
get that sensation.
PAUSE
That's about it #14.
PAUSE
I see a fairly good picture of this office.
PAUSE
+14 I see a picture with a car in it. Its a gray
car with a black top. That's (not audible).
PAUSE
+15 Some kind of a silver object. Almost like the
reflector on the flash attachment of a camera.
That's not what it is, that's just what it looks
like.
PAUSE
That's it. I better. .
#14: Okay. Why don't we. .
#19.5: I'm not too sure about that early data. But
the latter part of this seems to be fairly
good.
#14: (Not audible) Would you like a little more
light?
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#19.5: Yeah. That's good.
PAUSE
#14: The first thing that you mentioned was the
cross piece of angle iron.
PAUSE
#19.5: Put that on Page 1. I will draw it as I saw it.
PAUSE
It didn't feel like I saw the . . the (not
audible) inside very well.
PAUSE
Call that "A". And there was a can. . something
canvas.
#14: Cloth covered framework you mentioned.
PAUSE
#19.5: And perspective wise that looks more like this.
This was cloth. Like it was over some kind of
a framework. Call that "B".
And "C" was . . . Let's see.
#14: The next thing you had, you had a feeling that
he wasn't outside and he wasn't inside.
#19.5: You know like maybe he past (not audible).
#14: And then you mentioned windows.
#19.5: They were the shape of windows. I'm not entirely
sure they were windows.
#14: Oh. Okay.
#19.5: Looking back at them now, I see some kind of a
I want to say black enamel decorative pattern
but I'm not sure if that's what it is. That's
what it looks like.
And that's associated with these black, these
two black squares that look like they are in
the shape of windows. Call them "C".
5 r,
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PAUSE
#19.5: Side by side they looked like this.
PAUSE
#14: Next came a metal type structure that had a
base.
PAUSE
#19.5: I saw what appeared to be like a metal type
object. Some kind of metal hoops. What is
really strange about this, these hoops I was
seeing from outside and inside at the same time.
So there was some kind of a cross pattern there
of some sort. But its hard to see the other
end. It was a cross pattern.
Page 2.
11E11.
PAUSE
#14: Next you mentioned a picture fastened to a
slanted object. And then you went on to
describe; went on to describe a picture that
you saw with stream, woods. . .
#19.5: The slanted object was this. There appeared
to be. . it was sitting on something like this.
And on this side there appeared to be (not
audible) of some sort. I don't know the
picture. On the wall in this room which I
believe was inside the building, per se and it
was red brick. It was a nice picture, decorative
type picture. . . of a stream and sort of like
mountains type things in it. Woods. A small
house of some sort in the background of the
picture. Like a log or something.
PAUSE
Item "G". Something. I saw magazines.
#14: No. Next you went back to the cloth covered
object. Then from there you mentioned that
you saw a red brick building with white pavement.
#19.5: Right. White pavement. Steps. Four steps
going up to the door. Kind of white concrete
blocks are inside. Red brick. This might be
the entrance to the target. As "G", I'll just
kind of do a quick sketch of it.
6
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PAUSE
#19.5: Double doors, white pavement. Sort of like
that. Page . . .
#14: And there you had a feeling of going inside
and saw an easy chair with a pattern?
#19.5: I only saw a portion of that. I'm really
making a gross assumption that it was an easy
chair.
#14: Okay, Well, draw the. .
#19.5: It was a. . a . . I'll draw it as "H", Page 2.
It was like a. . this type of thing.
#14: Just draw the shape.
#19.5: Yeah. This was a . . it was like looking at the
forward edge of a chair or cushion of some sort.
I had the feeling that there was (not audible)
running this way. But . . .
PAUSE
#14: Then you had a ball shape wood mounting.
#19.5: That was interesting. Like a portion or a
piece of a support. Its decorative and it
looked like something that might be turned out
of a lathe. And all I get is this sort of
pattern. I just, I just . . I sense the lathe
the actual cutting tool marks in it for some
reason.
Call that "I".
#14: Then you said you had a strong, strong color
feeling of the color blue.
#19.5: Blue. For some r ason. Definitely a lot of
color blue.
PAUS
I can't. . I can see what it is that's blue
there. I have to say paper when I say blue.
Its blue paper.
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#14: Then you looked straight ahead and then to
the right. Straight ahead you described a
plaster wall.
#19.5: It looks like a plastered wall with something
that was on it when it was plastered over so
that there's like a raised spot on the wall.
#14: And on your right, you have a large box type
shape.
#19.5: Just a chin level dark box type shape. Kind
of hard to describe. It was just a box.
#14: And to the left, you mentioned that you
perceived that there was a person there. Male.
Dark hair. Back to the door. And you also
made mention of a cabinet.
#19.5: Okay. I saw, saw what appeared to be like a
table top or something with a magazine. That
entire side of the room was fairly clear for
some reason. I'll sketch that.
#14: Yeah. Desk top with the magazine.
#19.5: That's all together. Its in the same room.
#14: Good.
#19.5: There's a . . two windows. Ledge. Shelf or
something at the bottom. What appeared to
be two desks, table, like so. Appeared to be,
for some reason, I felt like there was a wall
here. A wall started here. Somewhere in here
it was a cabinet with the top drawer open. And
it has files and stuff in it. Over here there
was a third desk or table top. And (not audible)
a pamphlet or a magazine. Something laying just
like. . keep wanting to say a magazine for some
reason.
PAUSE
(Not audible) funny then because. ? ?
PAUSE
The word SAMPSON sticks in my mind for some
reason when I see the file cabinet. SAMPSON
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I get the feeling its just like the floor
is (not audible). . . There's so much in
the room that I don't decipher #66.
Page 3: I'm going to divide these two articles
off with a dotted line. They are not associated.
That's really it. Then I just feel like up
until the last part, I don't feel like that I
was getting real clear. There were a lot of
distractions but the last part (not audible).
But it was close by, very close by.
#14: By distraction you mean. .
#19.5: People walking up and down the hallways out
here and cars going up and down the road. For
some reason I just tuned in all the distractions.
Somebody's walking around upstairs with high
heels on.
PAUSE
Talking like we're hearing now. Probably
picked that up on the tape.
Metal buckets being banged.
#14: Okay. I think that'll do it. How do you feel
about the session?
#19.5: I feel lousey about the session. The last ten
minutes or so (not audible).
#14: Okay.
9
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TAB A
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