SUMMARY REMOTE VIEWING SESSION CC51

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800430001-7
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 21
• Document Creation Date: November 4, 2016
• Document Release Date: May 22, 2000
• Sequence Number: 1
• Publication Date: May 1, 1980
• Content Type: REPORT

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ORCON/NOFORN
Copy 2 T ?-
CLASSIFIED BY: Director, DIA
DECLASSIFY ON: 31 Dec 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (8), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the.-target
site. At TAB B is target cueing information provided the
remote viewer.
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REM0TL VILWiNG (lZV) SLSSION CC51
#6.5 This will be a remote viewing session (edited
for security).
Ok #08, it's time to start the session now.
For the last few minutes you have been concentrating
on a photograph of an individual. The name of that
individual is Malcolm Kalp. I want you to relax
and focus your attention on the location of
Malcolm Kalp and describe that location to me.
Relax and concentrate on Malcolm Kaip and describe
his location to me.
#08 There's a great-small wall-on the wall's a
(mumbling) fence. It's a...it's a long wall.
Part of the wall is about 2 feet of brick and there's
a..a..a brass sign on the post. .crates.. .and there's
some Arabic writing, or something. It's all curvy.
PAUSE
#6.5 Tell me what it says.
#08 I can't ...it's got tails and stuff...
#6.5 What?
#08 It's got tails and stuff.
#6.5 Relax, relax and concentrate on Malcolm and
describe the area where he's located.
+05 #08 ig yard. There's..uh..like a white driveway..
crushed stone driveway. It leads to building /
with arches and posts. 1,
#6.5 ' Is there anybody in this big yard?
#08 /No. No. (Mumbling)Therc's a couple guys-` the
#6.5 Tell me about the people on the porch.
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#08
+11 #08
#6.5
the other... op
like ..uh..1
area, or
in the co
guy's....
corridor i
...one is better dressed than
shirt and other guy's (mumbling)
e only fatiques..,,.rftown. There's a
ide.. There's (range hanging lamps
idor. I..ul .-pink I got him. This
uy's at in office. Like some function
Doing well. Now, relax and tell me from what
perspective you're seeing things right now.
I'm at the door looking in and.... very comfortable
atmosphere... .a. .big wooden desk..shinny dark
furniture. Very.. .very self-satisfied with himself.
Who is?
Him.
There's a big window behind him.
Go ahead inside. Move away from the door and tell
me what you see.
Inside the building. Move away from the door
and tell me what you see.
Like..uh..a long corridor. Want me to go to the
entrance, or what? All right. All right. This
guy's in the room I know that, ok. Ok, now.
The conference rooms's next to him and..uh..from
the door, facing in, there's a hallway big wide
hallway. Glass ..... mirror type on either side
....big offices there .....
Walk down that hallway you told me about:.. .walk
down the corridor and look in the rooms and tell
me if there's anybody in any of the rooms.
Yeah. Lots of-about 7 or 8 people (mumbling)
common (phonetic) people.
Keep on going down the corridor.
All right.
(Mumbling) not that far. Looks like small
offices.
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+20
#6.5 Anybody in there?
##08 Yeah. Wait a minute. Clerical. There'
there's an important office there.
#6.5 What makes you say that? Tell me what you see
that makes you say that?
#08 Very plush. Very, very plush. Uh..maybe..uh..
maybe all those draperies... big desk.
#6.5 Have you (not understandable) Malcolm yet?
PAUSE
#08 He was in the first office but he's not there..
#6.5 Ok. Tell me how large this building is that
you're in.
#08 Gosh. God. I'm only looking at half of it...that's
about...got to be approx... overall about..uh..
200, 250 feet. This is, all.. .this is all Arabic.
This is all Moslem.
#6.5 How tall is this building?
#08 One, story. is very, very curvy (mumbling)
Got o impressn of curves..uh..domes.when you
walked nsides:
#08 Ugh... The corridor is about four times the height
of a man.. .three times, maybe... three times, four
times the height of a man's height.
116.5 I want you to relax now. Relax. I want you to
change your perspective. I want you to go up in
the air. 1,000 feet up and look down this
building and tell me how I could locate this building.
Tell me about area around this building.
#08 Let me start lower and then I'll work up.
#6.5 Ok. Go up about 300 feet
#08 All right.
#6.5 (Not audible). Look around. Tell me how I can
find this building.
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#08 OK. It's..uh..that dam thing is distracting me.
Stay on..
#6.5 Try to relax. Try to relax.
'OK. I'm in the vicinity, went straight across
to the right of it...a big building.. .a big dome.
s go ...u s leading up to
right before a kind of a horseshoe..uh..curve.
building. I keep getting the impression that
it. That's what I wanted to say.
#6.5 w_youu are having clot of trouble wit
noise outsi~e.....f1~ snowp ow. Let me ask you
one last question. From looking up there, can you
see the big yard that you talked about earlier?
#08 It's similar, but, the yard I saw before was in
back. This one's in front.
#08 The yard I saw before was in back. this one is
in front on the street.
#6.5 Do you see that big yard?
