REMOTE VIEWING SESSION 927
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00788R001400640001-7
Release Decision:
RIPPUB
Original Classification:
S
Document Page Count:
14
Document Creation Date:
November 4, 2016
Document Release Date:
June 17, 1998
Sequence Number:
1
Case Number:
Publication Date:
June 30, 1982
Content Type:
REPORT
File:
Attachment | Size |
---|---|
CIA-RDP96-00788R001400640001-7.pdf | 373.9 KB |
Body:
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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG,DAMI-ISH
DATED: 051630ZJULP
REVIEW ON:_4W 1),C50
NOT RELEASABLE TO FOREIGN NATIONALS
ang
OR CON GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION #927
1. (S/NOFORN) This report provides documentation of a remote viewing
session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol
(s), undated.
3. (S/NOFORN) Post session analysis on target viewing indicates the
viewer had a considerable amount of correlation. The viewer's attitude
was positive.
4. (S/NOFORN) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings and narrative
made by the viewer. At TAB B is target cuing information. Also included
is available target data.
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TRANSCRIPT
96-00788R001400640001-7
REMOTE VIEWING SESSION #927
#66: This will be a remote viewing session for 1400 hours
30 June 1982. It's time now to focus your attention
solely and completely on today's target.
SG1A
These are target coordinates. Focus on the target
coordinates. Focus on that .area of the earth designated
as the target. Focus on that target designated by
the coordinates. Relax now, relax and concentrate,
concentrate, and describe the target to me.
PAUSE
#25: I have a vague impression of--
#66: Spontaneous, short expressions of the target only. Describe
the target to me.
#25: water below, a strip of land and water.
#66: And narrow down focus now.
#25: Flat.
#66: And now focus on the exact target coordinate.
#25: I have a well, country water well; memory trace,
my grandfather's house.
#66: Focus on the target coordinate.
SG1A
Focus only on the target and describe it to me.
#25: Memory trace of Point Magu , California, naval
air station testing.
#66: Describe the raw data. It's not necessary that you tell
me what it is, you just describe the taw data to me.
#25: Flat
.04! ..1114
e distance.
on the s, very flat, mountains in
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#66: And the target.
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#25: Train, locomotive.
#66:
Describe the target to me.
#25: Have an impression of being on a mountain, the
side of a mountain, looking out over the horizon.
#66: As you look, describe.
#25: Land for some miles, water beyond it.
#66: And right where you are, describe what is at your feet.
#25: Railroad track.
#66: Describe the foliage in the area.
#25: Green trees, small trees.)
#66: Describe the climate.
#25: Warm dry:?New growth plants needed.
#66: Describe the railroad tracks.
#25: Two rails, ties going across, rock place cut out the
side of a hillside or a mountainside.
#66: Face down the tracks, look down the tracks and describe.
#25: Tunnel. 7
?
#66: Face the other direction and describe.
#25: Open plain.
#66: Down the tracks?
#25: Come out on an open plain, wide open.
#66: Turn and face back the other way...Describe the size
of the tunnel.
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#25: Goes for a long way, mile long.
#66: Describe the raw impressions that make you say a mile
long.
#25: Looked.for the end, couldn't see it from the beginning.
Dark, very narrow.
#66: Look through the tunnel and look out the other side
and describe.
#25: Another tunnel.
#66: All right. I have no further questions concerning,
SG1A
It is now time for you to complete the session and
comment as you see
#25: (MumblolLs in the breaking water ayes breaking
in front of me, falling. That's it.
#66: All right. Let's draw the imagery that you've had.
3
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DRAWING NARRATIVE
REMOTE VIEWING SESSION #927
#25: Okay, this is a description of the drawings. The first
one is the impression of the land, the flat low land, with the
water on one side and the sky on the other, very vague,
very, very vague impression. That sort of remindedme of
what Point Magu , California looked like there, that's
why I had that memory trace I think.
Drawing #2 is the drawing of just well, a water well where
you go and get water to drink or use.
