W. E. COLBY REBUTTAL TO GRANADA TELEVISION'S, THE RISE AND FALL OF THE CIA
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Document Number (FOIA) /ESDN (CREST):
CIA-RDP99-00418R000100110015-4
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RIFPUB
Original Classification:
K
Document Page Count:
8
Document Creation Date:
December 27, 2016
Document Release Date:
November 21, 2012
Sequence Number:
15
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Publication Date:
December 13, 1975
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OPEN SOURCE
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RADfl TV REPORTS, INC.
Special: An Interview With
William Colby i3y A -. \ Dv k
December 13, 1975 10:45 PM CITY Washington, D.C.
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ANNOUNCER: As a special feature program, WETA will now
present an exclusive interview with Director of the CIA William E.
Colby, which was taped earlier today. Mr. Colby saw "The Rise and
Fall of the CIA," a program which aired on WETA Tuesday night, and
took exception to some of the points made in that program. He
relayed these concerns to us, and we therefore invited him to be
interviewed by NPACT correspondent Paul Duke.
Because of the importance of the subject matter, particu-
larly at this time, we believe you, our audience, should have an
opportunity to hear Mr. Colby's opposing viewpoint.
PAUL DUKE: The British film sketched 25 years of CIA
operations in various parts of the world. And, Mr. Colby, that
film made clear that the CIA has played a major role in American
foreign policy. Is it your feeling that the film exaggerated that
role?
DIRECTOR WILLIAM COLBY: I found the film to be tenden-
tious, partial, and biased, Mr. Duke. I was so upset about it
that I asked for a chance to make some comments with respect by
it -- to it.
We're accustomed to criticism in CIA, but some of the,
more violent forms of criticism we find in some of the more vio-
lent mediums. And this particular medium'I always thought was
one which appeals to an intellectual audience, with some dis-
crimination; and I was concerned that they would get a false
picture of CIA from that film.
DUKE: Would you be specific about your criticism?
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DIRECTOR COLBY: Well, I think the stress of the film
was that the CIA had unlimited power, no control whatsoever over
the money given to it -- any amount of money could be given to
it -- totally out of political control. All those phrases were
repeated throughout, and I think the images reinforced that, in
the kinds of pictures that were selected.
The sources used for the film really surprised me a bit.
Mr. Braden, for example, was billed as a Deputy Director of CIA.
He was never a Deputy Director of CIA.
DUKE: Now, you're referring to Tom Braden, who is now
a newspaper columnist.
DIRECTOR COLBY: Tom Braden, yes. Yes. He was an
employee of CIA from 1951 to 1954. Thereafter, he was a con-
sultant, until 1963.
Mr. Maggio was one of the sources. He was hired, went
through a little training, and was terminated by CIA six months
after he came to work with us.
Mr. Agee, of course -- I think .some might call him our
first defector, because in his book he has attacked CIA very
seriously. He has thanked the Communist Party of Cuba in his
book for its assistance in his research, which I find a rather
sharp admission of what kind of a book -- of a source he might
We have Mr. Barton Osborne speaking about Phoenix,
giving the impression that he was in the Phoenix Program. He
was in a military intelligence unit; he wasn't in the Phoenix
Program; he wasn't a Phoenix adviser. He left before the Phoenix
Program really had any impact. It was begun in mid-68; he left
it -- by November '68, he was out of Vietnam.
I think the sources here were quite contentious and
partial. I think the narrator made particular points of drama-
tizing some of the episodes in our history. I think the presen-
tation of the events in Iran, for instance, were -- Mr. Roosevelt
very clearly said that the effort that he was engaged in there
was support and some professional advice to the people who wanted
to do what they did. And yet the impression was given that this
was all some great manipulation carried dff by CIA.
I think this is what does concern me about some of
these more sensational stories that give an impression of a --
what Mr. Braden refers to as a monster, and he thinks it ought
to revert to being in some small tool shed.
