SESSION REPORT, REMOTE VIEWING (RV) SESSION D-40. VIEWER 008.

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000400410001-3
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 14
• Document Creation Date: November 4, 2016
• Document Release Date: June 12, 1998
• Sequence Number: 1
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG ,DAMI-ISH
DATED ? 051630ZJUL78
NOT REISCMOLIft NATIONALS REVIEW ON:
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION D-40
1. (S/NOFORN) This report documents a remote viewing session conducted in
compliance with a request for information on a target of interest. The
mission was to describe a target room in a building.
2. (S/NOFORN) The remote viewer's impressions of the target are provided as
raw intelligence data. and as such have not been subjected to any intermediate
analysis, evaluation or collation. Interpretation and use of the information
provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the docu?
ment, Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S),
undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing infor?
mation provided the remote viewer.
NOT REL8SpEOp+ NATIONALS
LCACW
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TIME
TRANSCRIPT
REMOTE VIEWING (RV) SESSION D-40
#66: This will be a remote viewing session for 0830 hours,
11 September 1980.
Relax and concentrate now. Relax and concentrate. Focus
your attention on the building in the photograph I have
shown you. Put your attention on the building and now
move into the room I have indicated. Describe the target
room to me.
#08: There's a, uh...Persian type rug on the floor...There's a
...smooth (mumbling) red on border...And intricate patterns
that are...the predominant color is yellow beige, light
brown (mumbling) shifting to the...left entrance, which is,
uh...in the...in the left
And there's, uh, something in the center about, uh...
glass I don't know. Not sure if that's a door
or not (mumbling)....(mumbling) square glass, it could be
doors, wider than the entrances to the left and to the
right. (mumbling...(mumbling) At least two (mumbling)...
Sort of a...something about the wall being quite thick at
the time... A little odd to have such a thick wall (mum-
bling). High ceiling, there's a...impressions of a border
between ceiling and the wall, looks like a (mumbling) bor-
der or something...
Fixtures hanging down...light fixtures I started
off with a...an impression, in a light corner of the room...
I have nine mattresses piled up that are
#66: Tell me what else is in the room
#08: What else?
#66: Yes.
#08: Big, uh big conference table...It's one of those things
that, uh, either is there or should be there. Got the
impression there should be a big conference...the table
belong to There's a mirror here now...It's in a
it's an official type, uh, room. It's not overly, uh,
ostentatious...very comfortable...And at the head of the
conference there is or should be a big (mumbling) desk,
if you wish. There should be behind the desk a...I see
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#D8: it...drapes or curtains almost across the entire, not
quite the (mumbling) much wider than the desk area. Get
the impression that back wall is covered by drapes or
something.
466: Okay. I'm not sure whether or not you're in the right room
or not. You remember from the target photograph there
were three air conditioners sticking through. Look around
the room you're in and see if you can find those.
PAUSE
408: Okay. If I concentrate on the air conditioners the wall
become...light yellow, extremely bare something over
the windows, but it's like a...curtain rod with...or draw
drape rod with nothing on the draw drapes (mumbling) vene?
tian blind things that are pulled up way over there.
466: Place your back to the wall with the air conditioners and
describe the scene in front of you
408: It's a bare room....something about it's like a dorm?
itory...bare dormitory room...nine spring cots on the
right
#66: Anything else you notice in the room?
408: No.
466: Okay. I have no further questions about the target room.
If there's anything you'd like to add ple'ase do so now.
#08: (Mumbling) atmosphere I can compare it to is like a
school dorm where people are occupied someplaae else. This
place I see empty now.
466: Okay. Anything else?
408: No.
#66: Okay. Let's prepare to draw the images you have had.
408: What do you want?
#66: Okay. Just give us a picture of the room as you perceived
it. Now there are, I guess, two distinct impressions you
have. One-
408: Yeah.
466: ?was some sort of a room with a conference table and a desk
and so forth.
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#08: Yes.OL
#66: And then I asked you to stand with your back to the wall
that had the air conditioners?
Yes.
#66: ?and you saw a bare room?
#08: Yes.
#66: So how about two drawings, one of each.
#08: Well, it's basically the same dimensions. One appeared to
be a, uh, conference room. Let me draw the first one now.
#66: Okay.
#08: Okay Okay...this was...let me call it the plush impres?
sion of the room, first room I had. Okay, there was a
entrance there, there's another entrance back in here some?
place. And here there was either a wide entrance of a
very elaborate decor, everything meshed in so I couldn't
even tell if they were doors or what have you. But, uh,
the...the distinct feature of this place is that it was
light tan or with glittering glass. All right9
think they were doors, they could be double doors, I'm
not sure...0kay. There was heavy drapery here someplace...
from, uh, ceiling to floor, in front of the drapes was
very big wooden desk...It reminded me of a diplomatic room.
