REMOTE VIEWING SESSION CC19

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800130001-0
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 43
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

Approved For Release 2000
DP96-00788R000800130061-0 /
CLASSIFIED BY: Director, DIA
DECLASSIFY ON: 31 Dec 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC19
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMMMSAA Applied Remote Viewing
Protocol"(S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CC19
4
#66: This will be a remote viewing session (edited
for security.
For the past few minutes you've studied an
overhead photograph of the Embassy compound
in Teheran. At this time let your awareness
move to that area. . . and focus your attention
specifically on the area designated to you as
area Number 1.
Focus your attention now. Relax and concentrate
and describe the area to me.
PAUSE
I had a feeling of a
PAUSE
Like a . . . . . steps. White. With a simple
front. Past the steps the . . . like a . . .
feeling of a . . . two pillars that were on each
side of the . . . of the top step landing.
And then that there's . . some (not audible -
mumbling) foyer. . . . up in the air, but .
have a feeling of a big . . . white . . door.
Set back in a little ways but not far.
May be . . . . 15 or so feet. . . but this place
is in open outside. Nothing holds it out of the
weather. But . . . Its open to the air. Steps
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are about maybe 7 or 8 of them. Sort of wide
like . . . 25 feet. Maybe 30 feet wide. When
I looked over there I felt . . . black metal.
metal . . tube bannister at each end of . . at
one end of the steps. For a moment I had the
feeling . . . . . . . . tile or stone floor.
I had the feeling there may be two double doors
set in this place. I want to say a rounded top
I want to say they have push down lever door. . .
handles. There's no glass. They can't see through it.
The bottom of the column in each corner of the
. . . There are essentially plain. The bottom
has a small doughnut around it, that's all and maybe
a square under that but not very thick.
#66: Is there any people in the area?
#10.5: For a moment I . . . stood and looked out the
front. And . . . I could see woods on each side
of a . . tarmac walk I thought. And then that
at the en of- Vne rmac wa I felt as though
there were doors for a gate and that they too
were white. And a wall. And when I was looking
that way, I felt as though there was a-person
. . . now I feel that he is on the left side of
the path... out of the side of the building, the
back. . . from the gate. Fifty feet. He has a
something along and slung over his shoulder. He
carries it slung over his right shoulder .
He can be seen from the front steps.
PAUSE
Let me see. He's standing under the trees. I
don't feel there's any more there. Near him.
#66: Move inside the building now.
PAUSE
And describe it to me.
PAUSE
#10.5: (Not audible) clear and focus.
PAUSE
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#10.5: I have a feeling that . . . . . There's something
in the . . . middle of the . . . floor here.
It seems as though there is a wall. Seems like
a "U" shape and a reception area or something. I
feel . . that the floor is changed. It appears
carpeted or rugged and I feel that there's some-
thing inside the . . . there in the center of the
room that could block my vision. . . and that in
front of it is a . . . low counter or a long table
Or, maybe . . . . maybe a . . . ten or fifteen fee
long, but . . . . It appears wood. . with stuff on
it and there are . . . There do appear to be . . .
I sense presences here. It sits against a white
wall. And I think behind it are two people.
Its . . . when I turn around, it seems farther in
than I thought. And I . . feel that I . . .
that for some reason there is a . . a. dividing.
back on each side of it. And that . . . the one
on the right side going in looks like the hallway
there. And I want to say . along the walls, I
I . . . . are seats.
PAUSE
Somewhere I sense that there's a big brown thing
sitting other there. An ornament - something,
that . . . I feel windows.
Two windows are . . back at the front (not audible)
PAUSE
Let me clear and focus again.
PAUSE
Everywhere I look. . . I'm sure there's a hallway
to the right.
Search the building for people.
PAUSE
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#10.5: There are two running around the foyer. Somebody
inside a bay window in the middle. On the right
side of the foyer.
