SUMMARY REMOTE VIEWING SESSION XXXV
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00788R000901090001-3
Release Decision:
RIFPUB
Original Classification:
S
Document Page Count:
16
Document Creation Date:
November 4, 2016
Document Release Date:
March 27, 2000
Sequence Number:
1
Case Number:
Content Type:
REPORT
File:
Attachment | Size |
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INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
REVIEW ON : 31May 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
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REMOTE VIEWING (RV) SESSION XXXV
1. (S) This report provides documentation of a remote
viewing session conducted for the purpose of orienting a
remote viewer to an applied remote viewing protocol.
2. (S) The remote viewer's target images in this session
provide for low to moderate target correlation. Prior to
the session the viewer requested that the facilitator remain
silent throughout the session and only be reminded of elapsed
time at five minute intervals. The viewer appeared to be
relaxed during the session, but he noted that the images
he was receiving were not as clear as he would like to see
them. The viewer not only received images, but he also
had other sensory sensations. He appeared to feel movement
and had the ability to describe the surface of an object by
the sense of touch or feel. After the session, the viewer's
confidence of success was not as great as he would have
liked it to be.
3. .(S) The protocol used for this session was modified
from that which will be used in later training. The
protocol to be used in later training is detailed in the
document, Standard Remote-Viewing Protocol (Local Targets)
by Harold E. Puthoff and Russell Targ, November 1978. This
session's protocol was modified in that a randomly generated,
preselected target was not used due to the unavailability of
the target pool. In lieu of a randomly generated, pre-
selected target the "outbounder" or "beacon" simply chose
a site which, in his opinion, was unique and identifiable.
4. (S) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A
are drawings made by the viewer reference his impressions
of the target site. At TAB B are photographs of the target
site. At TAB C is a post-session interview.
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REMOTE VIEWING (RV) SESSION XXXV
TIME #7.5: This will be a remote viewing session. (Edited
for security.)
(Edited for security.) #6.5 and #7.5 are at
the target location. And if you would, go out
to that location and view the area with them.
+01.5 #29: The first object seems to be light with a dark
front face. . . and a light side. And, it is
obscured. . by a diagonal. Possibilities are
railing. Or the top rail of a chain link fence.
As drawn at Number 1.
On to Number 2, I seem to be going around the
object clockwise. This seems to be down. . .
three to four feet. . . and perhaps the railing
ends there. And then looking at an object
which could be one to two stores high.
PAUSE
+05 #11: We've been (not audible) for five minutes.
PAUSE
Small trees, Tree shape. . . sitting in a box
. . . shape. It feels individual; it does not
feel that there is a whole bunch of them. As
if. . . Its not part of a natural landscape but
an individual tree in a planter.
+08 #29: Images are not as crisp and defined as I've had
in the past. Okay, I got the sensation of moving
under a roof or a ceiling and moving forward. . .
How do you draw motion?
PAUSE (DRAWING)
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#29: The first was . . . like that. And the
second. . was like. . .
It isn't working.
PAUSE
+10 #11: Ten minutes have passed.
#29: I have a feeling they are inside or underneath
a flat roof.
+12 I get the impression of a large, soft white
object. Order of magnitude, about the volume
2/3d's the volume of this room. It feels to be
up in the air. It feels as if it commences at
least four, four and one-half feet off the
ground and terminates about 12 feet off the ground.
+13 Now I've got an object that makes absolutely
no sense. Hard, metallic, somewhat T-shaped
. . . I'm tempted to say shiney, but it has the
feeling of being hard rather than necessarily
shiney. Feels dry. Its smooth. This would be
the edge of something else. This goes off into
the distance. And this is dark and smooth. As
if this might be an overhang, somehow.
This continues down like that and then it passes
off like that. There's a vertical here.
+16.5 #29: I get the feeling they walked back past the tree
box.
As they passed the tree box, they passed it
closer this time, it was on the right hand side.
Okay. Flat and (not audible) shorter. . like
that.
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PAUSE
#29: And they walked passed it this way.
PAUSE
I'm trying to develop a description of what
kind of an area it is.
It feels. . .
It feels to be . .
+19 quiet. . . It doesn't feel like there are a lot
of people around.
It feels more like a park than a shopping center
or a place of business.
+20 #11: They've been out to the target now for twenty
minutes.
#29: Yeah, they left back when I described them walk-
ing past the thing there that I referred to as
the tree box.
#11: Okay. Are you still able to stay there (not
audible)?
#29: I'm not sure. I'm not sure subjectively whether
I'm going back to the pictures that I drew. . .
and accessing the feeling or whether I'm still
there. I don't think it matters.
#11: Okay. Whatever feels more comfortable.
#29: That's an important point.
PAUSE
Back to Number 5 which was the large white object,
going back and thinking about it, it appears now
to have been within some sort of framework. As
if perhaps it was something. . a display behind
glass. A display of something behind a frame.
But the object. . . How do you describe a cloud
or cotton candy?
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#29: Very, very soft and not defined and not regular.
#11: Just describe it like the first thing that comes
in mind. Not try to get too analytical.
#29: I'm back to that image. I'm trying to see more
about it.
#29: Trying to see whether there are. . . No that's
analytical.
+23 #11: Would you like to continue?
#29: I want to make sure that I can't do any more before
I quit.
#11: Okay. Do you mind terribly if I kind of . . .
#29: Do what you want.
#11: . . . lead you around a little bit?
PAUSE
#11: Don't try to verbalize or anything until you're
ready. But just concentrate on going back to
your first impression of something that reminds
you of a rail or a fence. And you also had a
feeling of a clockwise movement. (Not audible.)
#29: Good plan. Because that's what I was doing.
#11: Are you walking down steps, or . . ?
#29: I don't. . . I don't feel. . All right, that's
a good point.
#11: I think its important of what you feel, you know,
came out very well.
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#29: Back to One. . . There's a park (not audible).
The car is parked back here. I tried to put it
in there twice. I'm not sure. And there is a
pathway; no this has more of a curve to it than
that. There is a pathway that has a slight curve
that goes down and around to the front of the
object described at Number One. This was a plan
+26 view. And there is a point in here where you get
the valve. I'm not certain whether it's analytical
but it feels like a hard surfaced walkway and it
might be asphalt. And the usual curb nonsense
to step over here.
That's all.
+28 #11: Very well. I think that was just super.
#29: Want to shut the noise machine off?
#11: Yes.
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TAB A
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2,
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TAB B
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TAB C
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REMOTE VIEWING (RV) SESSION XXXV
1. (S) Post-session interviews are conducted after
the completion of a session to provide the selected
remote viewer with the opportunity to express himself
concerning his viewing experience.
2. (S) #29 was disappointed that he did not have
better resolution. He feels he needs more practice
to develop his abilities; he wants to do sessions more
frequently. He would like to work in this field full
time.
3. (S) #11 and #29 worked well together. This was
the first time that #29 had worked with #11 as an
interviewer. The transition to an alternate interviewer
went smoothly without incident.
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