SUMMARY REMOTE VIEWING SESSION C8

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900130001-9
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 20
• Document Creation Date: November 4, 2016
• Document Release Date: August 25, 2003
• Sequence Number: 1
• Content Type: REPORT

Approved For Release 20
oRcoN/NoFoRN
INS CON
GRILL FLAME
PROJECT
SESSION REPORT
6-00788R000900130001-9
CLASSIFIED BY: Director, DIA
REVIEW ON: 31 Jul 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
,
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION C 8
1. (S) This report provides documentation of a remote view-
ing session conducted for training purposes to enhance a remote
viewer's demonstrated ability.
2. (S) There may be some minor target correlation with the
viewer's drawings. The viewer did a great deal of comparative
analysis during the session. This viewer is having difficulty
in "letting go" of his analytical habits and letting target
impressions come to the conscious level without "noise". The
viewer is of the opinion that because he reports only geometric
forms he is not being analytical. This is a false assumption.
The viewer was undisturbed by ambient room noise. He seemed
to be able to focus his attention on the task at hand. His
impressions of an abandoned city coupled with his drawings of
what appear to be Indian teepees provide for an interesting tar-
get description. He also finds a river important to the target
and the Little Bighorn is very significant to the target.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site.
At TAB B is available target descriptive data.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION C 8
#28: This will be a remote viewing session (edited
for security).
PAUSE
Okay, #29, your target for today is designated
by geo coordinates:
45 degrees, 34 minutes, 0 seconds, North
107 degrees, 25 minutes, 30 seconds, West
PAUSE
#29: Did you bring in any other paper?
#28: I have paper right here.
#29: You only have one sheet there.
#28: I usually only use one, I'll be all right.
#29: Okay, can I have one? Oh, okay, never mind.
#28: You can have all you want; we've got a lot in
there.
PAUSE
+09 #29: I don't like anything so far.
PAUSE
The first idea I got when I spun the globe was
of a irregular oval. No, I can't describe it
as an oval. An irregular shape, you call it,
that runs diagonally Northeast Southwest. It
has the appearance, all right, now, time to draw
again.
PAUSE
Trying to figure out how I can do what I . . How
I can express what I want to say without getting
into analytical terms.
PAUSE
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To go back to the first problem. The only way
+12 I can express the way I felt about the thing
that I drew at "A" is to say that its an island
shape. The drawing at "B" appeared to be some
sort of a silly shape, structure in red. I have
no idea as to the size of it. When I first saw
it, it appeared to be . . to have a cross bar in
it as I'm indicating with a dotted line, and
appeared to be an ornate capital "A" as I drew
below. Then, I saw the second (not audible) behind
it which I'm indicating with an arrow and did not
see the cross-bar which I'm putting an "X" in.
Which gets to be the drawing at "B".
PAUSE
Page 2, drawing at the top appeared to be looking
down, straight down on something that had almost
a foot shape with toes projecting out.
PAUSE
But the drawing at the bottom of the page appeared
to be a pyramid shape with something happening on
the right diagonal slope. If you had a . . pyramid
with a notch cut out of the right diagonal slope,
that was what my perception was.
+15 I keep getting a sense of a lot of water.
around things.
PAUSE
Drawing at 3 is a catenary curved cable. . .
with a lot of beads strung on it. Its possible
that its . . they're light in color, so what is
possible is that its a cable with lights attached
to it that would be from a mast on a pole, tower.
And they're strung down and around but go up to
something else. But I'm looking at just one
section of them.
PAUSE
I don't understand the drawing at the bottom of
Page 3 at all except its the clearest image that
I've gotten so far. Well.
PAUSE
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I seem to be looking at drawing that I did on
Page 3, again, except that now I get the sense
of it being part of a structure which I didn't
have before. I seemed to have swung around and
looked at the thing from the side. . and the
+20 part that I drew, 4, I'm putting a single heavy
line in . . there. I've got to draw another
heavy line (not audible).
PAUSE
#29: Hmmm. I can't draw it.
