SUMMARY REMOTE VIEWING SESSION XLV

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000901070001-5
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 18
• Document Creation Date: November 4, 2016
• Document Release Date: March 27, 2000
• Sequence Number: 1
• Content Type: REPORT

ni
Approved For Release 2
IA-RDP96-00788R000901070001-5
ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
REVIEW ON: 30 Jun 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
ore ' ;LL FLAME
Approved For Release 20 -RDPQ-4 00901070001-5
 Approved For Release A-RDP96-00788R000901070001-5
1. (S) This report provides documentation of a remote
viewing session conducted for training purposes to enhance
a remote viewer's demonstrated ability.
2. (S) The remote viewer's impressions during this session
showed little correlation to the target site. The remote
viewer felt that the last minute change in on-target time
had no material affect on his ability to concentrate.
However, he was concerned that the interviewer was upset
since the last minute change may have impacted on results
obtained earlier in the day. The remote viewer felt that
the results obtained from this session were good and was
very anxious to "discover" the location of the "beacon".
3. (S) The protocol used for this session is detailed
in the document, Grill Flame Protocol, AMSAA Applied Remote
Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A
are drawings made by the viewer reference his impressions
of the target site. At TAB B is a post-session interview.
Approved For Releas ,
. . IA-RDP96-00788R000901070001-5
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000901070001-5
REMOTE VIEWING (RV) SESSION XLV
#28: This will be a remote viewing session. The
target in this case will be #100. (Edited for
security.)
#20.5: Okay, #44, you realize that the target change
has taken place so they moved it up. So, its
time now to focus on the target and #100 is
at the target location. He's reviewing the
target and the surrounding area. Look at the
target with him and describe your images and
what you see. (Edited for security.)
+02 #44: Something like a dome shape. I'm looking down
on it. Have the feeling of being. . up in the
air, but no too high and looking down onto a
dome shape. I don't think its a round dome.
I think its parabolic.
#44: And I seem to be getting a cross . . .as if
I am above in this area, then looking down.
I don't see this as a hard line. But then I'm
looking down into an area that's like this.
And there is. . this shape. It has a cross.
As if its two intersecting arches. But it seems
to be a whole dome with the arches intersecting
here. I don't. . see a hard base. . . to it.
#44: It does not appear to be transparent. Its
+05 possible that it might be a fountain where this
a source moving down to one big. . . it might be
a situation where you have a fountain and then
a fountain and then a fountain that are forming
crosses. I don't get the sensation of motion.
But that is one possible configuration.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000901070001-5
 Approved For Release 20 CCglln,
, - DP96-OO788ROOO9O1O7OOO1-5
#20.5: Yes, that was good #44. We're five minutes
into the session.
#44: The first sensation felt like it was out of
doors. Not inside. But somehow sheltered.
+07 A bench, but not a clear picture of a bench.
That is against a low partition. Not a long
bench. Perhaps like a banquet in a restaurant
or food place. Food service kind of. Its not
a sharp picture.
#20.5: Um hm.
#44: It doesn't feel necessarily . . .
PAUSE
When I said food service, I tended to do an
analytical thought, fiberglass, easy to clean
kind of bench, but it doesn't feel like that.
It just seems to be a softer surface than that.
But not upholstery. Example: Wood is a more
softer material than fiberglass but still hard
and not upholstery.
PAUSE
I'm going to try and shift again.
#20.5: Um hm.
#44: I keep getting a thought that goes back to
Number One. I wonder if it might be plexiglass.
This may be analytical, but it might, to go with
the thought in Number Two, if it were a fast-food
kind of restaurant place, this plexiglass kind
of thing that goes over a salad bar. I'm going
to try and dump that thought so I can get it out
of my head.
#20.5: Okay.
Approved For Release 2000/ ' RDP96-OO788ROOO9O1O7OOO1-5
 Approved For Release 20 00f t r fDP96-OO788ROOO9O1 O7OOO1-5
+09 #44: I have the sensation of people around and a
noise level.
#20.5: Tell me more about the people and the noise
level if you can.
#20.5: Okay. You're doing pretty good so far.
#44: Mark time. I think he's sitting against. . .
+10 Okay, I feel like he's sitting down. I'm tempted
to say at a table, but I'm afraid that's analytic-
al. I'll put the table in parenthesis. But I
did have the feeling he's sitting and not stand-
ing
#20.5: Okay, well, you just report what you see, we
can sort that out later. As far as. . .
#44: Quiet!
#20.5: . . . your mark time, its 11 after the hour.
PAUSE
PAUSE
+13 I'm trying to get outside.
PAUSE
Damn! I've got a very hard analytic overlay
and I can't get out and get it away. . and see.
