REMOTE VIEWING SESSION 912

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400530001-9
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 12
• Document Creation Date: November 4, 2016
• Document Release Date: June 18, 1998
• Sequence Number: 1
• Publication Date: May 26, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAM-ISH
05163OZ JUL78
REVIEW ON.
NOT RELEASABLE TO FOREIGN NATIONALS
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION #912
1. (S/NOFORN) This report provides documentation of a remote viewing
session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Report Viewing Protocol
(S), undated.
3. (S/NOFORN) Post-session analysis on target viewing indicates the
viewer had no correlation. The viewer was disappointed.
4. (S/NOFORN) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawing and narrative
made by the remote viewer. At TAB B is target cuing information. Also
included is available target data.
SECRET
NOT RELEASABLE TO FOREIGN NATIONALS
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REMOTE VIEWING SESSION #912
#66: This will be a remote viewing session for 1430 hours
26 May 1982. It's time now, right now to concentrate
solely and completely on this target, which has been
designated for you this afternoon. So let yourself.go
focus on the designated target. Relax and concentrate.
Just relax now, relax. Relax, open your mind. As the
impressions flow, report them to me.
#25:
Star shape.
SG1A
That is the target. Continue to describe it to me.
#25:
Concrete, man made, (mumble), fly a plane..
#66:
Focus now, not on the surroundings area, but this man made
#25:
target, focus on it and describe it to me.
A giant man made structure.
#66:
Shape?
#25:
Square.
#66:
Color?
#25:
Beige.
#66:
Texture?
#25:
Stone or concrete, concrete, grass.
#66:
Move now, move now, over the target, directly straight down.
Describe.
#25:
Big buildings. An analysis of an airport.
#66:
Report raw data.
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#25: Big buildings, like hangers, mass of man made structures
in large area. Five square miles.
#66: Focus now, not on the visual aspects of the target, but the
activity at the target.
#25: Lots of people-driving vehicles around.
#66: Describe vehicles.
#25: Trucks.
#66: Listen and report.
#25: High pitched sound that sounded like trucks as big as semi,
birds, might be here, aorund the building.
#66: Locate building.
#25: This building.
#66: Explore interior of building and report.
#25: Large building and a large area inside.
#66: Explain your perspective.
#25: They need a new door.
#66: Look straight down and describe surface on which you. are
standing.
#25: Concrete.
#66: Look up and describe.
#25: Double rods, ceiling, metal sheets.
#66: Stop. Look straight ahead and describe.
#25: It's empty, window on the other end, an opening.
#66: Stop. Face away from the building, standing in the doorway,
Face away from the building and describe.
#25: A person in another building, just like this one.
#66: Enter it and explore.
#25: Have an image of a yellow, see some yellow drums.
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#66: Describe markings. Describe markings.
#25: H -L 960, this whole block.
#66: To the other side of the drums, describe.
#25: Hand pump.
#66: Beyond that.
#25: (mumble) building.
#66: Turn around and look out away from the building. Now
move up in the air to the oblique, 200 feet above the target
and look back and describe.
#25: >See a (mumble) big, gray, building.
#66: Now, describe the area around this target.
#25: City, river.
#66: Now, looking at the target in perspective from its surroundings,
looking back now, at the target in perspective from its
surroundings, describe functional target.
#25: The airport.
#25: (mumble) of all-all the airports I've ever seen, flashing
all the airfields.
#66: All right.
#25: All the airports, I see many military and civilians, here-.---
#66: Raw data.
#25: Military impressions, military.
#66: Raw data.
#25: (mumble) Nothings else, just an impression, ceiling.
#66: I have no further questiors concerning the target.
#25: But I.have to go in the building. I have a better impression
of it. .Blight, really like a skating rink or some sort of
sports arena, thing.
#66: Is it accurate to describe the building as being open and wide
on the inside?
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#25: Yes, open and big, side, almost square, high roof, there's
supports in the floor, tension roof.
#66: All right. No further questions.
#25: An unfinished like feeling, not walls that are the same
as the outside walls, only the girders are exposed and.
#66: Understand. Remembering everything that you perceived,
perfectly, in every detail, prepare to draw those
perceptions which you have.
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TAB
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#25: Okay, the following is a description of the one.
drawing we have for this session and that's the
large, two large building. One only the corner
of the building, in the lower left. And the other
building perspective view then, with the yellow drums
in there. Con fete structure and this is only like a
small part of the what I felt like was the target,
which..was really big. The building looked like it
was made out metal, wide and-open, had a very strong
impression of military aircraft type hanger, building,
except that I didn't draw the end of it here because
I couldn't get a good idea of what the end looked like.
Sometimes the door was small, sometimes it was huge,
like the whole end would come off. And that's all I
wanted to draw today.
#66: Okay. What was the very first impression you had,
going back to the very beginning, remember we started
out?
#25: Yes.. Was inside at first, I had star shape. That
might have helped with the military. feeling, I forgot
about that, but like you, it stand inside of a hanger
or a big building like that with a whole end that comes
off of it, and look out with a bright, not really bright,
bright sky, like bright sun, but bright light at the end
of the whole end of the building. But it was not there
it was open.
#66: So your first perception, you found yourself inside
something.
#66: Okay. I didn't quite understand that. Okay. There isn't
anything you want to add.
#25: Yes, I don't think I reported that. I think I.was really
trying to fight off the airport and I suspended_it,you know
the first 10 minutes, struggling with beating everything
back. Trying to start over.
#66: Anything else you have to add.
#25: ~o, just-that I had-the impression of all the air bases, air
fields, airports that I have ever seen in my life.
#66: Did you feel that this session was laced with airport feeling
from the very beginning?
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#25:
Yes.
#66:
Can
this
idea
{
you resolve in your own mind whether you started
session ~jith a, Did you sit down here with a predetermined
that this was an airport?
#25:
No, I don't think so. No.
#66:
Okay, nothing else then.
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TAB
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