SUMMARY REMOTE VIEWING SESSION CC60

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800510001-8
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 18
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: October 1, 1980
• Content Type: REPORT

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ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
SESSION REPORT
crr
CLASSIFIED BY: DIRECTOR, DIA
REVIE'J ON: 31 JAN 2000
EXTENDED BY: DIRECTOR, DIA
REASON: 2-301c (3 & 6)
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION -CC (c?)
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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REMOTE VIEWING (RV) SESSION CC60
#66 This will be a remote viewing session (edited for
security).
For the last few minutes now you've been studying
a photograph that I have shown you. A photograph
of an area and on that I've designated to you the
target for today as being Area J. Area J. Relax
now, relax now, concentrate, focus your attention
on Area J, move your awareness to Area J. Relax
and concentrate, focus, focus, and describe the
area to me.
+06 #11 I'm having a very difficult time. I've got a
very high feeling of anxiety. My pulse-is-'.-is
racing a mile a minute and I don't know why.
#66 Just relax and concentrate on the target,
concentrate on the target. I will wait.
+12 I'm not getting any imagery at all, just a
blackness, a void. I'm picking up on...on very
strong feeling... emotional feelings of fear and
anxiety. I've very crisp and clear image prior
to the start of the session which has nothing to
do with the building in question or anything with
the embassy, but I had very clear impression,
vision of a...a warm water sea port, and I had
the overall impression that a lot of oil was
shipped in or out of this warm water sea port,
but as I viewed this... this sea port, it's...
something exploded, something was.. .like an oil
storage tank had just went up or something. I'll
focus back on the...the building again.
#66 Alright. I will wait.
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+15 1/11 I appear to be situated in front of this building,
the main entrance to it.
//11 Alright. Apeear to be a steep group of steps
going up to the entrance, there appears to be a
wall on either side of these steps. I had a
it isappeared to be a...a pole with a light on of
it
#66 Alright, move inside now.
#11 All that guy needs upstairs is a set of hoo nails
on his boots.
#66 Yes. It is quite noisy today. Just relax and
concentrate, we have plenty of time. Move inside
the entrance and describe to me what you see.
#11 I get a strong impression of a circular room,
or something very circular dominating the room.
#66 OK. Are there any people in this room?
//11 Maybe it could be a big, circular rug...ah...
something circular...(mumble). I have more of
a feeling of being alone in this room than...
than having a feeling of anybody else.
+20 #66 Move through the building and search for people.
PAUSE
#11 1 don't know what it means, but the only thing I
see is...a...an empty rocking chair.
PAUSE
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#11 I don't know, this is crazy, I must be
fabricating this. I felt from when you walk in to
the main entrance you've got this either round
room or room with something round dominating it.
It's kind of like a...a reception area or hall or
just a large room and somewhere off to the left of
that main room...(mumble)...some are using... I
almost feel as if I'm on a different floor...ah...
an upper floor or something...ahm. I had an image
of this old, antique type rocking chair and then I
felt to the left of that was a...a bed. The bed
had a frame of...of metal; at first I thought it
was the old GI type metal bed, but I seem to focus
more clearly on it, and it seemed to be an antique
brass. . .brass bed, and there appeared to be some-
body in the bed...I don't...I don't know who or
what, they're all bundled up or whatever. It...
ah...I don't know, it's all crazy. The rooms
seems... like a bedroom furnished in...ah...
antiques. I think it's on a...a...it's not on
,the ...the ground level, it's on upper level.
Maybe it's on the ground level, I don't know, it's
confusing.
#66 Focus on the inside of the building, in your mind
ask yourself about the locations of people in this
building. Let yourself drift through the building,
describing as you go, searching for people.
#11 Oh...when I walked in on the ground level I was
drawn to my left to a...an inclosed... it appeared
like a porch or something. It was long. . .long
hallway, but it was inclosed. Going down to the
end of that, there seemed to be a...a stairway.
Going up I went up the stairway. I got to the top
of the stairs; you could go...you could go either
way. Down to my left appeared to be a hallway
that had rooms and I decided that... and if you
went to the'right...I'm not sure what's to the
right. But if you go down to the left, down that
hallway with the rooms on either side the.. .these
rooms would appear to be...ah...sleeping rooms,
guest rooms or...or something like that.
#66 Are these rooms occupied?
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#11 I get the feeling that the room that I saw with the
antique furniture, it looked.. .ah.. .looked more
like American antique furniture than...than...you
know...ah...it looked like more like American
antique furniture than anything else, and this
bedroom...I would...I get the impression was down
this hallway and on the left. (Mumble)
+35 #66 Move up to the roof of this building, move to the
roof and describe that area to me.