#66: It looks to me like a very Drimiti ystem of
a well, not like the well tiat we think of today as
an electrically powered.
#25: Yeah, it's one of those where you draw the water up with
a chain, or a rope with a bucket.
#66: Okay.
#25: Should have drawn a bucket.
Drawing #3 is the railroad tracks, with the high ground to
the lower left of the page and the low flat land to the
right, upper right, accupying most of the page, railroad
in the lower half, the tunnel entrance in the plane
towards the bottom right where the three is on the page
and that was a general sort of perspective that I didn't
actually see, but I thought would be, I think I drew it that
way, because it is easier to draw it that way and it just
came out that way I drew it.
#66: Okay.
#25: Actually had most of my perception from that point, I think,
which is on the side of the mountain and I've drawn an
there,circled it, which is on the side of the mountain ,
looking out. And which could give you, take us to drawing
#4, which is the impression that I.had. And I'll put
the railroad tracks in now. The tunnel is not in this
drawing, but it's in there somewhere..
#66: Okay.
#25: Mountain to the lower left again, lcaLlIat?Laad, with the
toter above it and the horizon above it. And that's just
like a, MOTE are all very vague impressions. I got the
idea towards the end of the session that w
getting was symbology for something e
and the low flat.. land and the trai
tracks, locomotive .and railroad
transportation or s
like the we.
and the railroad
racks. I-Lmade me
l4,water canal, water
t.
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#66: Okay. What is there about this that leads you to that
conclusion?
#25: I don't know. Except that it's all those things could
be symbols of something like that, now I don't know
if it's water tr f- or not but that's what
I would esp. I think that's analysis. That is certainly
analysis, I think.
#66: All right. Without analysing then, what you think is
analysis, let's look at some of the major components of
your thing here. You have water as a major component,
you have low flat land as ?ajor componenf-111V?thrn
you have an ierefr8=7-6=p-=.117e well you want
to draw there. You have some.railrOnamatanprr--
the'rgrrnn?tracka themselves are laid overfhl
same land impression of a low flat land and water.
#25: Yes, good.
#66: And you.feol that if you put all this together in a
bag, you think that it might mean a,--What did you call
#25:
ealing with water transportation or something
that, like an old canal used for barges or something.
#66: Do you have any other comments that you would like to make,
and how you fell about this session?
#25: I don't really feel good about this session now.
#66: Okay. What is it that makes you say that?
#25:
Because nothing was clear. Everything was so vague
that I naver really got a tjood--except for the well--
I never got anything really clear. It was also fuzzy
when you asked for impressions Of it, raw data.0?15ere
wasiv't any raw data at the time. So I had nothing to
grasp.
#66: When you say they were vague, are these visual things
you saw, this flat land and water or impressions?
#25: Well, they're impressions, but along with the--at first
they were impressions and theney.became visual, but
they were never clear visual.ieit just like enough to
satisfy some need I had to make it visual and then
it was gone.
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#66: So you really never got beyond anything more visual.
#25: No, I never got a whole lot of--
#66: Felt like you touched down and got sensual over the target,
you could feel it under your feet, or you could reach
out and touch the land or put your feet in the water or
whatever?
#25: Yes.
#66: There was some of that?
#25: Yes. As a matter of fact, I---
#66: Okay. how about ability to move around at the target?
#25: --I had everything down,,,LbzLta.ao_tL=J.gh?the
tunnel and I could never?Tifid the end of the tunnel and
I ea, ' agery to burst out of the end
of the tunnel. And as soon as I did that, there was a
little bend, a little curve behind it and then another
tunnel right behind it,and the curve like gave me another
view of that same thing, I had seen before.
#66: Did I hear you say that ou think that this is creative
imagery at this point?
#25: Well, bursting out of the tunnel,was ceative imagery
just to help me get out, because I felt like I was
not able to get out. But the fact that there was another
tunnel there, it was sort of a surprise.
#66: A surprise. Okay. Anything else you want to add?
#25: No.
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"!.
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SG1A
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