+14 Okay. I'm standing, looking up at something.
And it appears to be a narrow point (not audible)
triangle. It comes down . . . If I'm standing
on the ground looking up at this thing. . . it
seems to be doubled. Why, I don't understand.
It comes down part way and it has a bend in it.
Okay, we're going to call this Three.
Approved For Release 2000/08/07 - O788ROOO9O1O7OOO1-5
 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0901070001-5
That's too narrow. The triangle base continues
but. . . and then there's a doubling of the
thing. This is interesting, my eyes are blurry
#20.5: Um hm.
#44: So I'm more or less gesturing with my hand.
PAUSE
Now, if I'm standing then I'm standing head
high somewhere around in there. Looking up
at that shape. It might be taller than that
yet.
+15 #20.5: Um hm. We are fifteen minutes and 10 seconds
into the session.
PAUSE
#44: I missed that.
PAUSE
+17 Okay. A roof shape that I don't, can't under-
stand. I'm not drawing it from the same
perspective that I saw it as. But it feels.
it feels roof. I don't know how to explain that.
I guess it feels roof because I'm looking up
at it and the surface is dark.
#44: Might be . . Oh, I can't. . understand how this
does it. It goes off in another direction at
the same time. . and curves over here as well.
Drat. This section may be analytical. But I
have to put something to hold up that side. I
can see, I can feel this curve.
#44: So we'll put an "A" on that. We'll put an ?
on that. I feel good about that and I feel good
about that. I feel good about that and I feel
good about that. And this is dark. And that
this repeats.
Approved For Release 2000/08/0' : CIA-RDP96-00788ROO0901070001-5
 Approved For Release 2000 6-OO788ROOO9O1O7OOO1-5
Now for the purposes of . . . yes, this would
get to be Four. Two, I can give you a plan
view. . . of something.
As if this is an exterior wall. And I had the
+20 feeling. Okay, of a bench there and a bench
here and I had the feeling that I'm backed up
in the corner here.
#44: And I had the feeling that the target subject
is further out than I am and I'm going to put
a table there and letter that table "A".
Because I'm not sure that the table was there
but I had the feeling of a bench along the wall
here. It may have been a longer bench and he
may have been further over here. I'm not sure.
#44: I'm labeling the two circles, possible positions
of the target as "T" which strangely enough
stands for target. I had the feeling that there
were people, not in the immediate area, now where
were they? "P", "P" . . . back in that area.
I'm concerned about the possibility of this
being analytical.
#44: And I will make:a comment that . . unfortunately
a lot of fast-food restaurants are made out of the
same. Unfortunately, if it was a fast-food
restaurant, fine all well and good. If it wasn't
then the whole thing got very analytical because
of the position of the benches and the fact that
there were people here and I had the feeling that
the drawing at Number One. . .
#20.5: The dome?
#44: Yes. Is located in that area.
#20.5: Um hm. But you think that you are inside here?
Approved For Release 2000MW 1994-RDP96-OO788ROOO9O1 O7OOO1-5
 Approved For Release 2 -RDP96-OO788ROOO9O1O7OOO1-5
#44: Inside there, yes. Let's see. Okay.
Now I thought when I first saw Number One,
that I was outside looking down at it.
#44: And I'm not sure . . well, I can still go back
and see that shape. I had an order of magnitude
about it. That might have been wrong.
Okay. In the sense that a shiney surface like
plexigalss has a shimmer to it and in the sense
that a fountain has a shimmer to it, that's the
kind of surface that the Drawing Number One has.
#20.5: Okay.
+21 #44: Its not a dull finish. Its not a slick, smooth
finish. But you could describe a smooth spray
of water as also being slick and smooth.
#20.5: Okay.
#44: I can't do any more about Number One.
Number Two is a plan view. I've described that.
Number Three: Number Three would be made out
of metal and I'm not certain I had the feeling
of warm color, red, orange or yellow. Red,
orange or yellow. Warm color and metal. It
might have had something to do with a sign.
But I think that may be analytical based on the
fact that I'm standing outside and looking up at
it. This was after I tried to go outside.
#20.5: Um hm.
#44: Number Four looks like a roof.
#20.5: Okay. Good.
#44: That's all she wrote.
#20.5: Could you recall how you got from the outside
inside?
#44: Not without being analytical, no.
#20.5: Um hm.
6
Approved For Release 2000/08/0 _ 00788ROOO9O1 O7OOO1-5
 Approved For Release 2000 , . ,, DP96-00788R000901070001-5
#44: You asked me the question, "Now tell me about
the rest of the people?" after I had started
to try and shift my focus to outside and I was
in the middle of moving. But, I moved diagon-
ally if I was able to, what I was trying to do,
I'll put an arrow on drawing at Number Two.