I say a feeling of a . . . person sitting. . . with
his legs crossed on a couch on the other side of the
room. . flipping through something.
PAUSE
I'm in the hall. I'm going that way.
PAUSE
Somewhere down this hall, I lost continuity. I
had an image of . . . on the right side . .
I see . . . I wanted to say like three people.
. . . through the door sitting, two on one side
and one on the left side. . . of a table talking
agitatedly. . . gesturing at each other across the
table. Discussing something. A round. . . . .
what is there on the wall?
In this place, something . . . like a . . . gives
me the feeling of a . . conference table or book-
cases along . . . of the right hand wall which are
very high and against the outside wall are low shelves
or bookcases which come up to edges and under the
window.
I see . . . I think its about . . only . . second
room. I felt like I went through. . . When I was
going, I remember feeling an office. Then I got
to this thing. It maybe only a second or so office.
I feel like a libraby or conference area.
People.
Come to area . . . room where there appeared to
be . . . . . . . . . some seats outside. A big
counter inside. Very, very vivid. Now it is not.
I think (not audible) counter. . . And this room,
I feel like its an administration place. I feel
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desk and chairs and filing cabinets. But there
were no people here.
#66: Okay.
PAUSE
What floor are you on?
#10.5: I think I . . . still on ground floor.
PAUSE
I think I'm still on ground floor. Yeah.
#66: All right. Find your way to the upper level and
describe the, upper level to me.
#10.5: Let me just go there.
PAUSE
#66: And what is your perception?
PAUSE
#10.5: I . . . had a . . . feeling that . . . there
is a . . . . a long locker room. . . up here.
Something . . . . Something . . . Its a . . .
a walk. A overhang down at far..end again.
that's the first thing I felt. . . was that I
was down at the far end looking back towards the
lobby or the starting place or whatever.
And that. . . that I . . . make a right turn
and maybe go down stairs. . . there. But . .
it stops there. I had a feeling of a . . earlier
there might have been stairs there but when I got
back up there I . . . saw them again from the other
end. I don't know. Back door.
PAUSE
#66: Search this level for people.
PAUSE
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#66: And what did you find in your search?
#10.5: Nothing.//
PAUSE
Can't find anything now.
#66: All right. At this time . . .
-=10.5: I lost the target.
-'~,6: All right. You've lost this target. As you
refocus your attention on the area in question,
as you refocus your area. . . your attention on
this area, move now to the area designated as
you . . for you as Area Number 2. Move now to
`the area designated as Area Number 2. Bring
to bear on that area and describe it
f
ocus
your
99 to me.
#66: And what is your perception of the target area?
PAUSE
#10.5: Don't know. I'm looking.
#66: Okay. You've been at this quite a long time
now. I don't want you to tire yourself.
TURN OVER TAPE
#10.5: (Not audible - mumbling).
I
Woman dressed in white. Babushka on her head.
(Not audible) clothes. (Not audible).
had a feeling of like a dormitory. . room.
Just a feeling of a . . . beds side by side.
I think that they are GI beds.
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#10.5: Its a. . . . I have a feeling of steps down
on the side of the front. . . like you could
get into the basement from the outside. . of
this place.
PAUSE
Move inside the building.
PAUSE
#10.5: I will.
Feel like there's more than me up there. Office
like in here. I feel . . . a white ceiling.
Big place. Low ceiling with . . . I see . . .
light that seems from the ceiling. . . more . . .
regular. . Uncle Samish (not audible).
I see some sort of a file cabinet. Feel-like
I see a . . hinges swinging. . . gate
maybe waist high. Like the kind that keep people
out of an office work area.
The more . . . a feeling of a . . . . Huh!
Just had the funny feeling of a woman. White
scarf. An old crummy black coat, sitting down
on something. With either a skirt on or a robe
with bare legs from her knees down with her feet
in a big porcelain bowl. She was cold. She was
. . . huddling herself. . .with like a sheet with
a bucket of hot water.
