INSCOM GRILL FLAME PROGRAM SESSION REPORT

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000601020001-3
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 15
• Document Creation Date: November 4, 2016
• Document Release Date: June 11, 1998
• Sequence Number: 1
• Content Type: TRANS

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This will be a remote viewing session for 1000 hours,
25 March 1982.
REMOTE VIEWING SESSION 879
#66:
#32:
#66:
Okay. At this time I show you two photographs of
two-individuals who you have described for me in a
previous session. For today's session we want to
work in present time in the common locale of these
people in present time. By present time I mean
the area of this week, the central location where I
might find these individuals in present time as opposed
to September 1981 time frame we looked at before.
Do you have any questions concerning the task you have
today?
All right. Fine. Now, you have about: 25.minutes to
prepare yourself for today's session.
#66:
Relax now and focus your attention on the individuals
in the photograph I have shown you. Focus now on their
present location 25 March 1982. Concentrate now on
the location of the-individuals in the photograph I have
shown you. Relax, concentrate and describe your location
to me.
#32:
#66:
cement walls...a
It's like a s
protected are
2___iaay wo
Is TTocated in a
...it's like in a
type store.
place .: a s, ceilings
1 but-'there are no tracks.
er -taTT"ybui l di ngs... .
of cement ceilings and
were iinc-lose:d in a raiTroa
station, but it's not. It's like an stopping
g.,.. Has predominance of lady's cla es an a yrs
Brie.; That's where she spends her work day.
Free to move through time now as she finishes her work
day. Free to move through time to her residence.
Follow her through time to her residence.
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INSCOM
GRILL FLAME
PROGRAM
NOT RELEASABLE TO FOREIGN NATIONALS
CLASSIFIED BY: MSG, DAMI-ISH
051E 3OZ JUL78
REVIEW 0N:
GRILL FI;AME
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1. (S/NOFORN) This report documents a remote viewing session
conducted in compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target
are provided as raw intelligence data, and as such have not
been subjected to any intermediate analysis, evaluation or
collation. Interpretation and use of the information provided
is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed
in the document GRILL FLAME Protocol, AMSAA Applied Remote
Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings and narrative provided by the remote viewer. At
TAB B is target cuing information furnished the remote viewer.
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#32: I got to go around about way. She attends as many classes
as she SAILatt universit. She az time went fullTime,
ups s Third year and she can only go part
time. Her association with that man dates back to about
3 or 4 - 3 years...impression that she's history major or
something. Some very quick impressions. She, until about
6 or 8 months ago she..she lived with a middle-class, well
to do kind of...have business of parents...in her apartment
Th e s impression here Qfw ldings that are__very
...I see her now living in an?_ ~ a r t m e n t with - a . . irlfriend.
urhtque -`v ~ can and to king about exterior impressions
of a very modern ?cement type buildings..extremely modern
i~ earance and it's always an impression of multi-storied
me err apartments.
#66: Color.
#32: Again.
#66: Color.
#32: White, .. not absolute white, but off-white, but very tidy,
very recent, very modern... like recently built within the past
two years, two years, three years.
#66:
#32:
Describe the neighborhood surroundings for me.
I...come out and have...three times if I were to draw any of
the kind of an outline of the city...would be located in there
but the south, southeast area almost on the fringes of the city.
#66: Describe the city to me.
#32: I think the area I'm speaking of like
-ani t ' s b l d o i na ara-on Tff"burbs.`on the
outskirt o the southwest as if some kind of............
a water mas _pQ sib_1y a _1_ake_. What I get is kind of like
a shTiiy is .....type bf circle within a much broader somber
circle...the city was in a city. That's the modern part of it.
#66: Now, listen very carefully. In this city there is one specific
structure, landmark, topography, identifyer kind of thing you
put on a postcard and everybody knows this city because of this.
Focus now on that identifier.... and describe it to me.
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#32: Well, before I do that...I could...have give you the
.....(mumble)
#66:
#32:
Report, report.
That's it. ..... ....... .....
There's a guy's name that she's associated with sounds
like Kurt, Kirt.... G...The city....just keeps
coming ..I~~ i s r No explanation for that.
#66: Okay. Let's go now for the symbology...the unique
identifying feature. Focus now on the unique identifying
feature of this city and describe it to me.
#32: It's a h re o the ide_of,aj...like on a
...not ery steep inc ine...There's also another feature
as if that.entire land mass kind of runs into a valley
with a great deal of tracks, railroad tracks for commercial
shipping (mumble). I don't know. Something to do with
natural gas or coal. I'm not sure.
#66: All right. I have no further questions about the target.
Feel free now to expand and go beyond my questions and
examine the mission, the concept, and the problem from
your perspective and report your perceptions to me.
