TRANSCRIPT REMOTE VIEWING SESSION 839

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000700170002-6
• Release Decision: RIFPUB
• Original Classification: K
• Document Page Count: 19
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 2
• Publication Date: December 18, 1981
• Content Type: NOTES

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TRANSCRIPT
REMOTE VIEWING SESSION 839
#72: This will be a remote viewing session for
18 December 1981 with a start time of 1500
hours.
PAUSE
#72: It is now 1500 hours. Our target for today
is the individual whose name and identifica-
tion are in the envelope. I want you to
concentrate on the man whose name and identi-
fication are in the envelope. Tell me where
he is.
PAUSE
#06: Get an impression of . . . flight of steps.
PAUSE
Outside. Decorative steps. Impression of a
dark area.
PAUSE
Its like . . walking into a depression.
low Low area.
PAUSE
#72: Is the person alone?
PAUSE
#06: No...he's accompanied by at least two
others. Got on military uniforms.
PAUSE
#72: All right. I want you to come out to the front
of where this person is and describe it for me.
#06: Just a minute.
PAUSE
PAUSE
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TRANSCRIPT
REMOTE VIEWING SESSION 839
#72: This will be a remote viewing session for
18 December 1981 with a start time of 1500
hours.
PAUSE
#72: It is now 1500 hours. Our target for today
Is the individual whose name and identifica-
tion are in the envelope. I want you to
concentrate on the man whose name and identi-
fication are in the envelope. Tell me where
he is.
PAUSE
#06: Get an impression of . flight of steps.
PAUSE
Outside. Decorative steps. Impression of a
dark area.
PAUSE
Its like ? ? . walking into a depression.
low Low area.
PAUSE
#72: Is the person alone?
PAUSE
%Ae:C
041 #06: cI. . . . accompanied by at least two
others. Got on military uniforms.
PAUSE
#72: All right. I want you to come out to the front
of where this person is and describe it for me.
#06: Just a minute.
PAUSE
PAUSE
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#06: Impression of . . ? ? . ramp of steps.
Decorative. And . . narrow . . . I was
standing on top looking down. Like coming
out of a airplane or a . . . . a .....
something metal.
PAUSE
#72: All right. Look at the front. Is there
any number on the front?
PAUSE
#06: A Its got a . . . . kind of design.
A bird on it. Don't see any numbers.
#72: All right. I want you to go into an overhead
perspective. Overhead perspective. . . from
where the person is what are the most distinguish-
ing landmarks. Look around.
PAUSE
#06: See a city surrounded by water. Long, low
bridge. Park. Yeah, a park.
PAUSE
#72: Look around the city. Look around the city.
Distinguishing landmarks.
PAUSE
#06: Tall, pointed building. Just feel like I'm
going around in a circle around that tall
pointed building See a . . . .
building that's round. Or a group of inter-
connected circles - cluster of circles. Its
a church.
PAUSE
See a . . . there's a . . . . Impression of
open areas with no cars. Large open area
with no cars.
#72: All right. From your perspective over the
city, I want you to locate the main road.
Locate the main road.
PAUSE
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#06:of4A'
Impression of . . ,.--i. . ramp of steps.
Decorative. And 612 I was
standing on top looking down. Like coming
out of a airplane or a . . . . a .....
something metal.
PAUSE
#72: All right. Look at the front. Is there
any number on the front?
019 #06:
AUS
A bird on
. . . . kind of design.
see any numbers.
#72: All right. I want you to go into an overhead
perspective. Overhead perspective. . . from
where the person is what are the most distinguish-
ing landmarks. Look around.
PAUSE
#06: See a city surrounded by water. Long, low
bridge. Park. Yeah, a park.
PAUSE
#72: Look around ?the city. Look around the city.
Distinguishing landmarks.
PAUSE
#06: Tall, A 2 cd building. Just feel like I'm
going CUMAI0 in a circle around that tall
pointe. J ii ding See a . . . .
building that's round. Or a group of inter-
connected circles - cluster of circles. Its
a church.
PAUSE
See a . . there's a . . . Impression of
open areas with no cars. Large open area
with no cars.
#72: All right. From your perspective over the
city, I want you to locate the main road.
Locate the main road.
PAUSE
2
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#06: Okay.
#72: Go down the road around the city, close to the
city until you find a road sign. Look for a
road sign.
PAUSE
#06: Okay.
#72: Read the road sign. What does it say? Describe
it.
PAUSE
#06: Its. . Its got a person's name.
PAUSE
Marvin. . . . Marvin, or
name, Mar. . . . Its like overhead, green.
PAUSE
#72: Look at the overhead green. What does it say?
PAUSE
Male first
#06: I'm getting a I'm getting just a
view now of a raised highway on the
edge of the city. With the ramps going down
and the ramps going up.
PAUSE
#72: All right. That's fine. I want you now to go
back into the city. Back to the place where
the person is. . . Maintain an overhead look
and look down and describe its relationship to
the roads and other landmarks.