##08 (Mumb ing.) OK. It'`s'boarded. I
two ya 9...big in back an in front. Ther
a street --"sree~front.
#6.5 Is there anything of interest in any of the yards
that you see?
#08 OK. When I first got there I got the impression
I was in front of people, all right. But, they
...they're not excited. They're just there. OK.
n the back (pause) I get fleeting impression...
ignitaries. I can't tell (mumbling) may be 10.E
may be 15.
#6.5 OK. I think it's time (not audible)
#08 Yeah. It keeps coming.
#6.5
Just relax and we'll ..we'll call it quits for
now. Relax and we'll sit up and do some drawings
here, ok.
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#6.5 Ok. Hopefully, that snowplow will be quiet for
awhile out there, and we can see if we can get some
of your impressions down on paper.
#08 Ok. I don't care if it takes 10 drawings. I'm going
to do one at a time because they were very prominent
at the beginning. Ok. I had at first...
#6.5 Want to use one of those pens?
#08 Oh, yeah. I'll push it down because those are hard
to maneuver.
#6.5 Ok.
#08 Impression I got went something like this and it was
a great .... a gate .... great and there were two huge
columns; something like this. If you. ..tape is on..
#6.5 Yes. Tape is on.
#08 And then...what this was.... was a small wall .... right.
Took off to the right and left for quite some distance.
That amazed me.... and ...had kind of...kind of a
wrought iron fence here .....all right....this was brick.
(Mumbling)... same thing on the other side.
I knew you wanted me to go after the personality.
The most vivid thing that I had was a sign there.
I think it was on both posts and this was.... that's
why I kept trying to describe to you..tails...no way
I could...l was looking for an English translation
or what have you and these ..... see one.... and I'thought
it was Arabic. And, beyond this was sort of a light
colored driveway. Almost like crushed stone.. .gravel
light... grayish... light white and this head to this
house. The front of which I will draw next.
#6.5 When you talked about the crushed stone driveway....
#08 Because it was a bit.unique. It was again in the
middle of the yard.
#6.5 Is that where the big yard is?
#08 Yeah, yeah. This is all yard here and the building
I saw is quite recessed in somehow. Estimate to be
50, 60 feet.. .there's no way I can tell ...but, this
..this was close to the street here .... this was a
gate of sorts... this was prominent...I don't want to
say Arabic... .but that's what it looked like.
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#08 Certainly wasn't easy, ok.... (mumbling) is very
strong, ok. This .....
#6.5 That is diagram number one.
#08 Yeah. This .....extended quite far......
#6.5 Ok.... the walk
#08 Yes. Both ways. Both ways. Like when you
asked me the length of the building I was trying to put in
40 feet duplex ...the building...trying to measure it
...and little bit difficult .... ok.... so that extended
to the yard.... Then, the second impression. was the
front of the building. and it was with arches like
this, ok...and, under these arches were posts of sort.
Much nicer than I can draw. Ok. And, there were
several of those ..... a whole bunch...ok...and this...
#6.5 In the front of the building?
#08 Yeah. This was kind of a porch here, ok...and these
two guys ...you asked me to describe ...one was at the
bottom...kind of a steps...he's the guy with the brown
military type apparel...and this was the better dresse
individual, ok.
#6.5 What do you mean by that?
#08 Oh..... suit. Business suit (mumbling) Now, this,
this is a porch and a walkway at the same time, and,
in here seems where your windows were, ok, something
like that, whatever. This was a door. Ok.
#6.5 Where's the door that you went in?
#08 Right here-and then I went to the left.
#6.5 Ok. First you just stood in the doorway, for a while.
#08 I wanted to get to the guy and I made a special
effort to get to the guy, and it was just like
somebody dropped me right in front of the stupid gate.
Right here. That's about the best I can do. Something
of this nature.
#6.5 Ok. But, even when you got to the door, you mentioned
to me, you said you were at the doorway.
#08 Yeah. But, it was the door to the yard right in front
of the grate. Later on I was looking from another
door. That was the building for this door. I went
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corridor to my left. I spotted whom I thought...
..whoever this joker is there...Malcolm...might
get...office...ok..then I looked around here...
came down to the main corridor and went down
and I didn't see too much on this side. Here's
where I saw the conference room. A couple of small
offices and then a huge room.
#6.5 Ok. Why don't you draw that?
#08 Ok. I'll give you an overview of the inside
portion that I saw which, as I have described it,
was very tall, domed ceilings, and these funny
...these chandelier type things hanging.
#6.5 I had alot of trouble trying to figure what was
going on, ok.
#08 Yeah. Because I started from the gate. I walked..
..I went to the building. Then you asked me if
I saw any individuals. I saw those two individuals.
After I saw those individuals, I went inside the
building and I went to the left. I am just going
to do this very simply.
#6.5 Did you notice the snowplow has stopped now.
