REMOTE VIEWING SESSION 844
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00788R001400010001-6
Release Decision:
RIFPUB
Original Classification:
S
Document Page Count:
13
Document Creation Date:
November 4, 2016
Document Release Date:
June 18, 1998
Sequence Number:
1
Case Number:
Publication Date:
January 7, 1982
Content Type:
REPORT
File:
Attachment | Size |
---|---|
CIA-RDP96-00788R001400010001-6.pdf | 330.63 KB |
Body:
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INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY: MSG, DAMI-ISH
05 63OZ JUL78
REVIEW ON:
NOT RELEASABLE TO FOREIGN NATIONALS
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION #844
1. (S/NOFORN) This report provides documentation of a remote viewing
session conducted for training purposes only.
2. (S/NOFORN) Post analysis on target viewing indicates the viewer
had a considerable amount of correlation to the actual target. The
drawings provided were most accurate in depicting the primary entrance
to the target building, a bank. The small set of stairs, block patterns
and walls next to the doorway drawn into page two was very accurate in
both scale as well as content. The viewer was very excited about the
mental correlation with that which he provided as perceptions about the
target. This session represents a classic remote viewing success.
3. (S/NOFORN) The protocol used for this session is detailed in the docu-
ment, Standard Remote Viewing Protocol (Local Target) by Harold E. Puthoff,
and Russel Targ, November 1978.
4. (S/NOFORN) Following is a transcript of the viewer impressions during
the remote viewing session. At TAB A are drawings made by the remote
viewer reference his impressions of the targeted site. At TAB B is the
target cuing information.;: Photographs taken normally were not done on
this target due to the target being a bank. Attempting to take photographs
of this target would have brought undue attention to the project participants.
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REMOTE VIEWING SESSION 844
#01: This will be a remote viewing session for
7 January 1982 with an on-target time of
0930 hours.//
Okay # 63, it is now time to start your
session. #72 has now arrived at the target.
I want you to take your time and relax, relax,
just relax and give me your impressions of the
target where #72 is at.
#63: I see a dark doorway, and it appears to have
a small stoop in front of it. About 3 low,
level steps going up towards this porch like.
Looks like it has a bannister on each side
of it going up. This door seems to be on the
left side of a building on the front...to the
left side of it... The corner of the building
is just...... about 3 times the width of the
door away from the end of the building. The
doorway is dark.
#01: Enter the doorway #63 and describe what you
perceive.
#63: Get a feeling of openness.
#01: Describe that. What makes you say openness?
PAUSE
#63: I don't know. I just feel like it's very open
inside. Things that are in there are close to
the walls and the middle of it's open.
#01: Describe the kinds of things in this-openness.
Don't try to name them. Just perceive what
these things are and describe what you are
perceiving.
#63: I get a feeling of an abandoned building or
something. I feel like I'm seeing walls and
empty hallways. I feel like I'm walking down
this hallway...or this....in this room. Looking
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for something, and the only thing that I see
that's of any interest is just the wall and
the doorway.
#01: Describe any colors that you sense at the
target.
#63: The color that I had ...or the feeling of
the wall outside around the doorway was gray.
Inside I get dark feeling.
#01: Are there any predominant smells that you can
describe?
#63: No. My strongest impressions so.far has been
the openness. If the door was overlay I may
be standing outside right now.
#01: Describe any obvious patterns that are part
of the target.
#63: Everything I see is right angles... squares.
#01: Are you saying that there's a lot of squares
there?
#63: No. All the walls and all the doorways and all
the corners are 90 degrees from one another.
Nothing that's. not 90 degrees.
#01: Okay. Just relax. Spend some time going through
the target...throu.gh this openness that you
described.. Touch and feel things as you come
up on them. Just describe to me anything of
importance about the target that I should know.
Just take your time and relax. Just report
what you can describe that I should know.
#63: I feel like the target is a tall, very squarish
type thing sitting in the middle of an open
area. Might have a sidewalk or something going
around it, and there are trees in the general
area around it. This might be a m; on:u;m:err.t or a
park or something... built around a monument.
Get a block feeling about the actual target.
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#01: Okay. At the target I want you to close
your perceptions to the target. Don't leave
the target. Stay there and slowly let go of
the target, and drift, drift up into the air,
drift up into the air to about 300 feet and
when you get to 300 feet tell me...what you
perceive to be 300 feet.
#63: Okay.
#01: Open your eyes at the target. Look around
you and describe what you might see adjacent
to the target.
#63: I see a grid of squares. Although the squares
might be...where the lines ....creating these
squares might be roads or sidewalks or something.
Get an initial impression of the block being
located in the center of an X, and the arms
coming into this X are made up of small squares.
....two squares side-by-side, and quite a few
of them in length coming into this X. So, it
might be double sidewalks all the way around.
#01: Okay. I have everything I need about the
target #63. I want you to take this opportunity
to relax. at the target and look around and add
anything else you would like to add concerning
the target. Just take your time.
#63: I'm.trying to find something else, but I think
I'v.e lost it.
#01: Okay. I'm. going to turn the tape recorder
on hold. Just relax.
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REMOTE VIEWING SESSION 844
(DRAWING DISCUSSION)
#01: Okay. Now, you finished your drawings
here. Explain them to me starting with
number 1.
#63: Okay. Number 1 was the perception that I
had when I went overhead. The target is
located in the middle of this X. The patterns
coming into the center of the X may be sidewalks,
roads. I got the.impression there were double
squares coming in.
Drawing number 2 was actually the first impression
that I got. I was standing in front of what
seemed to be a dark doorway, archway. or something,
that had a small porch on it and small steps going
up to it. Handrails on each side. I think I
originally said. that this was off to the left of
the building. Like there may have been something
over here. But, after I gave it some thought,
I saw this and I saw it was close to this end,
and so I said well, it's to the left end of a
building, because I didn't pay much attention
to what was back there. And, I think perhaps
another sidewalk goes off in this direction.
There were trees in the general area which gives
it the feeling of a park or something built around
this particular block object.
Drawing number 3. I got the perspective feeling
of a road or sidewalk going down.....it was
lined with trees on both sides and there were
shadows going across the road. The trees may
have been more arched over the road than I
depicted them.
#01: What do you think about the session?
#63: Well, I think it's, the first session in
such a long time that I'm,not quite to ground
zero again, but I had to fight off the desire
to look at the back of my eyelids all the time
and there's. a whole lot of information that I
saw at the back of my eyelids that I refused
to report. Because, whether it was right or
wrong I don't. want to allow myself to get back
to that stage again. So, I reported the
impressions that I had... The strongest
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impression I had was opennesses. That one,
I_think was probably the most accurate of
everything I reported.
#01: Okay. Very good. Well, why don'.t you
darken those in and we'l.l terminate the tape
here.
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TAB
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0
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D
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TAB
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