SUMMARY ANALYSIS - REMOTE VIEWING (RV) SESSION D-23

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001000170001-3
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 14
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: September 3, 1980
• Content Type: REPORT

Approved For Release 2000/08/07 : CIA-RDP96-00788R001000170001-3
&&QaE;Lmb
CLASSIFIED BY:MSG,DAMI-ISH
DATED:05163OZJUL76
REVIEW ON: 'QCp
GRILL FLAME
NOT R E N NATIONALS
Approved For Release 2000/ 88RO01 001 -3.1
mmow-
e
?
C N ~"
 Approved For Release 2000/08/ Z :,.IA-RDP96-00788 R001000170001-3
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION
1. (S/NOFORN) This report documents a remote viewing session conducted in
compliance with a request from SOD, J3, OJCS, Pentagon, Washington, DC.
The purpose of the session was to provide information relevant to the
hostage situation in Iran.
2. (S/NOFORN) The remote viewer's impressions of the target are provided
as raw intelligence data, arid, as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requester.
3. (S/NOFORN) The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
5? (s/NoPoRN) The remote viewer was asked to focus on "Victoria". He
described "Victoria" as a multi-level building in which he found eight hos-
tage personnel. At the time of the session the hostages were all grouped inl
one room and had just finished eating. The viewer had trouble distinguishing
individual hostage personalities but felt that two of the hostages perceived
were younger than the rest and were possibly Navy personnel. The viewer
perceived three armed guards in the "garden", two armed guards by the
entrance to the building and two unarmed guards in the hallway outside the
hostage room.
Approved For Release M
61 1 1O i 000170001-3
 Approved For Release 2000/0 08 A-RDP96 -00788R001000170001-3
REMOTE VIEWING (RV) SESSION D-23
TIME
#66: This will be a remote viewing session for 1100 hours,
3 September 1980.
Relax and concentrate now. Relax and focus your attention
on the building in the photographs I have shown you. Focus
on the building in the photographs I have shown you. Focus
at the present time and describe the building to me.
#J1: "L" shape...it's "L" shaped inside... interior corridor...
with, uh...second floors have people...
#66: Describe the people.
+01 #01: Getting...familiar hostages, or...just a minute.... like
there was eight, eight hostages there...the rooms are on
the second fl W r that theyxre in...it's brok
sides of the ll... Saw two...two people, L...that that, appears to be cots or temporary type sleeping beds.
#66: Tell me about the activity at the present time.
,#Ol: They're, uh...kinda congregated in one big room, reading.
Appears they just...just finished eating. They had a table
there with ...table there with dishes and stuff, paper...
There's, they just finished eating.
#66: Do you recognize any of the hostages?
+03 1: Saw a young...two of 'em are very young...19-20...but I
don't, I'get a feeling of communications, the one he's
got blond hair, it's either blond or sandy colored hair,
the Navy type, but he's not a Marine, he's just young...
there's another'young person there. I think these two
were like, uh, into communications or something.
#66: Tell me what makes you say this.
#01: Something that came in my head while I was looking at them.
Another one's got light brown hair and a moustache, a beard.
Not much of a beard, but he's got a beard. There's a.....
another Navy person, but he's older...too civilians...feel-
ing they're... they're like just in a room together, they
just finished eating. There's no guards in the room, but
there's guards in the hallway... outside.
Approved For Release 200M$j?% 001000170001-3
 Approved For Release 2000/08/ 01000170001-3
#66: Are they armed?
7#01: Yes, they are. Guards in the hallway aren't armed. The
guards outside are.
#66: Tell me the numbers in both locations.
#01: Just a minute, I'm try-in' to get this room squared away
here...-where it's at..... Three guards with arms, left
side of the building behind a wall by.some trees. There's
two guards-with arms just inside the door to the building.
It's like the end of a corridor or something. There's
like a...a waiting area, and there's two guards there.
They're not armed...it's outside the room. Getting my
floors mixed up. I think this is a split level building,
someway. Like the ground floor is part in the ground and
part not in the ground..... The small rooms are like around
the corner from the waiting area. This big room, I think,
is a...I can't, I can't, uh...I'm keep trying to make it
a dining room, but it's not. It's like an old conference
room. I get a...get the impression this...this is an old
wire service or press building or something.
#66: Tell me what makes you say this.
#01: Like, uh...squares of newsprint on the wall. Small frames.
I just, the feeling ...just the feeling like it's a old press
room or press building.
#66: You're saying this because of the framed newsprint you see
on the wail?
#01: That and the feeling ...just feel like. There's also a room
there with a lot of communications equipment. Telephones
and switchboards and like photocopy equipment...the drums...
like photo facsimile equipment.
#66: Okay. Now, other than the eight hostage personnel and the
guards you've mentioned, are there any other personnel in
the building?