#32: I can tell you this. The male person is not that strong
there. He would enjoy the notariety but, he has strong
misgivings about what he is doing. It's as if because
there were nobody else to do it...that has taken on the
cause, so to speak. He's kind of edged on because of
his age and his former associations (mumble) like he's
inherited the position (mumble). He also (mumble)
in the core of the city as I described earlier to go
what I presume to be west in a suburb ... he naturally
feels more at home than he does in the city. There are
relatives in the suburb. I think especially an older
sister. It's a place of family connection, family ties.
I don't have anything else.
#66: All right, fine. Remembering all of your perceptions
concerning today's project let's prepare to draw.
(SEE TAB A FOR DRAWING NARRATIVE)
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(DRAWING NARRATIVE)
#32: On sketch number 1, in fact and number 2., because
they're similar impressions. They're just difficult
to draw because the place of kl-o~__m nt for this
female is in a -like at os~i e In a sense
that the the lingerie store is
located i-__ appeared o be the beginning of a
at It's
a e oent past couple, three years,
ng~ar And, the walls, the ceiling an e
one ne the outer walls are all cement type things.
There's a sidewalk to the left that leads to the glass
doors. In fact, that door should be the first door
in the tunnel-that is the first of several stores
in mind, but it should be about the first store...
that identifies, the place she's working at.
and* "" e of s ace between "ie-s ore - oors
e o wa~a o ._ the tunnel.- but there was no
t C .,.was 9if automo i es were no mean otie here.
Automobiles"'are not allowed t'o_Dbe 'there, and on top
of.this shopping area.....the equivalent of......
apartment, high-rises, which I"''8`CP'`n t draw in
number 2 so I drew in number 1 to give it a different
perspective. Do you have any questions on this?
#66: No. It seems to be kind of a little tcMv~? errpeat'K
some ...either apartments or offices above it.
.-
#32: Yeah. But, it &e nicely` as t' lavor of a shopping
area. It's not an isolated area where the store is in
there by itself.. It's either the be inning of a -
shopping area complex that D10-ugh- -e -tunnel"
~~wuu ., ,
#66: Something that might be designed to service the folks
that are right above them. They can come right down-
stairs and shop in these area.
#32: Yes. But, larger than the normal corner type store
that you might be associated with.
#66: Is it old?
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#32: No. It's new. Everything around that area is new
in a sense that it's been recently built. By my
standards recently means 3 years 4 years, 5 years
that it's been done. It was a huge project, I'm
sure.
#32: Okay. In sketch number 2 when I was trying to pinpoint
the female's residence which I've indicated with an
X, I got the impression of a very whitish circle
with a .........
#66: You're on drawing number 3 now?
#32: Yeah. Drawing number 3........ within a residential
area and that...this is what I have labeled in sketch
number 3 the inner city with modern high rises and
was indicated as living in southeast area of that
particular circle...with the parent's residence....
not that far away.....maybe 4 or 5 blocks away which
I've indicated with a zero. Trying to look for
distinguishable features of the area, outside of that
area I think within 16-or 20 miles I found a sort of
. I thought it
lake to the southwest o the city are
mig7i a geogriap"i1ca"f eature that might help to
pinpoint where this place is.
Then you asked me to be very specific.....
#66: What charactizes this city?
#32: Yeah...... to come up with a, with an item that would
be specific to this city that might be...the subject
of a postcard that someone might send to relatives
.....friends or relatives indicating that they were
indeed, that they indeed had visited the city.
In sketch number 4 what I have sketched there is the
outline of a castle chateau type building that is
appeared to have..... aprlmncipa ure is built
on the very steep ;lope-on the side of almost a mountain,
if you wish. It had several spirals and it was made
of stone and it appeared to be a historical landmark.
So, I sketched it as best as I could.
#66: Okay. And, where is this located? Is it down in the
middle of a city?
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#32: =-zNohis is ...... well, I just picked it up.....
really located.....It was just built on the side
of a steep incline, mountain ...... that--ed into
ev an` is also another steep incline going
out on the-eastern portion facing this chateau.
So, you have a hilly, hollow and hilly type affect.
#66: All right. Do you have any other comments concerning
your session today in the attempt here to locate
individuals in these photographs?
#32: No. I was very hesitant to tell you names
(mumble) popped up about 3 times. I figures I had
to get rid of it because I haven't been very accurate
with names places or people, but since .............
I had not solicited that type of information it popped
up anyway ...I figured I had to let you know.
#66: When you say the names pop up describe the impression
that you get.
#32: Well, I was concentrating on the people trying to find
out where they were at, where they were physically
located and the names came up initially and the second
time and third time through the session..........
#66: Okay. By coming up do you........
#32: Associated with the person and associated with the
city .....
#66: Was it a visual or an auditory, a mental..........
What type of message was it?
#32: A little of both. Because I was trying to find out
if it was Kirk (,phonetic) or or whatever it
was. Bestray could say this is phonetic.
#66: Anything else you would like to add?
#32: No. I don't have anything else.
#66: How do you feel about the work you did today?
#32: All right. In fact (mumble).
#66: Okay. Good.
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ti
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TAB
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 SG1A
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