SUMMARY REMOTE VIEWING SESSION CC52S

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800440001-6
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 23
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: January 5, 1980
• Content Type: REPORT

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REMOTE VIEWING (RV) SESSION
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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TRANSCRIPT
REMOTE VIEWING lRV) SESSION CC52
#66 This will be a remote viewing session (edited
for security).
#10.5 I have..uh..this feeling I'm floating-face up
under..uh a rather big ceiling (phonetic) like
it's a..like it's a trap that I'm caught under.
For the past few minutes now you have been
studying a photograph of Malcolm Kalp. Move your
awareness now, and join Malcolm. Relax and
concentrate your attention. Focus on Malcolm.
Find Malcolm and describe his location to me.
I got the feeling that..uh..like..uh..furniture
on the side of the room makes it a separate area.
Oh..feel..uh..there's some sofas or something...
a little sitting area. There's something large
behind the sofa. Have..uh..feeling this is side
of a larger open room (mumbling) glass..glass and
and..uh..along the front. Feeling of..uh..many
much..uh..hustle and bustle.
#66 Tell me the impression that gives you that feeling.
#10.5 Have..uh..many..uh..feeling of many people standing
around in near the doors ..uh..in this open floor
area ..... 20 or so people standing around and this
I think I have my man. He is..uh..sitting a funny
place in this open room. He's sitting in the..uh..
one of the sofas off on the side and his back is to
the group of people and..uh..I saw him..uh..first
looking over the back of the sofa at the people and
he's in slightly L shaped sofa looking over the back
of the L in this little group on the side of sofas.
Who are these other people?
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#10.5 I had..uh..a visiting feeling. People being allowed
in with cameras and being watched by a larger group
of people bringing something or doing something.
I first had a big feeling of a shoulder carried
camera somewhere in this crowd. When I was looking
at it from afar....
#66 Are there other hostages besides Malcolm in this
area?
#10.5 I..uh..think that there are here. I see them..
other people..uh..one at least...I think is a woman
..uh..man, woman, man...I don't know about the last.
My first impression was man, woman, man, woman sittin
across a small isle from him to his right front.
All with their backs against the wall on a longer
sofa as though they were waiting to be seen, or
waiting to be looked at. Uh..
#66 Do you feel these are hostages?
#10.5 Yeah. I do. Oh..have a feeling of lighter clothing
and lighterness around them than the others.
They're always darker.
#66 All right. Work more on the room. Tell me more about
+15 the room.
#10.5 The room is..uh..a familiar place again. It has..uh..
I think it's a lobby. A central place. It seems
larger with an outside door. There is something in
the center of the room. I had a..over my right
shoulder looking at the front I had a fleeting..uh..
I was looking at the crowd I had a fleeting shot
as though out of the corner of my eye were several
people sitting at long table observing the crowd at
the door and that their backs were to some..a big `
solid structure in the middle of the floor. Such as
booth, and I think that is what I was looking
at w-_'hiT"cTi to Wl~l]m'_s.. eft.._..In_the far......L'm
having a feeling of..uh..on the far side on the
back...away from the crowd...it seems to be opener
and lighter as though there are windows on that
side as well...I had this feeling that back there is
bare tiles like floor.. .like a ballroom floor almost
back there. No rug or any...I feel that I'm on rug
carpeting on the floor where I am.
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#66 Move outside now with the crowd and tell me about
the area where they are.
#10.5 They are inside. A group of people..uh..they are
inside is what I mean.
#66 Ok. The doors that you mentioned...
#10.5 They were coming in like-now I want to say moved to
my side of the room and are looking at these few
people who are there. They are looking at them
and they have..I want to say they..uh..most people
are standing around is exports (phonetic) but I
have the feeling of several people taking their
pictures with this big thing, maybe, but they move
from the door to them.
#66 Focus your attention on the door where they came
from. Move through that door now and describe it to
me.
#10.5 I'll..uh..I'll go with the flow here. Getting some
loose feelings.
#66 Very good.
