REMOTE VIEWING SESSION 865

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400170001-9
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 15
• Document Creation Date: November 4, 2016
• Document Release Date: June 18, 1998
• Sequence Number: 1
• Publication Date: February 23, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL78
REVIEW ON: ,E.46 sR/
NOT RELEASABLE TO FOREIGN NATIONALS
ORCONSEcRET
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E
SUMMARY ANALYSIS
REMOTE VIEWING SESSION 865
1. (S/NOFORN) This report provides documentation of a remote
viewing session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed
in document GRILL FLAME Protocols AMSAA Applied Remote Viewing
Protocol (5), undated.
3. (S/NOFORN) Post session analysis on target viewing
indicates the viewer had little or no correlation. The
viewer's attitude was poor. He was disappointed at his
performance. Lack of target correlation does not necessarily
mean training objectives were not met.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings and narrative by the remote viewer. At TAB B is the
target cuing information. Also included is available target
data.
NOT RELEASk ' f REIGN NATIONALS
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ORCON
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TRANSCRIPT
REMOTE VIEWING SESSION 865
#66: This will be a remote viewing session for
0900 hours, 23 February 1982.
PAUSE
Focus your attention now clearly, perfectly,
focus your attention
22 degrees, 10 minutes, 00 seconds North
121 degrees, 15 minutes, 05 seconds East
Focus now, relax, relax, coming into view now,
concentrate, concentrate, and describe the target
to me.
#25: Land mass.
PAUSE
PAUSE
#66: Report.
#25: Desert (mumble) very jagged mountains.
#66: Look down at the target now, focus down to the
target now, not too close, and describe it to me.
#25 Get a gray line...light background, curve like
a road, valley...but, the mountains are very far
from the valley.
#66: Narrower focus now down on the target.
PAUSE
#25: (Mumble) flat land...irrigation, ditches.
#66: Now listen, listen to the coordinates again and
describe only the target to me. Target is exactly:
22 degrees, 10 minutes, 00 seconds North
121 degrees, 15 minutes, 05 seconds East
nry
"11111,141111.11111111111111.
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#25: Same shaped mountains jagged like a serrated
knife...get a backwards E shape, band in the
middle...shaped like a backwards E...along side
it long tubes, metal tubes.
#66: Okay. Now listen only to the sound of my voice.
Clear your mind and listen only to the sound of
my voice. I'm going to try a different approach
now. Listen carefully and be ready. You focus
now on the target designated and depicted in the
sealed envelope. Focus solely on the target designated
and depicted in the sealed envelope. Focus now
and describe the target to me.
PAUSE
#25: Fruit tree....... ........
#66: Go on.
#25: Nothing.
#66: All right. I have no further questions,about
today's target. However, I'd like you now to
explore and comment on the target as you perceive
it to be. Do so now.
#25: Target's southwest from here. It...mountains
north by ...steep...desert to the south
(Mumble) thick sheets of metal formed sheets
like on an airplane or a bus. That's all.
#66: Okay. Remembering, remembering all the terrain
you've seen, all of the target that you've seen
let's prepare now to draw the perceptions you
had.
2
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t
TAB
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REMOTE VIEWING SESSION 865
(DRAWING NARRATIVE)
#25: Drawing 1 is the backwards E shaped metal
band. This is an end view of it like a cross
section view. It's stretched out four ways.
Drawing 2 is an overhead straight up overhead
view of the gray band or the road that I saw
with the mountain range and it's jagged peaks
that run across it to the top of the page and
the mountain range was to my back drawn in at
the bottom of the page. Think my perspective
was somewhere in here. It's designated by an
asterisk on the page, but that was the perspective
for drawing 3.
#66: Okay. Drawing 3 then is an oblique shot of drawing
2?
#25: Yeah. And, I got a feeling that land went for
a long way behind this thing. I mean miles.
The gray band is drawn down here-gray band-
and there's a desert floor with sand on it.
It's light colored.
#66: You didn't see any man-made objects or perceive
anything.
