SUMMARY REMOTE VIEWING SESSION XXII

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000901140001-7
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 22
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
REVIEW ON: 31 May 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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OUUTWT
REMOTE VIEWING (RV) SESSION XXII
1. (S) This report provides documentation of a remote
viewing session conducted for the purpose of orienting a
remote viewer to the protocol which will be used in the
remote viewing training program at Stanford Research
Institute (SRI), Menlo Park, California.
2. (S) The remote viewer's impressions during the session
showed a moderate degree of target correlation. The remote
viewer was unable to completely relax physically. His
concentration was only slightly impaired by ambient room
noise. The remote viewer's motivation was high prior to
the session and he was confident he would do well. All
participants were enthusiastic during the whole session.
3. (S) The protocol used for this session and which will
be used in later training is detailed in the document,
Standard Remote-Viewing Protocol (Local Targets) by Harold
E. Puthoff and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impres-
sions during the remote viewing session. At TAB A are draw-
ings made by the viewer reference his impressions of the
target site. At TAB B are photographs of the target site.
At TAB C is a post-session interview.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION XXII
#66: This will be a remote viewing session. (Edited
for security.)
#66: #20.5 and #25.5 are now at the target location.
They are. . . observing the target. . . Look
at the target with them. . . and as you do,
describe the target to me.
PAUSE
+05 #66: Describe your impressions to me.
PAUSE
+10 #66: Let yourself perceive the target area
Describe it to me.
PAUSE
#24.5: Ahhh. . . Hmmm. - .
PAUSE
+14 #66: Describe the target to me.
#24.5: (Not audible). . . Ummm. . . Can't develop
any where. . .
PAUSE
+16 #66: Concentrate and focus. . . and tell me about
the target.
#24.5: Ahh. . . I . . .
#66: Go on.
PAUSE
#24.5: Ah. . . white. . .
PAUSE
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#24.5: And its on . . . right.
PAUSE
#66: Tell me about it.
PAUSE
#24.5: Its white. . Umm.
PAUSE
#66: Describe the shape to me.
PAUSE
+18.5 #24.5: It's ended. . . Try again.
PAUSE
#24.5: Going by .
#24.5: Well. . . railing. . . something. . rails.
. . Hmmm.
PAUSE
#66: What is behind them?
PAUSE
+21 #66: Tell me about your images.
PAUSE
#24.5: Open. . or high. . .
Okay.
PAUSE
#66: Is the target inside or outside?
PAUSE
#24.5: Ummm. . . both.
PAUSE
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#66: Okay.
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#66: Let yourself do more than see the target.
Let yourself feel the target. . . Describe
your sensations to me.
#24.5: I . . . try. . .
PAUSE
+24 #66: Relax and concentrate. . . and describe your
feelings to me.
PAUSE
+27 #66: Tell me about the target.
#24.5: All I have. . .
PAUSE
#24.5: Was a light. . .
PAUSE
#24.5: Pink, or . . .
#66: Okay.
#24.5: Brown, or gray, or dark . . .
#66: Okay.
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#24.5: Long. . . Long building. Longer than wide.
#66: Okay.
PAUSE
#24.5: (Not audible) . .
PAUSE
PAUSE
#24.5:
Wall . .
ah. . .
#66:
Describe the color to me.
#24.5:
Orange.
Sandy colored.
#66:
Okay.
PAUSE
#66:
Describe the inside to me.
PAUSE
PAUSE
#24.5: I don't want to get too far off here.
PAUSE
#24.5: (DRAWING) That's an overhang there. But, I
had the feeling that they were walking along
the front of a building or something. This
is the first one. And the next one was, like
they had gotten here. . . looking at it, this
way. . . So that they had . . . It was very
peculiar. . It was like. . Let me do it this
way. So that, this end, they just arrived at
what was the corner. This is a building. And
this is a walk. . . And this is nothing. Okay?
Like they just. . . they didn't go around the
corner of the building. They just stopped.
It was like somebody had just cleaved it.
And this is still. . . this overhang is still
there.
