TRANSCRIPT REMOTE VIEWING SESSION 928

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000700290001-4
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 12
• Document Creation Date: November 4, 2016
• Document Release Date: May 8, 2000
• Sequence Number: 1
• Publication Date: July 6, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG,DAMI-ISH
DATED: 051630ZJ
REVIEW ON: u I an-0-0,1,
NOT RELEASABLE TO FOREIGN NATIONALS
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ILL FLAME
M3
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REMOTE VIEWING SESSION #928
1. (S/NOFORN) This report documents aremote viewing session conducted
in compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target are
provided as raw intelligence data, and as such have not been subjected
to any intermediate analysis, evaluation or collation. Interpretation
and use of the information provided is the responsibility of the requester.
3. (S/NOFORN) The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol
(S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions..
during the remote viewing session. At TAB A are drawings and narrative
provided by the remote viewer. Target cuing information was a sealed
envelope containing one photograph. At TAB. B is the photograph
which was in the envelope and shown to the remote viewer after the
session. The viewer noted after the session that he had made some
descriptive errors. He did feel, however, that he had "acquired" the
target building.. He expressed a strong sense of identification with
the building in the photograph and felt he could "acquire" the target
again.
THIS IS THE FIRST SESSION FOR THIS VIEWER AFTER PHASE II OF MONROE TRAINING.
NOT RELEASABLE TO FOREIGN NATIONALS
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REMOTE VIEWING SESSION #928
#66: This will be a remote viewing session for 0900 hours
6 July 1982. Following is a pre-session briefing to
remote viewer. Today we will be starting a new project.
I have here a.sealed envelope containing photograph of
a target building. We have three sessions planned, at
present, for this project. Today's contribution to the
project'will involve target acquisition of the building
in the photograph in the sealed envelope. Your task for
this morning will be to access the present time window at
the target and describe the building and the entrance way
to the building to me. Do you have any questions
concerning today's mission.
#66: All right.
#66: Prepare yourself then for this morning's session.
Relax now, relax and concentrate. Relax and focus your
attention solely and completely on your target for this
morning. Focus on the building in the sealed envelope.
Move now to the target and describe it to me.
#19.5: Entry staircase is flat platform, three sides angle out,
three. steps. Gray.
#66: Step back away slightly from this, 50 feet from the
building and describe it to me.
#19.5: Just a minute. Getting some edge, edge of stone with
the metal rods, small points of black iron. Seem to be
a.wall edge. Overhang, wide, square face, building has
got a square face. It's a stand alone building.
#66: Facing as depicted in the the photograph from the
sealed envelope, describe the height of the building.
#19.5: Wait just a minute. Is two sections I get, four stories
and then I get more than four stories, like a shelf around
multi-stories.
#66: All right. Facing the building, as depicted in the
photograph, describe the entrance.
#19.5: "H's", predominately, get tall "H's" and short "H's",
side by side, "h", some kind of "H" pattern....Get four
large sheets of glass.
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#66: Okay, put your back to the glass, put your back to the
glass and then look out away from the entrance and
describe the portions before the glass.
#19.5: Get large open space , spattered area of concrete, stone,
gray stone.
#66: Look up.
#19.5: Tall buildings, hotels or something.
#66: Immediately straight up over your head.
#19.5: Overhang.
#66: Describe the shape of the overhang.
#19.5: Seems to be large half circle.
#66: Describe the supports for the overhang.
#19.5: Only get a couple, it's like groups of three, groups of
three something.
#66: All right. Now, I am concerned that I have disoriented
you, you are doing very well, but I'm concerned I've
disoriented you standing on your head, looking up
and everything. Stand away from the building, facing
the overhang area, feet on the ground, stand facing the
overhang area and describe the color of the building
to me.
#19.5: Beige.
#66: Describe the landscaping to me.
#19.5: Squares of bushes, seems like squares of bushes, gray,
see a lot of gray stone.
#66: All right. Now, facing the building in the overhang area,
what is the most predominate feature that you will
remember, that you will remember, so that you know this
target?
#19.5: Heavy square outline of the entry, seems to be protruding
stone, box.
#66: And now describe the, remember how you stood in by the
glass doors and looked out and up at the overhang, now
stand away from the building facing back and describe
the overhang and its supports.