PAUSE
#66: Tell me more about the inside of this building.
PAUSE
#10.5: White. Wait a minute. (Not audible).
PAUSE
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#10.5: I'm not sure, but . . . feel that this is .
PAUSE
I'm not getting more, #66, I'm
#66: Okay. Would you like to draw now?
PAUSE
PAUSE
PAUSE
Right at the end I was being. . . I wanted to
say that the thing that I felt that had the beds
in it was . . imagine myself back outside the
building looking down at it. I had myself to
a window, in the bottom wing. I mean in the wing
on the bottom and I thought that that was where
I'd seen the couple beds. But I just couldn't
get through the window. I got my head through
the window but I couldn't get anything else
through.
Okay, I'm ready.
God!
Oh boy.
PAUSE
Here they are. Okay.
PAUSE
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#10.5: I must have misplaced the start. Is that the
beginning?
PAUSE
Darken this up a bit before I talk.
PAUSE
Kind of . . . you know I really am a corner type
person. I must have spent a lot of lifetime, past
lifetimes hanging around street corners. I really
groove on street corners. Or on corners, building
corners. Its you and me corner all the way. Anyway.
I had the feeling that I was on. You know I had
the photograph the target this time. So, in using
it, I think I ended up at . . . a . . corner of
the building. Okay. Some sort of a walk there.
It may go on down that way. Okay. I had the
feeling it was like a . . . this was like sidewalk
around the building, right. Okay. This was
the thing that . . first view. I had the feeling
that we had basement windows along here. This is
like . . only hip high. Okay, this is -three feet
and some sort of peculiar thing. Its . . along
the base of the building. Okay.
#66: Um hm.
#10.5: Like this. Windows along here like that.
PAUSE
Okay. So much for that.
PAUSE
Hi boss.
#6.5: Hi. (Not audible).
#10.5: That good, huh?
#6.5: Ha ha ha. No, when you decided to get lost, I
got lost with you.
#10.5: Okay, now that's one. So I trucked on down there
and I ended up with . . .
PAUSE
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#10.5: I'm trying to draw here is a doughnut on a square.
I felt like there was one on the other side as
well. But that the thing wasn't . . It was like
it was just . . . it was almost part in part of the
corner of the building sitting there. . . on this
landing.
PAUSE
Now there was another one around here.
PAUSE
That's actually two dimensional. Okay, here we
go. Now that was also right near the corner of
this landing. Okay. Down here in the front. . .
was that. Okay. And guard rails on each side.
Rails. Real-stairs. . . steps, stairs, right. Not
stairs, steps. What'd I call that? I called that
about twenty-five feet wide; twenty feet wide or
something like that. That's cool. But anyway,
here, I think if I can remember from the beginning
of the damn thing, I had the feeling of split arches
like that. With . . . you know, something like that.
Two. . Two arched doors anyway is what the idea
is. It was all very white.
Okay.
PAUSE
What'd I say then, floor? Um. . . . This is 25
feet. This is not very damn deep at all. That's
15 feet. That's all. Okay, three.
Inside I had the feeling that this place was . . .
I'll try to draw it in micro. But there was some-
thing right smack dab in the middle of the room.
And I had the feeling that people sat there.
Like . . let me erase that bottom line.
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#10.5:
Like some sort of a counter.
I had the feeling
'Cause I had . . one
guy was like reading .
just lounging around.
One
person was lounging
around and the other
one .
. . and it was like a
. . , like a counter.
If
you're on this side of
room and here on this. . .
Now this side of the
room had. . . this is
the
only one I could find
that had the . . . or
that
I could feel for sure
. . had the hallway.
Okay. This,one I don't know about. But I wanted.
to say, that this thing was square. Okay. Like
it was a booth out in the middle of the floor or
something. . . protruding at least out into the
middle of the floor. At least three sides of it.
Make any sense? Okay. The room was carpeted.