#10.5 I'm..uh..get a feeling of a..uh..slight porch...
white.. .step down..(mumbling). I'll open the door..
feeling of (mumbling) on either side are some sort of
..uh..not woods..grass, trees, manicured..uh..on
either side of this..and..uh..this (mumbling). The
side rails_Qn-this porch are more.ornamental than
functional. They..uh..go on get out `o -bere...they
are..uh..a flat top stone slabs that are Merely on
thY appear't~ eZ ttopp.._..ttoop deck.. appears to be sn1y. 18 e inches and
thestep down one time with the staircase.
I'll go out and I'll look back at the front.
'I'm starting to fade. I'm getting..uh..a couple of
..looks like columns. The building is darker
stone as the front of it is quite contrast to the
It building. Oh..uh..Jesus. I hope that son-of-a-bite
gets paid 20 bucks for that.
#66 - Ok. Let's break off here and do some drawings.
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#10.5 All right. I guess we can tape over the dull roar of
the snow equipment. It's a conspiracy-that's what
it is.
Ok. Where did I start. Started with the feeling
of floating. . .not on that low ceiling but floating
near this rather large ceiling. I couldn't ...ok..
what I ended up with ...it was familiar...it was familiar.
Just as soon as I..familiar, but rearranged, from
what I remember. There were differences from what I
remember. Oh.
#66 Can I ask you about this familiarity now?
#10.5 Yeah.
#66 Familiar to when? Do you remember?
#10.5
4e worked so many buildings at the beginning. Just
..you know....ok.... what's around the next corner.....
type stuff.. .but I had this feeling......
No. I don't remember which one it was. Familiar
1to one of the first sessions but not very .....
well early on ..... three weeks ago, four weeks ago
maybe. When we first started to work we ended up
with alot of-doing alot of...God, I don't know.
#66 Actually, you are saying you feel like ydu've been
at this particular place before.
#10.5 Yeah. I feel like I have. The layout was similar to
something I felt before. That I'd seen before.
Let me try this on for size here. That's... feeling
of a couple..uh.. sucker is still going at it. Isn't
he?
#66 Is that dark enough to zerox?
#10.5 Yeah. Well, I'll go over it once I get it fleshed
out here. Anyway, here in the foreground was the
back of another sofa, or something. GOD! They're
all out there. He must have gotten his buddies over.
Jesus.....all right. I had the feeling of a nest
...nesting of some sofas. This is the thing that was
different from the familiarity, ok. Here are some
sofas. This one is like L shaped or it's two Ls or
something like that is what I mean. Here, behind
it is some big thing. Like that. See, walk between
I drew it.... it's some big thing. I don't even
know what it is.
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ill A.,
#66 That's what you called "like a booth."
#10.5 Yeah. Well, later I said I se...was feeling
this booth. But, right, right... .what I think
I was doing, you see, I was standing. .. .1 was like
floating in the foreground of one and I sort of
like panned around. And, as I was panning around
things were taking different... you know.. .getting
...I was looking at each individual piece.
The first feeling I had was this and that my guy
was here... right... and was turned around looking
back over his shoulder. You know. Looking back
this way over his shoulder. You see what I mean.
Like leaning back over like that with his arm
in the back of the sofa and looking over his arm
into the ..... it passed me.... like he was looking
at me but through me. Right. I had the feeling
that this was like a carpet line here. Had the
feeling the hallway .... I had fleeting shots of....
ok ..... let me just go on..... and.... this thing
disappeared ..... it doesn't disappear so much as there's
some funny little hall down there again, ok. How
do I want to do this? Something makes a little hall
on the side of this room, which is really in the
background there.. .and I can't figure the dam thing
out. It looks as though...that looks weird.. .looks
as though there's a partition or something on the
right side of this room that comes down here, ok.
Let me police this thing up a little bit. Give it
a little bit (mumbling). Ok. That's the perspective
there ..... that's a perspective there.. .ever so slight.
This goes back here. There's some kind of a little
hallway going back down there. Something divides this.
I've draw a partition but there is something there.
There's a way out that is not usually the way out, ok.
