REMOTE VIEWING SESSION #857

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400090001-8
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 13
• Document Creation Date: November 4, 2016
• Document Release Date: September 5, 2003
• Sequence Number: 1
• Publication Date: February 8, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY: MSG, DAMI-ISH
O5 63OZ JUL78
REVIEW ON:
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 857
1. (S/NOFORN) This report provides documentation of a remote
viewing session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed
in document GRLLL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
3. (S/NOFORN) Post analysis on target viewing indicates the
viewer had a considerable amount of correlation. Attention is
invited to-Report #856 on the same target. The viewer's attitude
was positive. This was the first session with a new interviewer.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings made by the remote viewer reference his impressions of
the targeted site. At TAB B is the target cuing information.
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TRANSCRIPT
REMOTE VIEWING SESSION 857
#66: This will be a remote viewing session for 1330
hours, 8 February 1982.
Relax, relax, relax, relax. Let go.
Concentrate, concentrate, focus on the target
for today
40 degrees, 31 minutes, 00 seconds North
115 degrees, 13 minutes, 55 seconds West
Focus on the target solely and completely,
on the target. Describe the target to me.
PAUSE
#63: Openness, tall, round.
PAUSE
#66: Report.
#63: Pointed. Corner.
#66: Describe the terrain surrounding the target.
PAUSE
#63: Plant, trees, white curve.
PAUSE
#66: As you focus on the target, describe your relative
position to the target.
PAUSE
#63: Mid-way up now. Earlier I was lower.
#66: Describe the target to me.
PAUSE
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#63: Tall, square and curved, pointed ..............
PAUSE
#66: Move up and away from the target, move up and
away. Looking down from 500 feet, looking down
from 500 feet describe the target to me.
PAUSE
#63: Peaked top....curved, dark spot, tower like
#66: Now, stand on the ground 500 feet from the target
on the ground. Face the target and describe it
to me.
#63: Mountain like, tall, narrow.....
#66: Color.
#63: White, pale white or green.
#66: Describe the bottom.
PAUSE
#63: Round and square at the same time. Flat at-the o'l;om
#66: Describe the surrounding vegetation.
PAUSE
#63: Conifer, pine.
PAUSE
#66: Describe the soil at the target.
#63: Loose, light colored.,_
#66: Describe the activity at the target.
PAUSE
#63: Watching, resting.,//
PAUSE
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#66: Relax now and listen to the sound of my voice.
Relax now and listen to the sound of my voice.
I have no further questions concerning this target.
However, I would like to provide you the opportunity
to explore the target on your own, and comment as
you see fit. Do this now.
#63: Jagged white, perhaps water.... bright........
perspective....something in the distance......
circular guard rails. I hope it's ,a light tower.
That's all.
#66: All right. Remembering clearly, cleanly and
concisely all that you have perceived about this
afternoon's. target. Remember and prepare yourself
to draw those perceptions that you have had.
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REMOTE VIEWING SESSION 857
(DRAWING NARRATIVE)
#63: Okay. Drawing number 1 are things that I
came up later on in the session.
#66: What was the very first thing that you
perceived.
#63: The very first thing that.I perceived is,
I guess on page number 2...all three of the
A, B, and C. I kept getting something tall,
slender. I felt it was curved and square at
the same time. So, I've drawn all three of
those. I got a feeling of a fence post.
#66: I think that the very first thing that you said
was openness.
#63: Well, I felt like-the target was right here in
front of me and everything else around there
was very open and flat. But, the target wasn't.
openness itself. The area around it was very
open, and the target was standing right in front/
of me. Later on the white crest in the white
semi-circle that I described... something like
this, and I feel that that might be a beach or
something, and maybe water out here. And I saw
Pine trees off in the distance coming up close
...like a. Pine forest in that area.
#66: I see distance here in this curve....it may be.
a beach or it may be like railroad tracks......
that extend off in the distance. It may be a
paved road or something like that.. But, definitely
a wide open perspective type thing.
#63: Right. And, I feel that there is stuff over on
this side like trees or something. For some
reason or other I didn't get anything over here.
That's. why I feel maybe it's.water.or_something
over here, and this is a beach with.......
#66: Now, when I asked you what was the soil like, where
did you take your soil sample?
#63: Up in this area here. Up closer to the. target.
And, I had to fight off an immediate impression....
like I say, I.saw something that reminded me-of a
l i g h t tower...looked like. a. light. tower or.......
what do they call a tower ............ light house.
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ECRET
#63: ........and everything seemed to form around.
that, and I had an impression ...desire to say
sandy when you. said soil,. that I tried to fight
that off and just think about it, and that's
when I came up with a light colored,-and loose,...
still might be overlayed from the..........
#66: Okay. So, if I understand-what you said now,
listen and see if I had......your first perceptions
were of this that you've drawn on page 2 which
looks to be like a tower type thing. Sometime
you feel there's some squareness to it and sometimes
there's. some roundness. You don't recognize it, but
it looks most like you would imagine a light tower,
light house might look. From that you seem to feel
as though you generated another scene that may be
a beach scene, but without generating a beach scene
there are some specific components. There's. openness
there. There is a sandy or white grittish soil there.
There is some surrounding foilage there. There
generally seems to be an openness other than this
one thing.
#66: Right, right. When you said to back 500 feet from
the target, that's when I got this. Now, again,
this may be seeing this from a distance., but I had
a feeling that the target was still right h.ere and
I was seeing these taller things off in the distance.
#66: Okay. So, there might be mountains in the. distance.
An openness with mountains in the distance.
#63: Right. And something was a little different from
about this session than a lot of my sessions, and
that was, I was totally blank most of the time
with a few vague images coming in.. Whereas, I'm
usually overlayed with tons of stuff, and I have
a hard time deciphering which one to identify and
which one not. This, I really didn't see much of
anything, and the things I did see were very.......
not very distinct.
#66: Okay. How does that make you feel. emotionally?
#63: Well, the lack of a lot of overlay makes me feel
good. So, I feel good about that. And,. if some
of this stuff is correct I'1.1 feel even better.
#66: Is there anything else you would like to say?
#63: No. That's all.
#66: Okay. Fine.
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TAB
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PINE
PNO
Rwo u
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4 71\LL
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TAB
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. _. D . IPA
AS 57
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