And this hallway was dark. Okay. All right. Now.
I had . . . over here, I felt . . And around it,
I had-the feeling that there were like sofas andll
stuff. A couple of them anyway.
And that on one of them on this wall,- there was
a guy or a figure anyway, on the left. . like
reading a magazine. Okay. Or something. Thumb-
ing through something. Just sitting there. These
two, that guy. Give you an aerial of the place.
That's too far apart. . . because the doors are
too far apart. I had the feeling the doors were
closer together. That line doesn't belong in
there. Okay. Now. That's . . . . That's funny
because over here on this side of the damn thing
I had the hallway, I had the thing go out and I
had windows and I had somebody sitting in here.
Okay. Well, how was he sitting? He was sitting
. had somebody in this thing. . . which has
windows in it somehow. Okav. Its like a little
cubical. And I think there's one on the other
side. And here was where the man was sitting.
Okay. And this thing comes out in the middle of
the room like this. . . with some sort of a desk
behind it and there was somebody there and there
was somebody there and I thought that there was
someone there.
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#10.5: Okay. Now, outside.
PAUSE
Those were the stairs there. Column and column.
But the outside. . .
Here's woods. And this is where I saw another
guy. That's when I was looking out this way.
And I had first thought about him when I.was still
outside and then later on you asked me about him.
Okay. I had first thought about him outside, the
guy in the woods.
PAUSE
Okay._ And this is a hallway.
PAUSE
Where do I go':from here? Oh, down the hallway
I guess.
#66:
Tell
me
a little bit, now looking back-at-what
you
role
saw,
of
when these people.
these people?
. . what was the
#10.5: This guy was looking out. Okay. This guy wasn't
doing anything. And these two guys were just
bull-shitting. Okay.
#66: How were they dressed?
#10.5: They were dressed in odd. . . they . . just a hodge-
podge as anything. Nothing. No uniformity. No.
recognizable differences. They're dark, darker
colors. I got the impression that they were dressed
heavily. That it was darker colors. Browns and
blacks. Maybe gray. I didn't even seen any gray.
I don't think. I didn't see anything that appeared
light. It all appeared dark. . . clothing. The guy
outside in the woods. This is Number 5 then is as
though we were sitting on the . . out front again.
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#10.5: Okay. That was something I wanted to tell you
about. Okay. I had the feeling that down here
was . . . but not a gate situation so much as a
door situation. The solid things. Okay. That
was what I had the impression of. Now, I might
have been thinking that I was looking that way
and in reality what I was finding. . seeing was
the front doors to this place. But they appeared
white, I don't know, I might have gotten twisted
around, but it was white gates. White solid gates.
Anyway, this cat is like;up here and under the
trees its all dark. There's more down there.
PAUSE
This guy is like standing in under the trees down
there. Okay. And I have a feeling that he was
carrying a weapon slung over his right shoulder.
#66: Okay.
#10.5: And when I was looking there, there may be one
more down here farther. I. did not see him so
much as think that this guy wasn't alone and that
there was something down there. But that's it.
Okay, this is from the . . . from the steps here.
Okay. Looking down and there's woods over here.
#66: How about weapons on the (not audible) inside the
building? You didn't say anything about them at
the time.
#10.5: Well, I don't think I . . . I didn't see any. I
didn't feel necessarily that . . . well, you know,
I could have probably . . anyplace I looked I could
have seen one. Because if it wasn't there I
probably could have put one there anyway. So, I
didn't. . . I did not get the feeling that there
were any weapons there. There could have been.
But it was just so casual, I didn't see any laying
. . . I can't-be for sure that I saw any laying
like on top of this thing or stacked in the corner
or sitting next to that guy as you, you know, I
just was afraid to look to close for fear that I'd
actually put one there.
#66: Okay.
#6.5: You said the guy was walking out front could be
seen if you were standing on the steps.
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#10.5: That's what I said.