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#19.5: Ahhh, just a minute.
#66: Yes, I realize I ran you around there in my talk.. I will.
#19.5: Keep seeing white faced people.
#66: Tell me about the building.
#19.5: Some "Si' shape to the supports., very slight "S" shape,
get a feeling building's massive, large.
#66: Okay, let's--It's important for direction purposes, that
we be able to guide very slowly and use bench marks as
we go. Relax for a moment and concentrate and place
yourself, once again, facing the entranceway, before going
under the overhang and describe that impression so
that I can use that as a bench mark.
#19.5: Front edge of overhang on both sides is cut thinner, interlace
supports, feels like three stanchions on each side,
interconnected someway. The overhang goes in under a
box frame, gray stone.
#66: Describe the heighth and shape of the overhang area.
#19.5: Keep getting wider, wider than deep, half circle coming
out, half circle going over.
#66: And heighth?
#19.5: 20 feet, seems like.
#66: Okay. As opposed in terms of feet, do you feel it's
high or low?
#19.5: High.
#66: All right.
#19.5: High.
#66: Now, I have further questions concerning the target.
However, I would like to give you amoment to identify
with this target, so that we may have a clear target
.aquisition. I will wait.
#19.5: Keep seeing distinctive interlocking "H" pattern.
#66: Remember this pattern.
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#19.5: Also, many reflections in large sheet, sheets of
glass, it's like reflections of windows...It's like
a, the-entry way is like a courtyard, like with
tall buildings around it.
#66: Okay. Focusing only on the target building, let's
not wink.to other areas, focusing only on the target
building, remember this space, this point in space.
There is the entrance, the high overhang, with steps
up, standing under the overhang, facing the doors,
observe and.remember so that when you may visit this
point in space again.
#19.5: I almost have, like they're made from interlocking
angles, not perfectly round, but not square either.
#66: Remembering your perceptions now, remembering this entrance
where you perceived, let's now draw those perceptions that
you have had.
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DRAWING NARRATIVE
#19.5: Okay, I'm going to try to describe this drawing, the only
one I'm going to do. You notice I drew the over hang
without any support stanchions. Part of me says there's
two like "S" shape things there, supporting this, and
part of me says there isn't, so this is the way I see
the entry ways, not having the support things. But I
get a feeling of massiveness of the entry way, with
four large sheets of black glass as an entry and the
raised platform with a lot of steps. And I got a feeling
like this was all in a courtyard type thing, not with
formal walls, but like circled with big buildings.
#66: Now, can you elaborate on that, I don't understand
exactly what you are saying.
#19.5: You know it's like--
#66: As you're standing outside this building.
#19.5: ---Yeah, as you're standing outside the building, you just,
there's this hulking feeling around you, like, there's
just these massive buildings all around you, you know.
And that this is like an open area in front of the building.
It's surrounded by all these big buildings. I got a
feeling like the building itself is really, may not be tall,
but it is massively built. You know,.it gives an impression
of mass. And I see a lot of gray stone, gray and beige
stone, real heavy stone work. And then there is some kind
of an "H" pattern which I tried to depict here. It's
just on the wall of the building. It's like interlaced "H's".
And Ihad varying views of this kind of entryway, like
clamshell type entryway. And I also had a view of like
walls with these little steel or iron, black iron points
coming up out of that concrete. I don't know what the hell
that is.
#66: All right. Black iron coming out of concrete.
#19.5: Yeah, just heavy black iron pointy things coming out of
concrete.
#66: All right.
#19.5: That's it, I guess.
#66: Okay, review for me then kind of the major components of
the broad perception on this target building.
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#19.5: Large, wider than deep. In other words, you know, the
cover doesn't come out as far as it is wide.
#66: Okay.
#19.5: I keep wanting to make it a clamshell, a rounded clamshell,
but I can't, I keep putting angles in it. So it's
probably a variation of squares.
#66: All right.
#19.5: There's some massiveness to the entry, a lot of black
reflected glass, a lot of heavy glass, steps going up,
a platform type step entry and some box type objects or
something distributed around the front, like in an order
of some kind.
#66: Something in the foreground?
#19.5: Yes, that's these box type objects I drew in.
#66: Okay. Is there anything else that you'd like to add?
#19.5: No, that's all.
#66: Okay.
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