#01: No. I don't see anybody else.
#66: I have no further questions. I'd like you now to comment
as you see fit.
#01: Strikes me as being kind of a jovial atmosphere, like
everybody's talkin' and havin' a good time. I don't sense
any depression.... Get a feeling like this is a building
I was in before, had a wall around it from the front. Some
kind of a oval window...doors like a rust red color, and
outside the building is like a off color yellow. That's
all I get.
Approved For Release 2000/ 0788 R001000170001-3
 Approved For Release 2000/08/ 788 R001000170001-3
#66: Okay. Remembering your perceptions clearly, let's prepare
to draw those impressions that you've had.
7ftv #O1: Okay, just a minute..... Okay.
Okay, evidently zeroed down to a section of the building
that these folks were in, and there's a lot of things,
feeling I get about the interior of the building that don't
seem to...don't appear like they're gonna agree with the
exterior, but I wanna draw it the way I see it. Had a
feeling like I was looking down a...a corridor, if you went
down. ..this is gonna be a little complicated at first...
to a right hand turn, sort of...I felt like there was a...
like this, uh ............... That's wrong. Let me start
this again. The problem I'm having with this is there's
a lot of decorative glass in the section that I was in,
where you can see the outside. The view I'm gonna draw is
if I was suspended in the air near the ceiling looking down,
because that's where I was. I'm tryin' to readjust it to
eye level, but I can't do it. So I'll give you that view.
#66: All right.
#01: It's like I was looking down on a row of glass squares in
a hallway... going out to the right. And these were very
large, because they are, they were like standing up against
them, they were the full size of a man, like big picture
windows. Only outside of this, this picture window effect,
was hedges and garden, like. Very bright sunlight coming
through these windows. And this went down like that.
And this way was a wall, and then the other side of the wall
went that way. This was a floor here. This is like look-
ing through the floor on top...this wall ...like this, with
a door, set at a very odd angle in the corner of the room,
back like this. And then here was the large table.. .with
big easy seats... sitting around the room. These are where
the hostages were.
#66: This is the table on which you said previously you saw
plates and food or something?
hol: Yeah... And, uh, try and get this right now, there's like
a slight turn here. And there's these steps that go up
like this along that one wall to a landing, and then go up
this way to the next floor. And this curve in the building
right here is also glass so you can see out. But there's
a door right to the left here, a doorway, should say.
Goes like that...this landing is down here like this...
these steps go up. Does this make any sense? You know,
like...
#66: Watching you draw it I can understand.
Approved For Release 2000/0$/07- : CIA-RD-F96-00788R001000170001-3
 Approved For Release 2000/08/ 8R001000170001-3
,01: Okay, good. There's like, uh, chairs out here like this
is a waiting area. And then there's a corridor here, and
this wall goes back this way. I get the feeling like these
are rooms over here. This is an exterior wall where all
the glass is. And this is like an old conference room.
Now there's two guards here but they don't have weapons.
This is a door. This is glass windows. Okay. Looking
from the top I get an impression that it's like, sort of
like...something less than a perfect angle. This'll be
page two. And, uh, this is the door at point A on page
one, this is the door at point A. This is the glass win-
dows, they're on the side. And then this room...is like
this, and this is a hallway, and these are rooms over here.
And, uh, somewhree over in here there's more rooms but I
couldn't get back over into there. And this is the big...
big room with the hostages. And I felt like this main
entrance was this way. I'll put it on both sheets.
#66: Okay, so-
#01: The exterior...garden. You know, like a more angular
intersection of walls than-
#66: This is why you were concerned that it doesn't fit with
the pictures?
#Ol: Yeah, and it doesn't seem to fit the pictures of the build-
ing I've seen, or there might be parts of the building
that are hidden from sight that I don't see in the picture.
But this is a...like page one is clearly the view I had,
and I was looking down into the second floor through the
third floor, or attic floor or whatever, third floor, I
guess. That confused me too. I kept tryin' to make three
floors and couldn't, I kept tryin' to make two floors and
I couldn't, and I was comin' up with two and a half floors.
And that's why I keep thinking maybe it's split level.
You know, one, two and three, the second being split leveled
off, the first and third. This could be the second floor,
and I was looking down through the ceiling of the second
floor into this area sort of obliquely, and, uh, the
entranceway I got a feeling was...I'm gonna do a side view.
I got a feeling like the entranceway was, uh...let's see
if I can do this right now...from the side it appeared to
be just a small portion, just an in element of the build-
ing, I had a feeling like this would be the entrance door,
just a small red door, rust colored do r. And that there
was, uh...some decorative metal iron or something, here,
which mighta had some sign or something between it. I
don't know what. This was also brick.
#66: Where is this again?
Approved For Release 2000/08/07 : CIA-RDP96-00788R001000170001-3
 Approved For Release 2000/ R001000170001-3
#t`01: This is the entrance door.