I think that's ridiculous. I think we Americans are
in the process of bringing CIA and bringing intelligence under
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the constitutional structure. We were never asked to be under the
constitutional structure. There was a consensus in America 25 years
ago that intelligence was a necessary business, but that it should
be conducted out of public gaze. That's no good for us Americans
anymore, and we are investigating intelligence seriously.
The Rockefeller Commission issued a report assessing its
review of some rather sensational charges about CIA's interference
in domestic affairs. It brought out, yes, there were, a few cases
in which we did the wrong thing over this 25-year history. But it
also brought out that the vast majority of our effort was accurate.
The recent Senate report on Chile I think again brought
into some degree of precision the fact that, [as] we've been saying
all along, that CIA's work in Chile essentially was one of supporting
the democratic forces there and that we had nothing to do with the
coup in 1973. There was one exception to our program there, in 1970,
conducted at the direct order of the President.
I think this matter of political control, this matter of
the unlimited power is an image that gets loose, which has no
relationship to the real contribution that CIA has made to the
intelligence business and to the foreign policy of our country over
these years.
DUKE: Well, Mr. Colby, you obviously try to put the best
face on things,...
DIRECTOR COLBY: Certainly.
DUKE: ...which you would do, considering your job. But
you surely would not deny that many of the things which were shown
in the film actually did occur. For example, that in the case of
Iran, that the CIA did actively work there to see that the Shah
was restored to power back in the 1950s.
DIRECTOR COLBY: As Mr. Roosevelt said in the film, we
supported and we gave some professional advice on helping the
Shah to remain in power.
DUKE: And you surely wouldn't deny that the CIA -- you
said that the CIA had engaged in a few things which were wrong.
But some people think that there was a pattern of illegal activity,
of activity which went beyond the CIA's charter, which took place
over a considerable period of time. You did open the mail of
innocent Americans; you did spy on innocent Americans; the CIA did
engage in wiretapping, in illegal break-ins.
Didn't all of these things really occur?
DIRECTOR COLBY: I think I would refer you to the
Rockefeller Commission Report, because it mentions these, and it
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also, I think, brings it into accurate proportion. It says: Yes,
some things happened. But it also says that there were very few
of them over the years, and that these were, if. I may quote: "A
detained analysis of the facts convinced the, commission that the
great majority of our domestic activities comply with our statutory
authority. Nevertheless, over the 28 years of our history, CIA
engaged in some activities that should be criticized and not per-
mitted to happen again. Some were initiated or ordered by Presi-
dents, either directly or indirectly; some fell within a doubtful
area, as to what was the responsibility of CIA and what was not;
and some were plainly unlawful."
It pointed out that the agency's own recent actions,
undertaken, for the most part, in 1973 and '4, "have gone far to
terminate the activities upon which the investigation was focused."
I think that the fact that became clear there is, yes,
there were some things that we should not have done, but that we
terminated them, and we have arranged ourselves so that we will
not do them again.
DUKE: By the same token, Mr. Colby, isn't it true that
the Rockefeller Commission Report, which came out in June, did
not indict the CIA in the same way that the Senate Intelligence
Committee has? The Senate Intelligence Committee has gone beyond
the findings of the Rockefeller Commission and has found many more
examples of illegal activities by the CIA. It found, for example,
that the CIA, in at least two instances, really set out to kill
foreign leaders: Fidel Castro and Patrice Lumumba of the Congo.
So, aren't you citing a report which, by and large, is
more favorable to you than the later findings?
DIRECTOR COLBY: No, I'm merely citing a report that
was written to cover CIA's domestic activities, which was the
subject of its inquiry and which was the subject of sensational
charges about a year ago, which gave the impression that CIA was
engaged in massive illegal domestic intelligence activity.
I think the facts of the Rockefeller Commission Report
were that it wasn't massive and it wasn't illegal, that some of
the things were wrong, some few of them, but it certainly couldn't
be 'characterized in that fashion.
DUKE: Wasn't...
