REMOTE VIEWING SESSION 927

Document Type: 
Collection: 
Document Number (FOIA) /ESDN (CREST): 
CIA-RDP96-00788R001400640001-7
Release Decision: 
RIPPUB
Original Classification: 
S
Document Page Count: 
14
Document Creation Date: 
November 4, 2016
Document Release Date: 
June 17, 1998
Sequence Number: 
1
Case Number: 
Publication Date: 
June 30, 1982
Content Type: 
REPORT
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PDF icon CIA-RDP96-00788R001400640001-7.pdf373.9 KB
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_. .figiaiewa, io kim-i4 z,11 FAisi c? ' Approved For Release 2000/SECRETRDP96-00788R001400640001-7 INSCOM GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY: MSG,DAMI-ISH DATED: 051630ZJULP REVIEW ON:_4W 1),C50 NOT RELEASABLE TO FOREIGN NATIONALS ang OR CON GRILL FLAME Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 Approved For Release 2000/0S iDP96-00788R001400640001-7 SUMMARY ANALYSIS REMOTE VIEWING SESSION #927 1. (S/NOFORN) This report provides documentation of a remote viewing session conducted for training purposes only. 2. (S/NOFORN) The protocol used for this session is detailed in the document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (s), undated. 3. (S/NOFORN) Post session analysis on target viewing indicates the viewer had a considerable amount of correlation. The viewer's attitude was positive. 4. (S/NOFORN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings and narrative made by the viewer. At TAB B is target cuing information. Also included is available target data. NOT RELEASABLE TO FOREIGN NATIONALS Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 Approved For Release 2000/08/ TRANSCRIPT 96-00788R001400640001-7 REMOTE VIEWING SESSION #927 #66: This will be a remote viewing session for 1400 hours 30 June 1982. It's time now to focus your attention solely and completely on today's target. SG1A These are target coordinates. Focus on the target coordinates. Focus on that .area of the earth designated as the target. Focus on that target designated by the coordinates. Relax now, relax and concentrate, concentrate, and describe the target to me. PAUSE #25: I have a vague impression of-- #66: Spontaneous, short expressions of the target only. Describe the target to me. #25: water below, a strip of land and water. #66: And narrow down focus now. #25: Flat. #66: And now focus on the exact target coordinate. #25: I have a well, country water well; memory trace, my grandfather's house. #66: Focus on the target coordinate. SG1A Focus only on the target and describe it to me. #25: Memory trace of Point Magu , California, naval air station testing. #66: Describe the raw data. It's not necessary that you tell me what it is, you just describe the taw data to me. #25: Flat .04! ..1114 e distance. on the s, very flat, mountains in Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 Approved For Release 2000/08/0 #66: And the target. 96-00788R001400640001-7 #25: Train, locomotive. #66: Describe the target to me. #25: Have an impression of being on a mountain, the side of a mountain, looking out over the horizon. #66: As you look, describe. #25: Land for some miles, water beyond it. #66: And right where you are, describe what is at your feet. #25: Railroad track. #66: Describe the foliage in the area. #25: Green trees, small trees.) #66: Describe the climate. #25: Warm dry:?New growth plants needed. #66: Describe the railroad tracks. #25: Two rails, ties going across, rock place cut out the side of a hillside or a mountainside. #66: Face down the tracks, look down the tracks and describe. #25: Tunnel. 7 ? #66: Face the other direction and describe. #25: Open plain. #66: Down the tracks? #25: Come out on an open plain, wide open. #66: Turn and face back the other way...Describe the size of the tunnel. 2 cECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 SG1A SG1A oz. 6-00788R001400640001-7 Approved For Release 2000/08/ #25: Goes for a long way, mile long. #66: Describe the raw impressions that make you say a mile long. #25: Looked.for the end, couldn't see it from the beginning. Dark, very narrow. #66: Look through the tunnel and look out the other side and describe. #25: Another tunnel. #66: All right. I have no further questions concerning, SG1A It is now time for you to complete the session and comment as you see #25: (MumblolLs in the breaking water ayes breaking in front of me, falling. That's it. #66: All right. Let's draw the imagery that you've had. 3 ET Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 Approved For Release 2000/08/07 : sEC 100788R001400640001-7 DRAWING NARRATIVE REMOTE VIEWING SESSION #927 #25: Okay, this is a description of the drawings. The first one is the impression of the land, the flat low land, with the water on one side and the sky on the other, very vague, very, very vague impression. That sort of remindedme of what Point Magu , California looked like there, that's