SUMMARY REMOTE VIEWING SESSION XLVIII

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900750001-1
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 18
• Document Creation Date: November 4, 2016
• Document Release Date: March 27, 2000
• Sequence Number: 1
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
REVIEW ON: 30 Jun 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
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REMOTE VIEWING (RV) SESSION XLVIII
1. (S) This report provides documentation of a remote
viewing session conducted for the purpose of orienting a
remote viewer to an applied remote viewing protocol.
2. (S) This session shows no meaningful target correlation.
The remote viewer had no confidence in his attempt. He felt
he was unable to concentrate or focus on the target. Ambient
room noise was high and the room temperature was 82 degrees.
3. (S) The protocol used for this session was modified
from that which will be used in later training. The
protocol to be used in later training is detailed in the
document, Standard Remote-Viewing Protocol (Local Targets)
by Harold E. Puthoff and Russell Targ, November 1978. This
session's protocol was modified in that a randomly generated,
preselected target was not used due to the unavailability
of the target pool. In lieu of a randonly generated, pre-
selected target the "outbounder" or "beacon" simply chose a
site which, in his opinion, was unique and identifiable.
4. (S) Following is a transcript of the viewer's impres-
sions during the remote viewing session. At TAB A are
drawings made by the viewer reference his impressions of
the target site. At TAB B are photographs of the target
site. At TAB C is a post-session interview.
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REMOTE VIEWING (RV) SESSION XLVIII
TIME #66: This will be a remote viewing session.(Edited
for security.)
#66: Okay, #29, #43.5 is now arriving at the target.
He is going to interact with his target site.
He will be doing that which is appropriate for
the location which he's at. Relax and concentrate.
Let your awareness come away from the environment
in the room. Extend out to the location, today's
target. Relax and concentrate. And when you're
ready, describe the target location to me.
PAUSE
#29: Gee, I'm having a lot of trouble clearing my mind.
PAUSE
Perception of being under a tree.
PAUSE
Don't like it. Now wait a minute.
PAUSE
+05
#66:
Tell me what you're perceiving.
PAUSE
#29:
There's a . . almost kaleidoscopic shifting
patterns. Nothing is staying around for any
of
length
of time. Still feel out of doors. I got a
per-
that of a almost egg-shaped structure low
ception
down. It seems to be like a toy bridge over some-
thing. Almost a cartoon of a bridge rather than a
bridge. Playground kind of item.
#66: Um hm. Just relax and concentrate. We're only
five minutes in. We have plenty of time. Just
relax. . and let thos eimages develop. Relax and
(not audible).
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#29: (Not audible). . . Something shaped like a bush,
or a tree or a shrub. Not a tree, bush or a
shrub. Something shaped like an evergreen.
Cedar or (not audible) that has that sort of
cylindrical shape. It was outward and upward
projecting branches but its a tight oval form.
That seems to be up from where I'm standing. So
+09 either the ground slopes up to it or I'm in some
kind of a depression. No, that's analytical.
PAUSE
#66: Where is #43.5 in relationship to this?
PAUSE
+10 #29: Second, darn it!. . . . . Okay. A white area
with a dark circular object in it. Darn it!
PAUSE
I don't see any relationship between that. . .
PAUSE
I keep trying and I can tell, begin to tell when
some of the things that I'm pulling in are analyt-
ical overlay.
+12 I keep trying to solve problems as to where #43.5
is and where. . . how one thing relates to another
and the solution that I'm forcing. All right. And
the solution that I'm forcing I know is analytical.
After the dark circular object, the next object is
something like a slide, a playground slide. Now,
now, this doesn't make any darn sense 'cause its
angled the wrong way and its up in the air and it
seems to be on a dark mass.
I know I've got other things that I need to draw
first so I'm going to skip down a sheet.
PAUSE
I think it comes down like that. (Not audible).
PAUSE
A star with a circle in the middle. Swell.
Things are really going lousey today.
2
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+15 #29: That seems to be a shadow of something.
I don't think the sun's out strong enough to
produce shadows, but what I'm looking at seems
to be a dark patch on the ground that looks
like a shadow cast by something of the size and
shape of a trash basket. It might be larger and
it might be smaller, but it seems to be that
size and shape. That's gone.
