CO-ORDINATE REMOTE VIEWING (CRV) TECHNOLOGY 1981-1983

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001100520001-3
• Release Decision: RIFPUB
• Original Classification: U
• Document Page Count: 35
• Document Creation Date: November 4, 2016
• Document Release Date: April 11, 2000
• Sequence Number: 1
• Publication Date: August 4, 1983
• Content Type: BRIEF

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CO-ORDINATE REMOTE VIEWING (CRV) TECHNOLOGY
1981-1983
BRIEFING
4 August 1983
8:30 am to Noon
This material has been prepared solely for use as a briefing service.
This material is proprietary, and may not be further reproduced in
any form.
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COORDINATE REMOTE VIEWING (CRV)
I. Introduction
Exploration and development of co-ordinate remote viewing (CRV)
has gone through many phases: from random experimenting in 1974 ultimately
to its substantive contents now isolated into a primary, but standardized,
training course.
Based strictly upon the increasing success of trainees, it is anticipated
that the CRV procedures will continue to increase in value as a practical
applications tool.
EPOCHS OF COORDINATE REMOTE VIEWING (CRV)
R&D
1.
EXPLORATORY
1972 TO 1975
2.
INTERVENING AREA
1974 TO 1976
3.
PROBLEM OF SIGNAL vs NOISE
1976 TO 1978
4.
FUNDAMENTAL PERCEPTUAL STUDIES
1977 TO 1979 AND CONTINUING
6.
ISOLATION OF THE IDEOGRAM
1979
6.
TRAINING/LEARNING
1980 - PRESENT AND CONTINUING
7.
INTENSIVE ENHANCEMENT
1982 AND CONTINUING
8.
PROJECTION OF OPERATIONAL READINESS
1983 AND CONTINUING
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The co-ordinate: Why does it work?
We are unable to explain in conventional terms why it is that the
co-ordinate serves as a stimulus in the manner it does. Yet, as observed,
utilized through the methodologies that have been developed, it works with
remarkable precision.
EXAMPLE:
25? 35' 34.65' N
36? 2' 21.25" E
= AIRFIELD
TRAINED VIEWER SAYS "AIRPORT"
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3. The CRV technology differes from standard parapsychology
The CRV methodologies utilize comprehensions derived from studies of
basic perceptual qualities. These have not been incorporated into the
standard statistical approaches commonly utilized in parapsychology in other
past and present research centers.
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INTERVENING AREA MODEL EXPANDED
~-T-~ INTO COMPONENTS
INTERVENING AREA
ABSTRACT-MEDIATED
// I \\
ACT/PROCESS IMAGINATION ISOLATING COMMON IDEA/CONCEPT
PHOPEHTIES FOHMATION
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4. Is CRV comparable to other known models?
Correlations can be made with several models, both in physics and
in psychology. The model we prefer at the moment is the cosmogony of
quantum physics offered by David Bohm.
BOHM COSMOGONY OF QUANTUM PHYSICS
(THE ENFOLDING-UNFOLDING UNIVERSE AND CONSCIOUSNESS)
TIME AND SPACE
(EXPLICATE UNFOLDED ORDER)
In /,.
PRE-PHYSICS
PRE-TIME AND SPACE
(IMPLICATE ENFOLDED ORDER)
V
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EXPLICATE UNFOLDED ORDER
ANALYTICAL THOUGHT
MEANING ENCODED IN
IMPLICATE ORDER
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5. The "Stages" of CRV
R&D, aligned with training, have shown that "psychic" signals offer
themselves up to interpretative consciousness through a predictable series.
This series starts with "greatest" meaning, and evolves into "specific"
components.
This predictable process has easily yielding "stages" each of which,
in training, can be specifically tutored.
The training procedures are, however, of extraordinary delicacy and
do not tolerate many "flubs." Careful training eventually yields a strong
skill.
STAGE 1. IDEOGRAMS AND IDEOGRAM
PRODUCTION
STAGE 2. SENSATIONS EXPERIENCED
FROM DISTANT SITE
STAGE 3. MOTION AND MOBILITY
(LIMITED) AT DISTANT SITE
RESULTING IN PRIMARY
ARTISTIC RENDERINGS
STAGE 4. QUANTITATIVE AND QUALI
TATIVE ASSESSMENTS OF
VARIOUS DISTANT SITE
CHARACTERISTICS
SIGNALS THAT INDUCE/PRODUCE
IDEOGRAMIC RESPONSES (GESTALTS)
SIGNALS PRODUCING TACTILE, SENSORY,
DIMENSIONAL ESTIMATES, DIRECTIONAL
FEELINGS, AND SO FORTH
SIGNALS PRODUCING AESTHETIC
RESPONSES IN VIEWER, SIMPLE
SKETCHES AND "TRACKERS"
SIGNALS (MANIFOLD) THAT INDUCE
ANALYTICAL COMPREHENSIONS
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THE STAGES (Concluded)
STAGE 6. METHODS OF INTERROGATING (STILL IN R&D)
THE SIGNAL LINE
STAGE 6. CREATING 3-DIMENSIONAL SIGNALS (CONSOLIDATED) THAT YIELD
MODELS SIMPLE REPLICAS OF DISTANT SITE
FEATURES
STAGE 8. HUMAN TO HUMAN INTER- SIGNALS THAT IMPLY HUMAN PSYCHIC
FACES (R&D, 1984/1985) EMPATHY AND INDUCE/PRODUCE
IDEOGRAMIC RESPONSES (GESTALTS)
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SIAI.t I
(NONMATCHING) I "''I f
I / ~r"~. I I I `N
CONWDUSNESSS
/ IMI tAIt111t1'11.t1
(DECISION MAKING) STAGE 4-5-6
I / AOL (MATCHING)
AOL
(MATRIX)
OPEN-ENDED
I MINUTE TO 30 MINUTES
I TO S SECONDS
i/ISO UCOND
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6. The "signal" vs. the "noise"
Isolating signal from noise, and determining the characteristics of
noise, was a successful advance during 1978-1979. As a result of this
new knowledge and understanding gained, it became possible to isolate
and study "signals" in a relatively clean area of inspection. Without this
advance, none of the successive comprehensions of the signal line would have
been possible.
