SUMMARY REMOTE VIEWING SESSION LXXXVI

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900080001-5
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 19
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director,DIA
REVIEW ON: 31 Jul 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL . 'LAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION LXXXVI
1. (S) This report provides documentation of a remote
viewing session conducted for training purposes to enhance
a remote viewer's demonstrated ability.
2. (S) The remote viewer's impressions during this session
had some interesting correlation with the target. The target
in this case was a bowling alley. The outbounder could not
enter the target because it was not open for business. As
the outbounder was taking a picture of the outside of this
target a UPS delivery truck (see Photo, TAB B) drove up to
the bowling alley. The delivery man got out of his vehicle
with a package and a clipboard. Unable to deliver his package,
he jotted down some notes on his clipboard and departed the
area. The viewer definitely had an impression of someone writing
on a "flat plane," (clipboard?) (See Drawing #7, TAB A). The
remote viewer appeared relaxed during this session and did not
seem to be bothered by activity and noises in the adjacent
hallway. He made no comment as to his confidence in his images.
3. (S) The protocol used for this session is detailed in
the document, Standard Remote Viewing Protocol (Local Targets)
by Harold E. Puthoff and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings
made by the viewer reference his impressions of the target
site. At TAB B are photographs of the target site.
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REMOTE VIEWING (RV) SESSION LXXXVI
#28: This will be a remote viewing session (edited
for security).
#15.5: Having a devil of a time.
#11: All right #15.5, its now 10 o'clock. #28 is
at the target. Go out to his location and
describe the target to me.
+02 #15.5: Okay. First perception.. Hmmm. . is of a shape
which I don't understand but will do a drawing
of. They could be the . . the two arms or a
chair, but I don't see the back. Its as if I'm
looking over the . . looking from the rear
toward the front. And I just see these two,
parallel, rounded forms. I don't have a sense
of what they're made of. Or what color they
are. They appear to be 2 to 3 inches in width
and plus or minus 2 feet apart.
#15.5: Two feet to two foot six inches. Ummm. Kinds
of things that they could be: it is conceivable
that it could be the end of an escalater as you
have those two parallel forms which are the ends
of the escalater coming down. It could be the
ends of the staircase. It could be the two arms
of a chair. It could be some kind of bench with
which I'm not familiar. Again, I don't have a
sense of material construction.
PAUSE
Part of a structure.
PAUSE
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Okay, I had an impression that I lost and I
don't know whether I even have enough residual
left to draw it.
I just put some lines down. I have the feeling
that . . Okay, I'm going to shade one surface
in the vertical because I feel that that repre-
sented a vertical wall and the other in the
horizontal because I felt that that represented
the ceiling of something. But the perception
was too fast and to indistinct to be more clear
about it than (not audible).
PAUSE
That in itself is unusual.
Okay. I like this one better.
Large structure. I have the feeling that I'm
outdoors looking at this structure which I
would describe as something like a quanset
hut in that it has a . . I can see a curved
roof to the thing. Appears darker in color
than usual metallic quanset hut. Okay. I'm
purposely drawing it as if it runs off the
edge of the paper because I don't see that end.
So the shape that I have in my mind corresponds
exactly to the drawing on the paper. . in that
I can't see the whole left hand end of the thing.
And there appears to be a square shape that sits
in the middle of the top. Order of magnitude is
its very large, I'd say at least 100 foot long
and probably 30 feet high and probably 30, 40.
40 feet across the end. What we would call the
diameter of the thing. It appears to have this
rounded (not audible).
I don't get the sense of . . Okay, quanset huts
usually have a sense of corregation to them.
I have the feeling that this is smoother than
that and rather dark in color. Dark blue to
paynes gray. Possibly olive drab but that sort
of dark, flat dark coloration. I think I may
have drawn the box at the top too large in scale
but I'm not sure. Rather than change it, I'll
leave it as it is.
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I just got a one word perception that flashed
into my mind like that and I don't know what
it relates to. The word is SWING. I don't
think. . All right, I got the word first, the
perception of the thought SWING and then
immediately related it to a child's swing or
a playground kind of a swing, a big pipe swing.
There was however this almost franctional
difference between the two, the thought of the
word SWING and the creation of the image of
the swing. I am tempted therefore to say SWING
may relate to something else as in a gate would
swing open. or a swinging door on a building
rather than the thought picture that was
immediately supplied by my mind, therefore,
I'm not going to draw the perception that I.
Well, I suppose that's wrong too. So, the
perception supplied by my mind is the usual
black triangle. . well, there's a third way that
this could go. Or second, or however many I'm
up to. And that is that there could have been an
object; a real object, which has the dimensional
characteristics and shaping of a swing and
therefore could have suggested itself to my
mind as a swing without being a swing and,
therefore, the thought word came in SWING and
therefore the thought picture was supplied as
a swing. So, therefore, I am obligated to draw
it. Whatever sort of sense that makes.