#11 I get two impression. One, a flat roof that's
perfectly obvious by the photos, but I did come up
with something that's not on the photo, is a...
a yaggi array antenna. I don't know if it's for
television or what. It's very-fairly sizeable
antenna on the roof. Nothing gigantic, but
sizeable.
#66 OK. I have no further questions about this
target. There's anything you'ld like to add, do
so now.
#11 No, except I no longer have this feeling of fear
and anxiety right now, which is interesting.
#66 OK. Let's draw those...ah...impressions you've
had.
#11 Boy, I really had a tough time on that one.
#66 What do you think about your...the session
itself? You say you had a tough time, what do
you think about the validity of the information?
#11 I think there's two things that are very valid.
The impression I had before the session, which
had nothing to do with the embassy. Ah...and
this... this... this feeling of fear and anxiety.
It was...ah...it was overwhelming and...ah...
ah...my heart was just pounding and beating and
I had this... this feeling of fear. It was if I
was afraid of something ...ah...but not knowing
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what and... and I was getting absolutely nothing but...
but a void and blackness until I finally broke
through the ice and...ah...came to the scene where
I seemed...I seemed to be outside this building and
went up on into the building and...ah...through the
exercise of doing that. somewhere inbetween I lost
this...this...ah...this feeling of fear and anxiety.
#66 0K. Do you have any confidence in the impressions
of the building itself?
#11 No...well...feelings of confidence... it would be
very easy to create what...you know-one should
think that type of building would look like. I did
have-it was very interesting...ah...one thing that
was very vivid was...when in, went to the left I was
in this...it almost looked like an inclosed porch or
whatever, and when I went down, got out to the end
of that, there was this stairway that went up to
another floor and when you went up to the second
floor you could go still further left from the second
floor but you couldn't on the first floor. That...
that I seemed very comfortable with.
#66 OK. You say this was inclosed?
#11 Yea.
1/66 Something was inclosed. What was it inclosed with?
#11 Well, it...it seemed like there was glass to my
left and a wall to my right, or something of that
nature.
#66 And how about overall impressions of personnel in
the building or activity in the building?
#11 I wasn't...I wasn't picking up on any... 2h ... any
real activity in the building. I didn't get a feel
for it at all, and that-that was bothering me,
concerning me. Ah...and I had this independent
picture of a bedroom...well...not even that...it
started outs as a rocking chair and then to the left
of that was a bed made out of metal and then it...
the rocking chair I recognized as antique...ah...
to correct one thing, perhaps not antique American
style but antique European, rather than.. .you
know... antique mid-East style or anything like
that or Mediterrain style; it was very European
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style, but there was a lot of antiques ...ah...
antique stuff in this room. The bed was an old
brass...brass rail bed, etc, etc. The wall ...in
fact, the walls were wallpapered with kind of a
flower design or whatever. Ah...
#66 So you say you don't have any impression of any
people throughout the building.
#11 Well, except that, and I'm not sure if it's...
if it's an accurate impression or if I just put
somebody in this bed; I had a feeling that there
was somebody in this bed all...you know...wrapped
up...ah...in the covers and stuff. Ah...you
know ...ah...I could've seen the bed there and said
well gee, there ought to be somebody in there. But
did have the feeling that there was somebody in
there, but I don't know how well I trust my own
feelings at this ...at that particular point.
#66 Any impressions of quantity of personnel or guards
around or...groups of people or anything like that?
#11 That's odd because throughout the-things like
that, but I didn't seem to...to find...ah...the
guards or...or a group of hostages or anything,
the only impression I had of any type of personnel
was the one individual in this bed, in this one
room.
#66 OK. So you don't see a lot of hostages or a lot
guards or a lot of students in this building?
#11 No. Negative.
#66 Just no impressions of people or activity at all.
#11 No, uh-uh.
#66 OK. Why don't you...ah...give me a couple of
sketches of things you do...did see, did
perceive.
#11 You want to keep that pre-session thing separate,
#66 Well, no, you can just draw it down there and as
you talk tell the...you know.. .what number you are
drawing, a pre-session impression.
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#11 No. 1 is a pre-session...ah...type drawing. This
pre-session thing I had...ah...was very vivid, and
it just popped out of nowhere. Ah...of a large
sea port city and the water was...ah...kind of a
milky green color ...ah...and I...it felt very
warm, in fact it almost felt as if I was there,
basking in the sunshine, very warm, warm place.
