SUN STREAK PROJECT 6004 SESSION NUMBER: 01 CRV VIEWER: 052
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00789R001200120004-2
Release Decision:
RIPPUB
Original Classification:
S
Document Page Count:
21
Document Creation Date:
November 4, 2016
Document Release Date:
July 13, 1998
Sequence Number:
4
Case Number:
Publication Date:
June 5, 1990
Content Type:
REQ
File:
Attachment | Size |
---|---|
CIA-RDP96-00789R001200120004-2.pdf | 689.44 KB |
Body:
Approved For Release 2001/ 07 : CIA-RDP96-00789R001200120004-2
SE9RET/ST1PPLED/NOFORN
SPFCIA1 .... ACCESS REQUIRED
PROJECT SUN STREAK
WARNING NOTICEg INTELLIGENCE SOURLEs AND METHODS INVOLVED
PROjECT NUMBERg 6004 SESSION NUMBERg 01
DATE OF.:.:31,EssIcn.,1:: 5 jUN 90 DATE OF REPORT:: 5 JUN 90
iqqD
START2 4-000 END:: -ifr.'H71
METHODOLOGY.... CRV VIEWER IDENTIFIER:: 052
1. (S/STD) MISSION9g Describe Klaus Barbie, the German Gestapo
"butcher of Lyon (France)." Determine the location of the target
personality in accordance with expressed encrypted coordinates.
VIEWER TASKINGg Utilizing Encrypted Coordinates
160776/997711, describe the target. Conduct a search to locate
the target.
1. (S/STD) 6OMMEM-9:: No inc:.1cNm:mcies noted. .A Summary of.
IS is attached to this report. Empahsis was placed on
the use of Mie "T" and "I" ccaumns of Stage IV, CRV, as well a5
the use of Stage Four and One Half to express iraconnected
Lohcept5 in narrative format.
3
5. (9/STD) SEARCH EVALUATION::
?:"??`--2-
i 6"-11
HANDLE VIA SkEET CHANNElc ONLY
SECRET/STIPPLED/NOFORN
CLASSIFIED BY:: DCSINT (PO)
DECLASSIFY ONg OADR
Approved For Release 2001/03/07 : CIA-RDP96-00789R001200120004-2
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UNCLASSIFIED
WORKING PAPER
Target #:
Date:
Time:
Viewer:
Session:
SUMMARY OF INFORMATION:
666X
5 June 90
0933-1440
052
01
The target is a male person. He has short dark hair,
either brown or black, his eye color varies from blue to
brown, and his skin color from red to white. He is wearing
a blue, pin-stripped suit, white shirt, brown socks, black
shoes and a hat. He is tall, medium to skinny build, and
middle aged (older than me). He is strong, energetic,
powerful, happy, hard-working, learning, Hreli lous,
political and confused. He isOlealthy an deacL He makes
me feel uneasy. He reminds me of?GorbaCh , Hitler, and a
military, SS uniform yith black boots and a belt; German.
At the height of his career his principal activity was
vocal; talking, singing and speaking.
I see his outline with a tall, dark, long, vertical,
in the middle where his body should be. The first time I
saw him he was with three other shape.c/
There is a small blue square, with a circle in it, and
a yellow triangle within the circle. The entire square is
crossed by a diagonal.
Approved For Release 2001/03/07 : CIA-RDP96-00789R001200120004-2
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Approved For Release 2001/03/07 : CIA-RDP96-00789R001200120004-2
CPYRGHT
French police leading Klaus Barbie out of the courtroom in Lyons.
Terminu9': A rainy
k at a Ghostly Torturer
By Hal Hinson
Washington Post Staff Writer
In Marcel Ophuls"'Hotel Terminus:
The Life and Times of Klaus Barbie,"
Barbie himself is onscreen only bra
scant few minutes, yet his spirit falls
across the movie like a shadow.
Throughout the film, we're shown
photos of this man, known as "the
butcher of Lyons" for the crimes he
s Na Gelta o chief from
'2Qa2QQ1st2r.
This is because the images of him we've
made for ourselves are more vivid tha-:
the ones we're shown. And this with-
holding isn't accidental. Ophuls has kect
him from us intentionally, knowing that
the monster we imagine-is more formi-
dable than the man himself. And so
when Barbie is finally brought before
the camera, in a brief interview, 'we're
almost mythically, underwhelmed
Watching him, we can't believe that re-
ality has been so poorly cast.
This is only one of the insoluble iro-
nies elucidated in this profound and pro
See MOVIES, D3, Coil
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