#6.5: I don't understand. Could he be seen from inside?
In other words, people inside there would watch
him?
#10.5: Yeah. Yeah. That's what I had the feeling that,//
this guy was doing, sitting in the window.
#10.5: He was looking out or watching. He was either
casually looking down this walkway to whatever's
going on out there or he was looking at this guy
for the purpose of like covering him or something
or like paying attention to him.
#6.5: I just wanted to doubled check this.
#10.5: Yeah. The guy is ten feet in the darkness but he
can still be seen from the front of the building.
If he was like another ten feet, you wouldn't be
able to see him, but he's just back in here on the
left side. Just within visual range.
#6.5: So the guy in the bay window,'cause that's what
you described it as, a bay window. . .
#10.5: Yeah, its a
#6.5: . . is observing him. Yeah. Okay. Good.
PAUSE
#10.5: Or at least, he's able to observe him.
#6.5: Yeah. (Not audible).
PAUSE
#10.5: All right. Six is . . . . Six is like looking
back towards the doors. That was funny, because
every time I'd turn around, standing in front of
that thing, . . . There are windows, but what
either one big one. . . or divided into two or
something. But I had the feeling it was . . .
not grated, but just pane windows, but you know,
large, public type windows. And that here was.
and that this guy was sitting . . . this way on it.
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#10.5: With his head cocked so he could look out the
window. Okay and somehow that's set back in
behind that and then there's another one back
in here. And here's the other one.
And those are the doors and then here in the
foreground would be this table-top. Not, I,
you know, . . . I had the real feeling that it
?J~
was more like a service counter than a big. (//IIJJ
than a big secretary's desk. That it was more
like a service counter. A receptionist counter
or something. Okay. Rather than just a single
wooden desk or something like-that.
PAUSE
All right. Now where to go. Seven.
PAUSE
Okay. I can't see where its . . on the left side
of the room. Okay. But looking into this room the
way I did. . . I had the feeling that-there were
. . . and there's the corner of it. Okay.
That. . . here were - what did I say - three guys.
A guy there and a guy there and a guy here. Sitting
and talking, interchanging across this table.
And that I had the feeling that there was like
bookshelves along that wall. And that along this
wall', was bookshelves. Just something -- like a
conference room. Okay. No desks or anything like
that, it just appeared that there was this long
light colored table. It reminded me of the one
we have out here. Okay, sitting and talking and
then here windows. I guess I can probably draw
that there and that there. Okay.
Okay. Now what did I say that. . . I said that
that was maybe the second room down the side hall-
way. So, we would end up with . . Oh, #66, I forgot
where. . . .
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#10.5: And then we would end up with . . . Okay.
This is the hallway. There was doors there.
Okay. Some. . . I'd say it was second room
down this thing. Okay. Like that, that's.
I just didn't catch anything when I went by
that. I got office feeling.
But empty.
Okay, with the two guys at it. Sitting like
that. Somewhere else down this room - down this
hall, where it is I don't know. I'm going to
separate it just so its separated. I had the
feeling of a more appropriate . not more, more
office type place. A bigger office type place.
I had the feeling that the door was set on this
side of it and that somewhere around here was a
service counter type of an affair. Okay. And
that in the back here were several desks, such
and several chairs outside the door, like waiting
chairs. Like, what I thought, I thought I was
feeling like a visa rocessing place or something
where people w uld come wait for.
you know, for a long period and then they'd be
called and they'd walk in and they'd get their
paper stamped or whatever the hell it is and then
they'd leave. Okay.
Okay. Put the "X's" where I saw the people.
And four, three here and one guy outside.
What's that, that's Sketch 8.
And this is a waiting. . counter. Okay. I don't
know if they're any chairs inside that little
thing or not. All right. I didn't see anybody
upstairs. I had the feeling though that something
was amiss. Something was peculair about it because
- this is what I wanted, what I was talking about.
That was the end of the hallway. Now,,I had
the feeling that there was a landing out there.