Ah. . . I tried to put an arrow. I will try
again. Put a drawing of an arrow at Number Two
of the direction that I wanted to go in.
#44: Everything seems to be tied to motion back and
forth in that direction. It seemed to have
started out on the axis and then pulled back
through the axis. No, wait a minute!
Now, there was a . . . I made a mistake.
Either that or that damn drawing flopped. All
right. Because the bench . . . let's label
this "X" because I don't remember where it fits.
The bench that I saw . . was in this . . No,
that's not right either. "X" mark Two. Mark
One. The bench that I saw was in this relation-
ship. That's better. And had some kind of a
wall partition behind it.
#44: Didn't see legs. Didn't see feet. I'm aware
of the fact that there is space underneath it
but I didn't see anything supporting it. Well,
I will indicate with a dash line that I'm not
certain whether that wall continues on. The
bench had a (not audible) length. And that I'm
not certain whether this continued on. This is
the bench that I described as being made of . .
Well, I questioned the bench as to whether it
was made out of a hard material like fiberglass
but it didn't feel like that.
#44: The question asked was to whether it was colored.
And I can't . . . didn't get a sense of color.
#20.5: Where did you sense that you were in relation
to that. . .
7
Approved For Release 200DP96-00788R000901070001-5
 Approved For Release 20 -RDP96-00788R000901070001-5
#44: I just crumpled up a drawing because it is not
one that I wish to have considered because I
drew it from the wrong direction.
Where did I, what?
#20.5: Where did you perceive that you were seeing this?
Where, where were you in relation to that bench?
#44: Are you asking me if I was inside or outside?
Or are you asking me where I was in relation
to the bench? Obviously, I was standing here.
#20.5: Okay.
#44: Like that.
#20.5: Okay.
#44: Quit!
#20.5: All right.
#44: #20.5 just asked me a question which I shall
endeavor to respond to. He asked me as to
whether I had a feeling as to how many people
were with #100? The answer is I guess involved
with the way I work that is that I target on an
individual and while I feel that #100 is . . was
by himself, I'm not certain that I would have
noticed anybody else. I did not get the sensation
that there was anybody else immediately with #100
but I had the feeling that he was there by himself,
being quiet and concentrating on the space as an
outbound subject usually does. I had the feeling
that he was giving it a good concentrated try. I
did not get the feeling that there was a period
of time where he was interacting with other people
around him. Such as if people had been there
talking to him, he would have been doing.
Stop again.
Approved For Release 2000 - DP96-00788R000901070001-5
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000901070001-5
TAB A
Approved For Release 2000/08/07 : CIA-RDP96-00788R000901070001-5
 AppreEediR: Ruse 2000/08/07 CIA-RDP96-00788R000901070001-5
VIEWER: 44
TARGET: 100
TAPE:T-48
.Approved For Release 2000108107.: . CIA-RDP96_-00788R000901070001-5 _
 SESSION: XLV
ApproVi '8f Rel4ase 2000/08/07 : CIA-RDP96-00788R000901070001-5
TARGET: 100
TAPE: T-48
Approved-. For Release.200.0/0.8107 .- CIA-RDP96-00788R000901070001-5_ .
 SESSION: XLV
TA14gved"fir Release 2000/08/07 : CIA-RDP96-00788R000901070001-5
 SESSION: XLV
Approved For ReYi12000/66/07 : CIA-RDP96-00788R000901070001-5
TARGET: 100
TAPE: T-48
Approved For Release 2000108107 CIA-RDP96-00788R000901070001-5
 Approved For
roved For Release 2000/08/07 : CIA-RDP96-00788R000901070001-5
SESSION: XLV
2000$/07 : CIA-RDP96-0
-0788R000901070001-5
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000901070001-5
TAB B
Approved For Release 2000/08/07 : CIA-RDP96-00788R000901070001-5
 Approved For Release 2000/0 jgCCnCT
-OO788ROOO9O1O7OOO1-5
REMOTE VIEWING (RV) SESSION XLV
1. (S) Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2. (S) #44 was not unhappy with his session. He, again,
expressed his disappointment in not being able to provide
better "resolution" regarding the target but realizes that
he needs to do more sessions to develop that ability.
Although #44 and #20.5 do have a close personal relationship,
this was the first session they have attempted together.
Several minor interruptions were caused by #20.5 as he
attempted to elicit more information from #44. Both learned
from the experience and are looking forward to the next
joint session.
Approved For Release 2000}Q IJ\IRDP96-OO788ROOO9O1 O7OOO1-5