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#24.5: But there was open space out here. You know,
its not, not grass, it was like parking space
out in here. Dark, okay?
#24.5: That was it, to start with. Then, when you
said to try to feel, you know, and everything
I ended up with a look like this. This
was last thing. . That was the first thing.
But I had a lot of, a lot of difficulty. Again,
I tried not to fill in the plugs from, you know,
fill in the blanks from imagination. And, when
I got to this point, when I got to this point,
where I tried to put them someplace, and by the
time. . when I got to this, that's when I
started having trouble trying to put them in a
place that I knew. Okay? So, I drop. . I
ceased that. And then, of course, started over
again, you know. And towards the end, I ended
up with, what did I say, longer than wide, flat
on the ends, dark roof. . .
Okay, this is . . . this is your. . . tilting.
And um. . . I said that the wall was longer
than wide, right. And there's something stick-
ing out of the front of the darn thing.
That's the shape of the building. But from
an aerial view, we end up with . . . no that's
too close. . . Like that. That's like. . .
That's the flat part there and this I don't
know. But this is a protrusion of some kind.
And I want to say that its got. . . that we
make a flat roof. . . I'm just going to leave
it blank. I don't know how that comes up.
But there's a front on the face, I think.
You know.
#66: Okay.
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#66: Okay. Did you get a feeling as to whether
the target was inside or outside, or . . .
#24.5: When I said both, it was like a place you
could go into. Whether they were in it or
not, I didn't have them in it. The first
time I had them was here. #20.5. . . they
were walking this way. #20.5 on the right.
And #25.5 on his right. Okay. Coming this
way. That's smaller than scale. I mean, you
know. But they were walking this way. They
walked down this thing this way, went back to
the end, turned and walked back.
#24.5: That's when I lost them. That's when I started
filling in. . . a place, you know, sort of
manufacturing a place that I knew.
#66: Um hm.
#24.5: So that's when I stopped that.
#66: Um hm.
#24.5: And where this came from I have no idea. But
that's . . . that was later. I tried to cleanse
my mind of previous things and I tried to start
over again with them. Using #25.5 as a beacon
that time.
#24.5: And, that's when I got this impression. I
can't. . . but all of this is just from a
distance. . . up.
#24.5: Then. . . then I started having trouble with it.
So, I just got the basic pattern.
PAUSE
#24.5: This is Three.
#66: Okay. Is there anything else you'd like to add?
PAUSE
6
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#24.5: Well, to, when I started to pull this, ah. .
could be totally wrong. But the left brain,
the analytical side said two things. The
analytical side, Oh, I also threw in, didn't
I say something about rails?
#66: You said, a railing and then a rail and I asked
you what was on the other side of the rails or
what was behind the rails.
#24.5: What was behind them? Well, when you said what
was behind them, that's when I started looking
behind them, not the rails.
#66: Fine, fine.
#24.5: Ha ha ha. . .
#66: That's fine. Um hm. . .
PAUSE
#24.5: I want to say something funny, like a . . . I
can't fill it in, I don't know what it was.
#66: Okay. Tell me what this area meant to you.
#24.5: It meant to me, a . . . store front. Okay?
So it was a store front. And this. . . this
could very well be the same place. Out of
proportion. This is the end of the store,
right here. And the sidewalk into the store
is there under the overhang. I just didn't
. . . Just this parking lot. You know, it
doesn't fade gently into the distance. Its
just the end of it. And these, I don't know
what the purpose, what these things are. for,
or anything. But its a store front.
#66: That's what it means to you?
#24.5: That's what it means to me. And when I got,
this. . . God damn pencil. . . won't write
now. . . I wanted to say that, yeah, that it
was a . . it looked like a store front. With
an overhang, parking lot, open area. This is
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like a walkway, its raised and elevated
like . . . This is elevated. . . And this
is like a . . um. . parking area. . . Like
a black top is all.
Now, when you said, where are they. Or when
you said, look behind them, . .
#66: Um hm. Then you looked behind the outbounders.
#24.5: I was looking, yeah, well, by that time I was
somewhere else. I had lost the outbounders.