Ha ha ha Have fun reviewer!
Yeah, I . . In drawing Number 4, I perceived of
the thing as just exactly what I've drawn which
is an open sort of triangle - one end of the
swing. I didn't perceive the other end.
PAUSE
Okay. I see the corner of something.
PAUSE
Six is a dark black shape that I don't understand.
Boy, its a nice solid object.
This place is bugged.
No. I don't see the bottom edge of it. I'll
put that in as a broken line. Its dark in tone.
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it has the feeling like it might be something
like a plaque or a sign. What it looks. . .
shape was to me. . something like is a state
or historical society plaque that is stuck,
alongside of the road that says something
like Moseby's Raiders Came Through Here . .
And Beat the Heck Out of So and So's Farm.
Something like that. Made out of metal. Dark.
With the feeling of words.
Now. . .
+16 I wonder if #28 is writing something. Mark
time.
#11: 1016
#15.5: It doesn't. . . Humph! I. . I. . get the
impression. . Okay, I can't. . I can't draw
this because I can't draw something which is
in motion. I had the feeling that I saw some-
thing like a magic slate, a flat plane. Which
could be my perceptual image. . Well, the movie
screen that I look at when I see pictures inside
my head when I'm doing remote viewing sessions.
But I got a point, pointed object as if a pencil
as if coming in . . first, from the left side
and marking on this surface. And then, again
coming in from the right side. Now, I'm not.
I'm purposely not drawing a distinct hand
because I didn't exactly see a hand. But I got
a sense of this pointed object poking at, making
marks on the surface. I've indicated boundaries
to the surface. I'm not sure that the surface
has-boundaries as in this . . as in the size
indicated but I'm just trying to indicate that
the object was poking at a surface. It might be
or . . . or. . . It is as if at first I was
looking over #28's right shoulder or someone's
right shoulder and then, again, looking over
someone's left shoulder. If, at the target area,
whever #28 went, if there was somebody doing some
sketching and the . . and #28 went and looked
over the shoulder of this individual first from
the right and then from the left. Or maybe I
went and looked over his shoulder of this from
the first, from the right and then from the left.
I don't know whether that helps. Its similar.
to the way I hold a pencil but different.
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#11: Twenty minutes.
+20 #15.5: Okay the target area that #28 was at, I had
the perception of being out of doors not in
indoors. I want to go back now and work my
way back through the drawings that I've done
and see if I can get a sense. . greater sense
of. . concept of them. Maybe fill in some
more about them.
Number 1 is still two corners that I don't
understand much better. Relatively light
color. Light gray. Light blue. Not strong
enough to be light green. Faded out red
possibly but I don't think so. More nondescript
color than anything else.
Number 2 I can't do anymore with than I did.
I'd be tempted to describe it as a non-real
structure rather than a real structure. What
do I mean by that? If you have a building
that is not a building in the sense that its a
playground shelter, that's a non-real structure.
If you have a piece of playground equipment, that's
a non-real structure. As opposed to being a
building or a headquarters building. A building
with four walls and a roof and all the rest of
the paraphenalia. It had a very great sense of
openness to it.
Three is a large structure that is up. I had
the feeling that there is . . Now, I'm doing
a second drawing on this which I'm using sort
of a scruffy line to separate from where I am.
I have a feeling that the beacon is at "B" and
off in this direction is the large structure
which may not be part of the target area. Order
of magnitude - almost fifty yards. Very large
building.
Four is the pieces of the swing. Or the shape of
swing.
Five is the corner of a box. And light in
color. That was another real quick thing.
Oooops! Order of magnitude is 2y, 2k and 21-,
cubic. . I'm tempted to say planter. Something
on that order. Something on that size, shape.
Trash bin, planter, something like that.
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Six is an odd shape and there was another
perception that I feel like I ought to record
while I'm doing the recording of this and that
is that it struck me as being very similar to
the silhouette of a person as seem from behind
so I will put down this silhouette shape. I
don't know how you'd see a silhouette in the
broad sunlight, but that isn't my problem.
PAUSE
One of these days (not audible).
Seven is the hands. I can't deal with this
anymore than that.
Perception of the target area - noncommercial,
open, I had the feeling there was grass around.
Quite a bit of light green grass. Outdoors,
not indoors. Park. Park-like place.
Have you got any questions?
#11: No. You've seemed to cover everything quite
well.
#15.5. I think we will terminate at this point.
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TAB A
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t',
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2,
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4T
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TAB B
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