PROJECT SUN STREAK. TNG TARGET 5185. VIEWER IDENTIFICATION: 025
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00789R001400150001-0
Release Decision:
RIFPUB
Original Classification:
S
Document Page Count:
13
Document Creation Date:
November 4, 2016
Document Release Date:
December 4, 1998
Sequence Number:
1
Case Number:
Publication Date:
October 5, 1988
Content Type:
REQ
File:
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CIA-RDP96-00789R001400150001-0.pdf | 506.18 KB |
Body:
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amPIPORRIWNOFORN
PROJECT SUN STREAK
WARNING NOTICEJ INTELLIGENCE .SOURCES AND METHODS INVOLVED
TNG TARGET NUMBER: 5185 SESSION NUMBER: 1 of 2
DATE OF SESSION: 05 OCT BB DATE OF REPORT: 05 OCT 88
START: 0851 END: 1004
METHODOLOGY: CRV VIEWER IDENTIFICATION: 025
EVALUATION:
3 MONITOR: (lie
1. (S/NF/SK) MISSION: To access and describe the target object
using Stage VI methods.
,.A
2. (S/NF/SK) VIEWER CUING: Describe the physical aspects of
the target designated as target #5185 (target object was a
Mayan figurine).
(S/NF/SK) COMMENTS:
a. Inclemencies: None reported.
b. 025 proceeded very quickly through Stages 1 and 2,
giving an almost complete description of the target object in the
process. 025 was allowed to make Stage 3 sketches, with the
understanding that any AOL drive they might cause in Stage 6
would be immediately caught and discussed. Surprisingly, the
Stade 3 perceptions seemed not to drive any Stage 6 AOL at all.
c. 025 drew the Stage 4 matrix, felt the perception of
"artistic", and began immediately performing in Stage 6. I
allowed it to continue, which turned out to be an error on my
part. The specific tasking I had devised for this Stage 6
training was to find the date of the object's creation, using a
time line. 025 provided an excellent timeline which delineated
the recent history of Mayan artifacts purely as objects d'art.
The time line was both excellently performed and accurate, but
did not answer the tasked question. The session time prohibited
returning to Stage 4, working through the "artistic" aspect, and
continuing on to the actual physical creation of the artifact.
1 enc i: Session Transcript
HANDLE VIA SKEET CHANNELS ONLY
ammOOOPPWWNOFORN
CLASSIFIED BY: DIA (DT)
DECLASSIFY: OADR
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d. Session time also prohibited the use of .c.lay modeling,
which 025 was looking forward to. For this reason, 025 asked to
continue this same target for tomorrow's session, where modeling
could be done.
4. EVALUATIONn
a. Teacher's: 025 performed every task extremely well.
Since the scheduled instruction for tomorrow's session is the use
of allegorical time lines, the aspect of the target's date of
creation (hence, its age) will once again be the tasked EEI.
b. Director's:
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025
5 October 1988
The object is large enough and is made of natural materials but
has a man-made shape. It is multi-dirmal with width, length
and angles present. It has a mucky color which is a mixture of
gray, black and brown. This object has some substantial weight
to it and is old. Sketches of the contour shape are on (pages 3,
4, and 5). The creative ideas or basic concepts regarding this
object began around the 1700's. This object became significant
during the World War II time frame. Refinements have taken place
between 1967 and now (See time line on page 7A). The artistic
history of this object depicts creative developments over time.
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