SUMMARY REMOTE VIEWING SESSION CC37

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800290001-3
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 18
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: December 20, 1979
• Content Type: REPORT

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ORCON/NOFORN
Approved For Release
CLASSIFIED BY: Director, DIA
DECLASSIFY ON: 31 Dec 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
6-00788R000800290001-3
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC37
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol'(S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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REMOTE VIEWING (RV) SESSION CC37
#14 This will be a remote viewing session (edited for
security).
All right #46, I have hear a photograph of an
individual, I'll place over your chest, who
believed to be held hostage by the Iranians. I
want you to locate this individual and describe his
surroundings.
7f1+u ~ y--
I think he's in the same type om, excep his time...
#14 Describe this room to me.
#46 Except this time there are bars, this time.
This feels like a jail. He's not in military
clothes, anymore. Baggie pants and shirt. Grayish
heavy (mumbling). He's not writing anymore.
#14 Is he alone?
#46 In that room (mumbling)? There's a bunch of other
rooms Get the impression, they're all barred, too.
Isolated. They seem to ..... an empty room between
them. They seem to be every other cubicle.
I get the impression of about 5 of them. I'm waiting.
#14 Describe the other people.
#46 I think..uh..I think that other guy with the.. .with
+12 the glasses is here.. .the guy with the beard...bald
headed guy...and...uh...tall guy in late 30s...
1(that's all I can see.
#14 1 want you to focus on the tall guy in his late 30s
and tell me as much as you can about him and his
surroundings, and perhaps his thoughts.
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#14 What color is the building?
##46 Yellowish brown, maybe li titer...
#14 What material is this building constructed?
#46 Stucco.
#14 I want you now to move to the side of this building.
Either side. It doesn't matter.
#46 Ok.
seems to be as wide as the building is, but (mumbling .
It's a big rectang ar ui ing. see two stories.
Seem e on eou s oT-E e busy sec ion.
(mumbling) I see tree line. (mumbling) ...either
side.it's...uh...have...seems to be a street in front
of a road. Spacious-.the most spacious portion
#46 Very defensive. What bothers him, he knows he's
been chosen/selected. He's..uh..(mumbling) up what
he is going to say(mumbling about five words)...
(Mumbling) for public confrontation. He's going to
stick to his story, or he wants to. (Mumbling abou
six words)...Biggest problem seems to be the time
on his hands is too much (mumbling)
#14 Ok. I want you now to move out of the building
focus your attention on the main entrance to this
building, and when you start perceiving what is around
you ..... describe the building and your surroundings
to me.
+21 #46 k. There are stairs on three sides going up to the
main entrance. Seems to be..uh..canopy type entrance/
Then the trees. Now I get the impression of columns
in front.
+24 #46 Looks like ...uh...big parking lot.Nvl-,~ow I get the
impression of macadam (phonetic) fences. There are
fences. Tree line is beyond that.
building, and describe it.
#14 k"-o~ I want you, now, to move around to the rear of this
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02L
#46 Macadam (phonetic) again. Dig driveway, like.
As if-entrance or a gate. Double gate.. .door
like gate... entry ...
#14 All right. I want you, now, to move to the
other side and describe your perception.
#46 There's a barrier there ...hm...got the impression
it's topped off in barbed wire ...I got the
impression of a wall
#14 What's the wall constructed of?
#46 Kind of like.. .like yellow bricks.. .but bigger.
than the red bricks.
#14 Do you have a feeling, how large this wall is?
#46 (Mumbling).... like ...uh...not as big as cinder
blocks...less wide ...but...uh...more solid material.
#14 How high would you say this wall is?
#46 Got to be about 18 to 20 feet. There's a notch
(mumbling)
#14 Ok. That's all the questions for now. If you can
think of anything else that you can add.... go back
and take a look ..... and describe it.... and when
you're ready we can start drawing.
#46 Ok. I think there are lights on ..... lights on
+32 poles, on top of the wall. That's all.
PAUSE
##46 Do you want no to look at this guy?
#14 It wouldn't do any good. But, I prefer, myself,
when I am viewing, not to.
#46 The same here. The same here. That's why I
handed it to you face down. I didn't want to see
it. (Mumbling) I got confused. This one guy I
identified before and one I work with COL Holland.
The first guy that came in was COL Holland. Then
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I concentrated on COL Holland. Then the guy in
..uh...I thought was the fifth guy was like first
guy, but not quite as old..no gray hair..(munibling)
#14 Would you like some light?
#46 Yeah.
#14 The noise was actually so bad that I couldn't
hear what you were saying.
#46 (Mumbling)
#14 I guess I'm not the only one who has that problem.
#46 OK. See if I can follow this logically. OK.
This was a huge building, rectangular and there
was...uh...I want to say cells 'cause I've been
looking for bars ever since I've been doing on
this. And this time there were bars or I
perceived what I saw were bars....and what happenE
was, what I saw was...I saw COL Holland here....
some place here... and what I ...got the impressior
was that they left this empty and put another body
here.. .and then, empty and then another blarey
honetic) OK. So what I saw , this is not
a urate, but what I saw was a total of about
5 eople, ok.