#24.5: And I was still concentrating on this overhang
and that's when I started the rails and you
said look behind them and for some reason, I had
them in the parking lot, which is logical, and
I looked behind them, suddenly I was out in the
parking lot here. Like out in front of the
building is all. Now, I looked behind them.
But there was nothing but more out there. It
was like they were, they were out here looking
this way at the building. And the building was
to my back and I was looking past them and
there was nothing out there.
#66: Okay. So you were kind of going out set, look-
ing behind them.
Am I understanding you right? You're saying you
were. . .
#24.5: I was looking behind the outbounders and not
behind the rails.
#66: Okay.
#24.5: But I was inching away from the building.
#66: You were looking away from it.
#24.5: Yeah. And that's not this building though.
"Cause I'm not sure what this is. This space,
using this, let me put in a 2a.
#66: Okay.
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#24.5: Ummm. I'll just draw it from what I . . .
This is where they. . . that's where I was
. . . and . . that's, we'll just use that
line for being the edge of the sidewalk and
everything else. And I had the feeling that
they were let's say, out here. Okay?
#24.5: And this is like front. . . And when you said
look behind them, I looked this way.
#24.5: Okay. And I misunderstood. I was thinking of
the outbounders and I just was interested in
these rails and I just automa. . .
#66: Fine, fine.
#24.5: I just mentioned them and then I got rid of
them.
#24.5: Then I looked behind them, and this is just
open. Open lot. But I looked that way. It
was at ground level. But I looked that way.
But I didn't recognize any cars or any clutter
or anything peculiar about it. It was just
nothing out there.
#24.5: You see. But at the same time, I was still
combating this analystical thing that put me
in a certain place. That I wanted to try to
stay away from. So, maybe, I got the impres-
sion of openness and turned off the thing that
said parking lot. Saying, if I'm in front of
a store, there should be cars, so I turned
that off and just said nothing.
#66: Um hm. Do you have a feeling about any
particular store that you were in front of?
#24.5: Yeah. I had a feeling. Do you mean which one?
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#66: Um hm.
#24.5: I had a feeling it was the one down at Laurel.
PAUSE
#24.5: What the hell is the name of it. It was not
at the Laurel Shopping Center. The one just
before you get there. Just before you go
through that last red light and you go up over
the hill and down the one and its on the right.
And there's a self-serve gas station, a parking
lot, there's a big long shopping center and
then there's this one store like a Zayre's or
whatever that's set off like in the back. You
know what I mean?
#66: Um hm.
#24.5: That's what I was fighting.
#66: You were trying to keep that out of . . .
#24.5: Yes. I was trying to keep that out of my head.
#66: I understand.
#24.5: And that's when I stopped and then I went back
to this. So if anything is legit, this may be
it. The most legit.
#66: Well, we'll just have to wait and see. That
was a . . I think that that image there, Number
Three is it?
#66: It came out after target time. But that doesn't
necessarily mean anything. We'll just have to go
find out. Okay?
#24.5: Okay.
#66: Anything else to add?
#24.5: I didn't go. . . I couldn't get down as neat
as I did that other Saturday morning there.
There was just a little bit, you know, just
enough distraction to keep me out of it, I
think.
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#66: Okay.
#24.5: You probably noticed as I was talking I
wasn't in as much. . . Okay.
I guess that's it. Right.
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TAB A
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R/ 1)
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lee
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TAB B
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TAB C
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POST-SESSION INTERVIEW
REMOTE VIEWING (RV) SESSION XXII
1. (S) Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2. (S) #24.5 was very satisfied with this session. He
is anxious to conduct more sessions so he will have a
chance to practice his abilities. #24.5 stated that he
did not report all his images because he thought that some
were erroneous and therefore should not be reported. Upon
visiting the target after the session he found that some
of what he did not report related to the target. He felt,
therefore, that he should report all his impressions.
3. (S) #66 appeared to work well with #24.5. #66 and
#24.5 continue to show mutual development in the remote
viewing process. The session environment is a very close
relationship. #66 and #24.5 are able to function adequately
in this relationship and produce meaningful results.
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