#66: Its about 15 after. Can you force an aerial
perspective?
#29: Black angle looks like the Number 7 in the white
area. Now, let's see. I don't know whether its
an areial perspective or not. It looks like a
top view. No, it doesn't look like; it feels
like a top view.
It still feels like its outside. A park or
something like that.
PAUSE
+18 #66: Describe the manmade structures that you had.
PAUSE
#29: Well, if its the kind of park I think it is,
playground kind of thing, . all the structures
are manmade. This is . .
#66: Relax and concentrate. (Not audible) flow.
Relax and concentrate (not audible). Concentrate.
Every outside area has trees and grass and things.
What is the unique one (not audible) thing about
that area? Is there a manmade thing that's sort
of special thing (not audible). Ask yourself
(not audible) what is the unique thing about the
area. Relax and concentrate and wait for the
answer.
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PAUSE
+21 #29: Back on the ground again.
PAUSE
(Not audible) . . back.
PAUSE
#66: Tell me what you perceive.
PAUSE
#29: Anything but the target area.
PAUSE
My mind seems to be dancing around like a rat
in a trap. Anything but to go where I want it
to.
+24 I get the impression of steps down into something.
And, maybe the whole area that I've been looking
at is depressed and I got the feeling that it was
square and light colored. The bottom. Squared
off but large in size. With different things in
it.
#66: Walk down the steps and tell me what you see.
#29: It seems to be that down the steps there are
those objects that I described. Off to the
left is that little kid's bridge over something
or maybe its not. Maybe its not a bridge, maybe
its just a little stand. And then, immediately
to my left is the large wall with a notch at the
top. Now let's see where is that circular thing.
Okay, the staircase seems to go down to one
corner. (DRAWING)
How do you draw a staircase down. Let's just say
that that's a DOWN staircase. Then over here is
a dark shape that looks like the figure 7. Then
right here and back and over here is that shape.
That's made out of metal. This is block. I don't
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know what that's made out of. Up here on the
bank, is where that tree. . . No, the bank's
too high.
PAUSE
#66: What's the (not audible) ?
#29: I just have the feeling this whole thing's a
waste of effort. Zero confidence in this one.
#66: Okay. Why don't you sit up then and complete
your drawings to your satisfaction and we'll
go check out the information you have.
#29: Take the one off that . . . Okay, the first
perception I got was walking underneath the
branch of the tree, young tree, yellow-green in
color. Like a pin-oak. And the path. . sort of
like that. And the second was of this shape
which I described as a little kid's bridge.
Couldn't actually see the steps or anything
inside of the thing, maybe. . . But I think it
was kind of a bridge over nothing. . like you'd
have in a playground.
That's a waste of paper. Third was this wall-
shape thing with sort of a silvery notch in
the top and the wall was dark. And that seemed
to be metal. Like a slide.
Putting in the bottom where I think the bottom
occurs but I'm putting it in as a dotted line
because I don't have any hard feelings for that;
or for that end.
Four was an abstract sort of a design of a star.
That seemed to have a protruding center. . . in
the side view. . . the center is very rounded
and the points of the star seem to have some
thickness to them.
Then I . . . when #66 asked me to go up in the
air and look down at the thing,is when I kind
of got . . . One, Two, Three, Four . . . Five.
. . . the perception of how things were laid out
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and over in the far right hand corner I got
something which looked like the figure 7. .
which is to say an angle. And it was dark;
on the order of . . and cross section, two
feel wide and a foot and a half. . No, . . .
Yeah, 2z feet high.
TURN OVER TAPE
#29: That's it.
#66: Okay, that'll do it then. Have you explained
your drawings to your satisfaction?
#29: I think so, yeah.
#66: Okay. Good.
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TAB A
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-9~ I
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TAB B
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TAB C
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REMOTE VIEWING (RV) SESSION XLVIII
1. (S) Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2. (S) #29 cannot explain why he was not successful.
He did not appear to be able to focus well. He is, however,
relieved that he was able to identify internally that he
was not developing relevant imagery during the session.
3. (S) Rapport between #29 and #66 was very good. They
were able to communicate openly without reservation.
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