Here are windows. This is.... this is farther away,
now. This is yards away, ok. Windows in the back
...and this is bare, big, bare floor off.... ok....
but here in the foreground is carpeted floor. It's
like a ballroom floor. Windows, ok. This thing goes
back in some kind of a..uh....you can just barely see
it.... some kind of a hallway or passageway is back
there. I'll draw that in dark, ok. This whole thing
is some sort of a..uh..a hallway ...parti.... I'll call
it a partitioned hallway. Maybe that's some....
something like that. You know. It's not a real
hallway, but it looks like a hallway and it really is
a hallway, but it's not solid concrete walls. Rather
it's something that looks like it..a different
passageway, but, it's really part of the-the overall
tling ...and this is like an exit or something There's
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a hallway there, ok. Like that. OK. Then I had
the feeling of...also I'll throw him into this
picture as well... is that sitting here on this sofa
...my first impression was man, woman, man, woman..
I didn't get any descriptive type stuff. No sooner did
I start getting a good general feel for the place then
all hell broke loose up here. But, (mumbling) don't
draw lines (mumbling) draw somebody on top of 'em.
Ok. Guy sitting there.. .had the feeling of long, dark
hair on the first wo ..... on the first woman wearing
a skirt .... and a man.
#66 That noise outside has stopped.
#10.5 Yeah. It would. Wouldn't it? Couldn't have waited
25 minutes. And, then I wanted to put another woman
in there somewhere. I wanted to say man, woman, man,
woman. It's the first time I've ever seen a woman.
You know-In the work. So..uh..anyway..that's...I'm
not going to draw the;last one in because I'm not sure
of that. But, I'll put it i I'm of go' to
bother sketching it. This ould be o ere. He
was the guy I first saw. alp is the . Like I said
he's looking back over his this way. Back
into the foreground. Uh...all right.. .somewhere along
here is a ceiling line. There. That adds that up.
Ok. And..uh..as soon as the place began to look
familiar to me then I sort of expected to see a balcon
t`up here.. .and I saw one. Some sort of a balcony.
#66 Ok. On exposed second level.
#10.5 On exposed second level that..uh..all I saw of it..
the only feeling I had of it was...let me erase that..
somewhere else...this comes out here..ok..that was
the flavor I got. Something protruding off of that.
You know. Something protruding off the roof and that
is just-you know-once I got out here... partitioned
hallway.. .is what I want (mumbling).... this is....
All right. Now two. Two, I'm going to swing around
and look up the front. Two. On my lower right I had
this fleeting image of some sort of a desk thing here.
How am I going to draw this? Ok. Just the general...
right out of the perferal (phonetic) vision type of a
feeling.... there were a couple of people sitting here
at this desk. All right. That's cool. I'm not going
to worry about that. Now, across the hall... (mumbling)
and then front on is...I've got to draw it at an angle
(mumbling)..... sorry number 99 ..... here. There. That's
more like it. That's the line I want to do. Here's
the wall. That looks at that. All right. What else
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have two-two-it's like a 5 foot portal. You have
to go through this little booth, and out, ok..uh..
(sigh)..I'll say that, but I don't know how to write it.
thick ...it's a thick doorway. It's not just opening
a door and you're across the portal. It's like you
sets of doors. Like I almost thought it was revolvin
doors. You know how revolving doors.. .like in a big
place and you walk around and you come out...it's
feeling of a double like .... I had to go through two
on either side and glass doors as well. I don't
thing that protrusion thing there is funny. I had
feeling of.... when I was going outside I had t
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did I get here without embelishing anything hers.
There is something here in this corner. There is
something in that- corner. Behind it is windows.
All right. Got like a double door set up here.
Got windows here. There. That's the idea I'm trying
to get across. Now the foreground of two matches
opposite the foreground of one. So if you put them
together like that, the rooms composite. Although
it's a little bit more distorted. Ok. Had the
feeling of double door..uh...glass, big glass windows
#66 Ok. Before you go on give me a couple of arrows.
#10.5 Large globe shape in the front left corner. There
are two people sitting behind desk...ish...deskish type
thing in the right foreground. Which I think the back
of this desk is on..on the front face of this square
thing on the left in sketch number one. But, I'm
not sure because I'm not very sure where within a
20 foot radious where I was when-I was getting all this.
It could be a totally separate.. .two separate things.
I had the feeling that there were large number-of
people.. .that there was hustle and bustle in the outer
area here...like out by the door.. .and there were
large number of people..uh..like standing around,
walking back and forth and..uh..a group here and a
group here ...... huh .....
