GRILL FLAME RV SESSION CC20

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800140001-9
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 29
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

Approved For Release 0 P96-00788 R000800140001-9
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
DECLASSIFY ON: 5 Dec 1999
EXTENDED BY: Director, DIA
REASON: 2-301 C (3) (6)
GRILL FLAME
~f-e IN I I I
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 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9
T REM,"O`1'., VIE\;'ING (RV) SESSION CC20
This report documents a Remote V e,vi_ng (RV) session
Collcu~ .c i in compliance \v_i_th a _rque~L from SOD, J3, OJCS,
i.ShiIOI1, T).~. 1he purpose of the ~L.., 1C)I: ,`,'as
to p c?T ici- iniorliff tloli relevant to the hostage s ii_tuation in
the mbassy compound in Teheran, Iran.
2. v 1_lt',lei' s lip i cession of ~~ e ~l_r
provide u. 2.~ raw intelligence i ata and as such have not been
subject. to any i ntermedia.te analysis, evaluation or collation.
Intern elation and use of the information provided is the
r:_ ,pons ilit~ o the requestor.
3. (S) The ?nrrotoeol used for this session is detailed ill the
docu e n ]_l ame Pro Locol , 1,1SAA Applied Remote Vie\ving
Protoco S), unciaied.
4. IS a. transcript of the viewer ewer's impres,,;Jons
the remote viewing session. At TAB A are drawi_ng~z; made
by the remote viewer reference his impressions of the target
site. tit SALE B3 i target cueing inrorm~l.tion P`oN7j_C3Ot-A' 'the
rep of e viewer.
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1, 2
TRANSCRIPT -r ~/
l1
66 '.Phis will be a remote viewing session
security).
_ or the past. few minutes you have been studying a
photograph. Focus your attention now on tt
'ove
designated to you on the photograph as a ea C.;.-M
now to area C focusing your attention. 1]fix! a-0a
concentrate and describe the area to me.
:E in:, some kind of Duel il._,ng that has a walk and
a i,
ire that comes out to it. Feel a long (murncAing) in
front ...a long front face of this, structure ...n rrow three
,or four feet wide walk. It goes up to a main door. I
think I'm on the other side of the thing from the yard.
I en ei 66 the house to the right. There is a... several
poles along that thing too. Give it the looks of a house
or a.. .something like tha'.. Perceive a step up to get
on that thing. I think I'm in like a carport or a. ..a
sometn in:? like that. It seems open on the front siC e
but seems black in the back and there's a funny peculiar
jot; in it. Like a box sticks out into it. l-'ll go
066 Alright. Fine. Relax and concentrate.
I :.eel that Vi-11 in a center. portion going 11.011-3 the
wal.l.. I passed I th ink the el.t.r
to this place seems to be a WOOdE'n door with small
,
glass ja110uujht. of seein(- i
him turn like his tour is about 300 feet or so from
about... in front of this place... looking out ...303 feat-
to the right or so. Like he just strolls alon_l
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f6.6 Move back now End focus on D, area D. Tell me more
about this ar:,ea B.
PhUSE
13l I got a good shot of ...... like round leath:_r stuff...
like bean bag chairs. Right before, I had a feeling
there was a...that I was at the hallway entrance and
that there was a sofa type thing, black, under the
main frost window, and along that other wall........
1 ha i a fec ling of someone walking upstairs ..... not
L:u;,stai-_-u;, upstairs. I'm up there now. (mumbling)
s:.e time and , through the ceiling second floor
when I came I had the feelin'.i there wags someone
a< .:ing down tie hallway, right at me. My first
impression was it was a woman. Long skirt down to
m, id-calf, dark skirt and wearing some kind of cloggs
or so-nothing. I had her turned into...down the end
of he hai_J....des;cribe it..... the other end of the
building and I saw her go into... like she made a right
turn, went inside, sat down and crossed her legs.
It was all one sweeping motion of feeling, you know.
But, no:-,w I'm down there and trying to find out ,ghat
is happening. She didn't..... she was not carrying
anything.. ...she was empty handed when she came
over me...... she...uh
il n I'll describe it as though it was a room built like a
...the feeling I have is .it's built like a restaurant
booth. My feeling the woman- moved through the door,
shifted to her left, began to turn and sit down at the
same time and avoided a table edge, seated herself on
a bench next to a wall, with this low thing in front
of her which occupies much of the room area and cross
her legs, and Go-] knows what she's doing, or %,.hen she
was ever there.
Ga Tcll men a l itt_ Le hit more about area D, hFwre.
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,431 I'm afraid I can't. I don't know. I'm just not
getting anything.
1166 Ok. That's fine. Let's stop now and do some c1rawing.
r31 Ok. First...here we go.. .first fleeting impression..
I was looking at a.... what do ...want to ca' T. T'iiat's
what made me think that I was there, because this was
a wall.
466 Ok. Make your lines nice and dark there.
r3l Ok. And it was like... this has a low tile roof or
someLhing...and the second thing has a low tile roof.
That was the image I was using, the target with but
t._hat's the first thing I saw. For what worth it is.
l;ltllOUi~ !1, I got ~:, G,_..g ',.h:.-,hat some sort- of a
Then, 1i?1.. feeling
drive, and here on thy:' right... there was a big overhang
here... like I was looking out and under this overhang.
Here on the right side of this drive was a wall. In
here...like back in here I'm in tho hade...gnd that
this was some kind of a waikw,y. Th:t is the hypothetical
end of the inclosure.
.....like a front porch.... that went down to this door.
Something in here jogs and I don't know wha,_ worth it
or what good it is........so r,uch for floor plan.
This is a door-you know Florida jaJ_louse...Pan,::ra
jailouse windows ...... you know what I mean .... jaIlouse
glass about that thick. Porch overhang ..... long porch...
that's dark enough... that's three. Ok. four. What did
tt
ifl -j .
I find that ei .. interest-!,O
P~ 11
?,66 Insido arcl C here....
z 7 ' 11 dT_ aw ty re ~l ler_ ; they're not. that i ,~~~ress? ~. C.
Feclinq eaoo~tic;l framed doo~_ , w >den f ~~-r.. d _}al_1_o use r~ :~d