REMOTE VIEWING SESSION 866. TARGET: TAKE A WALK AROUND BURBA LAKE.

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400180001-8
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 17
• Document Creation Date: November 4, 2016
• Document Release Date: May 11, 2000
• Sequence Number: 1
• Publication Date: February 24, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL70
REVIEW ON: .apf-cv3
-QrAILT"rLr
JA -
NOT RELEASABLE TO FOREIGN NATION
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 866
1. (S/NOFORN) This report documents a remote viewing session
conducted for training purposes only.
2. (S/NOFORN) Post session analysis of the target viewing
revealed little or no correlation. The viewer was disappointed.
He was disturbed by ambient room noise during the session.
Training goals (RH TGT descriptors) were adequately achieved to
a degree.
3. (S/NOFORN) The protocol used for this session is detailed
in the document Standard Remote Viewing Protocol (Local Target)
by Harold E. Puthoff and Russel Targ, November 1978.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings and narrative made by the viewer. At TAB B are
photographs of the actual target site.
NOT RELEASAB.4, 1 N NATIONALS
ntbN
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TRANSCRIPT
REMOTE VIEWING SESSION 866
#66: This will be a remote viewing session for 0900 hours,
24 February 1982.
Focus your attention now on #72. Focus your
attention solely and completely on #72. #72 is
now exploring today's target. Explore the target
with #72 as you describe the target to me.
PAUSE
#25: Metal post stuck in the ground, angle feels.. .....
PAUSE
#66: Report.
#25: I saw a sort of vehicle.
#66: Go on.
#25: A person on a train engine. Vague outlines of
a train engine.
PAUSE
#66: Tell me about #72.
#25: I don't get nothing. Impression I have 'im standing
in front of this train that's :a:11 ...like posing.
#66: Tell me about your position of observation.
#25: Ah...it's not clear....ground level...few feet
away in this room (mumble) in this room.
#66: Describe the area directly in front of you.
#25: Tree line, no leaves...level across the horizon.
#66: Closer to you...10 feet away?
#25: Grass.. .rocks.
#66: Describe the surface on which you are standing.
evrirarr
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#25:Road
#66: Describe the area to your rear.
#25: A road, T-intersection, T intersection.
#66: As you stand from this position of observation,
from here describe the direction of #72.
#25: Southwest.
#66: Face #72 now and describe the area surrounding
#72.
#25: Woo-,wooden buildings...low level, one story, two
story.
#66: Describe architectural style of building.
#25: Square.
#66: Describe #72's present activity.
#25: He's standing over
#66: All you need are one or two word descriptors.
Just relax. Watch #72 and describe. Relax.
#25: Standing on a surface, a hard surface, looking
down to a little ditch, a ravine like
#66: Ask #72 to tell you about the target, and describe
his response to me.
#25: Image of a horse.
#66: Say again.
#25: Image of a horse.
#66: Okay. Ask #72 to show you more images of the target.
#25: A bunch of squares. Get image of railroad tracks
now.
#66: All right. I have no further questions concerning
the target today. However, I would like to provide
you the opportunity to explore and comment as you
see fit. Do this now.
2
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#25: I don't see nothing else. Put the tape on hold.
#66: Okay. Be prepared to draw.
(SEE TAB A FOR NARRATIVE)
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TAB
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REMOTE VIEWING SESSION 866
#25: Okay. Drawing 1 is just a, just a vague impression
of what I thought was a train or some sort of vehicle
At first it appeared as a vehicle and then it was
a train, and then I saw #72 standing in front of it
like I have depicted in that simple drawing.
Drawing 2...is the first thing I saw which was the
metal rod on an angle sort of sticking in the ground
or sticking into something here where I have drawn
the line underneath there. This was really thick
and heavy...thick and heavy metal rod. I don't
know what it was. Then that turned into vehicle.
#66: Number 2 became a vehicle?
#25: Yeah, yeah. And later attached to this were
wheels but I can't draw that. If I draw it it will
look like a canyon and I don't think the target was
a canyon. I think that was overlay. I was doing
that in my head. So------
Drawing 3 was, was where I thought I saw #72
standing at the asterisk on some asphalt surface
with some grass...down here...grassy area
and it was lower elevation sort of a drop off here
to indicate that. Back over here was the squares?
#66: Upper left of drawing 3?
#25: Yeah, yeah. Where the squares, and they were, I
say squares but they were just geometric shapes
None were triangles. They were all, had four sides
though, squares and rectangles. I don't know what
this is over here, but I have a feeling that that's
there, it's just something like a pipe suspended.
#66: Okay. Why don't you write that in there.
I can't tell from your drawings so if you'll just
label it.
#25: Before I got the image of horse, I think horse is
associated with these squares.
#66: Okay. Tell me about your experiences of trying to
have #72 tell you about the target. Tell me about
the experience you went through when that happened.
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nnre
#25: That was simple. I just said, you know, what is
it that you want, you think I should know about the
target, what's the most important thing for me to
know or report, and I assumed by that he understood
that I meant greatest correlation. You know, or
that I understood that. I don't know if that has
anything to do with #72. That's when I got the
horse. And, after that...I wiped that clean just
to see what would appear next and squares appeared
next. It's funny. I was expecting the horse to
come back to me. And, this was just an impression
of this shape...land and something lower, and
something suspended.
#66: Tell me about the perceptions of .a train that you
had and your feelings about that.
#25: Yeah. I had a really difficult time today with
noises...external ...and I thought after I saw a
train I heard a train later. And,. I said, well
that is probably...the train has been produced
now by the external noise which subliminally affected
me somehow, and caused me to see a train..or imagine
a train. Because I heard one. So, I'm just guessing.
I think that it's overlay, because of the noises
that I heard.
#66: Okay. Anything else?
#25: Uhuh(negative). Confidence level for this is not
very high. Because I felt like I was here more than
there. In here in the room more than there. And,
I think that was because of the noise.
#66: Okay. If you had to give me some really broad range
...generic:: descriptions of the target, what would
you have...those five things or four things we always
talk about.
#25: I can never remember.
#66: Well, they're not a specific list. It's just the
idea...what do you have here. Do you have land mass,
oceans, what type of land mass do you have? Do you
have mountains, islands or water? What do you have
there? Do you have an inside target or an outside
target? Do you have a man-made target or a natural
target? Things like that.
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#25: I think the target was man-made. I think it was
an outside target. I think that...it was nearby
...that's all I can think of. That's all I know
about it or feel like I know or can guess at.
#66: Okay. Good. Okay. Fine.
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TAB
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