REMOTE VIEWING SESSION #881

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400280001-7
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 15
• Document Creation Date: November 4, 2016
• Document Release Date: August 25, 2003
• Sequence Number: 1
• Publication Date: March 30, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY: MSG, DAMI-ISH
0516302 JUL78
REVIEW ON:
GRILL FLAME,_
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 881
1. (S/NOFORN) This report provides documentation of a
remote viewing session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed
in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
3. (S/NOFORN)_ Post session analysis on target viewing
indicates the viewer had a considerable amount of correlation.
The viewer's attitude was positive.
4. (S/NOFORN) Following is a. transcript of the viewer's
impressions during the remote viewing session. At TAB A
are drawings and narrative by the remote viewer. At TAB B
is target cuing information. Also included is available target
data.
NOT RELEASABLE TO FOREIGN NATIONALS
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TRANSCRIPT
REMOTE VIEWING SESSION 881
#66: This will be a remote viewing session for
1400 hours, 30 March 1982.
It is now time for the session. Take a minute
now just to relax. Think about the importance of
what we are about to do. Your task is only to
describe the target. Verbalize and describe the
target. The target is designated to your (mumble)
38 degrees, 29 minutes, 15 seconds North
113 degrees, 2.3 minutes, 00 seconds West
Think only of the designated target. Focus, turn
inward, inward to the internal imagery of the target.
Focus now, examine the target and describe it to me.
PAUSE
#63: Getting lines... converging... (mumble) trunk (phonetic
#66: Focusing clearly describe what is your position of
observation.
#63: I'm overhead... black (phonetic)
#66: Describe the area surrounding your target.
#66:
#63:
#66:
#63:
#66:
Describe the terrain at the target.
...... gently sloping on one side....convex
.concave the other side......
Describe the foliage to me.
In your perspective.....describe this foliage to me.
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SE
#63: Near the ground.
#66: Look (not audible)
and your-target focus on the coordinate...describe
it to me.
#63: Cross pattern, cross road.... nothing much there......
path or roadway... either crosses or bends ...close
quarters.....
#66:
#63:
The activity at the target......
#66: Standing on the ground (mumble) the target......
(not able to hear)
Describe the terrain feature to me.
#63: To the north...not too high... going on top...gray
stone...on the side of the ridge.
#66: Move now to this point. Turn and face the target.
Holding your position at this feature, describe.....
the target to me.
#63:
#66:
#63:
#66:
#63:
#66:
#63:
#66:
#63:
Describe the cross.
Describe the lines.
Wider than they are deep.
Resolve (mumble) focus and resolve.
(Not audible) road ... white.
Describe the (not audible)
Desolate... rectangular box...two times as high
as it is wide.
#66: Composition.
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#63: Overlay.
#66: Focus on the coordinate. Focus on the coordinates
and describe the temperature of the target to me.
#63:
#66: Smell, smell and describe.
#63: Ott
#66: (Not audible) I would like to allow you the time
now to explore and tell me (not audible) target as
you see fit. Do this now.
PAUSE
#63: Whitish, gray, greenie.......(not audible).....
low..(not audible) ...sunny
y hot..... that's al ......
#66: Remember now all the perceptions that you've had
and prepare to draw now.
(SEE TAB A FOR DRAWING NARRATIVE)
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SEET CR, FT
ii4ja
Okay. This is a description of my drawings.
(DRAWING NARRATIVE)
#63:
#66:
#63:
distinct view of a
pattern several times, but I don't if that was the
ridge line and the road or not. I did get a
Drawing number 1 is an overhead view ... I have
my cross pattern which is formed by ridge line
running sideways on the page, and my road running
from top to bottom on the page. It's got a.bend
in it of some kind as I've depicted on the drawing.
Okay. These are the intersecting line which I kept
asking more and more about and eventually you. said
it's deeper than it is wide or something.
It'.s wider than it was deep...as though it were a
road that has width ...... but it also has a little
bit of depth to it. Now, there may have been a
road running from left to right on the page crossing
......bu.t,_I don't know. But, I did get.a crossing
that ridge.
Drawing number 2
U LL _ e, an
REMOTE VIEWING SESSION 881
vegetatio
y area. I
#66:
that it was
68 I guess.
it.
Pleasantly coo
up
e. You
r sometning
The area
1-1 - I t
rees. ad e feeling
That's why I picked
_- any means, but not hot.
guess is the best way of saying
And, drawing number 3, page number 3 is that gray
rocky-knoll that I said is kind of sitting on the
concave side of the hill, or the ridge line I have
drawn that in here, and it seems to.........
Yes. What I wanted to do is find a reference to
kind of look back at the target from, and that's
the one you chose to go to that point and look back
at the target.
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#63: Yes. I was back down here at X somewhere. Because
you said look around as though I were a soldier and
find something that I could shoot an azmuth to, and
that was that gray rocky knoll. Which on the map
might be large enough to be depicted by a series of
concentric circles which I have also depicted on the
map.
didn't have too much clutter today,
zd get a little bit trom the light b--Tng on.
You know, I was kind of looking right at it. If my
back were to the light or something it might not
have been quite so bad.
#66: Okay. Can you tell me in some big descriptive
terms, generally then, in giant terms looking at
your drawings, what kind of an area do you have.
I would say you have an outside target. You didn't
draw me insides of anything.
#63: No. It's an It's a large, flat
area.
#66: Are there .man-made --sttcres around?
#63: I d- dn't get the feeling of f hat.
#66: Okay. You didn't perceive any man-made structures.
#63: 005psomethinq I got the fee ling that this is like.
-ke this
ina es at I had were on This
road on drawing number 1, I'm drawing an arrow now,
this road kind of slopes down that hill and just
goes off flat for a very long distance... very straight.
#66: Okay. Does the line then that you're calling a
road go ....it really looks funny to me...... theway
you did there, but you're saying it's slopes up.....
this line....this l.ine.....these things that intersect
slopes up and goes off for some distance. Now do you
use the term Nevada generically as depicting a
terrain style.
#63: Yes...right, it's ith the
that you find there the hill
generally here and there...
#66: As-opposed to your labeling the target as being
Nevada, using Nevada as a generic term describing
terrain.
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#63: Right.
#66: Let me see if I understand your big descriptives.
You have a Nevada like or desert like motif type
thing. Sparcely vegetated area. You have few or
none man-made structures in the area. You have
desolation, no activity in the area. Is there
anything that I've missed that you've described
as the target area?
#63: No.
#66: Okay. Is there anything that you'd like to add
then?
#63: No.
#66:
#63:
course, I may not have much correlation from it
either...and I guess I'm just anxious to find out
what the target was so I can see whether this
might have worked or not.
#66: You're communicating to me your puzzled and you
have no idea whatsoever.
#63: Right.
#66:
#63:
Okay. Now did this imagery feel today as opposed
to..... This is a little different session. You
didn't have any cool down. You were pretty much
wide awake, crisp and ready to go...bingo we did...
You have a feeling about it?
And, so I'm an ou w a =-was
can have a general idea of how this new way
worked.
because there was so 9=03 17M -_ w o st=art
It's either.....the fact that I had little overlay
to me it either indicates I'm doing well because
I don't have much overlay or I'm doin very poorly
#66: Okay. Let's do that. Let's find out.
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TAB
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