DIRECTOR COLBY: The subject of assassination, of course,
was considered a bit there, but then was passed to the Senate
Committee for its further investigation. And in the Senate's full
investigation -- and we cooperated 100% with them on this. I think
if you'll read that report also, you will find that what they found,
after six months of very intensive investigation into what CIA did,
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that they find five cases, which they mentioned. Two cases in
which CIA, they say, did make some steps toward the killing of
these individuals, neither of whom died as a result of those
steps. There were some other steps -- there were some other
people who were killed elsewhere as a part of activity that other
people in other countries undertook, and was not a result of CIA's
plotting against them.
And that's the sum total of the six-months' investiga-
tion. This does not give you the impression of an agency which
has spent the last 25 years assassinating people.
DUKE: Mr. Colby, you said on CBS not long ago -- and
I'd like to quote your precise words -- "There were things that
were done wrong, but they were done either because they were
believed to be right or within the color of the law. There is a
justification for what they did."
Do you believe that murder was justified?
DIRECTOR COLBY: I believe that assassination is not
justified, and I've issued directives against it, and I've turned
down suggestions from high officials in thq past that that be done.
I have no question about that. Certainly it should not be done,
except in time of war, of course, which -- war is a form of killing
people.
DUKE: Senator Church said the other day that the CIA
has hundreds of people sitting around, dreaming up subversive
activities. And again, I'd like to quote what he said: "These
are the types you actually would expect to find, the dare-doer
types, the adventuresome types, the people who find their expres-
sion in exciting activities. And what are they doing? They're
sitting around, thinking of schemes for new interventions all
over the world."
Is that an accurate description of CIA people?
DIRECTOR COLBY: I don't think so. I suppose you could
say that I've had an adventurous life in various things, but I
don't sit around scheming for more adventures. I have plenty of
adventures here in Washington answering committees.
But I think that CIA people are'patriotic, they are
serving their country in an anonymous job, in most cases. CIA
people are intelligent. We have perhaps more -- a better faculty
than most universities can show in this country, in terms of
experts in everything from agricultural economics to nuclear
physics. CIA people are -- have a lot of drive and integrity,
because they are trying to find the truth of what's happening
in the world, and they are independently assessing those and
reporting it to our national leadership, whether it corresponds
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with the request for the latest weapons system or whether it cor-
responds with the latest policy. The assessment is independent.
And I think the people in CIA have integrity, are interested in
foreign affairs, are students, and are doing a job for their
country.
DUKE: And you have many controversial covert operations
going on around the world. Exactly how many of these operations
do you now have?
DIRECTOR COLBY: We have very few now. In years past,
during the major days of confrontation between the Soviet Union
and the United States in the cold war, where they. were engaged in
a vast subversive effort to overthrow governments around the world
and assert Communist power around the world, we were contesting
them in many areas. We contested in Western Europe, in tune with
our government's program to protect Western Europe against military
attack, through NATO; against economic chaos, through the Marshall
Plan; and against subversion, through some assistance to some of
the democratic forces. And we won that fight in Western Europe in
the '50s.
In the '60s there were many who feared that Latin America
would be turned against us totally by the export of Cuban insurgency,
and programs were set up there: a political program, through the
OAS; economic programs, through the Allianca and similar programs;
military assistance programs, and some assistance through CIA.
And, essentially, I think we won that fight, too, that Latin America
did not fall completely to Cuban insurgency and subversion.
But in recent years, there's been very little of this, and
a very small percentage of our budget, very few of our people are
engaged in these activities today.
As you look ahead,-we may have to do it again. There may
be other challenges that we will face that we would rather meet
with something between a diplomatic protest, which would be ignored,
or sending the Marines or 500,000 U.S. troops, which is too much
and is not effective. And CIA, I think, has shown that it can
contribute to that sort of a situation and reduce to a small problem
something which could become a major confrontation.
DUKE: Well, don't you have one of those challenges now
in Angola? There are reports that the CIA has poured at least $25
million into that Africa state in an attempt to counter the Russian
and Cuban intervention. Is that correct?
DIRECTOR COLBY: Well, I am not free to discuss our
activities in any particular country, or any of these covert
activities, in detail.
