TRANSCRIPT REMOTE VIEWING SESSION 899

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000700230001-0
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 11
• Document Creation Date: November 4, 2016
• Document Release Date: May 8, 2000
• Sequence Number: 1
• Publication Date: May 5, 1982
• Content Type: REPORT

Approved For Release 2000/08/07: CIA-RDP9
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
NOT RELEASABLE TO FOREIGN NATIONALS
ORCON
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GR.LA.jAj ii TIAM
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION #899
1. (S/NOFORN) This report documents a remote viewing session conducted
in compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S),
undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings and narrative
provided by the remote viewer. Target-cuing information furnished the
remote viewer consisted of a sealed envelope.
NOT RELEASABLE TO FORETON NATIONALS
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#66: This will be a remote viewing session for 0900 hours
5 May 1982. Following is a pre-session briefing to
the remote viewer. At this time I provide you with
a sealed envelppe containing a photograph. This is a photo-
graph of a target area. Your task today will be to focus
on the target area in the present time window., In by that,
I don't mean a time window of plus or minus one second, I
mean today as a time window. Focus on the target area.
Describe the target area for me and then from your descriptions,
then preppre to respond to my inquiries concerning the target
area. Do you have any questions about your task this morning?
#66: All right. You now have 15 Minutes in which to prepare
yourself for this morning's session.
#66: Relax and concentrate now. Relax and focus your attention
solely and completely on the area in the photograph in the
envelope I've provided you. The target area, present time.
Focus on the target, present time. Focus on the target,
present time and describe your perceptions to me.
#01: Get an interlocking bow pattern, it's a ground (phonetic)
pattern. Narrow corridor, hall, down steps, flat, down step,
flat. Buildings got many trees, uprights around it...blacks
and browns.
#66: As you now perceive the target, describe for me your
perspective,-',your view.
#01: I don't know, I'm bouncing around, indoor, outdoor..
#66: Just relax and concentrate now and when you have a focus,
we'll work from there. Relax and concentrate.
PAUSE
#01: Here by corner of very low roof and under trees.
#66: All right.
#01: Very pointed corner.
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#66: Now back away 100 feet. Stay on the gound, but back away
100 feet, and now describe the target to me.
#01: See a row of windows or openings, higher than wide, in
yellow, yellow stone, or stucco or something like that.
#66: All.i right. Now, listen very carefully. Holding your
perceptions in present time, moveinto this area, to the
inside of this target. Scan the entire inside of the
target, as I wait.
#01: Okay.
#66: Report.
#01: Looks like sterile cubes, like a---
#66: Be careful with comparisons, just focus on the raw images.
#01: ---tiny rooms, little furniture, just male, just male
occupants, not too many, single windows, hot, dirt, steel,
something hard, metal. It's either plate in the wall or
door frame, something, these are all alike, in a row.
People with beards. Get a backwards feeling, like
uncivilized or partially civilized.
#66: All right. Now, focus your attention on activity. Scan
the building once again, looking in the target for activity.
I will wait.
#01: See vats, round containers, very large, mixing-that's
all in this building. It's a kind of mixing or cooking
down or something.
#66: All right. Now listen very carefully. Position yourself
in the exact center of the building, both horizontally and
vertically, position yourself in the exact center. Now,
from that center, expand yourself further, further, extend
your awareness out further, both upwards, downwards, sideways,
forwards, backwards, extend perceptions, extended wider and
wider and wider. Now you can perceive the entire target
area all at one time, present time. Now ask.youself, is
there one specific area within your perceptual range, that
requires description.
PAUSE
2
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#01: Just like a, get a elongated area, shaped like a diamond,
metal shielding, coils or wires behind it. 1. 1 1 i.1
#66: Your position of observation?
#01: Standing at end of row, T intersection.
#66: Expand in vector, describe location in larger structure.
#01: Under_ ground, basement, carved rock, front left of
building, polished metal, seeing tubes, narrow quarter
inch diameter, very long, U shapes, such as a cooling
grid, feeling of cold.
#66: All right. Now review for me, the description of the
target area. Move from the outside, describing. Move
inside, scan and describe and then scan and describe activity.
#01: Outside, small cleared area and trees, heavy growth,
building shape like offset Z, low flat, pointed roof,
part of overhang in roof. Inside, small cubicle areas,
all male, people with beards, feeling of general sleep
or study area, minimal furniture, primitive feeling for
some reason. There's some chemical mixing or basic
mixing in large vats, large shinny metal and pumps. See
much tables, table tops with trays, and glass, shinny metal,
small pin pricks of blue light, flashing. Basem i t_',s in
form of T. Long narrow rooms criss-cross, diamond shape.'
Some kind of coils or wire electronic in wall....some
kind of catalytic... studies or blends of something... for
...energy output or something.
x/66: All right. Relax and concentrate now, and allow your
awareness to expand beyond the confines of my questions.
Expand your awareness beyond the confines of my questions
and report.