PAUSE
#06: Its across the river. A A
Just had a flash of something. .
Just a minute.
PAUSE
Just got a flash of some funny pointed trees.
Skinny, tall trees.
PAUSE
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#06: Okay.
#72: Go down the road around the city, close to the
city until you find a road sign. Look for a
road sign.
PAUSE
#06: Okay.
#72: Read the road sign. What does it say? Describe
it.
PAUSE
cA-
#06: Its. . . Its a person's name.
PAUSE
Marvin. . ? ? Marvin, or Male first
name, Mar. . . Its like overhead, green.
PAUSE
#72: Look at the overhead green. What does it say?
PAUSE
#06: I'm getting a I'm getting just a
view now of a raised highway on the
edge of the city. With the ramps going down
and the ramps going up.
PAUSE
#72: All right. That's fine. I want you now to go
back into the city. Back to the place where
the person is. . . Maintain an overhead look
and look down and describe its relationship to
the roads and other landmarks.
0."
\gke, #06:
PAUSE
Its across the river. A A
Just had a . . . . flash of something. ? ?
Just a minute.
\CCIY Just
Skinny,
1- PAUSE
a flash of some/funny pointed trees.
tall trees.
PAUSE
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#06: I don't know. . I just keep windingon
up back
an aircraft ramp.
PAUSE
#72: All right. That's all right. Take a sense
of the city. What is the function of the city?
PAUSE
#06: Very Got a political feeling.
Strong political feeling.
#72: How do I find the city?
PAUSE
#06: I just I keep getting overlay here.
I'm. . . . I just feel like one minute
I'm in Moscow and the next minute I'm in
Washington.
#72: Okay, just relax. Just relax. That's all I
have for you now. That's all I have. Do you
have anything you want to add?
PAUSE
#06: I get a stronger feeling about Moscow than
Washington. But I'm still not sure if its
overlay.
#72: All right. I want you now to relax. Return
to this room. Return to this room. Relax and
return to this room.
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#06: I don't know. . . I just keep winding up back on
an aircraft ramp.
PAUSE
#72: All right. That's all right. Take a sense
of the city. What is the function of the city?
PAUSE
#06: Very Got a political feeling.
Strong political feeling.
#72: How do I find the city?
PAUSE
#06: I just I keep getting overlay here.
I'm I just feel like one minute
I'm in Moscow and the next minute I'm in
Washington.
#72: Okay, just relax. Just relax. That's all
have for you now. That's all I have. Do you
have anything you want to add?
PAUSE
#06: I get a stronger feeling about Moscow than
Washington. But I'm still not sure if its
overlay.
#72: All right. I want you now to relax. Return
to this room. Return to this room. _Relax and
return to this room.
4
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#06: I don't know. . . I just keep winding
an aircraft ramp.
PAUSE
up back
on
#72: All right. That's all right. Take a sense
of the city. What is the function of the city?
PAUSE
#06: Very Got a political feeling.
Strong political feeling.
#72: How do I find the city?
PAUSE
#06: I just I keep getting overlay here.
I'm I just feel like one minute
I'm in Moscow and the next minute I'm in
Washington.
#72: Okay, just relax. Just relax. That's all I
have for you now. That's all I have. Do you
have anything you want to add?
PAUSE
#06: I get a stronger feeling about Moscow than
Washington. But I'm still not sure if its
overlay.
#72: All right. I want you now to relax. Return
to this room. Return to this room. Relax and
return to this room.
#06: In Moscow or something. .
#72: That's interesting. When you were looking at
the building, the first building where he was
at, where he was down - what did you feel about
that building?
#06: A
PAUSE
I. . . I guess I'm confusing something here.
You mean where I was talking about the steps?
#72: Yeah.
4
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#06: I don't know. . . I just keep winding back up on
an aircraft ramp.
PAUSE
#72: All right. That's all right. Take a sense
of the city. What is the function of the city?
PAUSE
#06: Very Got a political feeling.
Strong political feeling.
#72: How do I find the city?
PAUSE
#06: I just I keep getting overlay here.
I'm I just feel like one minute
I'm in Moscow and the next minute I'm in
Washington.
#72: Okay, just relax. Just relax. That's all I
have for you now. That's all I have. Do you
have anything you want to add?
PAUSE
#06: I get a stronger feeling about Moscow than
Washington. But I'm still not sure if its
overlay.
#72: All right. I want you now to relax. Return
to this room. Return to this room. Relax and
return to this room./Begin to stretch_ your toes/
.0?????????
Stli)44 #06: In Mosco or somet ing. . .
#72: That's inte esti' . When you were looking at
C-VV(VS the buildin th first building where he was
at, where he a down - what did you feel about
that building
#06: A
PA ' E
guess I'm confusing something here.
You mean here I was alking about the steps?
#72: Yeah.
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POST SESSION COMMENTS
#06 In Moscow or something. . .
#72 That's interesting. When you were looking at
the building, the first building where he was
at, where he was down - what did you feel about
that building?