DUKE: But you don't deny that you are involved in Angola.
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DIRECTOR COLBY: If -- any activity by CIA other than
intelligence gathering, under the present law, is reported to six
committees of the Congress. CIA is in full conformity with that
law on any activity other than intelligence gathering.
DUKE: You have informed members of Congress about your
activities in Angola?
DIRECTOR COLBY: I say I'm not talking about Angola
particularly, I'm not talking about our operations. But I would
say that any activity by CIA, other than intelligence gathering,
anywhere in the world is -- has been reported to six committees
of the Congress.
DUKE: You once said that the United States has the
best intelligence system in the world. Do you still believe that?
DIRECTOR COLBY: I certainly do. It not only has the
best; I think it is by far the best. Our technical information,
the technical devices that we have high in the sky and deep in
the ocean -- we have them all through the world. We have brave
people who work with us around the world, and our own officers
who conduct clandestine activities. We have the excellent analysts,
that I referred to earlier, who study these matters. And I think
the independence of CIA in its assessments are really -- clearly
put it far the best in the world.
DUKE: How would you assess Russian intelligence? Do
they have an effective spying system in this country?
DIRECTOR COLBY: They have. They have intelligence offi-
cers who do recruit Americans in this country and abroad. The
problem of Soviet intelligence in the United States is a problem
for Mr. Kelley of the FBI, not for me. I am interested in their
activities against Americans abroad, and there are something like
70 or 80 Americans every year, the last five years, [who] have been
approached by Soviet intelligence with the offer to work for them.
Now, this may be the inviting voice at midnight in the hotel room
that invites the individual to go out; it may be something as
rash as the offer of $10,000 to the soldier at the bar. There are
various efforts of this sort that go on all over the world.
DUKE: Mr. Colby, we've had this controversy over the
CIA now for many, many months, and some people have noted an irony,
namely, that the man who was involved in many of the questionable
actions, Richard Helms, is still in government service as Ambassador
to Iran, while you, who've been responsible for cleaning up the
CIA, you're being pushed out now, even though you've been engaged
in some of the work which had to be done.
How do you feel about that?
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DIRECTOR COLBY: I have the highest respect for Mr. Helms.
He's an old friend and colleague, and he, obviously, promoted me to
the position where I became a -- came to be considered for my
present position.
DUKE: But he was less than frank in some of his testimony
to congressional committees, and there have been suggestions that
he may have committed perjury.
Do you believe that he perjured himself?
DIRECTOR COLBY: No, I do not believe he perjured himself.
And I think that it shows that our government has stood behind an
officer who did a great service for his country for many years:
when he came under attack, not to ask him to get out of the way.
I think the government stood up to him very well, and I think
Secretary Kissinger has supported him very well in this whole
effort, and the President. And I think this shows that an officer
who does serve his country, under the conditions and circumstances
that change over time, is supported by people of integrity at the
top.
As for my own departure, there's.no great problem in
that. I had more or less anticipated leaving at the end of this
set of hearings and seeing a new face come into the intelligence
business, so -- to mark a new era. And I think we are reaching a
new era, and I think a new face would be quite appropriate at
that time.
DUKE: Will you write a book about your experiences?
Will you name names? Will you tell everything?
DIRECTOR COLBY: I will write -- I think I will write
a book, but I also intend to abide by the secrecy agreement that
I insist that all of our intelligence people abide by.
DUKE: Thank you, Mr. Colby, for coming here tonight and
giving us your dissenting views about the controversial British
film on the CIA and your comments on other topics as well.
DIRECTOR COLBY: Thank you, Mr. Duke.
DUKE: I'm Paul Duke in Washington.
ANNOUNCER: That's a rebuttal by Mr. William E. Colby,
who's the Director of the CIA, with Paul Duke. Because of a pro-
gram that Mr. Colby saw earlier this week on Channel 26, he thought
he would like to come on to rectify some of the errors he thought
existed in that program, and we thought we would invite him on to
do so. It was our duty to do that, and we're happy that we could
do it.
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