#01: See brilliant, brilliant white light, rod, all the front
colors but white. Pulse, pulses going down the rod.
The rods are not solid. Not a beam either, many tiny
flecks of light or reflections....I'm just-winks out,
'cause it's very black.. .......Just get a feeling of
some kind of chemical blends and energy, form of output.
#66: All right. Remembering now, clearly, precisely,everything
you've perceived about this morning's target, let's
prepare now to.draw those perceptions that you have.
See TAB A for drawings
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TAB
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REMOTE VIEWING SESSION #899
(Drawing Narrative)
#01: Okay. On drawing #1, what I have done is drawn where I
started, which is like the overhang corner of the building,
where I put an X.
#66: Okay. This thing you call building here is what you perceive
the target to be or what you----
#01: This is where, this is where I wound up. I got a feeling
like there's more buildings, okay. Like this is a complex
of buildings, and this complex of buildings is heavily
treed. You know, like all in the background. Like there is
just nothing but these huge trees.everywhere. It's got
trees overhanging the roofs and everything else. So, it's
like in a heavily vegetated area, and this is the building
I wound up in. Why? I don't have any idea. But, that's
where I wound up.
#66: Okay. So, what you're about to describe then is this building
which you've shown in drawing #1, which is where you wound
up when I asked you to focus on the area in the photograph----
#01: Right.
#66: ----in the sealed envelope.
#01: Right. I got a feeling like the building was shaped in a V
Z shape. But, it had vertical up and down narrow slots for
windows that were recessed into an adobe or smooth stone
type of wall. There was some kind of protruding wall or
something that went around it. I don't know if it was
decorative or if it's for some function. But, the roof was +V
real low and slanted out into points.
#01: Inside, there are these rooms that are almost like monk cells,
you know. They're real sterile rooms, white walls, very
simplistic furniture. They're all the same in a long row.
And, the windows in those rooms are high up and horizontal and
narrow. And then,I wound up in an area, when you asked me to
focus, I wound up in an area that was like a very large room,
with huge vats that were partially built into the floor, and had
these machines over them with these paddle like wheels that
were stirring, but, it's not food. And, I keep wanting to
say it's some kind of chemical blend, but the chemical isn't
blended by stirring. So, it's a combination of things. There's
a lot of pipes and stainless steel and that sort of thing,
a reflective metal.
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#66: Okay now this is when I ask you to describe the activity
within the area you've drawn in drawing #1, this activity
you perceive is to being mixing or something.
#01: Right. And then you asked me to expand.out in the building
and I go to the center of the building and expand out and
I.wound up going straight down into the basement,-which is
Page 2. Where I put arrow A, is the first floor and there
is like a 13 foot drop into the basement area, which I've
indicated 13 on here. It's circling, I preceive this to
be a diamond shape, but it may just be the perception of a
square opening from the side or something. I preceive.it
had these shinny metal box like things circling it, you know
going around the inside, stacked one on top of the other.
There's a lot more of them than what I depicted here, but
since I have to draw it simplistically,that's kind of like
the way it looks. And behind these box type shapes imbedded
in the wall, there's all kinds of electronics which we'll
label B and that's all around this thing. These electronic
things are all imbedded in the wall around..it.
#66: Tell me what you mean by electronic things.
#01: I don't know. I just get wires, functioning electronic wires
and things. I don't know.
#66: All right.
#01: If I knew,, this would be a lot easier to explain. And in
under that is this like squashed oval type elongated rooms
that come together in a shape of a cross. Scale wise, I
don't know how big this area is. It may be larger than the
building or maybe a lot smaller than the building. But I
conceptually think that you can walk around in it. It's
at least that size. And then I was getting white tubes that
pulsed.
#66: Okpy.. This is after questions and I asked you to go beyond
my questions and see what you perceive about the target.
#01: Right. And these white tubes that pulsed, I could see, we're
talking relative scale now, I perceive to be made up of
hundreds of billions of tiny white particles that were very,
very small, like you could not normally see them with a
naked eye. They were all packed together. And while I was
perceiving this, I perceived like a winking out in black
and cold, all at the same time. And I don't know if that's
significant or if it's just an off the wall perception.
And I had a very primitiu_e feeling for some reason with the
target and I don't understand that.
#66: What do you mean by primitive?
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#01: By primitive, I mean, not modern,.ah, I don't know, just a
gut. feeling for something primitive.
#66: Okay. Now, did you see any personnel associated with this
target?
#01: I saw only males., I saw only males and. they were heavily
bearded, gray and black beards.
#01: White shirts , dark pants. That's all I remember about them.
#66: All right. In perceiving the target, do you remember any
emotional feeling about the target?
#01: Just the primitive feeling.
#66: Any peculiar smells or tastes that you recall?
#01: No. Lush green vegetation all around.
#66: Okay. Anyhing further to add about this target?
#01: No. That's all I got.
#66: Okay, fine.
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