And here...a huge conference table. Okay, with chairs.
And that Persian type rug, which is in two sections with a
red border and the yellow bum, bum, bum. Yellow, uh, buff
predominant background.
#66: Okay.
#08: Okay. The nine mattresses that I saw were here...and all
these, they were just lug on top of one another. Just
plain old mattresses. Single bed mattresses.
#66: And....
.008: Piled up in this corner.
#66: Okay.
008: All right.
#66: Now if this is the target room, in which wall would the
air Conditioners be?
008: Here
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h66: Okay...Okay, now I would like to ask a couple questions
about it.
#08: Shoot.
#66: Over here? on this wall you have an entrance at this end?
Yeah, it's a small?
#66: ?and an entrance at this end of the room.
#08: ?small entrance here.
#66: And then you said something about there were doors here
in the middle or something?
#08: Yeah, it's either a double door or a, it's a glittering
glass effect, which is quite wide in comparison to these,
to this single door entry. And if somebody were just about
to open this up, uh, like the old parlor type doors, you
just op?, swing 'em open and you can come in, and when you
mesh 'em together you can hardly see 'em because they fit
so well. They just had a great deal of glass and glitter.
#66: Were these doors here that you, the doors in the middle of
the wall here?
?
#08: Yeah.
#66: ?were those doors open or closed?
#08: Closed.
#66: They were closed?
#08: Yes.
#66: Okay. And where was it that you said you saw thick walls,
unusually thick walls?
#08: Oh...behind, behind this curtain. This is what is hiding
where very thick walls here. All right. It was just a
slight thing in a sense that it made the window recede more
than what you normally would see, see the window.
#66: Okay.
#08: Okay. So like this is more exterior. I saw 'em, but then
the drapes kind of came (mumbling). It's as if you were -
setting a, uh, window frame on, uh, cinder blocks. It
looks much wider than you'd expect. Particularly for that
type of room. All right.
#66: Now if we can go to page two.
fik
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#08: Uh...
#66: ,And see if we can't, uh...when I ask you to focus putting
the air conditioners to your back and looking straight
ahead. What was it you had there?
#08: Very, very, uh, drab scene... And, uh, I will put the air
conditioners here....And, first impression was that all
of a sudden the, uh, wall was very clear of all, cleared
of all draperies and frills and what have you. It was
clean but it was almost severe. What got my attention was
nine bunks aligned here and in dormitory style. Okay?
#66: Mm?hmm.
#08: And there was like spring cots and bunks, whatever you want
to call it
#66: You say there were nine of 'em?
#08: Yes.
#66: Was there any activity going on in the room?
#08: No, I was, it was desolate, it was, that's why I compared
it to a dormitory, like, uh, the impression that the
students are out to school and therefore the dormitory
is there and it is empty.
#66: Was that kind of a feeling to you?
#08: Yeah.
#66: Okay.
h08: Yeah.
#66: Now, um...do you have any other things that you noticed
in this room? It seemed, you said that it's dark, dark
and barren.
#08: Yes.
#66: How about the walls? Are there any pictures hanging on the
walls?
#08: No, I didn't see?
#66: Are there any?
No, I didn't see anything like that.
#66: Okay.
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#08: My attention was brought on by the beds.
#66: Okay. And?
Very barren.
#66: Okay.
#08: Really there's not too much to the second impression.
#66: Okay. And, um, you just stated, when you were getting
ready to draw, that you didn't have very much confidence
in your imagery.
#08: No.
#66: Comment on that?
#08: Only because, uh, you see a full room and you see a very,
uh, unfurnished and severe type room. And, uh, what I was
tryin' to do is concentrate on that target with the three
air conditioners in it. 'Cause you got two very distinct
varying impressions.
#66: Okay.
#08: That's what?
.#66: Do you have any preconceived? do you have any idea where
in the world this might be?
#08: Well, only because we've worked Iran for So long I thought
it might be Iran, but I'm not sure.
#66: Do you have a preconceived notion that you would target
against Iran?
#08: I thought that I might be, it might be Iran before I
started.
#66: Okay. Okay, fine. I have no further questions. Anything
to add?
#08: No.
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TAB
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TAB
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1. (S/NOFORN)
photograph. He
the room behind
2. (S/NOFORN)
descriptions of
CECRET
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION D-40
Prior to the session the viewer was shown the attached
was told that he would be required to focus on and describe
the three air conditioners.
During the session the veiwer was asked to elaborate on his
the target room.
NOT RELEASABLE TO FOREIGN NATIONALS
GEGRET
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SG1B
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