Okay. In other words, if you walked down the
end of the hallway, walk out the end of the hall-
way, you got to this landing, you'd be able to
look down in the lobby.
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#66: Okay. So, you don't know which end of the hallway
you are in when you see that though, okay, I
understand what you're saying.
#10.5: Well no. You got me down to this end of the hall-
way, then you told me to go upstairs where I think
I got up to a second level.
#66: Yeah.
#10.5: And when I got up I came up on one of the outside
wings of this hall. .
#66: Okay.
#10.5: Okay. Way at the other end. And when I got up
there, I had the feeling that that interior inside
the end, the center end of the hallway, was open.
#66: Right.
#10.5: Because I got down there and when I got down there
I looked down on . . the center lobby. I had the
feeling I could look down on the center lobby.
And look down on the top of this square thing that
sat in the middle of the lobby.
#66: Okay.
#10.5: Okay.
#66: Okay.
#10.5: So, and that there's stairs down there. Which I
hadn't seen before. Which I hadn't seen before.
#66: Okay.
#10.5: There's an open window at center.
PAUSE
Okay, the reason is because when I got there,
it was as though I was looking down over some
sort of a rail lash up, like this and down below
me I could see this square thing. Okay, and I
suddenly got the . . I got the feeling that this
thing was hollow. Okay. And that there was some,
sort of a burr in it here. And this was where
the two gus=r~r~ ate= +,_., like that.
PAUSE
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#10.5: For what it is, okay.
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All right, that was about it. Did I leave
anything out from the first place?
#66: Okay, before you move to the second building,
I want to ask you a flat out question.
#66: Did you see any people in the other building
that you . . . .
#10.5: Flat out?
#66: Yeah, we rail out of tape just a minute ago and
I wanted to repeat the question. Before you go
on to this other building that you described as
Area 2, in your examination of the first area,
did you see any personnel that you would identify
with as being hostage personnel?
#10.5: Noo+ At least in the areas of the building that
.. was in. I was trying to find people, because
that became apparent during the session, that's
what you . . . what was of interest. And I was
trying to find people and only these people acting
casually, but normally, non-hostage type things
If are the only ones that I came across in that session
When I got to the second floor, . . . I was getting
pretty loose at that time, so, I don't know.
My coverage of the second floor was not good. I
know that.
#66: Okay.
#10.5: Okay. I was beginning to lose my grasp, I guess.
#66: Okay, let's move on to the second area.
#10.5: Okay, second area is starting with Sketch 11.
PAUSE
#66: Okay.
#10.5: What did I see?
PAUSE
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#10.5: I am very unsure about the setting imagery because
of course I had . . I was using the photograph
outline as I had seen it to be my "beacon" if you
will. You know to focus that in my mind.
#66: Yes, I had showed you an overhead picture of the
area and you were trying to focus on the area that
I had designated to you as Area Number 2.
#10.5: Yeah. The only thing outside of the building
that I felt was that on . . . in a center of the
building somewhere near that parking lot .
okay, what would be the center entranceway to the
building, in the middle, in its middle, is . .
hard to describe. Some small steps up, okay, to
get to it. But the ee ing as that there
was a wall out. Okay. And the only reason I'm
putting this down is because then, you know, if
in fact, its there, you know, it would lend some
feeling for what I ended up with later on. But
that there is a down walk right alongside it.
How do I describe it?
#66: I think you said .
#10.5: There's a way to get into the basement. 'One or
two down basement steps which are on either side
of the up first floor step onthe very front of
the building. So that like if you were walking
arking lot, f you
wanted to just go into the basement, y just
hang . . shift to your right and you'd miss the
up steps and you'd walk down into the basement.
And that that's separated by some kind of a wall
lso that people don't fall all the way down the
basement level. So we end up with this up steps
and we end up with down steps separated by a wall.
#66: Okay and that's where you found yourself when
you first started focusing on this second area?