#66 ftas, cally, who were-these people? Or, who-what
feeling dd-you get about these people?
#10.5 I had the feeling that they were .....well, here's
the thing. Now, the people at the tab1 ...I had
feeling were j ike -u ar-ds.:....you know .... the bad guys.
//I thought were bad guys. But, I had the feeling that
they were waiting on and, in fact, that these people//
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necessarily bad guys..you know-they were like
other guys-that they were-and these guys had
all been assembled there in order to escort them
They were going to come in. They were going to
take some pictures of the prisoners that were
sitting back here. You know. Here in the backg1
part of the room, and I had this... When I firs
started I had this very distinct, believe it or
not, I know it's an old style, but I had this
very distinct feeling of something shaped like this.
Like one of the old fashioned news real movie
cameras, almost, on some guy...
Where you can see the two film cans?
#10.5 Yeah. Like the two film. The two black film cans.
And, this thing being carried in through the door.
Not a huge thing. But, just something on some guy's
shoulder coming in through the door. Ok. I'll
draw him there.
#66 Label that ....... that you've drawn up there so it
doesn't look like it's a gadget on the wall.
#10.5 Oh, yeah. Ok. Coming in on some guy's shoulder.
Coming... they're coming in and there are two,
three people coming in and more people than I've
drawn here standing around. I wanted to say like
20 people coming in here out here in the front of
the building and them milling back in, ok. Like
I was trying to say, you know, people coming in.
You can see them in the back.
#66 You can see them outside the doors?
#10.5 No. Just sort of like coming... like a group
arriving. Not a big crowd outside. Like they
had come walking in. A group of 15-20. Then,
they had to go through the door two or three at a
time, and they trickled through the door and built up
in front of the door and then... slurp...
#66 Ok. It seems as though during the session you were
getting some sort of real time action at times the
people would move around the rooms.
#10.5 I think so. I definitely was. First of all, I
don't usually pick up that kind of thing and I sort
of looked at the front floor and I had this immediate
impression... popped... to me of alot of people. I
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don't usually, you know. I don't think I usually
would pick up.like I would pick up one guy out of
a mob, but I wouldn't necessarily see the mob around
him. You know. 1-hat type of thing
#66 So you feel pretty good about that impression.
#10.5 eah. It was very, very spontaneous. Uh..th-rze
funny big square thing in the back of it somewhere.
Here is sofa with Kalp sitting at it. Right. That
is the L shaped sofa. There may be another one down
there but I'm not too sure of it. Along this wall
we have .... come on #10.5 ..... at least you could make
them on the same level.... another sofa here .... and
then, another sofa here. Like that. Two sofas with
two people in them. I mean with three people in them.
And, all these guys standing around in front of them.
take it as though I'm standing at the door looking.i
back in. Here is this funny table. Here is this
room.....(sigh)...I don't know. Three, then. I'11,;
....and this is all.... this is carpeting.. ..carpeted
j/ with cameras, etc. I had images of people writing
on note pads. This was late,r....,no.t right -here but
laFer:~ 'iT get -to'that in another one. Another
quickie...and..uh..three to four neutral guys.
Two guys here and maybe being escorted, maybe ten
or twelve bad guys, in quotation marks, escorting
or four..uh..I'll use quotations of neutral guys
This was later on in the session .....
Later on in the session.
..when you perceived then that this group of people
moved into the area where Kalp was?
little conversational
ve been set up around
the side.
n hard
l.y,.._s
ow there arV these
re standing right in
-156cause there'.s this
there.
_r_V6op1e all around lookinc
itely the scene of the a
re all going to go to
me here. To go ov
that I first
of bright li
these dude
bi g
-clus?n
That's def
where they
why they c
front. You
like over here
people standin
nook. Three or fo
what I mean. This is
Right. Kalp was still there. This is closer together.
I've drawn it all out of wack. More like this.
There's the L shape. It's closer together. You see
on. That's
in with. That's
ere and talk to
ok Uh..I had the feeling
ou know.. flickering bright light
But, these guys were being put on display for some
reason. Some rat...maybe ratical type.. .maybe it's
the student's own type stuff. Not necessarily
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