SUMMARY REMOTE VIEWING SESSION CC53

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800440002-5
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 14
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 2
• Publication Date: May 1, 1980
• Content Type: REPORT

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TARGET
REMOTE VIEWING (RV) SESSION CC53
TIME #66 This will be a remote viewing (RV) session (edited
for security).
PAUSE
Focus your attention now once again on Malcolm KALP.
Focus your attention once again. Relax and con-
centrate on Malcolm. Relax and concentrate. Focus
your attention on Malcolm, the area where he's
located. Relax and concentrate and describe the area
to me.
PAUSE
+07 #10.5 I think I'm at the same place. Got a high ceiling
where I am. I..uh..kind of..uh..standing..uh..under
the..the thing..the balcony..entrance to a hall.
Got..uh..(pause) appears empty now. Don't..uh..wait
now I'm getting a table somewhere else. Lost..uh..
continuity. I got a table long and narrow. Seats are
longer than a. .somewhat long room. I'm not getting
a good quality here. Let me image in my man here, and
...try again. If I can get real time then we can move
from there. Give me a minute or two. Then call me
back up.
PAUSE
+14 I..uh..just (mumbling..a smaller room. Uh..single
man that I could see is sitting alone in a..uh..
overstuffed chair. In the center of this room is the
longer table that I saw before but did not see the
man. Uh..this is. .an alone feeling here. He is not
bound. He is..uh..resting..head on left hand..leaning
back in this chair. I just get no other people in this
room.
PAUSE
He is.. .he looked up at me..uh..momentarily in my
direction..but..uh..he's alone in here, I think.
Room had some funny apendage on it. It goes. .on the
+17 right side where he is sitting, it goes farther down
away from me than the other left side of the room..
but, it j?s-fatheT-fieR-descTipt. .it's just. ..the main
piece of furniture in here is a rather large conference
table of maybe 15 feet long.
SECRET
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#66 Is he being watched?
#10.5 I do not believe so..uh.. He's more like
waiting in a place, but, not watched individually.
Being held in a waiting room, or something, or a
place to wait or something. Not his usual place.
Got ants in my pants here. It's..uh..I have the
feeling it's..uh..close by to where I was. May be
another section of this building..uh..is where I
was earlier...but...it's as though he has some
special reason to be waiting to be talked to or
to be seen..uh..that's all I have for this room here.
#66 How do I get to this room?
#10.5 I feel I'm it's a room ground level right hallway
a door, two down the right hallway.. .on the right side
+20 is the room..uh..I came in the lobby of the building
and I angled immediately right and went down a right
hallway, but not all the way. It was only partially.
#66 Stand in the hallway outside the room and describe it
to me.
PAUSE
#10.5 I can't get anything on the the hall that's
worthwhile talking about. I can't get any doors.
I can't get anything. I can get the lobby
end of the hall. There's something vertical and
off-set to the left of it something horizontal but
it's some ways away. I can't see what it is..uh..
it's lighter down there than where I am but I can't
get any detail on the thing. Near me here, I can't
get any. I don't know why..uh..
PAUSE
#66 Is there any personnel at all in the area that you
see besides the man in the room?
PAUSE
#10.5 I'm looking but now I don't see any. That's it.
I'm fading fast. I'm tired. Oh! Jesus.
#66 Ok, Let's draw (mumbling).
#10.5 Ok. I think where- I first went was back where I
was before,and I got empties all over the place.
#66 Not
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#10.5 This time I was...(pause)...hum...there's some kind
of angled shape on this wall over here. Like that.
Anyway, down here below.. .quality of my sketching
is rapidly deteriorating...all right. Some kind of
weirdness on that wall there. I think, where I was
actually up here in the corner looking down on the
scene and I got nothing, but, nothing, ok. I had the
feeling that these things were still here. The couches
and the sofas, but, that there were no people here
anymore, ok. Then I went down here and I looked out.
First I was up here X one. Looked down. It was empty.
All right. Then I got this feeling of a.. .that I was
in a smaller room, ok, of some type.. .more longer.
Seemed longer than wide. Ok. S-s-s..with a..uh..a long
conference table type thing. Maybe 15 feet or so long.
All right. That faded out. I wasn't doing much good
there, but, then I got an overstuffed chair. This is
toing to be three. An overstuffed chair, and, I got
who I think is our guy, right.. .sitting in overstuffed
chair. Like this. With his.. .with his hand. .you know..
with his head in his hand. When I got that picture I
managed to hold on to that one anyway. I wasn't
having much luck with anything. .managed to hold on to
that one, and what I got was overstuffed chair was
in the corner number two. Here is chair with man.
Wall goes down like this. Here is the table, along
there. There's some sort of abutment (pause)....
Like this, and this is where the guy was sitting.
Let me darken this a little.
He was sitting here, like that. Alone in this room.
This room is L shaped. Longer than it is wide, and
there are a couple of these chairs in it here, but
that was... .a table was all... .just two or three.
Not even three. Just two. Like that. That one and
that one, and the looked like a library
type of athing...or-a meeting-Toorm-you-kpow. I haiIl
alot of eeling like hanging drapes. Like -Bla ou
drapes and curtains. Like place that -would-have
projectors in it or would have briefings or
conferences, or something... .slide shows and everythin9.
nd it was all office but there was really not that
dam m ?pa-r-r-qot'iVab?rri'e-table- and
really. I had the feeling of hanging curtains.. Ok.
That's all. I'm not all right... .and where you
get to this guy... .where this place is... .is about
the second door down on the right hand hallway on
the ground floor sketch five. Here's this
ok here...would be where the sofas are. He would
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be where that other sofa is that I keep insisting
is L shaped, or is at least combined together to
make it look real L shaped. There. You asked me
how to get to the room. Immediately I came right
in through the front door and I went right around
that corner, like that. Ok. I had the feeling
it's about the second door down. All right. And
that in there... .I'll draw it in dotted lines because
I didn't see the floor plan but, that in there
(pause) was this room. Ok. That's where he is.
He's there. But, there was nobody around. I could
not find anybody in the room with him. I could not
find anybody... .01 course, I was drifty anyway....
uh....and the only other thing I have....six....
for what it's worth... .which is probably nothing....
here is.. .1 asked for this, by the way. ..don't hold
it against anybody... .here's hallway (sigh) and I
had the feeling I was looking back into the lobby
area of the hallway, ok. And that I could see over
top here....the stairway or what....not stairway
the balcony thing. Whatever that little balcony
piece is that sticks I could see that. There
was something...just vague shape ...something vertical
here. .horizontal there. .and vertical there.. .and
I have no idea what they are. Just an L....makes an
L, like at the end of the hallway but they are
light... .not dark, ok. When I was first looking at
that, I thought that might be the back end of this
box I keep wanting to put in that lobby somewhere.
You know, the back side of it just sort of seemed,
from peeking out, just sort of off-set from line of
of sight, a little bit. So I could just see the back
of it. But, that's all I have. That's totally it.
#66 Ok.
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TARGET
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC53
1. (S) The viewer has been exposed to open source news media
information, classified overhead imagery and photographs of many
of the hostage personnel. He knew he would be working against the
hostage situation in Iran.
2. (S) At the time of the session, the viewer was told that he
would be locating Malcolm Kalp. The viewer was shown the attached
photograph and was asked to describe tie surroundings of the individual
in the photograph. This was the aecond time this viewer had attempted
to describe the location of Kalp.-777 previous session)
ADMIN NOTES: Sessions CC53 and 54 were conducted at the same time
with different viewers in separate rooms using the same target cuing
information. (See also CC51 and CC52)
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