INSCOM GRILL FLAME PROGRAM SESSION REPORT

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000600740001-5
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 11
• Document Creation Date: November 4, 2016
• Document Release Date: March 27, 2000
• Sequence Number: 1
• Content Type: REPORT

Approved For Release 2000/08/07: CIA-RDP96-00788R000600740001-5
INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY:MSG,DAMI-ISFI
DATED: 051630ZJUL78
NOT RELEASABLE TO FOREIGN NATIONALS REVIEW ONz
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REMOTE VIEWING (RV) SESSION DCC-78
1. (S/NOFORN) This report documents a remote viewing session conducted
in compliance with a request for information on a target of interest.
2. (S/NOFORN) The remote viewer's impressions of the target are provided
as raw intelligence data., and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation.and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
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IW err ' ^ s r I
REMOTE VIEWING (RV) SESSION DCC-78
#66: This.will be a remote viewing session for 0830 hours,
19 June 1981.
#07:
#66:
0830
+04
#07:
+06
#07:
+08
+09
#66:
This will be a pre-session briefing to the remote viewer.
Today we.will.be working with the sealed envelope exercise
which you began two days ago. The information provided by
you concerning the target in the sealed envelope, designated
by the photograph in the sealed envelope, did not relate
intelligence information to us concerning the target. This
morning we will be targeting once again using the sealed
envelope. At this time we will ask you to focus on the
target object pictured in the photograph in the sealed
envelope, and ask you to describe the target object pictured
in the photograph in the sealed envelope. Do you have any
questions concerning the targeting for this morning?
I don't think so.
All right. You have 25 minutes to prepare yourself for this
morning's session.
Relax. Relax. Relax. Relax.... Relax and concentrate on
the target object depicted in the sealed envelope. Focus
your attention on the target object, and describe it to me.
I'm getting, uh, components of...I guess some type of aircraft.
I'm only seeing components and not-whole thing. Airfoil
s.hapes..aluminum castings.... Silhouette of person with a
a head bowed. deep meditation, standing...
Okay, I don't know,.(mumble).. I'm getting a feeling of
sadness.which I'm havin' trouble pushin' through. I don't
know what to make of it but..I also get some.kind of primitive
urns which-must be in the vicinity of the target or have
somethin'. to do with it or relate in some way. I got a bent..
twiste.d.airfoil. That's about it. Except that damned oak
leaf again.
Okay. Now you have mentioned to me components. and metal
castings, aluminum castings, and airfoils and a leaf.
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#66: All right. Take one more look at all of these things that
you've seen so that you may render them in a drawing for me
+10 precisely as you.have perceived. them. And let's prepare now
to draw those images you have had.
#07: Okay.
Okay, the imagery, uh, was somewhat fragmented throughout the
whole thing, as illustrated by the.aircraf t components that I
drew on example number-one. Uh, large aluminum casting of
some kind,. and there was other shapes that I can't describe
that were.big castings as well, that I haven't drawn. And
some kinda airfoil that I saw lying on the ground, bent, torn,
damaged as though it were discarded from repair, placing,
replacing components. There was a lot of components lying
around like this. First I thought that if I looked around
I'd see the aircraft. I didn't. All I saw was different
components. Uh..I didn't get enough to make out whether it's
fixed wing or, uh, rotary wing. This airfoil looks like it
could be possibly part of.a very large helicopter, because
the wing looks so narrow and long.
I got, soon after that I got, in drawing number two- oh, yeah,
there was a..a, I mentioned that this was damaged.a moment ago.
And there was a tear in the airfoil. But, uh..couple days ago
I got something-that I locked on very strongly to an oak leaf,
and I did-it again today. And a leaf is on the airfoil shape.
I don't know if it has any meaning or not.
Uh,.on to drawing number two. I saw a silhouette of a, I
thought a male person standing with the head bent as though
in deep meditation or sorrow, and I started feeling sadness
about that time. And saw large primitive urns. And I don't
know, for some reason I thought of burial urns, and this dis-
turbed hie somewhat. Uh, I toyed with the idea this might be
telling me where I was located. I toyed with places that are
noted for primitive urns, I even thought of the Bay of Jars in
Cambodia or wherever it is. I felt I was in somewhat a tropical
area. A lot of fragmentation, I was never able to put it to-
gether and get a total scene.
#66: Okay, after the urns you said you saw some more airfoil shapes.
1107: Uh, yeah. I..when I felt that the other imagery of drawing
two and three was getting me nowhere I came back to the stronger
imagery of the aircraft. components.. And,.uh, I saw the com-
ponents. Right now I can't describe them. I tried.to look for
a whole fuselage. I did not find one. But I felt very strongly
they were aircraft components. I think I was back at the same
place where I saw these first, uh, parts that I drew on drawing
one.
#66: Okay.
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2 ME
#07: Uh, but I was just getting cuts of this piece and that piece
like I was holding an inventory of aircraft parts..
#66: Okay. How do you feel about this session?
#07: It- I was disappointed. Uh, I couldn't meld the-fragmented
imagery into a solid image that .1 could hold. Just bits and
pieces I. was tryin' to grab at and hang onto and get down to
some real serious viewing. But, uh, I couldn't do it. Don't
know why.
#66: Anything else you'd like to add?
#07: No, but it occurs tome now.that, uhf this might be some kind
of crash, with the sadness and the damaged components. Could
be some kind of accident.
#66: Okay.
#07: Okay?
#66: Okay, fine.
Y
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TAB
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