PAUSE
Here we go with the pyramid with something taken
out except that this time I've moved around to
the. . ah. . around counterclockwise to that now
the segment which appears to be removed appears at
the left instead of at the right and then I got
the perception two ways which doesn't make any
sense. Just put them down. I feel better about
the pyramid than I do about the conic section.
Except that the vertical part which I'm going
to label "A" is both cases appeared to have that
arched or curved shape that you get out of a cone
instead of a pyramid which would. . which is why
I had trouble drawing it.
PAUSE
Five is a set of catenary curves. Its almost as
if I can see something swinging like a giant size
pendalum. . that's describing as catenary curves.
But I think its related to the drawings that I
did at the top of 3 and 4. Four. I think that
begins from a different point of view. There would
be a vertical where I'm indicating a dotted line
and there'd be another vertical where I'm indicat-
ing a second dotted line.
PAUSE
+25 #28: What's your overall feeling for the geography of
the area?
#29: That's an analytical question. One that I have
danced around trying to avoid and mightily.
PAUSE
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Okay. Perceptions that I got that I'm trying to
avoid is things to do with a city that has . .
can I save that question till the end?
Would you mind #28?
#28: Um um.
PAUSE
#29: Because I'd like to try and keep the analysis
out of the perception part, is that okay with
you?
PAUSE
Six is a hay stack shape. Its a twin . . Unless
its a capital "M". Unless its two hills. . .
with a notch between.
PAUSE
I started to draw something and I have no idea
what I started to draw and, or why. I don't
know where Page 7 went either.
PAUSE
I think I've got everything I'm going to get
out of this.
Let's go back and answer your question now.
If you'd like. Unless you have another question.
Which you'd rather.
#28: Without looking at your drawings, I want you to
kind of . . kind of focus on the broad perspective,
picture of a large area and just kind of then, very
general, short phrases, kind of general concepts
of the overall terrain of the area, of this par-
ticular section of the planet.
PAUSE
#29: There is something important that moves from
Southwest and Northwest. I got a sense of flow.
I don't have a sense of great elevation or great
height. I get a sense of flat. I get a sense
of calmness. I don't get a sense of urgency or
hustle or fast-paced. . . city.
PAUSE
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PAUSE
I get a sense of friendliness and pleasantness.
Its a nice place to be.
I have no . .
PAUSE
?
PAUSE
#28: Okay. That's the only question I have. Is there
any bit of information thatyou think is important
that you want to add?
#29: In . . juxtaposition to all that. . in spite
of the fact that I don't see a city, that I don't
know how to explain the fact that I have the
feeling there is a city there or an industrialized
. . . I don't like the sound of that either. All
right. If I say, port, harbor, city on a river,
then I convey to myself a series of implications
with a lot of commerce and a lot of things going
on. And when I look at the target, I don't get
those things. I just get a very calm sense about
the target and I don't understand it. If you
could have a deserted city I think I'd be happy.
PAUSE
#28: Okay. Anything else you want to add?
PAUSE
#29: No. I'll leave it unsaid because its analytical.
#28: Okay, that'll do it then.
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TAB A
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Ab
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,
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TAB B
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Referral Review by
NIMA/DOD
COsTER BATrLEFIELD
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CUSTER BATTLEFIELD
On June 25, 1876 Custer, in command of a column of
the 7th Cavalry, attacked a large Indian encampment located on
the West bank of the Little Bighorn River. This Indian encamp-
ment could more accurately be described as a city. The encamped
stretched out into a long oval shape which was more than three
miles in length. There were apprxoimately 12,000 Indians in
this camp, of whom at least a third were fighting men. The
tribes had no nefarious purpose in gathering on the Little
Bighorn. They were not rebelling against any authority they
recognized at the time, but were simply exercising their age-old
custom of following buffalo herds Northwest in the animals'
annual migration. As Custer charged the encampment, Kill Eagle
(a Sioux warrior) described the movement of Indians towards
Custer's column as "like a hurricane. . . like bees swarming
out of a hive."
The terrain around this area consists mostly of rolling
hills. At this national monument are numerous graves marked
with headstones, a large stone monument and buildings which
house a museum of this battle site.
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