SUMMARY REMOTE VIEWING SESSION XXXIX
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00788R000901030001-9
Release Decision:
RIFPUB
Original Classification:
S
Document Page Count:
16
Document Creation Date:
November 4, 2016
Document Release Date:
March 27, 2000
Sequence Number:
1
Case Number:
Content Type:
REPORT
File:
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CIA-RDP96-00788R000901030001-9.pdf | 630.88 KB |
Body:
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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
CLASSIFED BY: Director,DIA
REVIEW ON : 31 Jul 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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REMOTE VIEWING (RV) SESSION LXXXIX
1. (S) This report provides documentation of a remote view-
ing session conducted for the purpose of orienting a remote
viewer to an applied remote viewing protocol.
2. (S) The remote viewer's impressions during this session
appear to have little correlation to the selected target. The
viewer was very relaxed and confident. The ambient room noise
did not appear to disturb him, even though it was quite loud
at times.
3. (S) The protocol used for this session and which will
be used in later training is detailed in the document, Standard
Remote Viewing Protocol (Local Targets) by Harold E. Puthoff
and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site.
At TAB B are photographs of the target site.
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REMOTE VIEWING (RV) SESSION LXXXIX
TIME #14: This will be a remote viewing session (edited
for security).
All right, #10.5, its now 0900 hours. #28
and #1 are at the target location. Go out
to the location with #28 and #1. Tell me
what you see.
PAUSE
+03 #10.5: Looks like a point; a grey-white wedge.
PAUSE
+05 White with dark things on the side.
PAUSE
Dark things are on the other side.
Blocks, white blocks.
Funny roof.
Its way too high and way too long.
Its grey. Dark spot in the top of the wedge.
Lines. . across the middle of the wedge - two
of them. Three. . Three lines down the wedge
to the bottom. Dark on the left.
+08 A blotch. Lump. A lump, dark, round thing.
With a round thing on top. And green in it.
PAUSE
It looks all white. I want to say its all fake.
PAUSE
Funny. I want to say there's something stick-
ing out of the top. But it looks like its not
a. . on the right side. It sticks out 12 feet.
I get the side of a roof - on top. Roof is
darker but its not real dark. I want to say
there are things along the wall or along the
side, inside the "L". Hmmm.
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#10.5: They're irregular shaped. Four or five feet
away from the side. They'redark ends on the side.
With white lining. White on the bottom. The
white line on the bottom of the dark things.
#14: Find #28 and #1 at the target and tell me what
they are doing.
+14 #10.5: I want to say they're on the corner; outside
corner of the "L" now. I want to say they're
walking towards me, toward the front. There
again, I .
#14: Are they outdoors?
#10.5: Yes.
#14: Or are they indoors?
#10.5: Out. Its open around this. . not a lot of
stuff nearby.
PAUSE
#14: Step back .
#10.5: There's something nearby. There's something
nearby. . and its orange. Orange. And, I'm
having some trouble now. Let me wait. #28.
#28. #28.
This feel better. (Not audible) a little.
(Not audible).
#14: Try and move back away from the outbounders
and put the whole scene in front of you.
+20 #10.5: This is different. Okay.
#14: Okay. We'll open up the curtains a little bit
and let you draw.
#10.5: Okay, Good #14.
PAUSE
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#10.5: Do you know what the front of a conquistador's
hat looks like?
#10.5: That's the shape I'm talking about. This is
the front first wedge that I had as though its
been going, Whooooo, you know sort of down.
#10.5: You know, sort of curved. And not, not really
as much as a curve as the conquistador hat does.
#10.5: But is not straight, its got a curve in it, I
think. And this is maybe a little bit too much.
. . on this. Let's cut that off about right
there. I had. . I wanted to say, okay, this is
a dark on the top (not audible). And then, that.
Okay.
Something, let me, okay, I don't have the feeling
for . . its white in front of this thing. All
right, and there's something . . well, I'll draw
that later in a different view. Okay, this is
as I flush out my first one. This white wedge -
I'll draw like a side view here of the feeling
that I . . Its like the side peak would go like
this. Okay.
#10.5: Another feeling I had was that in under this
thing it was also curved and I had like.lines
in it; I didn't say that on the tape. But up
and under here, the shape is -- how am I going
to draw it? The shape is like . . how can I
draw the right perspective?
You know, if you're looking up at it I had a
line and I have a line back but this would be
curved in there. So, let me draw the line as
though we're looking up. Peak line. Gentle
curve back. These are curved lines. It was
grey with curved lines.
#14: Let me see if I've got that right. Is that
from underneath the inside looking up?
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#10.5: Yeah. As though I was standing here looking
up at the inside of this thing. Between,
between the forward edge of the peak and the
structure itself is a distance and that distance
is where I had this curved line affect.
#10.5: As the peak came down. Okay. But I got a
feeling of walls. That's why, my first comment
was this was . . this is weird. . a wierd. . a
very peculiar type shape. But I still had walls
on it. Okay, let me just go on. I've pretty
well muddled that one up.
There is a . . on the left side there is a dark
round shape that's got something like that on
the top. Icbn't know what to say but there.
Okay. These are white. This is white. All
this. . All this thing is white. Okay. The
whole thing is white.
These are regular shapes. There and there. Okay.
This is light.
Okay, view 2. Somewhere along this thing
though there is a wall and I can't. . or a side.
The side of it, I can't put it together or some
way that its not. The side. . is though, okay,
let me see how high. The side is, I'll just
draw what I got. Like a corner, okay. Okay.