#14
'$k. One question. You
described a two-story
#14
building. Did you have
rooms were on the first
On the first floor. Did
any feeling whether these
floor?
you..uh..did you get up
#14
to the second floor?
Oh. I sh...I probably s
hould have caught that in
#46
the session.
I was very intent on try
ing to .......
#14
Well, that's all right.
We can get back to the
first (mumbling)
#46 -
But, I've had him before
and I did not get the
impression that he was ..
.... he's in the same type
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room but the other was...I got the feeling that
the impression was a jail, ok..and the other room
he had a door. He had a desk. He was at writing
mpt ents and he was keeping himself busy writing.
He do6sn't have that now, or what I perceived. OK.
I'm just going to leave this.. .this is just an
impression. This is a pre ..big rectangular building.
It's all separated (mumbling) cubicl n
nd on.
#14 That's drawing one.
#46 Yeah. Now. The face of the building is something
like this, which changed after a while. But, this
was the initial impression. Big wall, probably
two stories and the weird feature was that I saw
stairs. This way, this way, and this way, ok.
Just kept on.
#14 Ok. Is that an overhead?
#46 No. No. This is facing the wall and what I saw
here was a sort of a covered entrance. I can't
draw too well. But, there was a canopy type
entrance. This is kind of recessed. Doors....
I'm not going to attempt....'cause I'm just going
to botch it up.
#14 Well. Perhaps, what we can do later..uh..once you
get your impressions down, is.. .perhaps, I can sit
down with you and try to come up with an artist's
conception of what....
#46 Ok. Now, later on.... later on, when you focused
my attention (mumbling) then I saw...
#14 Let's see. I wonder if if..... uh.....
#46 Just leave it that way.
#14 Leave it that way, atni on page 3 draw the-oh..
your other perception.
#46 OK. Then you asked me where the building was,
or what it was like, and this will be an aerial view.
Overview. Ok. This was the building. Ok. I got
the impression this was very close to a road.
Nothing on the road .... or street ...ok. Kind of a
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wide.. .huge wide entry way here. All right. Then,
this was more spacious back here. Went something
like this (Mumbling) Yard parking lot..whatever..
you had me going to it...and it came something like
this...and this is where I saw the wall, ok...and
I think the wall extended this way. This was fence..
and what I saw here was..uh..double type fence,
double entry way, ok. This was a...this has an
entrance, a small entrance-and here, same type.
This was a driveway type entrance, with a gate.
Ok. The weird thing about it is I saw this kind of
chain link, ok. This way. Then, all of a sudden,
when I went the other way, here, was a wall, and
what I saw here, was a small archway type entrance.
OK. With a heavy door. Ok, and this was wall...
and also had the appearance of stucco. And on top
was an apron barbed wire apron.. .and this extended
in this area here.
#14 Why don't we stop for a few seconds and change the
tape.
#46 I don't know what happened here. The tree line is
...there's a tree line to the left of this. There
are trees around here-tree line here ...ok..ok.
#14 Oh..let's go back to 2. I think it's important to
get your impressions... .why don't we use a different
color to amplify ..uh..we use-how about red...
and you can put ..uh..put in how it changed or what
it changed to. Your different perception of it.
#46 Oh...It changed right after this, and the only
big change was this. Now, let me draw 4 then,
because ...let me not touch 2. That was one
impression. Then the other impression was..
this again-this is the front wall...and, what I
had here, all of a sudden, was something like this,
and this is the roof, something like that....
It wasn't really quite like that. It was kind of a
gable roof with tiles. OK. And, this seemed to
jut out from the building, ok, and, all of a sudden,
I got this affect ...this affect. These were closer.
(mumbling) proportionally speaking. But my entry
way kind of remained in tack. The entry way is right
here. Like.... something like a canopy.. .and. . the
stairs.. .and the door.... little wa.... this is all
solid here. Like it were an apron, ok.... and
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the door's in here some place...double doors
something like this, ok...and this kept on.
#46 Yeah. And, on here...on 3...what I subsequently
saw ...what I thought were lights... something like
this ...but, I don't know how far it goes back...
don't know... and (mumbling) have a road... something
like that. . .
#14 Ok. Is there anything else you can think of that
we haven't covered?
#46 No. The impression..uh..tried very hard to focus
on the people, like I say. One thing that stood
out was..uh.... difference in dress-what I perceive
to be....who I perceive to be COL Holland. Light
shaggy, heavy material type thing. Impression was
one of being demeaned, if you wish. Oh..tte fifth
guy that..uh..I tried to concentrate on his dress`
but..uh..all I got there was the impression of a
three-piece suit. Blue suit which didn't make too'
much sense, but, that's what it was.
#46 I can darken this. Try and make it better, if you
wish. Those are the impression.
##14 OK. Maybe, when we sit down together and I'll
see if we can't translate it any better.
Ok. This will be the end of today's session.
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TAB
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TAB
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R_` OTE VI[JIN?y (,PV) S lSI0:, CC3
1? `S. h viewer has been expo 3ed to open source new'hovn the photograph
(which is a tLached to this report).
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