PAUSE
#06 I. . . guess I'm confusing something here.
You mean wherSI was talking about the steps?
#72 Yeah.
#06 I got an impression that it was . . his back
to something metal, heavy
#72 Damn, there's enough noise going on in here
to .
#06 I know, its ridiculous. Difficult
#72 Today, it was just unreal
PAUSE
Let's just relax and rest for a little bit
Just stretch it out.
5
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#06: I got an impression that it was .his back
to something metal, heavy.
#72: Damn, there's enough noise going on in here
to . . .
#06: I know, its ridiculous. Difficult.
#72: Today, it was just unreal.
PAUSE
Let's just relax and rest for a little bit.
Just stretch it out.
PAUSE
#72: Okay, we'll continue the session with some
drawings and commentary.
#06: Okay. Page 1. . is a rendition of the city
area circled by the moat of water or rivers.
I have a narrow bridge on their labeled narrow
bridge. I got a feeling like this narrow
bridge was very close to the water and on
pilings, you know, just a flat ribbon of road.
There's a road inside the city edge along the
water, with some kind of a cut-off right before
a curve that said Marvin something road. That's
where I was working on the sign. I've indicated
with an asterik the approximate position of the
targeted individual. I've labeled open areas in
the city. There's some kind of big, flat square
open area.
Page 2. "Anis a representation of the grouping of
tall skinny trees. For some reason, I had the
impression of tall skinny trees. "B" is where
I turned around on the upper platform of the
steps and saw a angular type representation of
an eagle inside of a triangular type background.
"C" is a group of interconnecting superimposed
circles which I felt indicated a church. You
know, it was like a top view of the design of a
church.
Page 3. Is a side view of the type of steps or
ramp that I'm talking about which appeared to be
narrow. The top of which he was standing and
looking down. I got an impression that - like
I did "E" here is a cutaway section of one of
the supports. And, that's about it.
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#06: I got an impression that it was . . .his back
to something metal, heavy.
#72: Damn, there's enough noise going on in here
to . .
#06: I know, its ridiculous. Difficult.
#72: Today, it was just unreal.
PAUSE
44/11011^1.1110
Let's just relax and rest for a little bit.
Just stretch it out.
PAUSE
#72: Okay, we'll continue the session with some
-1
drawings and commentary. 0%
#06: Okay. Page 1. . is a rendition of th,9, city
area circled by the moat of 'ter oroivers.
I have a narrow bridge on labeled narrow
bridge. I got a feeling like this narrow
bridge was very close to the water and on
pilings, you know, just a flat ribbon of road.
There's a road inside the city edge along the
water, with some kind of a cut-offEiaaford
a curve that said Marvin something That's
That's
where I was working on the sign. I've indicated
with an asterik the approximate position of the
targeted individual. I've labeled open areas in
the city. There's some kind of big, flat square
open area.
Page 2. "A"is a representation of the grouping of
tall skinny trees. For some reason, I had the
impression of tall skinny trees. "B" is where
I turned around on the upper platform of the
steps and saw a angular type representation of
an eagle inside of a triangular type background.
"C" is a group of interconnecting superimposed
circles which I felt indicated a church. You
know, it was like a top view of the design of a
church.
Page 3. Is a side view of the type of steps or
ramp that I'm talking about which appeared to be
narrow. The top of which he was standing and
looking down. I got an impression that - like
I did "E" here is a cutaway section of one of
the supports. And, that's about it.
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0
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TRANSCRIPT
REMOTE VIEWING SESSION 839
DESCRIPTION OF DRAWINGS
#72 Okay we'll continue the session with some
drawings and commentary.
#06 Okay. Page 1. . is a. rendition of the city
area_ circled by the moat of water or the rivers.
I have .a narrow bridge on there labeled narrow
bridge. I got a. feeling like this narrow
bridge was very close to the water and on
a piling . . you know, just a flat ribbon of
road.. There's a road inside the city edge along
the water, with some kind of_a cut-off right
before a curve that said Marvin something-or-other.
That's where I was working on the sign. I've
indicated with an asterisk the approximate
position of the targeted individual. I've labeled
open areas in the city. There's some kind of
big, flat square open area.
Page 2 . . "A" is a representation of the
grouping of tall skinny trees. For some reason
I had the impression of tall skinny trees.
"8" is where I turned around on the upper
platform of the steps and saw a angular type
representation of an eagle inside a triangular
type background. "C" is a group of inter-
connecting superimposed circles which I felt
indicated a church. You know it was like a top
view of the design of a church
Page 3 . . Is a side view of the type of
steps or ramp that I'm talking about which
appeared to be narrow. The top of which he
was standing and looking down. I got an impression
that - like I did "E"... here is a cutaway
section of one of the supports. And that's
about it.
#72 Okay, let's darken them in and that will
terminate the session.
#06 Okay.
6
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#72: Okay, let's darken them in and that will
terminate the session.
#06: Okay.
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#72: Okay, let's darken them in and that will
terminate the session.
#06: Okay.
6
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