why I had that memory trace I think. Drawing #2 is the drawing of just well, a water well where you go and get water to drink or use. #66: It looks to me like a very Drimiti ystem of a well, not like the well tiat we think of today as an electrically powered. #25: Yeah, it's one of those where you draw the water up with a chain, or a rope with a bucket. #66: Okay. #25: Should have drawn a bucket. Drawing #3 is the railroad tracks, with the high ground to the lower left of the page and the low flat land to the right, upper right, accupying most of the page, railroad in the lower half, the tunnel entrance in the plane towards the bottom right where the three is on the page and that was a general sort of perspective that I didn't actually see, but I thought would be, I think I drew it that way, because it is easier to draw it that way and it just came out that way I drew it. #66: Okay. #25: Actually had most of my perception from that point, I think, which is on the side of the mountain and I've drawn an there,circled it, which is on the side of the mountain , looking out. And which could give you, take us to drawing #4, which is the impression that I.had. And I'll put the railroad tracks in now. The tunnel is not in this drawing, but it's in there somewhere.. #66: Okay. #25: Mountain to the lower left again, lcaLlIat?Laad, with the toter above it and the horizon above it. And that's just like a, MOTE are all very vague impressions. I got the idea towards the end of the session that w getting was symbology for something e and the low flat.. land and the trai tracks, locomotive .and railroad transportation or s like the we. and the railroad racks. I-Lmade me l4,water canal, water t. Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 Approved For Release 2000/08/07 : CISE ES788R001400640001-7 #66: Okay. What is there about this that leads you to that conclusion? #25: I don't know. Except that it's all those things could be symbols of something like that, now I don't know if it's water tr f- or not but that's what I would esp. I think that's analysis. That is certainly analysis, I think. #66: All right. Without analysing then, what you think is analysis, let's look at some of the major components of your thing here. You have water as a major component, you have low flat land as ?ajor componenf-111V?thrn you have an ierefr8=7-6=p-=.117e well you want to draw there. You have some.railrOnamatanprr-- the'rgrrnn?tracka themselves are laid overfhl same land impression of a low flat land and water. #25: Yes, good. #66: And you.feol that if you put all this together in a bag, you think that it might mean a,--What did you call #25: ealing with water transportation or something that, like an old canal used for barges or something. #66: Do you have any other comments that you would like to make, and how you fell about this session? #25: I don't really feel good about this session now. #66: Okay. What is it that makes you say that? #25: Because nothing was clear. Everything was so vague that I naver really got a tjood--except for the well-- I never got anything really clear. It was also fuzzy when you asked for impressions Of it, raw data.0?15ere wasiv't any raw data at the time. So I had nothing to grasp. #66: When you say they were vague, are these visual things you saw, this flat land and water or impressions? #25: Well, they're impressions, but along with the--at first they were impressions and theney.became visual, but they were never clear visual.ieit just like enough to satisfy some need I had to make it visual and then it was gone. 2 SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 Approved For Release 2000/08/07 : CIASE 88R001400640001-7 #66: So you really never got beyond anything more visual. #25: No, I never got a whole lot of-- #66: Felt like you touched down and got sensual over the target, you could feel it under your feet, or you could reach out and touch the land or put your feet in the water or whatever? #25: Yes. #66: There was some of that? #25: Yes. As a matter of fact, I--- #66: Okay. how about ability to move around at the target? #25: --I had everything down,,,LbzLta.ao_tL=J.gh?the tunnel and I could never?Tifid the end of the tunnel and I ea, ' agery to burst out of the end of the tunnel. And as soon as I did that, there was a little bend, a little curve behind it and then another tunnel right behind it,and the curve like gave me another view of that same thing, I had seen before. #66: Did I hear you say that ou think that this is creative imagery at this point? #25: Well, bursting out of the tunnel,was ceative imagery just to help me get out, because I felt like I was not able to get out. But the fact that there was another tunnel there, it was sort of a surprise. #66: A surprise. Okay. Anything else you want to add? #25: No. 3 SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7 ? 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