REMOTE VIEWING SESSION 871

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400210001-4
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 14
• Document Creation Date: November 4, 2016
• Document Release Date: June 18, 1998
• Sequence Number: 1
• Publication Date: March 9, 1982
• Content Type: REPORT

Approved For Release 2001/03
INSCOM
GRILL FLAME
PROGRAM
P96-00788R001400210001-4
CLASSIFIED BY: MSG, DAMI-ISH
05163OZ JUL78
REVIEW ON: 2a-n1
NOT RELEASABLE TO FOREIGN NATIONALS
S
ORCON
No A%
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 871
1. (S/NOFORN) This report provides documentation of a remote
viewing session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed
in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
3. (S/NOFORN) Post session analysis on target viewing
indicates the viewer had very little correlation. Attention is
invited to.Report 872 on the same target. The viewer's attitude
was positive.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings and narrative made by the .viewer. At TAB B is target
cuing information. Also included is available target data.
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TRANSCRIPT
REMOTE VIEWING SESSION 871
#66: This will be a remote viewing session for 0900
hours, 9 March 1982.
Relax now, relax, relax, relax, relax and focus
your attention solely and completely on the target
for this morning.
35 degrees, 50 minutes, 1.5 seconds South
151 degrees,. 10 minutes, 30 seconds East
Relax, concentrate and focus on the target for today.
Move now over the target area and describe in the
target to me.
#63: Repeat coordinates.
#66: 35 degrees, 50 minutes, 15 seconds South
151 degrees, 10 minutes, 30 seconds East
#66: Focus and report.
#63: Wooded ..............sharp peaks............. .
#66: Focus now on the target of interest..... closer and
closer and describe it to me.
#63: Earth...brown stone, grainy... sandy.......
#66: Look around you and describe the ..: area to me.
#63: It's. uneven terrain... misty... lots of trees.......
hardwood trees.
#66: Describe the climate to me.
#63: Sixty ...it's sunny, early morning.
#66: Are you alone at this place?
#63: Yes.
#66: Describe the activity. around you.
#63:
Serene... peaceful. I'm in an opening on a hill
overlooking a valley ...........................
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#63: Bottom of the valley misty....... river flows
away from. me into larger valley, larger river...
#66: All right. I have no further questions about this
target. However, I would like to provide you the.
opportunity to explore and comment as you see fit.
Do so now.
#63: There'.s,.a city at the end of the big river. I'm.
`high up. Target's at the mountain the hill I'm,
on.
#66: Okay. So, you feel that you perceived the area from.
this hilltop and feel you've come down on the target.
#63: Yes.
#66: All right. Anything further?
#63: No.
#66: All right. Remembering now the perceptions you have
had let us prepare now to draw those perceptions of
the target area.
(SEE TAB A FOR DRAWING NARRATIVE)
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TAB
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REMOTE VIEWING SESSION 871
(DRAWING NARRATIVE)
#63: Now, about my drawings. Drawing number 1, X is my
location and it's. not a very good graphic depiction.
But, I am up on a very high hill looking down over a
small valley which-is opening up into a larger valley.
There's a small river going through my small valley
to the left. I had the feeling of many small streams
or rivers coming together in the larger valley to the
right, and then flowing down into one larger river off
into the distance towards the north towards the top of
the right page.
While I was looking down at the valley I got the feeling
of steps and I don't think I was seeing steps. I think
that was indicating something to me. Either, that I
was, in fact, looking down and that the water was
flowing in that direction or maybe there's a water fall
or a cascade of some kind along the way there. And,
then that....... and my steps are drawn in drawing
number 2.
Drawing number 3. I got the feeling there was a
city down at the end of these rivers,.and that it kind
of opened up .....the mouth of the river-sort of opened
wide as I've drawn on the right side of my drawing, into
water. The target is to the left side of the page, and
my small valley is drawn in, and my smaller river. I
have indicated the direction of water flow, and I show
my larger valley where I have the emerging streams or
rivers. They turn into one larger river which flows
towards this city that I felt I saw. I felt like the
trees in the area were hardwood. However, they were
pretty dense for hardwood trees. A lot of small rolling
hills. It was very peaceful where I was. When you asked
me about the temperature it was a hard temperature to
describe. It was that feeling of the air is cool and
crisp but the sun is very warm. That's why I said around
60'ish where you can be cool and warm at the same time.
When I was looking down into the larger valley it looked
like I was seeing mist or fog or something down in there.
And, I felt like it was early morning at this location
because the sun was coming in low over the ground instead
of from overhead ....... and the feeling of mist which
hadn't burned off yet down in the valley areas.
#66: Tell me some more about this city. The style of
architecture. The type of city. The size of city.
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#63: It was a small city. Kind of symetrically shaped
around the end of the river. It was quite a ways
off. This might be 1.00 or 300 miles along there.
#66: Okay. No more detail on the city?
#63: No. Now, you read the coordinates to me twice, and
I've got to add this. The first time you read the
coordinates to me I was seeing forests, stone, very
sharp jetting... anything you'd find in a desert...
with all the small projectiles of rock poking up
through it. Like the Grand Canyon type area sort of
thing. Something didn't feel right or seem right
about it, so I asked you to read the coordinates again
and that's. where .I came up with what I've got here.
And, because..... why I chose this. over the other.....
I really don't know. Except for....I decided, well,
if I tried it again, whatever comes up I'm probably
going to be right. And, this is what I came up
.....and this is what I depicted.
#66: Your first perceptions of the target were somewhat.
different than this and you discussed ..................
#63: I still have the sharp peaks like I have here, but I
felt that it was arid and it was more stone letting
.....very little foliage ......as though I ran desert
type area, but..... that faded asqar into what I have
here, and so I reported this.
#66: All right. Do you have anything to add about target
description?
#63: No.
#66: How do you feel about this session. itself?
#63: Pretty good. I enjoyed myself out there. It's a good
place to move the project.
#66: Anything else.
#63: Nope. That's it.
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X
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TAB
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 CPYRGFftpproved For Release 2001/03/07 : CIA-RDP96-00788R001400210001-4
Yellow shows built-up
areas. Open areas in gray.
0 KILOMETERS 5
O STATUTE MILES S
ORAWN BY JANE WOLEE
COM PILE0 8Y GUNARS J. RUTINS
NATIONAL GEOGRAPHIC ART DIVISION
Home to one in five Australians, Sydney---
capital of prosperous New South Wales on the
continent's southeast coast-spills beyond its
five-square-mile limits to encompass a greater
metropolitan area of more than 1,500 square
miles. In 1770 explorer James Cook, sailing
from Botany Bay just to the south, bypassed
Port Jackson. Eighteen years later Capt. Ar-
thur Phillip--after finding Botany Bay un-
healthful-explored the more hospitable Port
Jackson and discovered the magnificent an-
chorage of Sydney Cove. On its shores he
founded the convict colony that would ulti-
mately burst its chains to become Australia's
greatest metropolis.
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