#66: Okay.
#10.5: Okay. And some sort of grass and I. . or something,
you know. Its a little out of the normal beaten
path, but somehow the sidewalk goes over there
and you can just miss this wall. You can take a
jog to the right side of the wall and walk down
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steps.. into a pit built in next to the building
which contains the stairs and an entrance of some
kind. I did not see any entrance but I had the
feeling that that's what the purpose of it was for.
1Okay. And I also had the feeling that'it was
duplicated on the other side of the building. . .
the other side of the stairway. Of the up stairway
so then we got to another down stairway down there.
PAUSE
Okay. That's all I can do. Its just.
#66: When was it this dormitory feeling came to you?
#10.5: It came to me after I got inside. I had the
feeling that . . . that the only imagery I had
was one of a. . I took to be a female person.
#10.5: Sitting with . . Oh, you know what a babushka
is? Not a babushka. A . . babushka is a shawl
11in Russian, I think. Grandma. We use it as a
shawl. Kerchief over her head, is what I'm talki
about.
#66: Okay.
#10.5: I had a feeling it was a light kerchief. What
she was doing, I don't know. I just saw this
. . feeling that it was a female person, image,
. . . in a white . .
#66: What floor was she on?
#10.5: I have no idea. This is where I got lost, getting
in there.
#66: Okay.
#10.5: I saw that and then I had the feeling of sleeping
area. Of like four or five beds, GI type beds
side by side. And then I had the feeling of a
. . of the woman huddled up where she was like.
this and she had her feet in a white porcelain
metal. . thing. And I had a feeling of tile around
there, like a washroom. You know, like a . . almost
like a shower type place. You know, it was enough
tile - I had the feeling like she might be in a
dormitory shower you'd expect. An almost public
shower. You know what I mean.
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# 66: Okay:
#10.5: Where people of the same sex share the same
facility for like locker room work and everything.
#66: Okay.
#10.5: And that's all I had. I had no idea where that
was. These were just very fleeting images.
You know how when you're cold, you bundle up;
you're shivering, you hold your arms across your
chest?
Okay.
#10.5: You keep your legs real close together, you know?
And she was wearing dark clothes. Dark bundled
up clothes. She looked bundled up is what she
looked like with some sort of a heavy thing around
her hips. And I couldn't tell if she was wearing
a skirt or if she was wearing pants that had been
pulled up at the legs. Okay.
My art when it comes to people aint good at all.
Ha ha.
Okay, she was sitting on some sort of a long counter
that was just high enough that her feet would touch
the ground. Okay, it wasn't like she was sitting
on a short thing, like a sofa. You see what I mean?
Okay.
#10.5: Its like . . . It was tile. There was tile in this
place. You know, I had the feeling of . . of . .
tile and . . light porcelain over the walls, you
know the walls. I felt the place and it.was like
. . How do I describe it? It was like this woman
was sitting in a bloody steam bath. You know how
when you're in a sauna, they've got benches that
are actually part of the wall that are not covered
with anything, they're waterproof, they're tile?
You know, they're just slick, If you sat on them
bare cheeked, you'd slide all the way down the end
of it. And I got the idea that she was like sitting
on something like that.
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#66: Okay.
#10.5: You know, that it was tile itself. That it was
like a ledge built right into the wall and that
it was like a bathroom or showering type of
facility. All I can do is just write down these
impressions because there's no real;tile - much
light tile all over. Woman, cold. Shivering.
Sitting.. . with feet in . . . I had the distinct
feeling it was hot water. You know, like people
will do that to warm their feet up. At first I
had the feeling that she was sick, but then I had
the feeling that she was cold. Okay. And there's
much, much tile all over the place. And its like
a spacious locker, room, shower, bathroom, feeling.
Okay.
#66: Um hm.
#10.5: All right.
#66: Again, I ask you what floor was this on?
