SUMMARY REMOTE VIEWING SESSION IX

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900930001-1
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 18
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
DP96-00788R000900930001-1
CLASSIFIED BY: Director,DIA
REVWN ON: 30 Apr 99
EXTENDED BY: Director, DIA
REASON: 2-301-C(3)(6)
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION IX
1. (S) This report provides documentation of a remote
viewing session conducted for the purpose of orienting a
remote viewer to the protocol which will be used in the
remote viewing training program at Stanford Research
Institute (SRI), Menlo Park, California.
2. (S) The target impressions related by the remote
viewer showed some target correlation in a few cases. On
the other hand, several of the target impressions and viewer
drawings did not relate to the target at all. The remote
viewer appeared to be very relaxed during the session.
Prior to the beginning of the session he stated that his
sister was near death and that he was unsure whether or
not he would be able to concentrate. He was provided the
opportunity to cancel the session but he wanted to continue.
3. (S) The protocol used for this session and which will
be used in later training is detailed in the document,
Standard Remote-Viewing Protocol (Local Targets) by Harold
E. Puthoff and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impres-
sions during the remote viewing session. At TAB A are
drawings made by the viewer reference his impressions of
the target site. At TAB B are photographs of the target
site. At TAB C is a post session interview.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION IX
#66: This will be a remote viewing session. (Edited for security.)
PAUSE
#66: Okay, #36, its now time to relax; expand your aware-
ness. #1 and #20.5 have arrived at and are observing
the area. Look at the target with them and describe
the area to me. (Edited for security.)
PAUSE
#36: It doesn't make sense. I see a black or white ladder
coming straight vertical and curving at the top on
the right of my view.
#66: All right.
#36: I see a cluttering clump and then to the left. It
don't make sense because what appeared to be a shadow
of the ladder was also white.
#66: Don't try to make sense; just describe what you see.
Just the raw images.
PAUSE
#36: I see a portion of a big circle. It appears to
be overhead in front of me. I don't know the scale.
It appears to stick down from; it appears to stick
down about the same distance it is wide.
And, in which direction . . (not audible).
#66: Okay.
#36: Ah. This appears to be patterned. Ah. . . . Now
its gone.
PAUSE
+04 #36: Okay. Pure garbage. Ah . . . On the right where
the ladder was, the lower right hand corner of this
thing was a lily like a jack-in-a-pulpit facing to
the left.
PAUSE
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#36: Must be one hell of a scene. (not audible)
PAUSE
+05 #36: Okay. On the left portion of the scene, and I don't
know the scale; I only see a portion of it; its shiney.
It looks like the handrail of an escalater. Except it
was coming at me in the horizontal plain rounding off
about two feet to my left.
#66: Are you outside or inside?
#36: Well, it could be inside.
PAUSE
+06 #36: I. . . . I . . . . again. I, above that, looking
slightly to the right, I . . . I really don't know
what it is. I saw something that's shaped like the
crinolins of a tannish, buff, maybe pink dress. Lots
of bell-shaped -- I mean lots, like stacked, like the
stacked crinolins. That's gone. . .
#66: You are doing very good. You are describing shapes
to me. That's very good.
#36: That's all I'm seeing is garbage shapes. Garbage
shapes. . . I . . . there's something wrong. Somethings
wrong, I just can't see all of anything. I saw some-
thing I recognized very, very. . . however it is shown
straight ahead of me but out of scale. Much larger than
it should be. I saw the portion of a galvanized bucket.
The seam was towards me. I could see the bail going
into the side and just disappearing. I could see where
the bail had hooked. Its garbage. There's just all
kinds of stuff flying around. Not flying but just
coming and going. It doesn't make sense, but I saw
+08 a tined garden rake on my left; tines facing to the
right. And, about a foot an one-half of the handle.
And, there was green on the handle. On the tope of the
handle. I can see the ash color of the handle but
ah . . . .
PAUSE
#66: Just relax and let it come.
#36: Let it come. Hell, you wouldn't believe half of it.
#66: Just describe what you see.
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#36: You don't want it. There's a plastic Santa Claus
mask lying on something on my left. Now that don't
make sense. I see a portion of a sculptured - on
my left - its off the floor - a sculptured, rust
colored - rug, is what it looks like.
#66: You don't have to tell me what it is, you just . .
#36: I don't know what it is.
PAUSE
+10 #36: Okay, it seems stupid though. I prefer to talk
in ah . . . shapes with picture frames. . . . we
can talk about forms. Ah, half way up the right
side of the frame, just inside the frame are pipe
shapes, tubing shapes, three of them have a bend on
them that ah . . . I see one that's (not audible) .
. . God, they're sharp; the pictures are sharp . . .
Under the buttles, the smaller tubes, there are four
of them, they are tied together with twine string it
looks like . . . in bundles of about twenty. What's
that got to do with Santa Claus?
#66: Don't analyze now. Just tell me what you see. Don't
analyze.
#36: Ah. . . its awful hard not to associate. In analysis
tell them its garbage. I see a "Y" shaped thing
right in front of me. It looks like its two pieces
of tubing together. Oh, its sharp.