#25: I think that's overlay. I did perceive airplanes,
but I think that's overlay. I saw lots of tail
sections of airplanes.
#66: All right. At one time you talked about farms.
Where were they in this? Farms and irrigation or
something.
#25: Yeah. And, they went on for a long way too.
I've drawn it here as a rectangle. I'll say
farm land, but it didn't look like that. It went
on for more, more ways. And, I got the impression
of fruit trees, and what do you call those---
truck crops like lettuce and that sort of stuff.
But, I can't imagine those two growing together.
It doesn't match. They don't grow in the same
climate that well.
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#66: So, basically you think your target is a, a big
piece of land as opposed to a specific man-made
object. One time you did think you saw airplane
tail sections, but you don't like that impression.
You don't think that that has anything to do with
the target.
#25: No. I think that was overlay. Because of the desert
and the gray band on the road I was trying to make
this into Tucson, Arizona.
#66: Drawing number 1, I don't quite understand it.
#25: Well, it's hard to draw ...because it's made out
of metal...I don't draw that ...
#66: Something made out of metal.
#25: Yeah. It was in this shape, backwards .S made out
of metal...this post with a metal post...this was
fastened to this. Now, this reminded me
highway barrier. What do you call those things
on the side of the road? A crash..ah
#66: Oh, I see. I understand what you're saying now.
The bumper thing that when you go around the curve
so that you don't run off the highway.
#25: Yeah. And then...that caused all sorts of overlay
and because of this image with Tucson, and Tucson
you know, if you...if you wanted to draw it in it
would be somewhere in here.....
#66: Okay. So, I guess what you're saying is, is your
first impression of the area kind of reminded you
a lot of Tucson.
#25: Yeah, yeah. But, I didn't want to let it become
that. I tried not to although it did at some
point. And, that's why the airplanes, I think are
overlay, because of the graveyard at Davis Mocin
(phonetic) there for all (mumble) airplane.
#66: And, so that's why you call it overlay?
#25: Yeah.
#66: Okay. Anything else you want to comment about?
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#25: No. I don't feel good. I didn't like it.
#66: You didn't like the session. You don't feel
confident.
#25: No. I have no confidence in this whatsoever.
And, that might be because you kept sending me
back to the target. I felt like well, that's a
screw up. I reported the wrong stuff so I've
got to back and look again. But I couldn't get
anything new.
#66: What do you think about that now:
#25: I don't know.
#66: How am I going to know what is a screw up just
because I asked more information about the target.
#25: Well, no, sending me back in---you know we're going
to try something else now--hold up--you know, draw
back into yourself and wait......
#66: So you interrupted that as being what you did already
was wrong. So you have a bad feeling there.
#25: Yeah.
#66: Okay. Anything else?
#25: No.
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TAB
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_LHOIAdO
6-1?000/1?00171.00t188/00-96dati-VI3 L0/90/000Z aseeieu JOd 130A0iddV
WITHIN SIGHT of Taiwan on a
clear day, 18-square-mile Orchid
Island lies some 40 miles off the
coast of its Nationalist Chinese protec-
tor, which built and maintains six
schools for islanders and a prison camp
for Taiwanese convicts here.
L0190)
Stone walls
line pit
Typhoon
from seaward
Cool tower
Main house
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CD
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Fireplace with
cooking pots Veranda Drain
Entrance Stone steps lead
(sliding door) to ground level
NATIONAL, GEOGRAPHIC ART DIVISION
6 4 ERY HUMBLE," is how this gentle Yami
V
couple (left) characterize their people.
Humble, yet resolute, for they spurn such
inducements of civilization as modern hous-
ing, offered free by the Taiwan Government.
The Yamis know that their traditional homes,
built mostly below ground (top left and dia-
gram above), will protect them from ty-
phoons. To escape the midday tropic heat,
each family has a "cool tower," where the
women spend much of their time weaving,
gossiping, and preening their family mem-
bers' hair (top right). Painted wall carvings
reveal an Austronesian influence.
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CPYRGHT
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22?/O' 494:vaeni
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