Ah...it reminded me of something on the Mediterrain,
you know, near Spain, Mallorca, or something like
that, I don't know. But the city was large...
ah...fairly modern, I really didn't get the
impression there were a lot of sky scrappers or
anything there, but very white and beige colors
throughout here and from the angle I was looking
behind this city there seemed to be...ah...there
seemed to be a sea port and back over in here...
ah...ships would come in and out and it seemed to
have...ah...behind this city on...on kind of a
point here, there.. .would. . .would've appeared to
been some type of big, large round storage tanks,
and from that area, I saw large column of billowing
smoke coming up from that area that... something
that stood out, that's not...that wasn't normal.
That's it.
#66 OK.
#11 And then we got into the session and, for the
longest time I just had this ...this feeling of...
ah...of fear and anxiety. And then I found myself
standing outside; this wasn't the first angle that
I saw...ah...these steps out...but this is the
most-this is the easiest angle to draw it from.
There seemed to be a lot of steps and they seemed
to be shorter than most.. .most steps are. And
they seemed to be rather steep, and on each side
appeared to... to be almost like a wall, and there
appeared to be some type of a pole at the edge of
each of these things which appeared to have some
type of globe or a light or something on top.
#66 So that's ...ah...No. 2 there then, is the drawing
of the entrance way itself.
R?
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#11 Right. Ah...I didn't ...I had a feeling that there
was a lot of height above the entrance way but
that was pretty much all I got..
#66 OK, moving on to No. 3 then,
#11 No. 3, I'll make an overhead... kind of an overhead
type drawing. And, as I went in, there was
something round about this room, what I don't know.
And somewhere here, off to the left, appeared to be
this inclosed porch or... for lack of nothing better
to call it. I had the feeling that there were
chairs, tables, ah...and things along here. Ah...
on...on both sides, the place, like kind of a
waiting area of something where somebody go sit and
read a magazine or something, and it ended down
about here, and there appeared to be another
stairway going up to another level from here; I had
the feeling, for some reason, if you went to the
right, if you walked down here and there...there
was a balcony you could look down on this... this
open area from the entrance way. I'm not sure
about that, but I had a feeling and there seemed to
be kind of like a...a hallway going down there, and
down.. .that's odd, really odd...but as I got to the
top of the stairs I could look down this hallway
over here. I'm not sure where it ended, but there
appeared to be rooms.
#66 OK. You've moved in your drawing to upstairs now so
make sure you...you put some words on the paper there
so we know what's upstairs and what's downstairs.
#11 Well...rather than words, the downstairs I'll shade
with Red...oh crap, that's not gonna show up.
#66 You can do it on this and then draw some words on
there, for xerox purposes.
#11 OK. The...ah...shaded area ...ah...I don't even
know how to spell anymore. I call this main area
the reception area; for nothing better I'll call
this a... like a waiting room, hallway or whatever.
These areas were on the ground level; the shaded
area; reception area and waiting room are on the
ground level. The stairs at the end of this
waiting room go upstairs, and now we're on the...
on another floor, let's say the second floor, and
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there appeared to be rooms on either side of this
hallway, and they ...ah...were either bedrooms or
guest rooms. A guest room is a bedroom, I guess.
The one down to the end of this hall and to the
left was occupied, or that's the one I zoomed in
on, OK, and I'll put in here, see drawing 4. And
I had this.. .this bed which appeared to be
occupied. And to the right of this bed was that
rocking chair that I described; it's really tough
to... It seemed to have kind of a red...red velvet
pads on the back and on the seat. The...the chair
was made of wood; very solid but...ah...had some
pads there...ah...over here seemed to be some large
windows or maybe French doors that lead out to some
sort of balcony or?whatever. Ahm...there was other
antique furniture around. This dresser here seemed
more of a...a European style like Louis the 15th or
Louis 16th or whatever, and the wallpaper... there
was wallpaper on the walls and it was. . .seemed to be
little clusters of flowers or whatever. Ah...the
wallpaper may have been a yellowish color to the
base of it.
#66 OK. Anything else you want to add then?
#11 I can't think of anything.
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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC60
1. (5) The viewer has been exposed to open source news medi
information, classified overhead imagery and photographs
several hostage personnel.
2. (S) At the time of the session, the vi 115r was asked to
describe an area referred to as Area He was shown over-
head imagery of the US Embassy compcund in Teheran, Iran. When
the area designated as Area "J" was pointed out to the viewer,
he remarked that he remembered from discussions of the imagery
two months ago that this area was the ambassador's residence.
The imagery is not included herein due to its classification.
3. (S) The viewer had not worked against this target in the
past. The viewer was not told anything about the target except
for its letter designation.
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