#10.5: I can't tell you. I don't know. By this time
I was just getting images. I didn't know where
I was. I had no lock in, you know, I had..no
The other building, I was pretty sure that I was
you know perceiving right along, you know, in a
line that I could reasonably piece together but
now I was just -- I could have been all over the
building or I could have been somewhere else for
all I know. Somebody that knows a lot more about
the building will have to figure it out.
#66: Okay.
#10.5: The other one I had, Thirteen, was . . . a.
or rather that's the same one that I saw the
first time or not, I don't know. I had the feeling
of a woman with a white kerchief on her head. Then
I had the feeling of a woman with a white kerchief
on her head bundled up in clothes with her feet in
hot water, same or different, I don't know. Okay.
And that's when I got this one here, the feeling
of the tile all over the place.
Okay. Here I had a feeling of a room that had a
number,four or five GI beds.
#66: Are you saying that there are only four or five
in the room, or that you saw four or five GI beds?
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#10.5: All I saw was four or five GI beds. Okay. I
never try to say there are only four in the room.
For all I know, they might have been the only
four occupied and that's why I saw the beds.
#66: Okay.
#10.5: Now, whether or not they're occupied or not, I
can't tell you that either but that might have
been what attracted them to me. . . over possibly
others. Okay.
#66: Okay. You have a tendency to look at your picturess
th
i
e
n
and think about if there's anything else
room is . . .
#10.5 Sure. Sure. Okay. I had the feeling of some
windows here. And I have a feeling that'the
windows are bigger now that I think about it.
Windows were like amost down to head left to meta
frame GI type beds. All right.
And that's all. That's all. There. I can't
tell you if they're occupied or not. And I
think that's about that time is when I started
developing a dormitory flavor that there was not
necessarily a dormitory, but that it was being
u ed as a make-shift dormitory and that possibly
its where the female of the group were being . .
were allowed to live, or were living. You know.
11I had the feeling like this woman, Number 12, had
been outside and had done her thing for a number
of hours and was colder than hell and had come
back in off of her shift and was sitting with her,.
feet in hot water. That type of thing.
#66: Okay, are you saying that you're feeling for the
woman with her feet in the hot water is not one
of the hostages?
#10.5: Correct. Not one of the hostages. My feeling for
her is that she's one of students.
#66: Okay.
#10.5: Okay. And anyway, the section, at least maybe
a section of this building which may have had
another public service or at least a Embassy
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compound service, may have been you know, not
official. Like support service. Like you know,
what do you want to call it, like public shower-
ing area and . . and possibly a sick room, you
know for Embassy people that get sick and that
type of thing. With the beds and everything lik
that, was being used as a make-shift dormitory
because it wasn't good for anything else. You
know, because they had people in there sleeping.
And that maybe it was the female segregated par
or the place where females were segregated to
sleep. Okay.
PAUSE
And that's all I got, #66, on Number 2.
#66: You seemed to have a little bit of trouble by this
time trying to focus on . . .
#10.5: Yeah. These were spontaneous feelings. There
was no continuity to them. This was imagery.
Twelve was imagery, Thirteen was imagery and the
idea of up and down steps was imagery. Okay. But.
They were not connected. You know, there was no
continuity to them. As I had in the earlier Target
Number 1. You know, it was a case of going foot by
foot by foot or going to a place, turning around
and looking back, seeing what it looked like that
way.
#66: Okay.
#10.5: Didn't have any of that control. I was out of
control.
#66: Okay. Anything you want to add?
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TAB
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e
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~41
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~t)
~ I-,- . I*
N 11
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 n
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REMOTE VIEWING (RV) SESSION CC19
1. (S) The remote viewer had been exposed to open source
news media information and overhead imagery prior to the
session. He knew he would be working against the hostage
situation in Iran.
2. (S) The following page shows the only information
provided to him at the time of the session.
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Individual was shown overhead photography of
US Embassy Compound not int4uded herein due
to classification.
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