REMOTE VIEWING SESSION REPORT CC13
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00788R000800080001-6
Release Decision:
RIPPUB
Original Classification:
S
Document Page Count:
20
Document Creation Date:
November 4, 2016
Document Release Date:
June 17, 1998
Sequence Number:
1
Case Number:
Content Type:
REPORT
File:
Attachment | Size |
---|---|
CIA-RDP96-00788R000800080001-6.pdf | 519.97 KB |
Body:
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ORCON/NOFORN
CLASSIFIED BY: Director, =IA
DECLASSIFY ON: 30 Nov 199-
EXTENDED BY: Director, DI'
REASON: 2-301-C (3) (6)
96-00788R000800080001-6
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC13
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation-
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol"(S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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REMOTE VIEWING (RV) SESSION CC13
TIME
#66: This will be a remote viewing session (edited for
security).
PAUSE
Its time now to focus your attention on the target-
PAUSE
You have in your possession a picture of two
individuals. Relax and concentrate. Focus
your attention on them. On the area where they're
located.
PAUSE
Describe the area to me.
PAUSE
+05 #14: I had an impression of a large . . large'room.
Very high ceilings. Lots of books around.
Like a library - not a public library.
Room was very spacious. Brown sofa . . in this
room. Had the feeling that . . . might have been
a private library or den or some type of reception
area. Very large, oriental style carpet on the
floor. Something in a glass case.
Glass case seems to be sitting on the floor
under something or. . . maybe its part of a table
or something. Feeling there was some sort of
artifact or stuffed animal in this glass case.
Books all around. Book shelves built into the wall
or whatever from ceiling to floor.
PAUSE
Very comfortable atmosphere.
PAUSE
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+10 #14: I had a perception of this one individual sitting
on this. . .not sitting, but . . . lying on this,
this large couch there.
#66: Is this person on the couch alone in the room?
#14: I'm not sure. There's times when . . . . I don't
perceive any other presence.
I keep trying to pick up a feel for other people
or things. . . . I don't.
#66: Okay, tell me about the building that this room
is located in.
#14: This room . . . . sits off to . . . . the side
from a big . . . a large. . . . . entrance way
is the only way I can describe it.
There seems to be a very large. . . . . area
which would be the entrance. I don't know how
to discribe it.
Its just very large
how to describe it.
and very
Like in
empty.
your old
Don't know
Southern
mansions. . .
#66:
Okay, don't get analyzing. .
#14:
Okay.
PAUSE
There is windows in this room.
#66:
Um hm.
#14:
And . . .
they seem to be very tall and narrow.
Windows looking outside. I have . . overwhelming
perception of . . I think its the side where the
windows are, there's also a corrodor or hallway
that goes further down. There are some smaller
rooms. . . down that way.
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+15 #14: Focal point. . . . Focal point is this library
type room.
Its so comfy and cozy there I kind of get the
feeling even for a fire place. I don't know if
it exists or not, but it belongs there if it
doesn't.
Woodwork. . . lots of woodwork and stuff.
#66: Um hm.
#14: All rich, dark brown.
#66: Um hm. Were there any other individuals in the
area you're exploring?
#14: I get presence of other . . . (not audible) other
people there, but . . . nothing detailed. Not. .
not in. . . not in the room, but outside the room.
#66: Okay. Let your perspective come to bear on the
building itself from the outside.
#14: The only . . . . the only thing that popped in
and out. . . was something. . . very similar to
the White House or whatever. I don't know whether
that's symbolic or the actual thing. Had kind of
a rounded entranceway with wings on it.
#66: Okay.
#14: Lots of . . . . lots of trees and things around.
+20 #66: Okay. I have no further questions about the
target at this time. I'd like you to make any
other comment that you have that you'd like to
make at this time before you draw.
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PAUSE
#14:
No.
I don't have anything.
#66:
Okay.
How do you feel?
PAUSE
#14:
Oh. . . . . different. Oh,
and capture all that.
now to sit here
These are not necessarily going to be in sequence
of any kind.
This is the shape of the building. Okay. Kind
h
atever.
of a rounded front entranceway or w
And square off here. Rather like the White House
and this . . this area here was that hallway or
whatever I was trying to explain. Its a reception)
area or something. Its very . . Its right in the
entranceway and there's not a lot there. A lot of
people can stand. . .
#66:
How tall is this building?
#14:
Oh goodness! Well, the room I was in . . the
windows must have been a good 14/15 feet high
and there was like . . .
#66:
Where are you?
#14:
On the bottom. Its got . . to be a two story
building because when you come into this entrance-
way, there was a set of stairs going up.
#66:
Okay. Could you see out the windows?
#14:
Out these windows, yes.
#66:
Okay.
#14:
Well, I was looking. . . here was the couch
where the individual was sitting. And I was
looking from this aspect out the windows and
I could see were bushes and trees.
here
all
4
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#66: All right.
#14: This is the library type room.
#66: Okay, looking again at the pictures that I gave yoz,
can you tell me which individual it was you thought
was in this room.
#66: Okay, you're indicating, what's her
paper?_
#14 & Ann Swift . . . Elizabeth in parentheses.
#14: I'm almost positive. Absolutely positive. In
fact, I was getting . . . When I was focusing on
that, I was getting a very warm feeling.
#66: Okay.
#14: In my hand around that same time.
PAUSE
But this room sits off to the side of this big
hallway. I don't know what's here or what's
over here or anything else. I had a feeling
there might be a hallway going over here with
perhaps smaller rooms off to the side or something-
#66: Okay, this . . you said the building was a two
story building, on what floor is this room?