#08 It's a conspiracy. I had trouble.. .1 wanted to
get high. I wanted to get low. When I got low,
you said ok. I went low. As soon as I got low I
said I was going to ask you to go high and I said
"to hell with it." Ok. Let me draw this...this
on a smaller scale. It was pretty wide corridor
ok. This is a door. Then, this is a much wider
corridor for some reason. This was kind of whitish
stuff here, ok. Where I saw...th man that you
wanted me to see there.... have me locate rather..
was here. There's a couple offices, here.... something
like this-all right. Then, when you came here
there was.. .this was very plush. This was big, hug
mirrors on the wall..uh..this was kind of somber.
This was very light..ok..whiLc grayish floor..I got
1-he impression somclh.ing like marble ...very slock
and-this is where you started.... everything starte
Getting completely confused, but ......
#6.5 You had no indications, no impressions that he was
under some kind of restrji.nt-o-r anythi-og-like that?
#08 No. No. In act lie was part of these guys.
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#6.5 What do you mean by that?
#08 Because he was kind of working in this office.
All right. I was automatically looking for
something of stress. Something of..of..that
would indicate that he was under pressure or
omething. All I got was a very ...feeling of
/smugness and self-satisfaction.
#6.5 Were you pretty confident that it was Malcolm?
#OB
#6.5
#08
Ok. So then what happened?
Then I went around here and I went in this
conference room and they had a round table.
Something like this. There ..a couple of doors..
make them wide here. Then there were a bunch of
people in there, and behind there seemed to be
a couple of small offices. Let me just do this
separately. This is the conference room, see.
The table caught my eye...and behind here..a
couple of small offices and huge plush, very
very plush offices. Very huge desk. Very rich
draperies, etc, etc.
#6.5 Where's that outline again? That's this whole..
#08 That's this here.
#6.5 Ok. This is the conference'room which you labeled
on diagram...four which is also on diagram three...
then you have this huge...
(Turned tape over)
#6.5 I'll let you begin your drawing, now, ok. I'm
sorry.
#08 Right here. I'll just put the words down on...
#6.5 I realize you talk about these things, you know.
I'm watching you draw, and I'm not the guy that
reads these reports later on. He might have a
problem...
#08 - Yeah. It was unique.. .it was a bit unique there.
~a. E
G
..F
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#6.5 Ok. And, then, it was about that time I said..uh..go
outside and tell me how big this building is.
#08 I don't know how the back end of that looks.
I don't know if this is filled in or not. Because
it didn't make too much sense. But, it had to be
something like this from an overview type thing.
And, later on you asked me if there was a yard. Yeah.
There was a yard. And the fascinating thing, when I
was trying to pin-point it, I saw a road in front,
ok.
#6.5 Where was that gate?
#08 Right here.
#6.5 I asked you about the yard, looking down, you
didn't see anything unusual about the yard?
#08 No one in front, except when I first got there,
there were people here, all right. Then, here..I
..I got..re..recurring impressions about 18-20
people here. Well dressed .....uh...functionary....
dignitary type people just..just discussing things.
Something like that.
#6.5 You said something about at this stage in the game
some curves, some domes, Arabic,-Moslems...
#08 As to the location.
#6.5 Yeah. This will be the building here. I was trying
to pin-point it for you. What I thought it might be
and ..... draw this building this way.... and here....
next to it was a building with a huge dome .... ok....
that way .....almost like a ..... a church .... Mosk...
something...then there was a street ...went around
here ..... curved like this... horseshoe.... like it
was a dead end ..... and you had to go around this
was here and shoot out and there was a big building
here .... and that looked like an important building.
Again .... spirals.....and behind all of this was a
street, ok. So this is not quite accurate.... bigger
yard here.. .there's a yard here .... and there's a
yard here... and this is the street .....and this is a
street.. .1 should have gone higher. I was-like
a stupe I was trying to find water or some .... some
land mark. That's no water. All I got was this
and here. I am not too sure ab here.
looked almost lik . (mumbling) but it s too
fleeting.
SECRET
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#6.5 Anything else you want to add? I think that's
number six. Isn't it?
#08 I don't know. Where am I? So this five ...six.
#6.5 Is that it then? Ok. I have no other questions.
How do you feel about the session?
#08 Utterly. Because I think subconsciously I was
looking for an American and I got turned off and I
got Arab.
#6.5 Well, wlecome to the club as far as being
confused. But, you even mentioned that the noise
bothered you.
AS Plow. But I wanted to give it a try anyway.
#6.5 Ok. I understand. Well, I'll turn this off.
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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC51
1. ( i The viewer has been exposed to open source news media
information as well as classified overhead imagery. He has seen
photos of some of the hostages on earlier occasions. lie knew
he would be working against the hostage situation in Iran.
2. (`5) At the time of the session, the viewer was told that he
would he trying to locate Malcolm Kalp. The viewer was shown the
attached photograph and was asked to locate and describe the
surroundings of the individual in the photo.
ADiIIN NOTES:
1. Sessions CC51 and CC52 were conducted at the same time
with different viewers in separate rooms using the same target cuing
information. (See also CC53 and CC54)
2. This was the first time this viewer had attempted to
describe the location of Kalp.
3. Data provided by action office conflicts..i.e., KALP
appears to have two first names "Michael" and/or "Malcolm."
1
9
3
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