That's. . Let's see. . There are irregular shapes
along here. There are dark shapes that I think
are hidden by the . . half by the roof or the
roof side.
#10.5: But they are in a square. But there is a . .
that main thing bout them is that they're set
off by a white stripe on the bottom of the
square thing, okay. And its like these things
go up. The whole thing. This line across here
I want to call it the roof line or where this
overhang is and these things are dark and they
pole up and under it so you can't really see it
from the way I was looking at it. And these are
white. And the side is grey. The roof is light
grey; or the top part is light grey.
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#10.5: I want to say that this thing is also "L"
shaped. In here then wouAbe left front.
View Number 1, okay.
On this end here, I got just as things were
ending, just as things were ending I had the
side, a side perspective of, or a perspective
. . . Okay, I'll draw the irregular shapes in
along here to show that. And then that's just
blank. That doesn't have anything really of.
its not like the front. Its sort of a flat
and its also got these irregular shapes along
the front of it. Okay. I'll put a little
Four here, because Four is just standard peaked
roof. And it has these. . I want to say, there's
two dark shapes that I . . . When I said that
they were there, that's where, I meant they were
coming, that way.
#14: Okay, so that's "X" on Number 3?
#10.5: "X" on Number 3 is what I had. I seem, I was
over here and I went through, I went right
through there and then I went out the other
side and I had, I had the impression that they
were coming around the corner. From right to
left.
#14: And that was about 14 minutes past the hour.
#10.5: Yeah. I said there was a big black thing on top.
And that's what really throws me off is because
its, its on the right. How am I going to put it?
Its somewhere back here. Its off-set, or at least
from my view its off-set. It was as though this
dark thing was off-set on it. Okay. And I'll
put that there because this is the other end,
it wouldn't show. Dark square thing. This is
dark. I said there was green in it. Okay. Yeah,
I said there was green in it. That's something
I said.
On this, on View 2, I have no idea of numbers.
I can't say how many of these dark things with
the light line in them there were. And I tried
to say away from numbers because that's left
brain counting and everything. So, I just got
this impression. I said that this dark thing
was 12 feet. Okay. That's one thing I said.
I said there was something orange.
5
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#14: Right.
#10.5: And I will. . I had the feeling I was . . when
you, when I . . It was just after, or shortly
after, you know, I was backing off anyway, I
was beginning to lose my focus and I was back-
ing off and I was getting this type of impression
as I was drifting back like that. And I had
this . . . I don't know what or where. . I had
Number 5.
I had this feeling of a ball with stripes on it.
I mean, not stripes but like somebody was look-
ing at an orange.
#10.5: It felt like I was looking down on it. Like it
was a pinwheel.
#14: Um hm. Was that the orange?
#10.5: That was the orange thing that I said.
PAUSE
And I don't know where that is or what it is
or where it is at the target or anything. I
had, okay, this is probably the best way to
I'll just work in Number 1. I . . .
I was going to say, well where. Let me do it
here, okay. I had open out here. I had the
feeling that it was, it wasn't an open for an
. . . it wasn't like it was, I think it was just
sort of like sitting in a circle. Not an actual
actual circle, but sitting in an open area but
there is other stuff around it but 50-75 yards
away is where everything else is, okay.
I think if anything, that's a little bit closer.
I want to say on the left side its cluttered but
open, okay.
And on the, what would be the top side of this
aerial, I'll say its open not so far. Its like
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it seems to be more open here. . little bit
of open space in the back and open space on
the left but cluttered stuff in there. I don't
know what it is, it could be trees, it could
be anything but I didn't. . I wasn't looking
at that. . I was looking at structure.
Is there anything else?
#14: How do you feel about the session? If you
had to assign a confidence level to it, how
do you feel. . .
#10.5: If I had to assign a confidence level, I'd say
this front view, Sketch Number 1, I feel good
about, I'd say 4 or 5. Because it was just, you
know, and then, as I tried to get side perspec-
tives of it, it seemed like things began to fall
apart because I couldn;t see how all. . how this
thing fit with the rest of it. I could have been
somewhere else. It could have been a totally
different building. Oh, wait a minute!
There's one thing that I want to tell you. And
that is, that I sat and I looked at this thing
and I, remember, you notice, you remember when
I was drawing Two and I said 'No, wait a minute,
that's not quite right.' Well, you notice I
don't have the other part of the "L" in here
and the reason is because I think that this part
of the "L" is as high as this part of the "L".
Its not as big a structure. Like it's tagged
on to the end of it. Something's funny with
the roof. You know. The whole. . it seemed like
none of these things that are usually straight
lines connected. It feels like a bunch of lines
that weren't connecting where they should. Let
me draw another picture.
That's sort of like what I perceived the roof
line to be, okay.
#14: Um hm.
#10.5: Like that. Its like its off-set.
PAUSE
What do you think?
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#10.5: Is there anything that you heard me say that
I didn't remember because I did that last time
I forgot a couple of things and I can't
remember everything I said?
#14: No. You've covered everything I've got jotted
down here.
#10.5: Well, again, I think I got a little bit more
than I did the last time. But again, I was
trying to, trying very consciously just to
stay right on the base line of description.
#14: Um hm. You've got some nice drawings there.
#10.5: I have no idea what that. . .
#14: We'll find out shortly.
#10.5: (Not audible) whether this thing fits together
with the . . I guess that's about it for me.
#14: Okay. End session.
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TAB A
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S/de.,
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try ~ 1
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TAB B
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