Ah. . . imagine two pieces of tubing standing
vertically side by side. They are stuck together.
If you'd take the top of them and peel them apart
far enough down you make the shape of a "Y". Now
if you leave the same two tubes, bend the bottom away
from you; now you've got a "Y" with the bottom facing
away from you with rubber tips on it. That is very
sharp. . . Its garbage. . . There's nothing like that.
. . . Its got a punched hole in it; I can see the
dimple. Its chrome.
PAUSE
#36: I wish I could stop thinking what it is. There is a
big pipe coming in from (not audible) end of the frame
pointing up to the . . just left of center. It is very
large in diameter, roughly - I don't know the scale -
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I would guess 2 1/2 or 3 feet in diameter but at
least its approximately 1/5 the height of frame
in diameter. The height of the frame (not audible).
Now, the way I see the frame, I'm looking through
for what its worth, is antique oak, there are carved
oak leaves and acorns in the upper left hand corners.
Very attractive. But nice (not audible).
#66: Focus your attention on the target area.
PAUSE
#66: Let yourself move outside the target area. Let
yourself go right outside the target area. Back
away from the target area, further away, turn and
look back down at the target area and describe what
you see.
PAUSE
#36: Okay. There's a stack. Like a giant stack standing
up. (not audible)
Spokes radiate downward from it, maybe at a 45 degree
angle and then they disappear. . . I also cannot see
the base of the tube or the stack or whatever it is.
It looks like a stack. . . An angle on the top; bicycle
spokes. (Not audible). . 45 degrees and downward dis-
appearing.
#66: Is this outside?
#36: It looks like smoke around the bottom of it. Or
clouds, or . . . I moved up. . . (whispering) . . I .
. . its hard to determine what portion to give you and
what portion not to. Only give so much. I gotta go
back up . . . .
PAUSE
#36: I keep seeing large scale things. I recognize. .
I saw the a front wheel of the 1980's.
I mean a . . . 1890's bicycle. I saw a woman dressed
in brown. Looked like she could be from a . . . the
desert area of the world . . . . I can't see her face.
PAUSE
I know I should find a building, but I can't see
one here.
PAUSE
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#66: Okay. . . . Now its time that you . . . think about
drawing some of the things you've told me about. . .
talking about drawing. #20.5 and #1 have left the
target area now. So that when you feel comfortable
that you review the images in your mind, just sit up
and draw some of the things that you saw.
#36: Okay. .
PAUSE
PAUSE
#36: I wish I could rest like at night . . . Oh God,
the images are still coming.
#66: While you draw, you can review the images and
#36: (DRAWING). . . First, I saw. . . then there was a
white. . . exactly like it going away from it.
That was first. This came up second. ? ? ?
#66: Good
#36: Now that was a . . . . don't even know if these are
same scene, because when this came on, this disappeared.
. . . I was looking at both from the bottom.
PAUSE
I kept. . . . I saw many, many pipes in different
configurations. . . . Some of them looked like they
were the same way, this angle. . . . And they had a
cover over them. Then I saw a bundle of three and
they were bent. . . . Then they seemed to get corregated.
The stacked up . . . a . . . I first saw them on this
angle and then they were coming at me from this way and
then there was a thing in the end of the bundle, they
were going away from it that way. . . This big pipe
had a band around it. . . . (not audible). . . This
thing, I couldn't see below, down here. . . I missed
the first drawing. . . which seemed to be up this way.
I was looking at it from a (not audible). And it had
. . . I couldn't see inside of it. . . I don't know
what it is. . .
PAUSE
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#36: Ah . . . (DRAWING) . . . It looked like the . . .
ah. . . very high rise bicycle wheel. . . Back over
there, I saw (not audible). . I described a bucket.
PAUSE
Um. . . there's a woman with a maroon and this
was pinkish . . . No, that's it.
#66: Okay, that's fine.
#36: It makes no sense.
#66: Put a Number Ten on that last page there and that
will complete it.
#36: Okay.
#66: Okay, good. Well, I think we had a pretty good
session.
#36: Gosh, I don't know. It seemed like a sheer disaster
to me.
6
SECRET
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TAB A
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5go.d,2c-/
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TAB B
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TAB C
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POST-SESSION INTERVIEW
REMOTE VIEWING (RV) SESSION IX
1. (S) Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2. (S) During the post-session interview #36 stated that
he did not think that he had "hit" the selected target.
He did feel, however, that he had hit another target which
he later discovered quite unexpectedly. This site was
located 2-3 miles due south of the selected target. This
site was a shopping center (as was the selected target)
but the parking lot was occupied by a traveling carnival.
The equipment associated with the carnival shows a striking
resemblance to #36's target images. Photographs of the
carnival site are attached hereto. #36 discovered the
carnival site by chance driving to work. When he saw the
ferris wheel he experienced an emotional jolt. This jolt
was so intense that it caused him to drive to the carnival
site later that day. #36 has strong feelings that it was
the carnival site that he "hit" during his remote viewing
session.
3. (S) #66 and #36 related well during the session. They
seem to be developing a rapport conducive to the remote
viewing experience.
I
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