#14: On the ground floor. Its not in the basement, its
not on the second floor. Its ground level. Its oT
the same level that this entranceway is on.
#66: Okay.
#14: Let's see if I can . . she was wearing a skirt
by the way too.
This is going to be a lousey drawing.
5 r`
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#14: Anyhow, I could see legs sitting on the couch
propped up. . . . . with a skirt and . . . I
could see about that much of the individual.
In fact, I had the feeling they were relaxed,
reading a book. You know. Sitting on this couch.
It was a long kind of naughahyde leather couch.
Comfortable, overstuffed.
And, . . . just these . . . . rows and rows of
books. And all. . almost all the walls all the
way around have these large, they were built in
bookshelves from the ceiling to the floor.
(Not audible)
The perspective from where I was sitting . . . I
don't know how exaggerated these are, but I had
the feeling they were just . . . maybe double
windows open up in or out but they were very long
narrow windows. Tall, very tall. And probably
at least two.
And as you looked outside all you could see were
parts of the building and shrubery. There was
something inbetween these two windows also. Perhaps
more book shelves or whatever. In fact, I think so.
And over here, . . . . appeared like there might be
some sort of . . hallway or corrodor or perhaps wi=
rooms over here. Maybe a bathroom or office or
some type of small room, linen closet or whatever.
And of course here, this is a continuation of this
wall here. Of the . . couch. . . . would be here.
I'm almost positive . . . There were . . . . some
type of cabinet over here. I'm almost positive of
that. Kind of with glass doors. May have been
more books inside of that.
Very large carpet here with designs, oriental type
is all I can say. I think there were more book
shelves over here.
6
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#14: 'Cause these windows are kind of set back.
PAUSE
And over in here, in the center of the room,
#66: You moving now to page four?
#14: Yeah. Like I said, the entire room was just
surrounded by book shelves. But somewhere towards
the center of the room . . . I was looking at it
from floor angle, there was a . . what would
appear to be some type of glass case.
PAUSE
Its located. . .
#66: This is in the center of the room?
#14: Towards. . . somewhere out in the center of the
room. I don't know if that was used as a table,
or what. It appeared to be down on the floor
about the size of that. But there appeared to be
something in it in the form or shape of an animal.
I don't know if it was an artifact or whether it
was some sort of stuffed animal in a glass case
or whatever.
For lack of nothing else, I'll just . . . put the
head of a tiger in here. Something in the form
of an animal in this glass case.
And over in the background again, which would be
this side of the room, just . . . there might
have been a small. . . there might have been a
doorway going off somewhere over there. But again,
. . . . we've got book shelves. There were other
tables and things in the room, but this was the one
that caught my attention. In fact, to make it
clearer, . . . I'll draw an overhead diagram of
the room itself.
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#14: Now I mentioned that, if there wasn't a
fireplace, one belonged there or something.
If it was it would be up against this wall here.
Okay.
Okay. Those things are . . . book shelves.
This "W" here, those are the windows. It seemed
like kind of a courtyard thing 'cause the building
seemed to continue over here and over here.
This is more of a cabinet. . . . with glass front.
This is that . . . . glass box with . . . animal
of some sort in it, be it made out of pottery or
stuffed or whatever. This. . . would have to be
a possible. . fireplace.
This seemed to be some type of a hallway or
corrodor. This is the couch here.
#14: There seemed to be perhaps some tables here. .
or whatever and there was some other furniture
over in here.
There appeared to be a very, very large carpet
on the floor.
This is a possible . . . this may have been a
possible door at that position. This is definite.
This is the entranceway that you would normally
come into this room. And out here is this big
reception hall. This is just off of . . . the
reception hall as you walk in - you walk in and
its just off there. So I'll put . . . the
reception hall here. This is the. . . This is
definitely the main entrance to this room.
And the bottom individual was reclining on this
particular couch here.
#66: Okay, you had the feeling that this Elizabeth
was reclining on that couch?
#14: Right.
#66: Okay.
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I'm curious about your inability to perceive
other individuals in and around the area and
then that she is casually alone reading the book
on this couch in this room. It seems very curious..
#14: If there were any individuals there, they weren't
in the immediate room. I had a feeling there may
have been one or two out here. This area here.
#14: But I didn't even get the feeling that she was
paying attention to any individuals anywhere or
anything. It was a rather, very comfortable
relaxed atmosphere.
#66: Okay, it would appear that that would not be what
one would anticipate in this situation, but you
. . find very interesting and comforting that you
are reporting exactly what you felt. It was a
relaxed comfortable atmosphere and that's what you
are reporting.
#14: In fact, I didn't. . . if this has anything to do
with the hostage type situation, its beyond me
because I didn't get that feeling.
#66: Okay.
#14: At any time during this session.
#66: Well obviously, you know what problem you're
working on here and these people are hostages, so
. . . . Very interesting what you reported here.
Would you number that last page for us.
#14: Okay. Probably need a . . .
#66: Okay, Five is the overhead view.
#14: Five tons of description.
#66; Is there anything else that you want to add do
you think?
#66: Okay. That'll do it then.
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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC13
1. (S) The remote viewer had been exposed to open source
news media information and overhead imagery prior to the
session. He knew he would be working against the hostage
situation in Iran. He has remote viewed the Iran situation
previously.
2. (S) The following page shows the only information
provided to him at the time of the session.
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SG1A
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Next 1 Page(s) In Document Exempt
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