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%\
In1Y1N4~oilY
100 kW INPUT, 10 kW OUTPUT CO2 LASER,
DESCRIBED AS "LIKE A CREMATORIUM"
?I~y, p, OUllul
Fig. 1. Diagram of discharge and optical path rgioa
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15
The Ideogram
The discovery of the "ideogram" and comprehension of its importance
and meaning is perhaps the most significant occurrence in all the CRV work.
Basic understandings of the ideogram are found not only in our own
work, but also in several other fields that have concentrated upon the
microgenic basis of perception and semantics and meaning.
The ideogram is not unique to the work in CRV. An historical search
of parapsychology, psychical research, semantics, clinical neurology and
artistic disciplines adequately support the premise that the ideogram
is the result of a basic unconscious human perceptual modulation. In
psychical research in particular, the presence of the ideogram is recorded
as early as 1882, but its significance was not grasped.
FUNDAMENTAL PERCEPTUAL PROCESSES
(STUDIED IN SEVERAL FIELDS OF ENDEAVOR)
? BASIC CHILD-LEARNING PROCESSES
? ABORIGINAL PERCEPTUAL CHARACTERISTICS
(A BRANCH OF ANTHROPOLOGY)
? PSYCHIATRIC AND PSYCHOTHERAPEUTIC ANALYSIS
? NEUROLOGICAL STUDIES (APHASIAC RECOVERY)
? SUBLIMINAL STUDIES AND METHODOLOGIES
? TACHISTOSCOPIC STUDIES
? SUBCONSCIOUS MEANING OF WORDS AND IMAGES
? CREATIVITY STUDIES
? ARTISTICS DEVELOPMENT
? GESTALT FORMATIONS
? FUNDAMENTAL AESTHETIC PROCESSES
? IDEA FORMATION
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PATIENT SUFFERING FROM VISUAL
AGNOSIA: ATTEMPTING TO SKETCH
A HEXAGON (AT THE TOPI
0
TOP PART SKETCHED FIRST,
BOTTOM PART SECOND
Sown: ^&W, AMUrWro, "Dirintpro.on trod
rtvaontion of optic rocoyrwtion in
visa ognua," Archwn of Nwroloov
CM hvchwtrv, Vol. St. p. 243, 1044.
TELEPATHIC IMPRESSION OF A
DIAMOND RECEIVED BY A SUBJECT
OF RENE' WARCOLLIER
TOP PART SKETCHED FIRST,
BOTTOM PART SECOND
Soora: Wnoollitr, Rorr', Mind to Mm d,
Cronies Ap Pus, p. 32, 194a.
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The Murrnle& Tal(fll4es
perhaps the Most slnknlg Caw' of nu uorlplclahllo due III Jlusano,llr
bias 1, Ilan III the ? ludplll. ? llgmc,, ealkd hmrrnl?, 11'rYr1(1 by the hl,n.h and
Aufyhilr(er by the I:ermans. '1 he pupldal view is 111,1 m these vcly rumo6nl
drawing, 11w .h.IJ Icavcs ...At the bmlk cuhlcly. ,ud tllal III: cnulw?uusly
,lyric, lire u1,1,, 111 116? brad too the legs V.Iluns dlcul ws, have hccn
dle,cd. 11w cidd ws hrlmv,'d Iu uvedul,k is, lulpel lilt burly ni cv.u it,
"lepll'\\ ? II IIII leawlll, 111 Ilwndc,ly 11 we 11MIk at lhr JevcIujmw11i41 puwcs,,
w d.aov'cr 11141 IMl \I1.h a'\plalbhull Is IM'l/lll.ln. suite in thew dlawnlg, the
bunk ,dually I, 1611 1r11 u61.
Al Ilw cattiest ,61ge site cucle ,lands loss the lulal hum,, llguue. IUs, as it
v1a11d5 Is" us inauy Ilihel .I.I111111?Ie Ilbh?.Is sales, 11, slops 1, dJlcarollalyd
Ibrlwgl llw Addis I uu1 appendage,.
Source: Arnhelm, Rudolf, Au A ad Visual Irccohun,
U. of (allfornla, 1954, pp 197_19N.
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EXAMPLES OF UPTON SINCLAIR-MARY CRAIG SINCLAIR
SEALED ENVELOPE DRAWING EXPERIMENTS - 1928
TARGET
RESPONSE
(SNOWING IDEOGRAMIC
PERCEPTUAL FORMATIONS(
FK. Ios
F1. Ios,
Fm Iub
F's 106.
I-ii Iu7
h1 Iu7.
44
Snrv~
h1. lint
Fq. IUI
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