#66: Okay.
#01: It's on the side facing the street. And looking past it
on both sides but set away from the wall in which the
entrance door is set was a split level section that came
nutlike this...like this, and that there was like hedges,
and...garden. And I felt like there was like a wall here,
and, uh...these are just different sections of the building
that went back from the end...wait a second, now, there's
one other thing that's missing here, and I haven't recalled
it..... I know what it is- no windows on this end. The
entrance end I see no windows.
#66: As opposed to where you-
#Ol: As opposed to all kinds of glass where I was.
#66: Okay.
#01: And, uh...all this entranceway.
#66: And this is where there- you found two armed guards, at
the entrance?
{mil:
#66:
Yeah, uh...
If I recall, you said that--
#01:
There were some others too.
Wait a second and I'll tell
you where they were at. Two armed guards here, and over
here in the garden was three more... And, uh...the thing
that I remember now is it didn't have any windows from the
entrance end, that's a little confusing, 'cause the...just
nothing but bright sunlight windows, you know, on the hall-
way side. And the hallway seems like an odd shape.
#66: Okay, speaking of- okay, you say sunlight. What time of
day did you perceive it to be when you were there?
#Ol: It's like very, very, very late in the afternoon, you
know, when the sun's sitting right on the horizon and
almost your entire interior walls are lit because the win-
dows have no protection, it's just, you know, this real
hot afternoon sun blasting in. Late, late afternoon, like
the sun's about to set.... The building's essentially a
light yellow color. I had a feeling it was an old news-
#66: You talked about several pieces of equipment.
#Ol: -like a wire service building or something, you know, like
a United Press or UPI, or something, type building.
That's about it, I guess.
Approved For Release 200
6-00788R001000170001-3
 Approved For Release 2000/08/
R001000170001-3
#66: Okay. I'd like you to comment a little bit more on the
particular hostages themselves. You talked about two of
them being young, or Navy, and. so forth.
#01: I was tryin'- whenever I tried to identify the hostages
I try to look for differences, and, uh, the only differences
I could feel were two being Navy, and young as compared to
the rest. And then I was able to break out that one of 'em
had a beard. And then I perceived there was another Navy
person there, not a Marine, And, uh, you know, not so
young. And then I was, you know, I get a little confused
then because I'm struck by the similarity of all the people
that are hostages. It's like they're all, one person, for
some reason. Like there's all one identity there, or the
differences are falling away or something. Just for some
reason I couldn't perceive any more differences. And, uh,
I was also struck by a feeling of...not a hostage type
atmosphere, but a jovial type atmosphere -like ...this is our
early evening get together, you know, what are we gonna
do tonight, play cards, or what? That kind of thing.
#66: Okay.
#01: And that they had just finished eating.
#66: So, you still feel there's eight hostages?
#01: Yeah, there's eight people in there that are hostages.
#66: Tell me a little about the individual personalities that
you picked up. Three Navys, two civilians-
#01: Two civilians, I was able to perceive there was two
civilians... that's all I can get.
#66: Okay.
#01: It's like they're all running together for some reason.
#66: Anything else you want to add that-
#01: Just that the- my perception of the interior doesn't appear
to match the photo exterior, but that's only one view of
the exterior, so...you got it the way I see it.
#66: Okay, fine. That'll do it, then.
Approved For Release 2
6-00788R001000170001-3
 Approved For Release 2000/08/07 : CIA-RDP96-00788R001000170001-3
Approved For Release 2000/08/07 : CIA-RDP96-00788R001000170001-3
 Approved For Release 2000/08/07 : CIA-R 96-00788R001000170001-3
r i
Approved For Release 2000/08/07 : CI - P96-08RH0011(01-3
 Approved For Release 2000/08/07: CIA-RDP96-00788R00'~ 0001-3
Approved For Release 2000/08/07 : CIA-RDP96-00788R001000170001-3
 Approved For Release 2000/08/ 7 : CIA-RDP 66-b BR001000170001-3
Approved For Release 2000/08/07 ? I JR[ 96-00788RO01000170001-3
 Approved For Release 2000/08/07 : CIA-RDP96-00788R001000170001-3
TAB
Approved For Release 2000/08/07 : CIA-RDP96-00788R001000170001-3
 Approved For Release 2000/08/07: CIA-RDP96-00788R001000170001-3
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION D-23
1. (S/NOFORN) This remote viewer has been working on the Iran hostage situa-
tion for several months. He has been exposed to a myriad of information both
classified and open source.
2. (S/NOFORN) Prior to the session the viewer was shown classified overhead
imagery of "Victoria". The photograph is not included herein due to its
classificatiouff.
NOT RELEASABL
Approved For Release 2000/08/07 : CIA-RDP96-00788R001000170001-3